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All Journal JURNAL PENELITIAN ILMU PENDIDIKAN Jurnal Imajinasi Tanra : Jurnal Desain Komunikasi Visual Fakultas Seni dan Desain Universitas Negeri Makassar Equilibrium: Jurnal Pendidikan JOIV : International Journal on Informatics Visualization Dewa Ruci : Jurnal Pengkajian dan Penciptaan Seni Panrannuangku Jurnal Pengabdian Masyarakat Daengku: Journal of Humanities and Social Sciences Innovation Seminar Nasional Pengabdian Kepada Masyarakat Sureq: Jurnal Pengabdian Masyarakat Berbasis Seni dan Desain Tamaddun Seminar Nasional Hasil Penelitian LP2M UNM Ininnawa: Jurnal Pengabdian Masyarakat Paramacitra : Jurnal Pengabdian Masyarakat Jurnal Hasil-Hasil Pengabdian dan Pemberdayaan Masyarakat (JHP2M) International Journal of Education, Vocational and Social Science Journal of Arts Education and Design
Faizal Erlangga Makawi
Universitas Negeri Makassar
Religion Arts Humanities Chemistry Computer Science & IT Decision Sciences, Operations Research & Management Dentistry Economics, Econometrics & Finance Education Energy Engineering Environmental Science Health Professions Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Materials Science & Nanotechnology Mathematics Medicine & Pharmacology Public Health Social Sciences Other

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A Comparative Study of Geometrical Patterns: Escher’s Tessalation and Passura Toraya Ornaments Andi Baetal Mukadas; Faizal Erlangga Makawi; Jamilah; Muhaemin; Siti Asmaulul Izmi; Hasbi
Daengku: Journal of Humanities and Social Sciences Innovation Vol. 5 No. 6 (2025)
Publisher : PT Mattawang Mediatama Solution

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.35877/454RI.daengku4521

Abstract

This research aims to compare the geometric patterns in Passura Toraya and Escher’s Tessalation. The study examines Toraja ornaments created 5.000 years ago from a geometric perspective that is similar to the approach of well-known geometric artist, M. Escher. The research method used is a descriptive qualitative method by collecting data from literature studies and visual observations of Passura Toraya, which are then analyzed using geometrical pattern and basic mathematic shapes. The results of the study show that (1) triangle, square, pentagon, flora, and fauna shapes represent geometric forms with similar tessellation techniques in both Passura Toraya and M.C. Escher's geometric patterns; (2) Passura Toraya has repeated patterns in opposite directions and four sides, as well as 4-fold designs, similar to M.C. Escher's tessellated geometric patterns with the same size as the empty field and 3-fold repetition levels; (3) contrasting colors are characteristic of Passura Toraya, similar to M.C. Escher's designs. Passura Toraya, which was made approximately thousands of years ago, shows the same approach as geometric artist, M. Escher. This demonstrates that Passura Toraya was made with a high level of knowledge, despite being made approximately 5.000 years ago.
Illustration Design of Leang Leang Cave Tourist Attraction as an Icon in Animation Video Generative AI Faizal Erlangga Makawi; Agussalim Djirong
Tamaddun Life Vol 25 No 1 (2026): June
Publisher : Fakultas Sastra - Universitas Muslim Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33096/tamaddun.v25i1.569

Abstract

This study examined the use of illustration design as an icon in generative video animation using AI generative video to improve local attractiveness. The integration of technology on local tourism aims to improve the information to attract more visitors to Leang Leang Cave in Maros as an icon in international prehistoric cave. Leang Leang Maros provides many historical rock paintings that cannot be find in any part of the world. The Karst mountains provide many unsolved mysteries related to the age of the rock paintings. Thus, this study explores the potential of promoting Leang Leang Cave using AI generative video to create animation with strong illustration design. The method of this research is a qualitative research method, using the conceptual framework and four frames by Freeman (1995). The findings of this research demonstrated that the 19 respondents agreed that illustration is an effective visual representation. Because it provides original content, historical events, engaging visual presentations, and contemporary illustrations. The conceptual framework demonstrates that historical illustrations, identity, historical heritage, and strong story telling are key factors to improve the Generative AI video animation using Illustration design. While, in the four frames, originality, local wisdom, consistency, and contemporary interpretation are the key factors to improve. These categories are a fundamental key to promote for educational content and for media communication to attract tourism from around the world. The findings bring benefits not only for the visual communication design but also cultural heritage promotion in the Artificial Intelligence era.
ANALISIS PEMAHAMAN MASYARAKAT TERHADAP PEMILIHAN WARNA RUMAH DAN DAMPAKNYA PADA LINGKUNGAN Agussalim Djirong; Faizal Erlangga Makawi
JURNAL IMAJINASI Vol 10, No 1 (2026): Januari-Juni
Publisher : Universitas Negeri Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26858/i.v10i1.71575

Abstract

Pemilihan warna rumah menjadi hal yang paling sering diabaikan pada pemukiman padat di perkotaan. Kota Makassar khususnya pada pemukiman padat penduduk, memilik warna rumah yang sangat mencolok dan cenderung menggunakan warna primer dan sekunder. Penelitian ini bertujuan untuk menganalisis tingkat pemahaman masyarakat dan pengaruhnya pada pemilihan warna rumah di Kota Makassar. Metode penelitian ini adalah penelitian kuantitatif dengan melakukan survei secara online menggunakan google form. Hasil penelitian menunjukan bahwa dari 66 responden terdapat 57,3 persen jawaban yang tidak benar. Meskipun pada pertanyaan pertama responden memilih warna netral sebanyak 72,3 persen dan 36,2 persen memilih warna putih. Setelah digali pemahaman dan dibandingkan pemilihan warna primer, sekunder, dan warna netral. Masyarakat cenderung memilih warna primer atau sekunder sebagai warna rumah. Hal inilah yang menjadi alasan dibalik beragamnya warna rumah di Kota Makassar khususnya pada pemukiman yang padat penduduk. Seharusnya pemilihan warna rumah memiliki aturan dimana penggunaan warna netral yang menjadi acuan. Sehingga apabila warna rumah secara keseluruhan adalah warna netral akan memberikan kesan pemukiman yang lebih tertata, dan memberikan dampak psikologi yang baik. Sehingga masyarkat akan meningkat kesadarannya untuk menjaga kebersihan lingkungan mereka.
Co-Authors Agung Rinaldy Malik Agussalim Djirong Amin, Andi Nurzakiah Andi Atssam Mappanyukki Andi Taslim Saputra Arifin Manggau, Arifin Arifin, Irfan Arnidah, Arnidah Asia Ramli Aswar Aswar Aswar Aswar Aswar, Aswar Cahyadi, Dian Dedy Aswan Fatimah, Andi Fauziyah Hijrina Febrian, Muh Farrel Fitriana Fitriana Fitriana Fitrianingsih, Novi Harmin Hatta Harmin Hatta, Harmin Hasbi Hasbi Hasbi Hasbi Herawan Hisanan Ibrahim Arifin Izmi, Siti Asmaulul Jamilah Jamilah Jamilah Jamilah M. Adrian Bintang Revanza Maulana, Fadhil Muh. Rezky Ramadhan Muhaemin Mukadas, Andi Baetal Muliana Muliana GH Nurachmy Sahnir Nurjayanti Nurjayanti Padillah, Rezki Pangeran Paita Yunus Pattaufi Pattaufi, - Priyadharmadi , Andry Rahmansah Samsiana . Satriadi Satriadi Selfiana Saenal Tangsi Tangsi Wiharja, Muh. Kurniawan Adikusuma Yulita Sirinti Pongtambing