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All Journal Imaji: Jurnal Seni dan Pendidikan Seni Harmonia: Journal of Research and Education Abdimas JABE (Journal of Accounting and Business Education) E-Dimas: Jurnal Pengabdian kepada Masyarakat Riau Journal of Empowerment Dewa Ruci : Jurnal Pengkajian dan Penciptaan Seni Satwika : Kajian Ilmu Budaya dan Perubahan Sosial Kumawula: Jurnal Pengabdian Kepada Masyarakat Abdi Dosen : Jurnal Pengabdian Pada Masyarakat Jurnal Ilmiah Profesi Pendidikan Varia Humanika Jurnal Wawasan Pendidikan Jurnal Puruhita Jurnal Bina Desa Jurnal Pendidikan Sendratasik Gesture: Jurnal Seni Tari INSANIA : Jurnal Pemikiran Alternatif Kependidikan PENA ABDIMAS : Jurnal Pengabdian Masyarakat Jurnal Bina Desa Jurnal Seni Tari Harmonia: Journal of Arts Research and Education Jurnal Abdi Negeri
Lesa Paranti
Universitas Negeri Semarang
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Environmental Science Languange, Linguistic, Communication & Media Nursing Public Health Social Sciences Other

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METODE PELATIHAN TARI BATIK GRINGSING DI SANGGAR JAGADITHA KABUPATEN BATANG Nafi, Zidna Ilma; Paranti, Lesa
Gesture: Jurnal Seni Tari Vol. 13 No. 2 (2024): Gesture: Jurnal Seni Tari (October)
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gjst.v13i2.64629

Abstract

Sanggar Jagaditha berdiri tahun 2017 diketuai oleh Adila Endarini, sanggar ini masih aktif mengajarkan, mempertunjukan, melestarikan serta mempromosikan Tari Batik Gringsing Kabupaten Batang. Tari Batik Gringsing diciptakan untuk menampilkan salah satu khasanah Kabupaten Batang melalui proses membatik. Metode sangat berperan penting selama proses pelatihan dimana pemilihan metode yang tepat mampu membuat proses pelatihan tari lebih efektif. Penelitian ini bertujuan untuk mendeskripsikan metode pelatihan dan tahapan pelaksanaan metode pelatihan Tari Batik Gringsing di Sanggar Jagaditha. Penelitian ini menggunakan metode kualitatif dengan pendekatan fenomenologi yang bersifat deskriptif. Teknik pengumpulan data mencakup observasi, wawancara dan dokumentasi. Teknik keabsahan data menggunakan trianggulasi. Teknik analisis data dimulai dari pengumpulan data, reduksi data, penyajian data dan penarikan kesimpulan. Hasil dari penelitian ini menunjukkan bahwa metode pelatihan Tari Batik Gringsing di Sanggar Jagaditha menggunakan metode gabungan (ceramah, tanya jawab, demonstrasi, drill/latihan, imam dan tutor sebaya). Tahapan pelaksanaan metode pelatihan Tari Batik Gringsing di Sanggar Jagaditha meliputi: persepsi (pengamatan), replikasi (peniruan), umpan balik dan pengulangan.
METODE PELATIHAN TARI MIDAT-MIDUT DI SANGGAR TARI JUJU KOTA SEMARANG Rohmayani, Wulan Suci Nur; Paranti, Lesa
Gesture: Jurnal Seni Tari Vol. 14 No. 1 (2025): Gesture: Jurnal Seni Tari (April)
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gjst.v14i1.65274

