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All Journal Imaji: Jurnal Seni dan Pendidikan Seni Jurnal Sekolah Dasar JOGED Harmonia: Journal of Research and Education Journal of Urban Society´s Arts ANDHARUPA Jurnal Pendidikan dan Kajian Seni JADECS (Journal of Art, Design, Art Education and Culture Studies) MUDRA Jurnal Seni Budaya Gondang: Jurnal Seni dan Budaya Jurnal Istiqro' Semiotika Jurnal Sitakara CARADDE: Jurnal Pengabdian Kepada Masyarakat Gelar : Jurnal Seni Budaya Journal of Education, Humaniora and Social Sciences (JEHSS) Journal of Leadership in Organizations PERSPEKTIF GETER : Jurnal Seni Drama, Tari dan Musik Journal of Music Science, Technology, and Industry (JOMSTI) Dinamika Kerajinan dan Batik : MAJALAH ILMIAH Varia Humanika Jurnal Nuansa Akademik: Jurnal Pembangunan Masyarakat Jurnal Pendidikan dan Penciptaan Seni Journal of Language, Literature, and Arts (JoLLA) Abdimas Indonesian Journal Jurnal Antropologi Sumatera Eduvest - Journal of Universal Studies Prosiding Seminar Nasional Pascasarjana International Journal of Performing Arts (IJPA) Jurnal Medika: Medika Gayatri : Jurnal Pengabdian Seni dan Budaya Dinamika Kerajinan dan Batik: Majalah Ilmiah
Robby Hidajat
Universitas Negeri Malang
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A VISUAL NARRATIVE: JAVANESE MASK COLLECTIONS AT THE MPU TANTULAR MUSEUM Identification of the East Java Cultural Diversity Mask Collection: A VISUAL NARRATIVE: JAVANESE MASK COLLECTIONS AT THE MPU TANTULAR MUSEUM Identification of the East Java Cultural Diversity Mask Collection Wahyuningtyas, Tri; Hidajat, Robby
International Journal of Performing Arts (IJPA) Vol. 4 No. 1 (2025): June
Publisher : Yayasan Pusat Cendekiawan Intelektual Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56107/ijpa.v4i1.255

Abstract

This article aims to identify and classify the mask collections at the Mpu Tantular StateMuseum, Sidoarjo, as a visual narrative of the cultural richness of East Java and itssurrounding regions. Through in-depth identification activities conducted from September17–19, 2025, the mask collections were classified into three main variants based on regions:Topeng Malang (Malang Masks), Topeng Madura (Madura Masks), and some other regionalmasks.The Malang mask collection, the most numerous collection, represents the epic tale ofPanji Asmorobangun. Its characteristic features include symmetrical, refined carvings andthe use of philosophical colors. The green color shown by Panji symbolizes chivalry andtranquility, contrasting sharply with the fiery red possessed by Klana Sewandana, whichrepresents anger. The faded colors on the ancient masks emphasize their inherent historicaland spiritual gravitas and value as evidence of the preservation of this noble art form.The Madura mask collection, associated with the Madura’s puppet maskperformances, displays characters that reflect the resilience of the community from theMadura island, also known as the salt island. Their characteristics are simpler but firm, hard,and expressive (such as bulging eyes or fangs), implying a strong fighting spirit andstraightforward demeanor.The other regional masks group completes the Nusantara (an archipelago country)mosaic, including collections from Cirebon (such as the White Elephant mask), Yogyakarta,as well as the Sandur mask (from Jombang/ Tuban) and the Dongkrek mask (from Madiun).The presence of these masks from outside the immediate region confirms East Java’s culturalconnection and acculturation with the wider archipelago.Overall, the mask collection at the Mpu Tantular museum functions as a "spiritualwindow" that reflects the contrast and unity of values, ranging from the agrarian idealism(Malang) to the coastal fighting spirit (Madura). These artifacts are an invaluable treasurethat ensures moral philosophy and local wisdom continue to live on as an educationalmedium for future generations.
Program Pengembangan Kewirausahaan Jaranan Laksamana Manggala Tumpang (Kini Menjadi Laksana Manggala) Suprihatin, E. Wara; Sumarwahyudi, Sumarwahyudi; Hidajat, Robby; Prasetyo, Yunanto Adi
Jurnal Medika: Medika Vol. 4 No. 4 (2025)
Publisher : LPPM Universitas Pahlawan Tuanku Tambusai

