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All Journal MediaTor: Jurnal Komunikasi Channel : Jurnal Komunikasi Record and Library Journal Jurnal Kajian Komunikasi Jurnal The Messenger ProTVF Jurnal Studi Komunikasi Komunikasi : Jurnal Komunikasi PRofesi Humas Jurnal Komunikasi Jurnal ASPIKOM Persepsi : Communication Journal Dinamisia: Jurnal Pengabdian Kepada Masyarakat PROSIDING KOMUNIKASI Prosiding Magister Ilmu Komunikasi Wacana: Jurnal Ilmiah Ilmu Komunikasi PRoMEDIA Journal of Humanities and Social Studies JISIP: Jurnal Ilmu Sosial dan Pendidikan Jurnal Manajemen Komunikasi Jurnal Politikom Indonesiana Jurnal Ranah Komunikasi Jurnal Akrab (Aksara agar Berdaya) Journal La Sociale Informatio: Journal of Library and Information Science Jurnal Visi Komunikasi Jurnal Ilmiah Teknik Informatika dan Komunikasi Komunikologi: Jurnal Ilmiah Ilmu Komunikasi Jurnal Kaganga : Jurnal Ilmiah Sosial dan Humaniora Tuturan: Jurnal Ilmu Komunikasi, Sosial dan Humaniora Saber: Jurnal Teknik Informatika, Sains dan Ilmu Komunikasi ARIMA : Jurnal Sosial Dan Humaniora Jurnal Kajian Budaya dan Humaniora (JKBH) Komunikatif : Jurnal Ilmiah Komunikasi
Atwar Bajari
Fakultas Ilmu Komunikasi Universitas Padjadjaran
Religion Arts Humanities Computer Science & IT Economics, Econometrics & Finance Education Electrical & Electronics Engineering Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Social Sciences Other

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Pengaruh Konten Instagram @jpcc Terhadap Minat Pengikutnya dalam Menghadiri Kegiatan Kerohanian Sitanggang, Jonathan Timoty; Bajari, Atwar; Mirawati, Ira
KOMUNIKOLOGI: Jurnal Ilmiah Ilmu Komunikasi Vol 21, No 01 (2024): Komunikologi
Publisher : Lembaga Penerbitan Universitas Esa Unggul

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47007/jkomu.v21i01.814

Abstract

Maraknya penggunaan media sosial Instagram di era ini banyak dimanfaatkan oleh berbagai pihak, termasuk institusi keagamaan seperti GerejaPenelitian ini bertujuan untuk mengetahui seberapa besar pengaruh konten instagram @jpcc terhadap minat followers @jpcc dalam menghadiri kegiatan kerohanian di Gereja JPCC dengan Teori Elaboration Likelihood Model. Penelitian ini menggunakan metode kuantitatif dengan menyebarkan kuesioner kepada 100 sampel penelitian secara online dalam bentuk Google Form. Kemudian analisis data dilakukan menggunakan analisis deskripsi dan analisis inferensial dengan bantuan IBM SPSS Statistic 29. Hasil penelitian ini menunjukkan bahwa konten Instagram @jpcc, meliputi kualitas pesan, daya tarik gambar, dan kredibilitas sumber dari berbagai konten-konten yang ada di laman Instagram @jpcc, terbukti berpengaruh secara signifikan, baik secara simultan maupun parsial, terhadap minat followers dalam menghadiri kegiatan kerohanian di gereja JPCC.
Studi Etnografi Virtual: Konstruksi Identitas Virtual Anggota Subkultur Humor Mencela Diri Di Tiktok Widiastuti, Anindita; Bajari, Atwar; Mirawati, Ira
JISIP: Jurnal Ilmu Sosial dan Pendidikan Vol 7, No 2 (2023): JISIP (Jurnal Ilmu Sosial dan Pendidikan) (Maret)
Publisher : Lembaga Penelitian dan Pendidikan (LPP) Mandala

