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All Journal BAHAS Edukasi Kultura SCHOOL EDUCATION JOURNAL PGSD FIP UNIMED JURNAL PENDIDIKAN TAMBUSAI Literasi : Jurnal Bahasa dan Sastra Indonesia serta Pembelajarannya Jurnal Review Pendidikan dan Pengajaran (JRPP) Bahastra: Jurnal Pendidikan Bahasa dan Sastra Indonesia REiLA: Journal of Research and Innovation in Language JURNAL KOULUTUS Jurnal Ide Bahasa Education Achievement: Journal of Science and Research Kode : Jurnal Bahasa Jurnal Bastra (Bahasa dan Sastra) Jurnal Sastra Indonesia Jurnal Ilmu Sosial, Humaniora dan Seni Argopuro: Jurnal Multidisiplin Ilmu Bahasa El-Mujtama: Jurnal Pengabdian Masyarakat Journal of Management Education Social Sciences Information and Religion Argopuro : Jurnal Multidisiplin Ilmu Bahasa
HERA CHAIRUNISA, HERA
Universitas Negeri Medan
Religion Arts Humanities Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Mathematics Social Sciences Other

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Journal : Jurnal Bastra (Bahasa dan Sastra)

 1 
REPRODUKSI KEKUASAAN DAN IDEOLOGI KEAGAMAAN DALAM FILM TUHAN, IZINKAN AKU BERDOSA : ANALISIS WACANA KRITIS Pasaribu, Nanda Tri Wardana; Fiza Anjani; Stevani Mahdalena Naibaho; Hera Chairunisa
Jurnal Bastra (Bahasa dan Sastra) Vol. 10 No. 2 (2025): JURNAL BASTRA EDISI APRIL 2025
Publisher : Program Studi Pendidikan Bahasa dan Sastra Indonesia, FKIP, Universitas Halu Oleo Kampus Bumi Tridharma Andounohu Kendari, Provinsi Sulawesi Tenggara – Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36709/bastra.v10i2.1309

Abstract

Film is a powerful medium in shaping, maintaining, or challenging social and ideological structures. Tuhan, Izinkan Aku Berdosa (2024), directed by Hanung Bramantyo, adapts the controversial novel Tuhan, Izinkan Aku Menjadi Pelacur! by Muhidin Dahlan, critically examining the reproduction of power and religious ideology. This study analyzes how religious ideology and power structures are represented and reinforced through narratives, dialogue, and visual elements. Using Critical Discourse Analysis (CDA) by Teun A. van Dijk, the research focuses on social context, particularly how power dynamics and religious ideology shape societal structures and individual agency. Adopting a qualitative descriptive approach, data were collected through documentation techniques, including dialogue transcription, visual analysis, and contextual interpretation. Findings indicate that religious ideology functions as a tool of social control, where religious leaders, such as Abu Darda, maintain dominance and suppress dissent. The protagonist, Kiran, initially conforms to religious norms but faces injustices—sexual violence, betrayal, and abuse—that push her to challenge religious structures. Her choice to enter prostitution is not mere moral decline but an act of resistance against religious hypocrisy and power reproduction. This study concludes that film effectively constructs and critiques dominant ideological narratives, highlighting the intersection of gender, power, and religious discourse while illustrating the stigmatization and oppression of those who deviate from religious norms. These findings contribute to media and cultural studies by emphasizing how religious ideology in film reinforces or critiques power structures in society. by emphasizing how religious ideology in film can either reinforce or critique power structures in society.
Co-Authors Al Husna, Saiba Aldina, Dayang Amalia, Mazaya Anhar, Ina Annisa, Al-Murizka Arianto, Tomi Ayu Nadira Wulandari Bangun, Mayketrin Br Batubara, Muhammad Sevat Azra Butar-Butar, Marlise Henjelina Calvin Ginting Canda, Elis Chesio, Muhammad Rafli Dalimunthe, Fitri Zalita Dava Frasetiya Deo, Yohanna Everyanti, Ida Cathy Fiza Anjani Galingging, Anna Theresia Br Gaol, Heri Manotas Lumban Gea, Mayland Gibran Srg, M. Khalil Gultom, Deviany Valeria Halimatun Sakdiah, Halimatun Hamdani, Almanna Fikri Handoko, Muhammad Rasyid Fikri Harahap, Resti Amelya Harahap, Sanjaya Hasibuan, Hikmah Sakinah Hikmah Sakinah Hasibuan Hutapea, Ayuta Setia Indhira, Indhira Irmanda, Sania Ita Khairani Junita Karlina Karimah, Maulidea Khairunisa, Khairunisa Limayasi, Chaterine Nimas Lisa Anggraini Lubis, Aidil Azhary Lubis, Borkat Lubis, Ghania Dhia Ulhaq Lubis, Winny Meilita Mahaga Tarigan, Calvin Manik, Jelly Rohani Mendrofa, Cindi Oktavia Muhammad Bahrul Ilmi, Muhammad Bahrul Muhammad Safei MUHARRINA HARAHAP, MUHARRINA Nadiyah Nadiyah Naila, Najwa Nainggolan, Dian Apriansyah Nainggolan, Lidya Revalina Nasution, Naswa Dwi Putri Nobel, Nobel Arta Zalukhu Nova Lestari Dalimunthe Nurmaningsih, Nurmaningsih Nurul , Nurul Atikah Pardede, Meisyara Rivandi Pasaribu, Nanda Tri Wardana Pasaribu, Parlindungan Pasaribu, Robin Pertiwi, Ayu Amelia Puandra, Esti Miska Purba, Sunita Karin Purba, Vandem Samuel Puri, Diah Ryscha Putri, Rita Ivanka Pratama Rangkuti, Salman Rasyid Rendy Tarigan Rosa, Rosa Putri Theresia Sinaga Safira, Dira Safitri, Nisa Sagala, Noviola Sari Kusuma Salsabila, Azura Sakhi Salsabila, Cinta Sebayang, Elisa Br Siagian, Martino Bijeloys Siallagan, Lasenna Sihombing, Christian Johansen Silalah, Sarina Septiani Silalahi, Selvina Simanjuntak, Nadia Costarika Simbolon, Santa Olivia Sharon Sinaga, Cony Carolin Sinaga, Nur Intan Siregar, Ahmad Ali Antoni Siregar, Dean Siregar, Hanfiandi Akbar Siregar, Koriatul Jannah Siregar, Muhammad Khalil Gibran Siti Aisah Siti Sahara Sitinjak, Reyvaldo Gilbert Stevani Mahdalena Naibaho Sukma, Ayman Human Syafitri, Aura Mutasyifa Syaifullah NST, Sarah Putri Tari, Rizky Kurnia Tarigan, Meilyca Br Tarigan Ica Tobing, Brigita Etika S Lumban Wisman Hadi Wulandari, Ayu Nadira