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All Journal E-Journal Of Cultural Studies PROMUSIKA: Jurnal Pengkajian, Penyajian, dan Penciptaan Musik MUDRA Jurnal Seni Budaya Lekesan: Interdisciplinary Journal of Asia Pacific Arts KALANGWAN Segara Widya: Jurnal Penelitian Seni Panggung Gondang: Jurnal Seni dan Budaya International Journal of Applied Sciences in Tourism and Events Visualita : Jurnal Online Desain Komunikasi Visual International Journal of Language and Literature SOSHUM : Jurnal Sosial dan Humaniora [Journal of Social Sciences and Humanities] Journal of Music Science, Technology, and Industry (JOMSTI) Jurnal Bali Membangun Bali International Journal of Glocal Tourism Jurnal Penelitan Mahasiswa Indonesia Abdi Widya: Jurnal Pengabdian Masyarakat Sevanam: Jurnal Pengabdian Masyarakat Journal of Aesthetics, Creativity and Art Management Bali-Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara Journal of Aesthetics, Design, and Art Management Melodious : Journal of Music Panggung Global Art Creativity Conference
Ni Wayan Ardini, Ni Wayan
Institut Seni Indonesia Denpasar
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Civil Engineering, Building, Construction & Architecture Computer Science & IT Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Environmental Science Health Professions Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Medicine & Pharmacology Public Health Social Sciences Transportation Other

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Technology as a Digital Trace in the Sekar Rare-Based Music Composition Oang Gabriel Matanari; Ni Wayan Ardini; I Wayan Sudirana
Journal of Aesthetics, Creativity and Art Management Vol. 1 No. 1 (2022): Journal of Aesthetics, Creativity and Art Management
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (292.709 KB) | DOI: 10.31091/jacam.v1i1.1595

Abstract

This study aims to analyze Rare Kebyar's musical composition, including instrumentation (form of presentation and instruments used), analysis of song in the work, and a brief analysis of the related video. It is done in a qualitative design. Its data are taken from interviewing, observing, and documenting. Documentation from YouTube is very important in the study. Rare Kebyar's work was done well because of the role of technology in it. Its video is uploaded on YouTube. The analysis of one of the Gending Rare or Sekar Rare in Rare Kebyar's musical works proves that the Balinese artists have a high intellectual level according to their profession. The music video analysis can be a proof that technology is able to go hand in hand with aspects of tradition.
Aesthetic hybridity of the song “Jali-jali” in Gambang Kromong music Yusuf Arrahman; Ni Wayan Ardini; I Komang Sudirga
Journal of Aesthetics, Creativity and Art Management Vol. 1 No. 2 (2022): Journal of Aesthetics, Creativity and Art Management
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (827.3 KB) | DOI: 10.31091/jacam.v1i2.1828

Abstract

"Jali-jali" in Gambang Kromong (Kromong Xylophone) music is a very popular Betawi song. This song is the result of acculturation of Betawi and Chinese culture. The popularity of “Jali-jali” is inversely proportional to the existing literature about this song. This study aimed to understand its specificity thoroughly. It is a type of field research by describing the data qualitatively and the selection of theory is based on data in the field. The type of data in this study is qualitative data. Research data sources consist of primary and secondary data sources. Data were collected through interview, observation, documentation and literature studies. Data analysis was carried out by data reduction, data presentation, and data verification. The results show that in "Jali-jali" the hybridity of Chinese and Betawi culture can be seen from the cultural aspects, namely ideas, activities, and artifacts. There is also a musical aspect in the playing of Tehyan which has a diatonic scale and Gambang Kromong which has a pentatonic scale. The form of "Jali-jali" in Gambang Kromong music is A-B-A-B-C, has 10 sentences and 5 periods. The aesthetics of "Jali-jali" is found in the melodic tone that sounds distinctive because the differences in the hybridity of Betawi music and Chinese music produce a contrasting melody, from which there is a very distinctive harmonization so that "Jali-jali" in Gambang Kromong music is closely related to Betawi cultural identity.
Transcription, Inheritance, and Meaning of Tri Sandya Puja Mantra Ni Made Ayu Dwara Putri; Ni Wayan Ardini; I Wayan Rai S
Journal of Aesthetics, Creativity and Art Management Vol. 2 No. 1 (2023): Journal of Aesthetics, Creativity and Art Management
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/jacam.v2i1.2350