Abstract

Penelitian ini bertujuan menganalisis penerapan metode pelatihan tari yang digunakan di Sanggar Tari Juju. Penelitian menggunakan metode kualitatif dengan pendekatan fenomenologi. Data dikumpulkan melalui observasi, wawancara, dan dokumentasi. Uji keabsahan data tiangulasi teknik dan waktu. Analisa data menggunakan data reduksi, data display, dan penarikan kesimpulan. Hasil menunjukkan pelatihan pada Tari Midat-Midut di Sanggar Tari Juju efektif dengan menggabungkan metode cerita dalam tahap persepsi, metode demonstrasi dan metode imam dalam tahap replikasi, dan metode latihan atau drill dalam tahap umpan balik dan pengulangan. Metode tersebut membantu anak-anak dalam memahami tema tari, mempraktikan gerakan yang telah diajarkan dengan tepat, dan memperbaiki keterampilan melalui latihan berulang, sehingga dapat mengembangkan pemahaman dan rasa percaya diri mereka. Kontribusi penelitian memperkaya kajian pelatihan tari tradisional dengan metode yang efektif.
The Prajuritan Dance Preservation of the Wahyu Kridha Budaya Association in Sumogawe Village, Getasan Sub-District, Semarang Regency Septiani, Elza; Paranti, Lesa
Jurnal Seni Tari Vol. 13 No. 1 (2024)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Prajuritan Dance of Wahyu Kridha Budaya Society is still active for three generations. The first generation is Mr. Noto Kayitno, the second generation is Mr. Srikoyo, and the third generation is Mr. Sumadi. Objectives, 1) to study the preservation of Prajuritan dance using aspects of protection, development, and utilization. 2) to describe the supporting and inhibiting factors of Prajuritan dance preservation of the Wahyu Kridha Budaya Association. The research used qualitative methods of emic and etic approaches. The research location is in Sumogawe Village, Getasan Sub-District. Data collection techniques include observation, interviews, and documentation. Data validity is in the form of source triangulation, technique triangulation, and time triangulation. The results showed, that 1) Preservation is carried out using three aspects in the form of protection from the village government, hamlet heads, associations, and the community. Development in terms of quality with the development of a variety of horse war movements, tidier makeup, and renewal of costumes, property, and musical instruments. Utilization is in the form of Prajuritan dance performances as entertainment and unification of the Magersari Hamlet community. 2) Supporting factors for the preservation of Prajuritan dance in the form of a sense of enthusiasm of members, financial assistance from the village government, and enthusiasm of the community in appreciation. The inhibiting factors are a vacuum during COVID-19, limited funds, and no social media to disseminate Prajuritan dance.  
Pelatihan Pembuatan Pupuk Kompos dari Sampah Organik Menggunakan Compost Bag untuk Mendukung Program Kampung Iklim (Proklim) di Desa Ngrawan Kecamatan Getasan Kabupaten Semarang Hanif, Miftahudin; Melati, Dinda; Paranti, Lesa; Lungguh, Lungguh
Jurnal Bina Desa Vol. 7 No. 1 (2025): Vol 7 No 1 (2025)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/jurnalbinadesa.v7i1.4184

Abstract

Organic waste is still a problem in Ngrawan Village, Getasan Regency, affecting the surrounding environment. The existence of these environmental problems requires efforts and solutions to overcome them. This service aims to provide knowledge about making compost using compost bags. The method used in implementing this service is using socialization, direct demonstrations, and assistance in making compost fertilizer every week. The benefits of this activity are optimizing the climate village program in Ngrawan Village, providing an understanding of environmental problems in Ngrawan Village, and mitigation efforts, as well as empowering the local economy by making compost independently. The results obtained are that the community knows about environmental problems in Ngrawan Village and efforts to mitigate and overcome them and the products produced from this community service activity are mature compost fertilizer that has been successfully made by the community, knowledge of the use of compost bags and materials that can be used as educational facilities for visitors to Ngrawan village. The conclusion is that in dealing with environmental problems and waste management, awareness is needed from an early age by the younger generation in Ngrawan Village.
Pelatihan Pengelolaan Media Sosial sebagai Upaya Penguatan Cultural Destionation Branding Desa Wisata Menari Tanon Kabupaten Semarang Paranti, Lesa; Jazuli, Muhammad; Prameswari, Nadia Sigi; Wiyoso, Joko; Farkhatunnisa, Alif; Latifah, Ani Nur Auliyatun
Jurnal Bina Desa Vol. 6 No. 3 (2024): Vol 6 No 3 (2024)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/jurnalbinadesa.v6i3.12832

