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All Journal Jurnal Sendratasik Humanus: Jurnal ilmiah Ilmu-ilmu Humaniora Gorga : Jurnal Seni Rupa Harmonia: Journal of Research and Education Panggung Gondang: Jurnal Seni dan Budaya Dance and Theatre Review: Jurnal Tari, Teater, dan Wayang Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni JURNAL PENDIDIKAN TAMBUSAI Journal on Education International Journal of Educational Dynamics (IJEDS) Komposisi: Jurnal Pendidikan Bahasa, Sastra, dan Seni International Conference on Languages and Arts Abdi: Jurnal Pengabdian dan Pemberdayaan Masyarakat Jurnal Pendidikan dan Kebudayaan Suluah Bendang: Jurnal Ilmiah Pengabdian Kepada Masyarakat Science and Environmental Journals for Postgraduate Jurnal Manajemen Pendidikan dan Ilmu Sosial (JMPIS) Jurnal Ilmiah Wahana Pendidikan Jurnal Kata : Penelitian tentang ilmu bahasa dan sastra YASIN: Jurnal Pendidikan dan Sosial Budaya Proceeding International Conference on Malay Identity Populer: Jurnal Penelitian Mahasiswa Langgam International Journal of Social Science Education, Art and Culture Journal of Creative Student Research Student Scientific Creativity Journal Jurnal Bintang Pendidikan Indonesia Ranah Research : Journal of Multidisciplinary Research and Development Jurnal Kajian dan Penelitian Umum Avant-garde: Jurnal Ilmiah Pendidikan Seni Pertunjukan Seniman: Jurnal Publikasi Desain Komunikasi Visual Cendikia: Jurnal Pendidikan dan Pengajaran Atmosfer: Jurnal Pendidikan, Bahasa, Sastra, Seni, Budaya, Dan Sosial Humaniora Law and Economics Dharma Acariya Nusantara: Jurnal Pendidikan, Bahasa dan Budaya Filosofi: Publikasi Ilmu Komunikasi, Desain, Seni Budaya Misterius: Publikasi Ilmu Seni dan Desain Komunikasi Visual Realisasi: Ilmu Pendidikan, Seni Rupa dan Desain Abstrak: Jurnal Kajian Ilmu Seni, Media dan Desain Imajinasi: Jurnal Ilmu Pengetahuan, Seni, dan Teknologi Panggung E-JURNAL AKUNTANSI International Martial Arts and Culture Journal.
Indrayuda Indrayuda
Universitas Negeri Padang
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Journal : Avant-garde: Jurnal Ilmiah Pendidikan Seni Pertunjukan

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The Impact of Extracurricular Activities on Dance Skills of Students of SMP Negeri 34 Kerinci Hestilia, Wina; Indrayuda
Avant-garde: Jurnal Ilmiah Pendidikan Seni Pertunjukan Vol. 2 No. 1 (2024): February
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/ag.v2i3.62

Abstract

The purpose of this study was to describe the impact of extracurricular activities on the dancing skills of students at SMP Negeri 34 Kerinci. This type of research is a qualitative research with descriptive method. The object of research is students of SMP Negeri 34 Kerinci. The research instrument is the researcher himself. The results of the study showed that students' dancing skills were seen from their lack of self-confidence when doing dance exercises in extracurricular activities. This can be seen from as long as students get new teaching material, they seem to try and practice it well, students seem to try and practice dancing and always want to try, such as students' interest in the material to be studied, besides that students actively ask questions when they are not clear and don't understand. the results of the evaluation of dance extracurricular activities at SMP Negeri 34 Kerinci proved that out of the 34 people tested, 20 students got an A (very good) grade, 10 students got a B (good) and 4 students got a C (fair). From the results of the overall evaluation, the teacher held a meeting with the school principal so that students who got the highest score (Very Good) were included to take part in the Kerinci Regency FLS2N next year, and had the opportunity to take part in inter-school competitions such as Expo and Pensi. This shows that SMP Negeri 34 Kerinci is progressing.
KAJIAN BENTUK DAN KOMPOSISI GERAK TARI IYO-IYO  DI MASYARAKAT TANJUNG PAUH MUDIK  KABUPATEN KERINCI Oktania, Rahma; Indrayuda, Indrayuda
Avant-garde: Jurnal Ilmiah Pendidikan Seni Pertunjukan Vol. 3 No. 1 (2025): Februari
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/jtd39y67