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58258/jisip.v7i2.4754

Abstract

Islamic Business Law is a legal dimension in business activities that is based on Within the subculture of self-deprecating humor on TikTok, users are self-deprecating in the videos they upload or the comments they post on related videos. The self-deprecation that users do on TikTok encourages users to pay more attention to the virtual identity they want to show to other TikTok users. Therefore, this study aims to understand how TikTok users as members of the self-deprecating humor subculture construct their virtual identities on TikTok. In order to understand the members of a subculture and the culture exchanged between members of the subculture in depth, this qualitative research uses a virtual ethnography method to observe subcultures of self-deprecating humor on TikTok for six months. This research finds out how members of a subculture can construct their virtual identity through profile sections and through the language used in interactions with members of other subcultures. In general, members of subcultures construct their virtual identities with the aim of disguising their real identities. At the same time, members can construct virtual identities that can reflect on themselves. Over time, members of the subculture adapt the virtual identities they construct taking into account the language and culture that prevails within the subculture of self-deprecating humor on TikTok. The freedom of members of subcultures to self-deprecate is achieved because of the freedom of virtual identity formation allowed by TikTok.
Abdi Dalem Keraton Yogyakarta in the perception of Generation Z Sari, Wulan Purnama; Bajari, Atwar; Hafiar, Hanny; Lestari, Puji
Jurnal Kajian Komunikasi Vol 11, No 1 (2023): June 2023
Publisher : Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24198/jkk.v11i1.44570

Abstract

Background: The Abdi Dalem Keraton Yogyakarta is a state apparatus that has dedicated his life to the Palace and has a role as an agent for preserving culture, especially Javanese culture. This is manifested in the way they communicate and also the way the Abdi Dalem dress. The actions taken by the Abdi Dalem reflect that they are living examples of Javanese culture, and it is their duty as agents to preserve it. Abdi Dalem is often perceived as being attached to something traditional or old-fashioned. Purpose: The research was conducted to analyze and describe the perceptions of Generation Z about the Royal Palace Servants of Yogyakarta. Generation Z was chosen because this generation is known as the digital generation and has main characteristics in terms of mastery over technology and information, making this generation very close to the digital world, and then how the digital generation perceives or sees Abdi Dalem, who are traditional and far from digitalism. Methods: This study uses a quantitative approach and survey methods. Data was collected using a questionnaire, with the response being Generation Z, who live in the Yogyakarta area. Conclusion: Based on the stages of forming perceptions starting from stimulation, organizing, interpreting-evaluating, storing, and recalling. The results of the study show that the formation of Generation Z’s perception of Abdi Dalem is limited to people who work at the Palace, the Yogyakarta Palace reminds Generation Z of Abdi Dalem but not Javanese culture. The language and clothing of the Abdi Dalem also do not stimulate the perceptions of Generation Z, nor do the media stimulate the formation of Generation Z’s perceptions. Implication: Generation Z’s perception of Abdi Dalem is minimal because the topic of Abdi Dalem is not the main topic, especially in their information search system on social media. This condition limits the actions and ways of communicating from Generation Z regarding Abdi Dalem.culture, and c) and to inform the young generation about local customs and culture.
Distribution system and promotion of Makassar films Puspitasari, Lilis; Bajari, Atwar; Hidayat, Dadang Rahmat; Cho, Sung Kyum
PRofesi Humas Vol 9, No 1 (2024): August 2024
Publisher : Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24198/prh.v9i1.54456

Abstract

Background: In the film industry, producers and distributors are responsible for producing quality films and ensuring they are effectively accessible to audiences. Therefore, the right distribution strategy is crucial to a film’s success in the market. Effective film distribution contributes to increased visibility of film works, revenue for producers and distributors, and awareness of film culture and stories. The same also applies to film production in Makassar. Local filmmakers often experience many obstacles in distributing films, ranging from limited budgets to the need for more screens due to a lack of audience enthusiasm. Therefore, marketing public relations is needed to reach the audience. Purpose: Therefore, analysing the barriers to distribution and promotion undertaken by filmmakers in Makassar is important to determine the proper distribution and promotion. Methods: This research uses qualitative research methods and uses a case study approach. Results: The research found that cinema remains the primary distribution channel for Makassar films despite limited screens and monopolistic practices. Filmmakers face challenges like unfavourable screening times and locations. Conclusion: Despite the rapid development of technology, cinema is still the most significant distribution and promotion dynamic. Even so, filmmakers can use alternative channels so that the right audience can consume films. In conducting the promotion, it is appropriate for Filmakker Makassar to use online media, offline media, and word of mouth. Through social media, promotion can reach a broader and faster audience; then, through offline media, such as roadshows, the filmmaker is able to attract support from various groups and local officials; the last is word of mouth. Community engagement can also attract potential audiences.
Representasi Maskulinitas Dalam Iklan Televisi Pond’s Men #Lelakimasakini (Analisis Semiotika Roland Barthes Terhadap Representasi Maskulinitas) Friska Dewi Yuliyanti; Atwar Bajari; Slamet Mulyana
Jurnal Komunikasi Vol. 9 No. 1 (2017): Jurnal Komunikasi
Publisher : Fakultas Ilmu Komunikasi Universitas Tarumanagara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24912/jk.v9i1.180

