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All Journal Imaji: Jurnal Seni dan Pendidikan Seni Jurnal Pendidikan dan Pengajaran Harmonia: Journal of Research and Education Jurnal Ilmiah Pendidikan Dasar Jurnal Penelitian Pendidikan IPA (JPPIPA) Pendas : Jurnah Ilmiah Pendidikan Dasar Paedagoria : Jurnal Kajian, Penelitian dan Pengembangan Kependidikan JCES (Journal of Character Education Society) Jurnal Basicedu Journal of Educational Research and Evaluation FONDATIA JSM (Jurnal Seni Musik) JIKAP PGSD: Jurnal Ilmiah Ilmu Kependidikan Jurnal Eduscience (JES) Besaung : Jurnal Seni Desain dan Budaya Autentik : Jurnal Pengembangan Pendidikan Dasar Jurnal Educatio FKIP UNMA Jurnal Ilmiah Profesi Pendidikan Journal of Classroom Action Research Musikolastika: Jurnal Pertunjukan dan Pendidikan Musik Didaktik : Jurnal Ilmiah PGSD STKIP Subang Journal of English Language and Education Jurnal Ilmu Pendidikan Dasar Indonesia Jurnal Pijar MIPA Tarbiyah Wa Ta'lim: Jurnal Penelitian Pendidikan dan Pembelajaran Jurnal Basicedu Jurnal Pendidikan Indonesia (Japendi) Pedagogika: Jurnal Ilmu-Ilmu Kependidikan Simpati: Jurnal Penelitian Pendidikan dan Bahasa International Journal of Educational Technology Research (IJETR) Jurnal Penelitian Pendidikan Indonesia (JPPI) Pratama Widya: Jurnal Pendidikan Anak Usia Dini Jurnal Abdimas Jurnal Pendidikan Progresif Jurnal Bina Desa Journal of Research and Educational Research Evaluation
Eka Titi Andaryani
PGSD Universitas Negeri Semarang, Kampus Jl. Kemandungan Tegal
Agriculture, Biological Sciences & Forestry Arts Humanities Biochemistry, Genetics & Molecular Biology Chemical Engineering, Chemistry & Bioengineering Chemistry Education Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Materials Science & Nanotechnology Mathematics Physics Public Health Social Sciences Other

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Journal : Harmonia: Journal of Research and Education

 1 
PERSEPSI MASYARAKAT TERHADAP PERTUNJUKAN MUSIK DANGDUT ORGAN TUNGGAL Andaryani, Eka Titi
Harmonia: Journal of Arts Research and Education Vol 11, No 2 (2011)
Publisher : Department of Drama, Dance, and Musik (Sendratasik), Semarang State University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v11i2.2209

Abstract

Penelitian ini bertujuan untuk mengetahui  : (1) Bentuk pertunjukan dan budaya masyarakat setempat terhadap pertunjukan musik dangdut organ tunggal; (2) Persepsi masyarakat Kota Tegal terhadap pertunjukan musik dangdut organ tunggal. Penelitian ini menggunakan pendekatan deskriptif kualitatif dengan cara menggambarkan atau menguraikan keadaan yang terjadi pada objek penelitian yang dalam hal ini pertunjukan musik dangdut organ tunggal di kota Tegal. Teknik pengumpulan data yang digunakan adalah studi pustaka, observasi, wawancara serta dokumentasi. Data dianalisis dengan menggunakan analisis data deskriptif. Berdasarkan penelitian ini dapat disimpulkan bahwa pertunjukan musik dangdut organ tunggal di kota Tegal seringkali dihadiri oleh banyak penonton dari berbagai tingkatan usia. Lagu-lagu yang disajikan pada pertunjukan organ tunggal sebagian besar berupa tarling dangdut. Pertunjukan musik dangdut tersebut dijadikan cerminan status sosial masyarakat Kota Tegal. This study is aimed to find out: (1) Performing Arts and Culture of local people in solo organ dangdut musical performance; (2) Tegal People’s Perception towards solo organ dangdut musical performance. This study uses descriptive-qualitative approach by describing or figuring out the facts in the solo organ dangdut musical performance in Tegal. Techniques of data collection in this research include library study, observation, interview and documenting. This research uses descriptive analysis. From this research, it is concluded that the solo organ dangdut performance in Tegal attracts more audience of different ages. The songs that are presented in the solo organ performance are mostly dangdut. The dangdut musical performance can reflect social status of Tegal people.
PERSEPSI MASYARAKAT TERHADAP PERTUNJUKAN MUSIK DANGDUT ORGAN TUNGGAL Andaryani, Eka Titi
Harmonia: Journal of Arts Research and Education Vol 11, No 2 (2011)
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v11i2.2209