Abstract

The potential and uniqueness of Menari Village as a tourist village in Semarang Regency needs to be introduced to the wider community. Based on the survey that was carried out, the community service found problems that needed to be resolved, including 1) Menari Tanon Village already has one social media (Instagram) but it has not been managed optimally; 2) lack of human resource capabilities in terms of understanding and skills in creating content that carries local cultural themes and social media management. The aims of this service include: 1) improving social media management; 2) increasing human resource capabilities and forming cadres. One solution offered to this problem is providing training on content and social media management. The approach used in this service activity is Participatory Rural Appraisal (PRA) which takes the form of a training and mentoring method. The stages carried out in this service include 1) FGD with Pokdarwis, 2) training and assistance in social media management. The training activity involved 17 participants who were the young generation of Tanon Hamlet. The results of the training indicate increased understanding and ability to create content as well as manage social media and create. After the training is related to techniques for creating content on social media with activity output in the form of creative content videos. Next, assistance is provided with social media management by forming a social media team and creating a posting schedule
Inovasi Flashmob Desa Ngrawan Kabupaten Semarang untuk Penguatan Pariwisata Berkelanjutan Paranti, Lesa; Wiyoso, Joko; Prameswari, Nadia Sigi; Latifah, Ani Nur Auliyatun; Romayani, Wulan Suci Nur
Jurnal Bina Desa Vol. 7 No. 3 (2025): Vol 7 No 3 (2025)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/jurnalbinadesa.v7i3.34164

Abstract

As a step to help Ngrawan Village in Semarang Regency develop sustainable tourism, the Community Service team from Universitas Negeri Semarang (UNNES) carried out an innovative activity. The aim was to create attractive art performances, such as flash mobs, to overcome the problem of a lack of innovation and regeneration of artists in the village. This activity employs a Community-Based Sustainability Development (CBSD) approach, which focuses on community empowerment. The methods used include training, mentoring, and evaluation. The main participants are members of the Karang Taruna ‘Omah Cikal’ youth organisation. As a result, a new flashmob dance themed ‘Ngrawan Menawan’ was successfully created and performed for the first time at the Ngrawan Art Festival on 30 August 2025. This innovation is expected to become an iconic dance in Ngrawan Village to strengthen local identity and unite communities from various hamlets. This activity proves that community empowerment through art can support sustainable tourism.
Optimalisasi Sumber Daya Manusia dalam Mendukung Kawasan Wisata Desa Timpik Kabupaten Semarang Muarifuddin; Ilyas, Ilyas; Kurniawan, Edi; Amidi, Amidi; Paranti, Lesa
Jurnal Abdi Negeri Vol 2 No 2 (2024): September 2024
Publisher : Informa Science

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63350/jan.v2i2.20

Abstract

Pengembangan kawasan wisata merupakan pilihan yang diharapkan dapat memperkuat baik potensi ekonomi maupun upaya konservasi. Pengembangan kawasan wisata dilakukan melalui transformasi terpadu berbagai peluang dan aset alam dan hayati. Hal ini semua diperlukan kemampuan sumber daya manusia yang berada di dalamnya. Oleh karenanya, program pengabdian kepada masyarakat ini sangat diperlukan untuk mengoptimalkan SDM Desa Timpik dalam meningkatkan potensi sebagai kawasan desa wisata. Kegiatan dilakukan dengan adanya pelatihan dan pendampingan kepada warga masyarakat Desa Timpik segala usia. Para pelaku seni yang ada hingga anak-anak siswa tingkat sekolah dasar. Program pengabdian kepada masyarakat ini dilakukan dengan berbagai kegiatan yaitu FGD Konsep Pengembangan Wisata Desa Timpik bersama Perangkat Desa, Pendampingan Fasilitasi SDM dalam Gebyar Seni Budaya Desa Timpik, Pendampingan Pembuatan Peta Desa, Pendampingan Pentas Seni Gelar Karya Hasil Pembimbingan, dan Pendampingan Metri Dusun Ngasinan Desa Timpik. Semua kegiatan tersebut tidak terlepas atas kontribusi dari seluruh warga masyarakat Desa Timpik beserta perangkat desa dan segenap mahasiswa KKN UNNES Giat 5. Hasil kegiatan yang telah dilakukan terdokumentasi dipublikasikan melalui youtube Desa Timpik Kecamatan Susukan Kabupaten Semarang. Hal ini dijadikan sebagai media promosi desa sekaligus product sosial marketing dalam menciptakan Desa Timpik sebagai tempat wisata budaya.
Peta Risiko Bencana sebagai Instrumen Partisipatif Pemberdayaan Masyarakat dalam Mitigasi Longsor Nurdin, Ananda Risky; Paranti, Lesa
Jurnal Abdi Negeri Vol 3 No 2 (2025): September 2025
Publisher : Informa Science