Abstract

Tri Sandya Puja is a mantra (prayer) that is routinely performed three times a day by Hindus in Bali. Derived from two words, namely Tri which means "three" and Sandya which means "relationship". Tri Sandya is three times to connect with God (Ida Sang Hyang Widhi Wasa). It is a chant of a mantra and is categorized as an oral literature in the form of magical poetry. The Tri Sandya Mantra has been passed down orally in Bali and consists of six stanzas. In this article the authors will discuss the Tri Sandya Puja in more detail in terms of the meaning of the mantra, transcription of the melody of the mantra as well as cultural inheritance and its existence to date.
Koservasi dan Identifikasi Naskah Lontar Di Griya Agung Puri Tegaltamu Kabupaten Gianyar Ni Nyoman Perni; I Made Dian Saputra; I Nengah Duija; I Wayan Sugita; I Made Wiradnyana; I Nyoman Temon Astawa; Made Iwan Indrawan Jendra; I Komang Aryadi Arnata; Ni Wayan Anik Ardiningsih; Luh Made Wardyaningsih; I Wayan Mardana Putra; Ni Ketut Yoni Riskayanti; Dewa Ayu Putu Winda Suari; Gusti Ayu Ary Purnami; Gede Rama Sudarsana; Ni Luh Putu Juliastini; Ni Putu Sumariani; I Kadek Nuryawan; I Wayan Putu Yasa; Putu Adi Darma Putra; I Ketut Putra Adi Utama
Sevanam: Jurnal Pengabdian Masyarakat Vol 1 No 1 (2022): Maret
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/sevanam.v1i1.2590

Abstract

Lontar is one form of ancient manuscripts (manuscripts) that exist in the archipelago. Lontar is commonly found on the island of Bali, especially in Griya Agung Puri Tegaltamu, Br. Tegaltamu, Batubulan Village, Sukawati District, Gianyar Regency is a priceless heritage. Therefore, it is necessary to preserve the manuscript through conservation activities and identification of both physical and content. Based on the results of the activities carried out on 49 lontar manuscripts. The identified characters can be classified into several types of text groups. Identification is obtained after all the lontar manuscripts are preserved and can be read clearly.
Musik Pop Bali Sebagai Industri Budaya NI Wayan Ardini; I Komang Darmayuda; Ricky Irawan
Prosiding Bali Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara Vol. 1 (2021): Prosiding Bali Dwipantara Waskita: Seminar Nasionar Republik Seni Nusantara
Publisher : UPT Pusat Penerbitan LP2MPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Tulisan ini dibuat untuk tujuan melihat keberadaan musik pop Bali dalam hubungannya dengan industri budaya yang saat ini giat dikembangkan oleh pemerintah melalui wacana industri/ekonomi kreatif. Melalui literature review, tulisan ini disusun menurut paradigma deskriptif-kualitatif. Analisis dilakukan menurut pola reduksi data, penyajian data, dan penyimpulan. Hasil studi menunjukkan bahwa, dalam lingkup wilayah serta sosial-budaya Bali, musik pop Bali adalah bagian integral dari industri budaya itu sendiri. Sebagai industri budaya, ia adalah paduan ideal antara seni musik tradisi Bali dan aspek-aspek seni musik modern yang dibawakan oleh peralatan musikal modern. Meskipun demikian secara kajian budaya musik pop Bali adapat ditelusuri secara kritis karena aspek-aspek kapitalistiknya dan semakin hilangnya autentisitas kebalian musik pop Bali itu sendiri.
DESIGNING THE MUSIC COLLEGE IN CENTRAL JAKARTA Shania Noor Aisyah; Anedya Wardhani; Ni Wayan Ardini
Journal of Aesthetics, Design, and Art Management Vol. 2 No. 1 (2022): Journal of Aesthetics, Design, and Art Management
Publisher : Yayasan Sinergi Widya Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58982/jadam.v2i1.185