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/vp8khm85

Abstract

The Jaranan Laksamana Manggala group, now renamed Laksana Manggala (LM), is a traditional arts group that has grown in the Tumpang area, Malang Regency. Comprised of young members who are passionate about preserving karawitan and jaranan, LM faces increasing challenges as the number of similar groups in the region continues to rise. To remain relevant and competitive, LM is required to be more innovative and creative in both artistic expression and organizational development. This community service program aims to strengthen entrepreneurship through capacity development. The focus includes improving members’ technical skills as dancers and musicians, while also providing training in producing jaranan-themed souvenirs such as Tumpang key chains that offer alternative income opportunities. The program applied a participatory approach through entrepreneurship workshops, group management mentoring, and the use of digital technology for promotion and performance documentation.
Educational Strategy for Regeneration of Child Dancers in Satrio Bokor Tumpang Group Suprihatin, Endang Wara; Sumarwahyudi, Sumarwahyudi; Hidajat, Robby; Zandra, Rully Aprilia; Yatim, Heriyati; Rahman, Amalia Arifah
Gondang: Jurnal Seni dan Budaya Vol. 8 No. 2 (2024): GONDANG: JURNAL SENI DAN BUDAYA, DECEMBER 2024
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v8i2.64565

Abstract

Regeneration of traditional arts is an important thing that really needs to be done because it is a strategic step in maintaining the sustainability of local culture. Jaranan thrives in the Tumpang area, but only the Satri Bokor group has a group of children aged 6 to 15 years. This research was specifically conducted to analyse the regeneration strategy for child Jaranan dancers carried out in the Satrio Bokor Tumpang Group, Malang Regency. The research method uses a qualitative descriptive approach, where data is obtained through observation, interviews and documentation. The research results show that the regeneration strategy is carried out through routine training every afternoon after school, a family approach, and involvement in Jaranan performances and YouTube social media promotions. The main challenges faced are competition with other emerging arts, namely Bantengan, limited funds, and children's time commitment. However, this regeneration has had a positive impact on preserving culture and forming the character of the younger generation. In conclusion, the regeneration strategy implemented by the Satrio Bokor Group is effective in involving children in loving and preserving Jaranan art, although further support from various parties is needed.
Semiotic Analysis of Artistic Expression and Social Criticism by Mural Masjo Tri Maharani, Ratna; Pujiyanto, Pujiyanto; Hidajat, Robby
Eduvest - Journal of Universal Studies Vol. 4 No. 12 (2024): Journal Eduvest - Journal of Universal Studies
Publisher : Green Publisher Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59188/eduvest.v4i12.33418

Abstract

Murals are often a medium for conveying people's aspirations. However, most people think that murals are just graffiti on the wall with no meaning. In this case, mural artists play a role in voicing aspirations, criticism, ideas and things that are bothering society. Because murals do not only focus on the beauty of the mural artwork, but also have meaning and messages. Masjo, as a mural artist, sees phenomena around him that he uses as topics for murals. As happened some time ago, the Covid-19 pandemic has had a real impact on society. Masjo sees this phenomenon as sad. This research uses a qualitative descriptive method, using iconography and iconology semiotics to obtain markers of meaning contained in mural images. So that this research can explain or describe Masjo's mural work in detail. The results of this research are the meaning of artistic expression and messages of social criticism in Masjo's mural entitled 'Just stay at home'. The meaning of artistic expression in mural works tells how to survive in the Covid-19 pandemic situation. The social criticism in the mural discusses the role of the government which only advises people to stay at home, while the government does not provide guarantees for people's lives
Pelatihan Tari Zapin Bagi Komunitas Perempuan Bersanggul Di Kampung Budaya Polowijen (KBP) Kota Malang robby, robby hidajat; Wahyuningtyas, Tri; Hartono; Hasyimy, Muhammad Afaf
Gayatri : Jurnal Pengabdian Seni dan Budaya Vol. 3 No. 1 (2025): April
Publisher : Sekolah Tinggi Kesenian Wilwatikta (STKW) Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20111/gayatri.v3i1.58