Abstract

This research aims to know the meaning of denotation, the connotation and the myth or ideology in television commercials POND'S Men that represent the masculine with #LelakiMasaKini edition. The method used in this research is the Semiotic analysis methods. The Semiotic analysis used in this research is the Semiotic Roland Barthes. The results of this research show that there are; meaning denote, the connotation and the myth or ideology in television commercials POND'S #LelakiMasaKini. The results obtained from the signs of the dominant in the preview scenes that are taken in accordance with the criteria that have been determined. Advertising on Rio Dewanto version described three meaning denotes, three meaning of the connotations and three myths. On the version of the advertisement, Keenan Pearce described three meaning denotes, three the meaning of the connotations and three myths or ideologies and on the version of the Marshall Sastra described three meaning denotes, three the meaning of the connotations and 3 myths or ideologies. Concluded the side or the form of masculinity is promoted of the physical appearance of the type of men who tend to metrosexual, the dream of women, the leader success, lack men who think creatively and have hobbies.Penelitian ini bertujuan untuk mengetahui makna denotasi, konotasi serta mitos atau ideologi dalam iklan televisi POND’S Men yang merepresentasikan maskulinitas dengan edisi #LelakiMasaKini. Metode yang digunakan dalam penelitian ini adalah metode analisis semiotik. Analisis Semiotik yang digunakan dalam penelitian ini adalah analisis semiotik Roland Barthes. Hasil dari penelitian ini menunjukkan bahwa terdapat makna denotasi, konotasi serta mitos atau ideologi pada iklan televisi POND’S Men #LelakiMasaKini. Hasil itu diperoleh dari tanda-tanda dominan pada cuplikan adegan-adegan yang diambil sesuai dengan kriteria yang telah ditentukan. Pada iklan versi Rio Dewanto digambarkan 3 makna denotasi, 3 makna konotasi, dan 3 mitos. Pada iklan versi Keenan Pearce digambarkan 3 makna denotasi, 3 makna konotasi dan 3 mitos atau ideologi dan pada versi Marshall Sastra digambarkan 3 makna denotasi, 3 makna konotasi dan 3 mitos atau ideologi. Disimpulkan sisi atau bentuk maskulinitas yang dipromosikan adalah tampilan fisik tipe laki-laki yang cenderung metroseksual, dambaan wanita, pemimpin yang cerdas dengan kesuksesan, lak-laki yang berpikir kreatif dan memiliki hobi. 
Charles Sanders Peirce Semiotic Analysis of Documentary Film Dirty Vote Taufani, Maurina; Bajari, Atwar; Supriadi, Dandi
Journal La Sociale Vol. 6 No. 1 (2025): Journal La Sociale
Publisher : Borong Newinera Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37899/journal-la-sociale.v6i1.1511

Abstract

The documentary entitled "Dirty Vote" which was delivered directly by three constitutional law experts and aired during the quiet period of the 2024 presidential election has been watched 9.6 million times on the youtube channel of the Indonesian Center for Law and Policy Studies. This film attracted the attention of the Indonesian people at that time, because this film discussed the analysis of fraud by the country's political actors during the 2024 presidential campaign. However, the movie not only highlighted the problems that occurred during the election process, but also provided space to explore possible solutions to overcome these challenges. Therefore, this research aims to look at the reality, representation, and ideology as well as the signs used by the film director in packaging this movie. This research uses Charles Sanders Peirce's semiotic analysis that puts forward Reality, Representation, and Ideology in each scene analyzed. The results showed that researchers found three different scenes that were explained in detail with specific signs. Starting from the opening scene and the introduction of the main character, political campaigns and political scandals. All signs contained in this movie have their own meaning.
Technological innovation and social construction of Makassar film industry’s production and distribution Puspitasari, Lilis; Bajari, Atwar; Hidayat, Dadang Rahmat; Cho, Sung Kyum
Jurnal Kajian Komunikasi Vol 12, No 2 (2024): December 2024
Publisher : Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24198/jkk.v12i2.57773