Abstract

Purpose: This paper was written with the aim of providing a forum that is able to facilitate the enthusiasm of the community, especially in Central Jakarta, in developing their music education after graduating from SMA / SMK equivalent to a higher level to produce potential and quality graduates. Research methods: The research method used in the design uses location data obtained online to take aerial photos of the site, then combined with architectural theory studies, music theory and comparative studies of similar buildings. Findings: The results will then be analyzed to produce a design concept. The design concept combines the order of the structure in the music consisting of an intro, verse, bridge, chorus, and ending. The concept is applied to the zoning order of the site. The composition of the building mass is also inspired by the form of musical notes that are processed based on different functions. Implications: The expressionism design theme is very appropriate to represent the character of the building to make it more iconic and dynamic. The results of the design process are in the form of concepts, working drawings, perspective drawings, and animated videos.
MAKEPUNG TRADITION: AESTHETICS OF ESSAY PHOTOGRAPHY THROUGH EDFAT AND SKIN MEDIA TRANSFER I Dewa Putu Ari Kresna Artha Negara; I Wayan Karja; I Komang Arba Wirawan; Ni Wayan Ardini
Journal of Aesthetics, Design, and Art Management Vol. 2 No. 2 (2022): Journal of Aesthetics, Design, and Art Management
Publisher : Yayasan Sinergi Widya Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58982/jadam.v2i2.260

Abstract

Purpose: This study is to identify the makepung tradition in Jembrana Regency, Bali, through essay photography. Research methods: The process of creating this photographic work begins with designing a concept with ideas, themes, and objects to be created, namely the makepung tradition in essay photography. The EDFAT theory, namely entire, detail, frame, angle, and time is applied as the basis for the theory of creation. Cowhide is used as a print medium for the photo essay. The process starts from skin selection, drying, and editing to printing photos on the leather media. Findings: Makepung is the peak of the joy of the farmers in being grateful for their harvest. Photographic essays in the series photo genre are composed of pure photographic works, into photos with writings that aim to tell the tradition. The photo works convey messages through photo essays of the tradition. Implications: This creation can provide new experiences for creators and the community to make photo essays or series so that people know the series of makepung tradition events from beginning to end.
PEMBUATAN MUSIK BUMPER DAN ILUSTRASI PROGRAM ACARA GRAND FINAL BRTV BALI TV 2021 Christianus Billy Antonio Gan; I Komang Darmayuda; Ni Wayan Ardini
MELODIOUS : JOURNAL OF MUSIC Vol. 1 No. 1 (2022): OKTOBER 2022
Publisher : UPT Pusat Penerbitan LP2MPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/melodious.v1i1.1790

Abstract

Tulisan ini bertujuan untuk membahas proses pembuatan musik bumper, musik ilustrasi opening MC, musik ilustrasi teaser para finalis, dan musik ilustrasi pengumuman juara dari program acara Grand Final BRTV Bali TV 2021. Sesuai dengan kurikulum MBKM (Merdeka Belajar Kampus Merdeka), penulis mendapatkan kesempatan untuk melaksanakan Magang/Praktik Kerja, yang dilaksanakan di Bali TV. Dalam pelaksanaan ini, penulis mendapat kesempatan untuk dari mitra untuk membuatkan beberapa karya musik untuk digunakan dalam acara Grand Final BRTV Bali TV 2021. Pelaksanaan pembuatan musik ini melalui beberapa tahapan, yakni tahap pendahuluan, tahap spotting, tahap penciptaan musik, tahap mastering dan review, dan tahap eksekusi saat acara. Tahap pendahuluan mendiskusikan rencana pembuatan musik baru untuk program acara. Tahap spotting dilakukan untuk menentukan unsur musik yang sesuai dengan visual. Tahap penciptaan musik memulai proses kreatif penciptaan musik. Tahap mastering dan review adalah proses mengubah ke format audio dan kemudian diulas oleh pihak mitra. Tahap eksekusi saat acara adalah kegiatan penulis menjadi operator pemutar musik saat program acara berjalan. Musik yang telah dibuat juga telah diaplikasikan langsung untuk program acara Grand Final BRTV Bali TV 2021
PROSES PEMBELAJARAN ALAT MUSIK PIANO PADA ANAK USIA DINI DI AMABILE MUSIK STUDIO Raden Roro Anggita Anggraini; Ni Wayan Ardini; Ketut Sumerjana
MELODIOUS : JOURNAL OF MUSIC Vol. 1 No. 2 (2023): APRIL 2023
Publisher : UPT Pusat Penerbitan LP2MPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/melodious.v1i2.2169