Abstract

Kota Malang telah mengembangkan kampung tematik sejak 1995, salah satunya adalah Kampung Budaya Polowijen (KBP) yang telah berkembang menjadi destinasi wisata budaya yang fokus pada kekayaan tradisi, seni lokal, dan keragaman. Untuk memberdayakan masyarakat dan memperkenalkan budaya Malang kepada wisatawan, KBP meluncurkan program pelatihan Tari Zapin bekerja sama dengan Prodi Pendidikan Seni Tari dan Musik DSD FS Universitas Negeri Malang melalui kegiatan Pengabdian Kepada Masyarakat. Kegiatan tersebut melibatkan Komunitas Perempuan Bersanggul. Pelatihan menggunakan metode R&D (Research and Development), yang mencakup langkah-langkah: (1) eksplorasi peserta, (2) perencanaan kegiatan, (3) pelaksanaan kegiatan pelatihan, (4) pengenalan materi, (5) proses pelatihan, (6) evaluasi hasil, dan (7) rekonstruksi penampilan tari. Hasil pelatihan menunjukkan dua capaian utama: (1) Penguasaan Tari Zapin sebagai Tari Sambut, dan (2) Dampak positif signifikan bagi Komunitas Perempuan Bersanggul, dengan rata-rata evaluasi sebesar 86%. Evaluasi ini mencakup pengetahuan, keterampilan, dan harapan masa depan peserta. Persentase ini menunjukkan peningkatan yang signifikan dalam kemampuan dan pengetahuan peserta, menguatkan peran KBP sebagai destinasi wisata budaya yang khas dan berpotensi.
Membaca Kolaborasi Seni Dan Spiritualitas: Pertunjukan Kecak Ramayana Di Pura Uluwatu Bali Hidajat, Robby; Suprihatin DP, EW; Hartono, Hartono; Hasyimy, Muhammad Afaf
Jurnal Antropologi Sumatera Vol. 21 No. 1 (2023): Jurnal Antropologi Sumatera, December 2023
Publisher : Program Studi Antropologi Sosial Pascasarjana Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/jas.v21i1.53953

Abstract

Artikel ini bertujuan memahami kolaborasi antara seni pertunjukan dan spiritualitas dalam Kecak Ramayana di Uluwatu, Bali. Seni Pertunjukan Kecak Ramayana merupakan representasi nilai budaya lokal, yang praktiknya menyatu erat dengan dimensi spiritual dalam kehidupan masyarakat pemangkunya. Melalui prosfektif antropologi, dengan pendekatan diskriptif kualitatif dikaji mendalam tentang hubungan simbiosis tersebut. Peneliti menggali data melalui eksplorasi langsung peristiwa seni pertunjukan wisata Kecak Ramayana di Uluwatu, wawancara dengan pengelola pertunjukan, penari, dan tokoh yang memerankan lakon Ramayana. Analisis data menggunakan fungsional terhadap peran Kecak Ramayana sebagai suatu bentuk ekspresi kreatif yang merefleksikan keyakinan, nilai-nilai, dan identitas masyarakat Bali. Melalui wawancara mendalam dan observasi partisipatif, penelitian ini menggambarkan bagaimana pertunjukan Kecak Ramayana menjadi sarana yang menghubungkan masyarakat dengan warisan budaya dan spiritualitas. Hasil kajian 1. Kreativitas Seni Wisata Kecak Ramayana, 2. Nilai lokal sebagai komoditas, dan 3 Seni, Hiburan, dan Pelestarian.
Expression of Culture Diversity Through Creation of Zapin Nusantara Berlenggang Dance Robby, Robby Hidajat; Iziq, Iziq Eafifi Ismail; Afaf, Muhammad 'Afaf Hasyimy; Surasak, Surasak Jamnongsarn
Mudra Jurnal Seni Budaya Vol 39 No 4 (2024)
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/mudra.v39i4.2247