Abstract

This research aims to describe and analyse the form and composition of the Iyo-Iyo dance in the community of Tanjung Pauh Mudik. This study is qualitative research with a descriptive method. The instruments for this research are the researcher themselves, assisted by supporting instruments such as writing tools, audio-visual media, and a camera. Data were collected through literature study, observation, interviews, and documentation. The steps for analysing the data include data collection, data reduction, data presentation, and data verification. The results of the research indicate that the form of the Iyo-Iyo dance in the community of Tanjung Pauh Mudik, Kerinci Regency, consists of space, time, and energy, while the movement composition of the Iyo-Iyo dance includes motif, phrase, sentence, and cluster. The spatial aspect of the Iyo-Iyo dance is limited yet meaningful, where simple floor patterns such as straight lines or semi-circular formations are used to create order and symbolise balance within the customary social structure. The temporal aspect of the Iyo-Iyo dance moves at a moderate to fast tempo, with a repetitive rhythmic pattern that aligns with traditional accompanying musical instruments, thus creating a meditative atmosphere filled with cultural awareness. The energy aspect of the Iyo-Iyo dance uses moderate energy that is conveyed gently and controlled. The movement composition of the Iyo-Iyo dance consists of three parts: the opening, the core, and the closing. The opening part features gestures of respect and welcoming, the core part conveys the essential values or messages of the customs, and the closing part marks the end of the performed rite. This arrangement not only clarifies the structure of the performance, but also demonstrates the narrative continuity that has been maintained from generation to generation. It can be concluded that the form and arrangement of the Iyo-Iyo dance movements are a true reflection of the social, spiritual, and aesthetic values that thrive within the indigenous community of Kerinci. The profound lyrical movements and the dominance of hand usage make this dance not only visually beautiful but also culturally meaningful. Therefore, the Iyo-Iyo dance deserves to be preserved and continually introduced to the younger generation as part of the cultural heritage that enriches the identity of the Indonesian nation.
PERAN TARI GALOMBANG SEBAGAI LEGITIMASI STATUS BAGI MASYARAKAT PENGGUNADI NAGARI TANJUNG BALIK KECAMATAN X KOTO DIATAS KABUPATEN SOLOK Eva Pauziah; Indrayuda
Avant-garde: Jurnal Ilmiah Pendidikan Seni Pertunjukan Vol. 3 No. 1 (2025): Februari
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/6gtm6w66