Abstract

Penelitian ini bertujuan untuk mengetahui  : (1) Bentuk pertunjukan dan budaya masyarakat setempat terhadap pertunjukan musik dangdut organ tunggal; (2) Persepsi masyarakat Kota Tegal terhadap pertunjukan musik dangdut organ tunggal. Penelitian ini menggunakan pendekatan deskriptif kualitatif dengan cara menggambarkan atau menguraikan keadaan yang terjadi pada objek penelitian yang dalam hal ini pertunjukan musik dangdut organ tunggal di kota Tegal. Teknik pengumpulan data yang digunakan adalah studi pustaka, observasi, wawancara serta dokumentasi. Data dianalisis dengan menggunakan analisis data deskriptif. Berdasarkan penelitian ini dapat disimpulkan bahwa pertunjukan musik dangdut organ tunggal di kota Tegal seringkali dihadiri oleh banyak penonton dari berbagai tingkatan usia. Lagu-lagu yang disajikan pada pertunjukan organ tunggal sebagian besar berupa tarling dangdut. Pertunjukan musik dangdut tersebut dijadikan cerminan status sosial masyarakat Kota Tegal. This study is aimed to find out: (1) Performing Arts and Culture of local people in solo organ dangdut musical performance; (2) Tegal People’s Perception towards solo organ dangdut musical performance. This study uses descriptive-qualitative approach by describing or figuring out the facts in the solo organ dangdut musical performance in Tegal. Techniques of data collection in this research include library study, observation, interview and documenting. This research uses descriptive analysis. From this research, it is concluded that the solo organ dangdut performance in Tegal attracts more audience of different ages. The songs that are presented in the solo organ performance are mostly dangdut. The dangdut musical performance can reflect social status of Tegal people.
Tegalan Song: An Expression of Musical Culture Identity of the Coastal Communities of Northern Coast of Java Andaryani, Eka Titi; Utomo, Udi
Harmonia: Journal of Arts Research and Education Vol 24, No 1 (2024): June 2024
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v24i1.42383

Abstract

Songs, regarded as a form of musical expression, consistently mirror societal culture. This research aims to unveil and analyze the song tegalan, which serves as a portrayal of Tegal’s cultural identity. The research employs a qualitative descriptive methodology. Data collection for this study involved scrutinizing tegalan songs, particularly their lyrical content, with the purpose of comprehending the themes depicting the unique identity of the Tegal community. In addition to observation, the researcher conducted in-depth interviews with three notable tegalan song artists. A literature review was also undertaken to corroborate the research findings. The collected data was then distilled to extract information pertinent to the research theme, which was subsequently presented based on the interpretation of Tegal’s cultural identity and then conclusively analyzed. The research findings indicate that within the lyrics of tegalan songs, four cultural identities are discernible: (1) the utilization of colloquial Javanese infused with the “ngapak” dialect; (2) the characteristic of spontaneous and sincere communication reflective of the Tegal community’s culture; (3) the identity of coastal communities, which tend to exhibit straightforwardness; and (4) the diverse range of typical Tegal delicacies such as “sega ponggol”, tea with palm sugar (“teh poci gula batu”), among others. Based on these findings, it can be inferred that tegalan songs, in terms of their lyrical content, epitomize the linguistic culture of the Tegal community in both structure and communicative patterns. Moreover, in terms of messaging, these songs convey insights into the identity and distinctive attributes of the Tegal community..
Co-Authors Agus Yuwono Aisyah Wardatun Nisa Andini, Linda Zuli Armaidi, Indriana Eko Asriani, Wulan Atmijaya, Rakhmatika Aufaa, Marsaa Alyaa Bambang Subali Decky Avrilianda DENI SETIAWAN Desra Auli Rahman Dhakar, Ronggo Alam Eko Armaidi, Indriana Eko Handoyo Eni, Ari Mia Dwi Anggra Ernasari, Tuti Erni Suharini Fujiyati, Indah Hamdan Tri Atmaja Handayani, Dwi Kurniawati Harianingsih Harianingsih, Harianingsih Hariyastuti, Anik Hasanah, Radita Hidayati, Annisa Tri Iftinawati, Sri Indar Listia Ningsih Irawan, Teguh Adi Irfan Maulana, Irfan Irmade, Oka Kanthi Asri Kirana May Muna, Kirana Lestari, Madya Indah Linda Maryana Lisa Andriani Luthfiyah, Hasna Maghfiroh, Ayu Ainul Maharani Arif, Asila Manurung, Eva Narulita Maria Johana Ari Widayanti Ma’rufah, Siska Azkiyatul Muchsin, Ibnu Amar Nailissa'adah Noor Aini, Alfina Noor, Azzamul Fadhly Nurul Hidayah Oka Irmade Oktriani, Neneng Panca Dewi Purwati Paulus Widjanarko Purwanti, Panca Dewi Putri Yanuarita Sutikno Putri, Yulia Melinda Rahmadanti, Caecilia Rahmawati, Naila Rizkha Fatmawati Rohman Sujarwo, Fatkhur Rumalowak, Nurul Febrianti Salwa, Anisa Sarnita Sarnita Setioyuliani, Syntia Eka Putri SRI RAHAYU Sri Sumartiningsih SRI WARDANI Sudarmin Sudarmin SUHARTO Sutikno, Putri Yanuarita Syahrul Syah Sinaga Tri Joko Raharjo Tri Suminar Triana, Vivit Trisnawati, Feni Udi Utomo Udi Utomo Wadiyo Wadiyo Wantoro Wantoro, Wantoro Widjanarko, Paulus Wijaya, Bijak Samuel Yanuarita, Putri Zahrika, Nazala Aprian