Abstract

Background: Cinematography has evolved significantly with technological advancements. In Makassar, Indonesia, film distribution faced challenges due to limited cinemas and competition with imported films. The research explores how technology has transformed film production, distribution, and promotion in Makassar. It addresses gaps in understanding regional cinema’s adaptation to technological changes. Purpose: This research aimed to examine the role of technology in transforming film production and distribution around Makassar. Methods: The study employed qualitative research methods with a case study approach. Data was collected through interviews and observation with key figures in Makassar’s film industry, including producers, directors, and editors. The research applied the Social Construction of Technology (SCoT) theory to analyze how social factors shaped and influenced technology. Results: In pre-production, technology helps with audience research and visual concept design; In the production stage, digital cameras increase image quality and flexibility. In post-production, advanced software allows for better editing and visual effects despite limited local experts; In distribution, it expanded from theaters to streaming platforms, reaching a wider audience. All stages benefit from better collaboration through digital tools. Conclusion: This study found that technology has significantly impacted all stages of filmmaking in Makassar. At the pre-production stage, digital tools facilitate collaboration and audience research. During production, advanced cameras and equipment enhance visual quality and creative possibilities. Post-production benefits from sophisticated editing software, although some processes still require expertise outside the region. Film distribution does not rely on movie theatres; it is distributed through platforms like Netflix, Disney+, Hulu, and Prime Video. Implications: Specifically, findings suggest that regional filmmakers should invest in digital skills and explore diverse distribution channels. Theoretically, the study contributes to understanding how SCoT applies in regional film contexts. It highlights the importance of considering local social dynamics in technological adoption within creative industries.
Stakeholders collaboration management of Rinjani Lombok UNESCO Global Geopark: social capital perspectives Octavianti, Meria; Suryana, Asep; Bajari, Atwar; Ismail, Nurzali
PRofesi Humas Vol 8, No 1 (2023): August 2023
Publisher : Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24198/prh.v8i1.48134

Abstract

Background: The Executive Board of RLUGGp Management Agency, officially, is the designated technical organizer for Lombok Rinjani Geopark, established by the Governor of West Nusa Tenggara. However, in reality, it needs more authority to manage the Lombok Rinjani Geopark area. The Executive Board of RLUGGp Management office can only fulfill its functions with jurisdictional control over regional management. Purpose: This research aims to investigate the forms of collaboration among the actors involved in managing Geopark Rinjani Lombok. Methods: It is a qualitative and explorative case study, with data collection through In-depth interviews, participatory observations, and document analysis. Results: Stakeholder classification according to geopark management: (1) stakeholders based on their connection to the areas within the delineation of Geopark Rinjani Lombok; (2) stakeholders based on their hierarchical position within the government structure; (3) stakeholders who are part of the internal staffs of Geopark Rinjani Lombok Management Board; and (4) stakeholders supporting the management of Geopark Rinjani Lombok. The voluntary formation of interpersonal connections and the cultivation of trust among stakeholders, who are social actors within a social system, serve as the foundation for collaboration, coordination, and communication. Conclusion: Communities are pivotal in the successful execution of diverse development programs within Rinjani Lombok Geopark. Additionally, the Rinjani Geopark Youth Forum (RGYF) serves as the most substantial additional force in the execution of all programs. Implications: The dissatisfaction of each actor will hinder the achievement of the program objectives. Effective managerial communication should be practiced by a leader with authority and a significant role in the management of Geopark Rinjani Lombok.
Communication Strategy in the Implementation of Waste Management Public Policy in the Tasikmalaya District Hayati, Neni Nur; Wahyudin, Uud; Bajari, Atwar; Sjoraida, Diah Fatma
Jurnal Komunikasi Vol. 16 No. 2 (2024): Jurnal Komunikasi
Publisher : Fakultas Ilmu Komunikasi Universitas Tarumanagara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24912/jk.v16i2.32931