Abstract

This study discusses the role of the Galombang Dance as a symbol of legitimising social status among the community members in Nagari Tanjung Balik, District X Koto Diatas, Solok Regency. The Galombang Dance, as one of the traditional Minangkabau performing arts, has functions that go beyond mere entertainment. It plays an important role in the social structure of the community, particularly during customary events such as weddings and the welcoming of honoured guests, where the use of this dance often reflects the prestige, honour, and social position of the event organisers. This research employs a descriptive qualitative approach using ethnographic methods. Data was obtained through direct observation, in-depth interviews with artists and community leaders, as well as documentation of artistic activities at Sanggar Carano Pusako. Research findings indicate that the Galombang Dance has a strong symbolic meaning in reflecting social and cultural identity, especially for the upper middle class. This dance has also evolved in terms of its presentation, including movement variations, makeup, and costumes, while still maintaining the philosophical values passed down through generations. Thus, the existence of the Galombang Dance not only serves as a means of cultural preservation but also represents a way to reinforce status and identity within the social life of the people of Nagari Tanjung Balik.
Co-Authors Abdullah, Nagoor Meeara Afiatri Gelurena Afifah Asriati Agustina Ahmad Damhuri Aksara, Anggi Al-Syurgawi, Dahlia Amellia, Marisa Angge Pratiwi Vitri Anugrah Prima Insani Ardipal Ardipal Ariep Bijaksana Aysah Nur Rahma Ayu Nara Sati Aziz, Nur Azizah Abdul Bunga Lovesky Bunga Maharani Bunga Naselia Chelina Dewi Dara Ardilla Darmawati Darmawati Darmawati Darmawati Dede Putri Perdani Della Natasia Gunita Piska Dendi Chairi Desfiarni Desfiarni Dewi Fiolinda Dibba Gazwami Diye Chania Dwi Witri Anggraini Efriyanti, Dian Rahma Eke Febrianti Elida Endang Nuryani Esy Maestro Eva Pauziah Fadhila Saktia Feby Try Rahmanda Fingki Novi Arsita Fitrah Hayati Fitri, Levina Frisilia Yulisianti Fuby Candani Fuji Astuti Fuji Astuti Gusnia hadi, Harisnal Hafizatul Ismi Hana Shilfia Iraqi Handayani, Bella Fitri Hasanuddin WS Helfira Helfira Hendri Yusuf Herlinda Mansyur Hestilia, Wina Hidayatunnisa Hidayatunnisa Husna Febri Andika Putri I Made Sukartha Idol Fatria Ildiea Fitri Indah Novita Sari Indri Mayangsari Intan Milanda Intan Sani Ashari Junita Fitri Kassim, Rezian-na Muhammed Lanifa, Rani Lidya Indrawati Liza Azoni Lola Murnianti Maidilla Siska Putri Mardiana - Marzam Marzam Marzam Marzam Maya Endah Rahayu Meisa Adila Meizul Ofriananda Mia Fahmiati Miftahul Rizka Mohd. Effindi Samsudin Muhammad Afif Nashiwa Natania Salsabilla Nawai, Nasru Syazwan Nela Majesti Nerosti Nia Putri Jelita Nia Rahmadani Niken Ayu Astuti Nindi Aulia Safira Ningsih, Lisa Wahyu Nor, Mohad Anizu Mohd Novelis, Puput Nurhana Nurhana Nurul Annisa Syafwan Nurul Intan Pratiwi Oktania, Rahma Pebrina Sapitri Poppy Lisafri Yolanda Prihan Pangemba Putri Amriana Putri Aulia Rahmawati Putri Novrialni Putri Yunengsih Quinta Dianda Voneline Radisma Suziyanti Rahim, Mohamad Rahizam Abdul Rahmat Adriyanto Rahmat Hidayat Rahmi Ul Fadhilah Raju Gunawan Rama Dona E Rana Arisma Valeves Rani, Destia Ranti Lestari Raudhatul Fadillah Regia Amelia Putri Resha Gustina Putri Reza Trinanda Rini Suardi Rita Syofyan Rizka Annisa Rizka Janarsi Samsuddin, Mohd Effindi Samsudin, Hazim Sandika Sadema, Ayu Sari, Maya Novita Sari, Nurima Sevi Sovia Shamsuddin, Mohd Effindi Bin Shapie, Muhamad Nizam Mohamad Shinta Jayanti Silvani, Shindy Siti Aisyah Jasmin SITI KHODIJAH Sri Muryenti Suci Okta Rahmadani Susi Evanita Susi Evanita Susmiarti Syafitri, Mahdalena Syahrel Syahrel Syofyan, Rita Tiara Virginia Aulia Tulus Handra Kadir Tuttriana Tuttriana Ukie Winaranti Vincent Parnabas Virginia Aulia, Tiara Viska Nanggita Vuja Syafrianti Alhidayah Wahyuni, Irfi Sri Widya Novitri Wilya Aryana Putri Wina Hestilia Wina Hestilia Windi Novrianti Yeni Yeni Yoni Sesilia Yos Sudarman Yosi Dwi Zulniati Yusman, Ahmad Fauzan Zora Iriani Zul Asri Zul Fahmi