Abstract

This article elaborates on Nusantara diversity as a phenomenon that underlies the creation of the Zapin Nusantara Berlenggang dance. In many regions, the characteristic of Zapin dance has grown through evolution that involves the unity of various ethnicities, mainly ethnics living in the coastal area. Such unity is a strong pillar that supports the Republic of Indonesia. Although the political situation is fluctuating, there is still an effort to empower local potentials to maintain diversity in Indonesia. The exploration of the Nusantara theme in the creation of the Zapin dance is powerfully relevant to the objective of this research, which is to strengthen the unity of Indonesia through its pluralistic nature. The creation of Zapin dance with the Nusantara theme will be understood through the approach of creation process experience, which, thus, is the type of this research that is explorative qualitative descriptive. In other words, this research is developmental research that emphasizes exploring the creation process. The research data are collected through three procedures respectively: interviews with Zapin dance patrons in Palembang, Pekanbaru Riau, Gresik, and Malang; dance technique exploration conducted in Malang and Gresik; and a dance trial held at the Indonesia Art Institute of Denpasar. The focus of this research is on managing the technical and aesthetical experiences of the dancers to internalize the Nusantara theme into their minds. The research question, therefore, comprises (1) What is the function of Zapin Nusantara Berlenggang dance? Moreover, (2) How is the creation process of Zapin Nusantara Berlenggang dance?
PEMBAGIAN KERJA BERDASARKAN GENDER PADA SENTRA GERABAH DESA PAGELARAN MALANG JAWA TIMUR Hasyimy, Muhammad Afaf; Hidajat, Robby
Dinamika Kerajinan dan Batik: Majalah Ilmiah Vol. 39 No. 1 (2022): DINAMIKA KERAJINAN DAN BATIK : MAJALAH ILMIAH
Publisher : Balai Besar Standardisasi dan Pelayanan Jasa Industri Kerajinan dan Batik

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22322/dkb.v39i1.7002

Abstract

Artikel ini mengkaji tentang pembagian kerja produksi gerabah di Desa Pagelaran Malang Jawa Timur. Desa Pagelaran adalah salah satu sentra produksi gerabah tradisional. Produksi gerabah, pada waktu lampau merupakan industri rakyat yang penting dalam menyangkal kehidupan ritual dan sosial. Pola kerja perajin gerabah di Desa Pagelaran memiliki keunikan khusus, yaitu laki-laki dan wanita ikut terlibat dalam produksi. Pembagian kerja mereka memiliki implikasi sosial kultural. Tujuan penelitian ini mengungkap dan mendeskripsikan pola kerja berdasarkan gender, antara laki-laki dan wanita. Pembagian itu berpengaruh pada jenis gerabah produksi grabah yang dihasilkan. Metode penelitian fungsional stuktural, data yang dikumpulkan adalah kata-kata dan tindakan masyarakat pelaku dengan cara wawancara, observasi, dan kajian dokumen. Penelusuran data awal menggunakan rujukan narasumber kunci, Sutrisno (53 th) salah seorang perajin tradisional yang responsif terhadap progresivitas produksi sebagai produk komersial, dan Yatmono (57 th) ketua paguyuban perajin gerabah Pagelaran. Observasi mempertimbangkan pola interaksi sosial, hubungan kekerabatan, dan sistem pembagian kerja. Analisis data menggunakan interpretatif. Hasil kajian menunjukan, (1) pembagian genetik dan produk gerabah. (2) produksi gerabah memiliki makna keseimbangan peran, dan (3) produk gerabah menjadi komplementer oposisional antara peran wanita dan laki-laki.
Pertimbangan Fungsional dalam Penentuan Lakon dan Keputusan Pementasan Wayang Topeng Malang Hidajat, Robby; Wiflihani, Wiflihani; Razak, Amir
Journal of Education, Humaniora and Social Sciences (JEHSS) Vol 8, No 2 (2025): Journal of Education, Humaniora and Social Sciences (JEHSS), November
Publisher : Mahesa Research Center