Abstract

The lack of public awareness of waste management seems to be a never-ending problem. Tasikmalaya Regency is one of the areas in West Java that has received much attention for being a regency surrounded by garbage around the main road. This article aims to determine the government's communication strategy in implementing public policies related to waste management in Tasikmalaya Regency. This research uses a constructivist paradigm with a descriptive qualitative approach through observation and in-depth interviews. The results show that the local government has made a strong commitment through Tasikmalaya District Regulation Number 3 Year 2022 on Waste Management to solve the waste problem in Tasikmalaya. However, in its implementation, there are communication barriers, both internally and externally, that cause policy implementation to be far from the predetermined target because the socialization of rules, including education to the community, is not massive and maximum so that the messages conveyed do not change people's behavior. This condition has profound implications for the lack of citizen participation in overcoming and minimizing waste piles. Weak law enforcement is a problem, especially for industrial plastic waste producers. Infrastructure issues, including facilities such as waste transportation fleets, waste disposal facilities, human resources, and budget limitations, are still arduous for local governments. Environmental communication is the key to two-way interaction between the government, community, and stakeholders. 
Cancel Culture in South Korea's Entertainment Industry: Media Framing through the Lens of Deviance Ramadhanty, Rizta Insani; Bajari, Atwar; Damayanti, Trie
Journal La Sociale Vol. 6 No. 2 (2025): Journal La Sociale
Publisher : Borong Newinera Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37899/journal-la-sociale.v6i2.1978

Abstract

The media has the power to carry out media framing and the public has the power to believe or not and participate in spreading‎ the results of the media framing or not, which will eventually lead to whether or not a cancel culture happens. The author wants‎ to analyze how Kumparan news articles apply framing to actor Kim Seon Ho's scandalous news which caused him to be exposed‎ to cancel culture, through journalistic analysis with The Sphere of Deviance theory by Daniel Hallin. The author conducted a‎ thematic analysis of 9 articles regarding the actor Kim Seon Ho scandal published by Kumparan in the period of 19 October 2021-‎‎22 October 2021 and resulted in 3 divisions of categories: positive (not supporting cancel culture), negative (supporting cancel‎ culture), and neutral. From the 9 news articles that were sampled, after the analysis, the writer produced the following data: 2‎ articles in the positive category, 1 article in the negative category, and 6 articles in the neutral category. Even though there is no‎ dominant framing in the article published by Kumparan regarding the Kim Seon Ho scandal, it can still be concluded that indeed‎ the media has power through media framing, as well as the public who have power over the information obtained from the‎ media (whether it is the result of media framing or not).
Co-Authors Adella Vira Andiesta Agus Setiaman Almadina Rakmaniar Alya Difa Salsabila Anam Miftakhul Huda Andiesta, Adella Vira Anisa Diniati Annisa Nursalsabillah Anter Venus Arief Wicaksono, Arief Asep Saeful Muhtadi, Asep Saeful Asep Suryana Astuti, Sri Wahyuning Atie Rachmiatie Cho, Sung Kyum Dadang Rahmat Dadang Rahmat Hidayat Dadang Sugiana Dandi Supriadi Deddy Mulyana Diah Fatma Sjoraida Ditha Prasanti Duddy Zein Efi Fadilah Eni Maryani Eni Maryani Evan Setia Ferryan Friska Dewi Yuliyanti Hanif, Raden Muhammad Ciptaning Hanny Hafiar Haryo S Martodirdjo Hayati, Neni Nur Heru Ryanto Budiana Huda, Anam Miftakhul I Gusti Wayan Murjana Yasa Ira Mirawati Ira Mirawati Ismail, Nurzali Karina Rizqi Abelinda Lilis Puspitasari Meria Octavianti Meria Octavianti, Meria Mikhael Rajamuda Bataona Muhammad Ilham Musa, Hussein Gibreel Navarro, Charles Julian Santos Ninis Agustini Damayani Nursalsabillah, Annisa Nuryah Asri Sjafirah, Nuryah Asri Paskah Marpaung Pietyasafira, Hayati PONPON IDJRADINATA Pratama, Hafiz Gustika Priyo Subekti Priyo Subekti PUJI LESTARI Rahman Mulyawan Rahmat, Dadang Ramadhan, M. Reza Mahdavikia Ramadhanty, Rizta Insani Reffina Nuramalia Rheza Ramadhyan Wicaksana Rheza Ramadhyan Wicaksana, Rheza Ramadhyan Rini Anisyahrini Rini Darmastuti S. Kunto Adi Wibowo Samson CMS Samson, Samson Sitanggang, Jonathan Timoty Slamet Mulyana Slamet Mulyana Slamet Mulyana Sumarjo Syalma Azzahra Taufani, Maurina Teddy Kurnia Wirakusumah Trie Damayanti Triyani, Ika ika Ute Lies Siti Khadijah Uud Wahyudin Uud Wahyudin Vanda Sekar Yanti Widiastuti, Anindita Wulan Purnama Sari Yanti Setianti Yustikasari