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63350/jan.v3i2.22

Abstract

This community service program aimed to reduce landslide risk in Kandri Village, Gunungpati District, Semarang City, by utilizing a participatory disaster risk map as the main instrument for community empowerment. The risk assessment revealed that land movement is the highest threat with a score of 6 (probability = 3, impact = 3), compared to fire (3), drought (2), and land exploitation (2). The high risk is caused by a combination of hilly topography, high rainfall, clay soil, and human activities such as deforestation and hillside construction. Methods included FGDs, participatory mapping, awareness campaigns, preparedness training, and evacuation drills. As a result, the community was able to read and use the risk map to identify vulnerable areas (RW 2 and RW 4), designate evacuation routes, and develop a local early-warning system. The risk map proved effective as both an educational medium and a practical tool in building a Disaster-Resilient Village.
The symbolic meaning of the Wura Bungi Monca dance movements in Maria Village, Bima Regency Ani Nur Auliyatun Latifah; Lesa Paranti
Satwika : Kajian Ilmu Budaya dan Perubahan Sosial Vol. 9 No. 1 (2025): April
Publisher : Universitas Muhammadiyah Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22219/satwika.v9i1.37888

Abstract

Wura Bongi Monca is a traditional welcoming dance of the Bima community that has undergone a transformation from the royal court dance of the Mbojo Sultanate into a contemporary creative dance performed in various cultural institutions, including Sanggar La Diha in Maria Village, Bima Regency. Despite its evolution, the symbolic representations and cultural meanings embedded within its choreographic structure remain underexplored within the sociocultural context of the local community. This study aims to examine the semiotic dimensions of the Wura Bongi Monca dance movements as performed in Sanggar La Diha elucidating their symbolic and cultural significance in the collective identity of the Maria Village community. Employing a qualitative research methodology with a semiotic approach. Semiotics is used in this research to explore and interpret symbols and meanings in the Wura Bongi Monca dance movements. This study integrates data collected through participant observation, in-depth interviews, and documentary analysis. The research informants include choreographers from the Mbojo Sultanate and Sanggar La Diha, historians, cultural experts, traditional leaders, dancers, and community members. The findings indicate that Wura Bongi Monca plays a pivotal role in the sociocultural fabric of Maria Village. This dance serving both ceremonial and entertainment functions. The choreographic consists of distinct symbolic movements, including paleo, palika, lele, foka, horma, and mangko, which are emblematic of Bima’s traditional dance heritage. The semiotic analysis reveals that these movements convey profound meanings: rai lu’u symbolizes the reception of blessings, lele represents resilience, sangge’de mangko signifies strength, paleo reflects consciousness, foka denotes openness, horma expresses supplication, wura bongi and kakiri kamai signify hospitality, kidi boko embodies power, and lampa palika-losa represents courtesy.   Tari Wura Bongi Monca merupakan tari penyambutan tamu khas masyarakat Bima yang mengalami transformasi dari Tari Istana Kesultanan Mbojo menjadi tari kreasi baru yang berkembang di berbagai sanggar, termasuk Sanggar La Diha di Desa Maria, Kabupaten Bima. Meski telah mengalami modifikasi, simbol dan makna yang terkandung dalam gerak tari ini belum banyak dikaji secara mendalam dalam konteks budaya masyarakat setempat. Tujuan penelitian ini adalah untuk menganalisis gerak Tari Wura Bongi Monca di Sanggar La Diha yang sarat akan simbol dan makna kehidupan masyarakat Desa Maria. Metode penelitian menggunakan metode kualitatif dengan pendekatan semiotika. Semiotika digunakan dalam penelitian ini untuk menelusuri dan menginterpretasikan simbol serta makna pada gerak Tari Wura Bongi Monca. Teknik pengumpulan data berupa observasi, wawancara, dan dokumentasi. Narasumber penelitian ini adalah koreografer dari Kesultanan Mbojo dan Sanggar La Diha, sejarawan, budayawan, pemangku adat, penari, serta masyarakat Desa Maria. Hasil penelitian menunjukkan Tari Wura Bongi Monca berperan penting dalam kehidupan sosial budaya masyarakat Desa Mari. Tarian ini digelar untuk penyambutan tamu dan hiburan masyarakat Desa Maria. Simbol gerak Tari Wura Bongi Monca yaitu, paleo, palika, lele, foka, horma, dan mangko. Gerak tersebut yang menjadi ciri khas gerak tari di tanah Bima. Makna gerak Tari Wura Bongi Monca yaitu, rai lu’u bermakna menjemput berkah, lele bermakna ketegaran, sangge’de mangko bermakna kekuatan, paleo bermakna kesadaran, foka bermakna keterbukaan, horma bermakna permohonan, wura bongi dan kakiri kamai bermakna selamat datang, kidi boko bermakna kekuatan, dan lampa palika-losa bermakna kesopanan.
STRATEGI INTERNALISASI NILAI BUDAYA LOKAL PADA ANAK MELALUI TARI EKA KARYA DI DESA NGRAWAN Paranti, Lesa; Putri, Rimasari Pramesti; Hartono, Hartono; Widodo, Widodo
Jurnal Wawasan Pendidikan Vol 6, No 1 (2026): FEBRUARI 2026
Publisher : Fakultas Ilmu Pendidikan, Universitas Persatuan Guru Republik Indonesia Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26877/jwp.v6i1.27741