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34007/jehss.v8i2.2932

Abstract

This study aims to identify and analyze the functional considerations underlying the community's decision to organize a Wayang Topeng Malang performance by selecting a particular play. Given the high costs associated with staging this performance, the decision-making process has a significant impact on the supporting community. The study uses a functional method, and data is collected through in-depth interviews, observations, and literature reviews (books, scientific articles, and mass media publications). Data analysis is carried out through tabulation and interpretation based on the tendency of the function to organize performance. The results of the study indicate that the decision to stage a Wayang Topeng Malang performance is influenced by three main categories of considerations: (1) Consideration of the Purpose of the Performance (for example, for traditional ceremonies or entertainment), (2) Consideration of Interests (both individual and social), and (3) Consideration of the Expectations desired from the performance. These findings confirm that the determination of the play and the decision to perform the Wayang Topeng Malang performance is a phenomenon driven by clear social and cultural functions in the lives of the Malang community.
Co-Authors A, Allfa Andranica Devya Adinda Nur Ramadhani Haris Afaf, Muhammad 'Afaf Hasyimy Agung Suharyanto Agus Cahyono Ahamad Tarmizi Bin Azizan Aini Nurul Allfa Andranica Devya A Allfa Andranica Devya Aprilyawati Amir Razak Andy Pramono Arief Ardiansyah Astuti, Yuyun Nur Baiq Widya Rahmasari Bazur, Rizkyatul Citra Kurniawan Desy Ratna Syahputri Desyandri Desyandri Dewi Jasmine DP. Muhammad Affaf Hasiymy DP., E. W. Suprihatin E. Wara Suprihatin DP E.W. Suprihatin Diah Pratamawati Endang Wara Suprihatin EW Suprihatin Gesang Bayu Pamungkas Hadiantika, Reza Adinda Hartono Hartono Hartono Hartono Hasiymy, Muhammad Affaf Hasyimy, Muhammad 'Afaf Hasyimy, Muhammad Afaf Heriyati Yatim Heriyati Yatim Ika Ratnawati, Ika ika wahyu widyawati Ike Ratnawati Imam Tri Laksono Iziq Eafifi Bin Ismail Iziq, Iziq Eafifi Ismail Joko Sayono Martiarto, Janri Setyo Muhammad 'Afaf Hasyimy Muhammad 'Afaf Hasyimy Muhammad Afaf Hasyimy Muhammad afaf hasyimy Muhammad Afaf Hasyimy Muhammad Afaf Hasyimy Muhammad Affaf Hasiymi Muhammad Jazuli Muhammad ‘Afaf Hasyimy Muhammad ‘Afaf Hasyimy Muhammad ‘Afaf Hasyimy Muklis Muklis Muniir, Muhammad Sirojul Mutiara Ramadhani Putri Supriadi Ni Wayan Mudiasih Norliza Bt Mohd Isa Ocha Denta Wijaya Pamungkas, Gesang Bayu Panji Suroso Ponimin Prasetyo, Yunanto Adi Pristiati, Tutut Pujiyanto Pujiyanto Pujiyanto Pujiyanto Purwadita, Fika Ardelia Candra Rahman, Amalia Arifah Retno Tri Wulandari Rully Aprilia Zandra Setyo Yanuartuti Shaari, Nazlina Siti Kholifatul Umaami Sri Linda Oktavia Sri Wulandari Sri Wulandari Sumarwahyudi Suprihatin DP, EW Suprihatin Dyah Pratamawati, Endang Wara Suprihatin, E. Wara Suprihatin, Endang Wara Surasak Jamnongsarn Surasak Jamnongsarn Surasak Jamnongsarn Surasak Jamnongsarn, Surasak Surasak, Surasak Jamnongsarn Suyono Suyono Swastika Dhesti Anggriani Syamsul Hirdi Bin Muhid Syed Ahmad Iskandar Tri Maharani, Ratna Tri Wahyuningtyas Tri Wahyuningtyas, Tri Wathanan Srinin Wida Rahayuningtyas Wiflihani Wiflihani Yudha Prihantanto Yuyun Nur Astuti Yuyun Nur Astuti Zuhkhriyan Zakaria