Abstract

Penelitian ini membahas tentang observasi pembelajaran alat musik piano pada anak usia dini di Amabile Music Studio. Penelitian ini bertujuan untuk menggambarkan perencanaan, pelakasanaan serta pembelajaran melalui musik dalam proses pembelajaran antara pengajar dan murid di Amabile Music Studio. Dampak penelitian yang dilaksanakan di Amabile Music Studio adalah meningkatnya kualitas pembelajaran yang lebih memotivasi, inspirasi, dan meningkatkan minat dan bakat di bidang seni, khususnya di bidang musik.  
ANALISIS PENYUSUNAN SILABUS PEMBELAJARAN GITAR KLASIK YANG BERORIENTASI PADA PESERTA DIDIK DI AMABILE MUSIC STUDIO, DENPASAR, BALI Yngwie McCuaren Lee; Ni Wayan Ardini; Guntur Eko Prasetyo
MELODIOUS : JOURNAL OF MUSIC Vol. 1 No. 2 (2023): APRIL 2023
Publisher : UPT Pusat Penerbitan LP2MPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/melodious.v1i2.2179

Abstract

Penelitian ini bertujuan untuk mengetahui penerapan silabus pembelajaran gitar klasik yang berorientasi pada peserta didik di Amabile Music Studio, Denpasar, Bali. Sampel Penelitian ini adalah peserta didik pembelajaran gitar klasik di Amabile Music Studio, Denpasar, Bali. Teknik pengambilan sampel menggunakan teknik Purposive Sampling dan Quota Sampling yang menghasilkan sebanyak 4 orang peserta didik yang memenuhi kriteria sebagai responden. Pengumpulan data dilakukan melalui wawancara kepada Komang Wisnu sebagai tenaga didik, Justina Tjandra selaku pemilik Amabile Music Studio dan observasi terhadap peserta didik di kelas pembelajaran gitar klasik, serta studi literatur terhadap berbagai sumber bacaan dan media daring. Hasil penelitian terhadap peserta didik menunjukkan bahwa setiap peserta didik memiliki silabus yang berbeda sesuai dengan kemauan, kemampuan, kebutuhan dan keinginan masing-masing peserta didik. Adapun kriteria dari penyusunan silabus pembelajaran gitar klasik ialah a) mengandung kaidah, aturan dan unsur-unsur yang terdapat dalam teori musik klasik barat, baik pada penerapan permainan maupun materi pembelajarannya, b) memiliki tingkat kesulitan yang menyerupai tingkat kesulitan setiap grade pada silabus pembelajaran gitar klasik ABRSM dan c) memaksimalkan karya-karya instrumental gitar klasik, baik klasik tradisional maupun klasik modern. Capaian dari pembelajaran gitar klasik ialah peserta didik mampu mengikuti dan memahami materi yang disampaikan oleh tenaga didik. Amabile Music Studio mengacu pada kurikulum ABRSM untuk pembelajarannya, namun bersifat fleksibel dalam penyusunan dan penerapan silabus pembelajaran gitar klasik kepada peserta didik. Selain silabus, peran tenaga didik juga berpengaruh sebagai orang yang membentuk peserta didik melalui pemberian silabus yang telah disusun.