Abstract

This study aims to analyze the strategy of internalizing the value of local culture in children through the Eka Karya Dance in Ngrawan Village, Getasan District, Semarang Regency. The study used a qualitative method with a sociology of dance education approach. Data were collected through observation, interviews, and documentation involving dance trainers, tourism village managers, and children involved in the practice and performance of the Eka Karya Dance. Data analysis used the interactive model of Miles, Huberman, and Saldana which includes data condensation, data presentation, and drawing conclusions. The results show that the internalization of the value of love for local culture occurs through three main strategies. First, participatory experiences in dance practice that enable children to learn about local culture through physical activity, movement exercises, and social interactions. Second, the representation of cultural values contained in the movements, themes, and accompanying lyrics of the Eka Karya Dance that represent the values of love for the village, harmony, mutual cooperation, and togetherness. Third, the experience of performing in various cultural activities such as the Ngrawan Art Festival, community entertainment events, and welcoming tourists that provide social recognition and foster a sense of pride in local culture. Research findings show that Eka Karya Dance not only functions as a medium for learning art, but also as a vehicle for forming cultural identity and strengthening children's love for local culture
Co-Authors Abda Abda Abdul Basyith Abdul Malik Abdullah, Muhammad Syukri Afiyah, Junita Dewi Al-Faruq, Moh. Yudik Amidi Amidi, Amidi Anggita Febriana Putri Ani Nur Auliyatun Latifah Benny Sumardiana Bintang Hanggoro Putro Bisri, Muhammad Hasan Briliyan Yusuf Ananto Chrisan Tiyansa Elisabet, Camelia Yunika Ema Butsi Prihastari Ratna Widyaningrum, Ema Butsi Prihastari Enggan Fabiyanto Farkhatunnisa, Alif Fauzizah, Ardha Dwi Fauzul Adzim Firdaus, Zana Saevanti Hanafi bin Hussin Hanif, Miftahudin Hartono Hartono Ilyas Ilyas Izzati, Mutiara Nur Joko Wiyoso Karsinah Khamdani, Muhammad Latifah, Ani Nur Auliyatun Lungguh, Lungguh M. Yogi Riyantama Isjoni Maria Krisnawati Marsiana, Deva Marsiana, Deva Melati, Dinda Muarifuddin Muarifuddin Muarifuddin Muhammad Jazuli Muhammad Khamdani Muhammad Soleh Nadia Sigi Prameswari Nadia Sigi Prameswari Nafi, Zidna Ilma Nafik Salafiyah Nafik Salafiyah Nahdiah, Dina Nur Fadilla Fitriani Nurdian Susilowati Nurdin, Ananda Risky Phakamas Jirajarupat Primantari, Irfanny Okta Putri, Anggita Febriana Putri, Rimasari Pramesti Putri, Rimasari Pramesti Radliah Zahra Hanun Rahina Nugrahani Restu Lanjari Rimasari Pramesti Putri Rochmat Supanto Rohmayani, Wulan Suci Nur Romayani, Wulan Suci Nur Safira, Mei Arum Sang Woo Ha Septiani, Elza Sestri Indah Pebrianti Siti Fatimah Slamet MD Sungkowo Edy Mulyono Supanto, Rochmat Tsiltsi Afifah Febrianti wafa, mochammad usman Widodo Widodo Zidna Ilma Nafi zulfa, nely