Co-Authors Ade Surya Firdaus Ade Surya Firdaus Agus Cahyadi Agustinus Sani Aryanto Anak Agung Bagus Wirawan Andreani, Ni Putu Elvian Anedya Wardhani Anggraini, Raden Roro Anggita Arba Wirawan, I Komang Ariesta, I Made Jacky Bhumi, I Made Bayu Puser Cahyadi, Agus Christianus Billy Antonio Gan Dana, I Komang Restika Daren, Violiendra Calvin Darmawan, I Putu Ikka Darmayuda, I Komang Debora Dyan Ayu Stevany Desak Made Suarti Laksmi Dewa Ayu Putu Winda Suari Dewi, Ni Made Padma Dewi, Ni Putu Putri Laksmi Fardian, Fardian Firdaus, Ade Surya Gan, Christianus Billy Antonio Gede Pasek Putra Adnyana Yasa Gede Rama Sudarsana Gusti Ayu Ary Purnami I Dewa Putu Ari Kresna Artha Negara I Gede Arya Sugiartha, I Gede I Gede Arya Sugiartha, I Gede Arya I Gede Mudana I Gede Raditya Yudhistira I Gede Yudarta, I Gede I Kadek Nuryawan I Ketut Putra Adi Utama I Komang Arba Wirawan I Komang Aryadi Arnata I Komang Sudirga I Made Dian Saputra I Made Jacky Ariesta I Made Wiradnyana I Nengah Duija I Nyoman Larry Julianto I Nyoman Sedana, I Nyoman I Nyoman Suarka I Nyoman Temon Astawa I Putu Adis Putra Kencana I Putu Ikka Darmawan I Putu Sudira I Wayan Adnyana I Wayan Dibia I Wayan Mardana Putra I Wayan Putu Yasa I Wayan Sugita Kadek Allan Dwi Amica, Kadek Kaiway, Yudhi Aji Ristanto Ketut Sumerjana, Ketut Kirana, Bunga Flamboyan Komang Wira Adhi Mahardika Lamba, Linesti Laning, Billy Syalom Lee, Yngwie McCuaren Linesti Lamba Luh Made Wardyaningsih Luthfiansyah, Muhammad Raihan Luthfiansyah Made Iwan Indrawan Jendra Manik, I Made Dwi Rustika Maria Maya Aristya Matanari, Oang Gabriel Mayura, I Putu Nanda Yoga Merry Dwika Larasati Zaluchu MS Prof. Dr. I Wayan Rai . Ni Ketut Yoni Riskayanti Ni Luh Eka Armoni Ni Luh Putu Juliastini Ni Luh Sustiawati Ni Made Ayu Dwara Putri Ni Made Padma Dewi Ni Nyoman Perni Ni Nyoman Sri Astuti Ni Putu Sumariani Ni Putu Verenita Sintya Devi Nugraha, Albertus Febri Obet Oang Gabriel Matanari Oang Gabriel Matanari Palijama, Tirza Viona Prasetya, I Komang Wahyu Prasetyo, Guntur Eko Putra Kencana, I Putu Adis Putra, I Pt. Lukita Wiweka Nugraha Putu Adi Darma Putra Raden Roro Anggita Anggraini Rahma, Diva Sherina Ricky Irawan Sabath, Brill Obed Santosa, Hendra Setiawan, Clarissa Jessy Shania Noor Aisyah Sitepu, Solideo Tanmamana Sudirana, I Wayan Susanthi, Nyoman Lia Tamba, Rivaldo Adrianus Uttama, Putu Gde Chaksu Raditya Wahyu Sri Wiyati Wayan Karja Wijaya, I Nyoman Cahyadi Winata, I Gede Awangga Surya Putra Wiyati, Wahyu Sri Yngwie McCuaren Lee Yonathan Wijaya Yudana, I Gede Yusuf Arrahman