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DAYAK LAWANGAN BALIAN BAWO IN CENTRAL DUSUN, EAST BARITO, CENTRAL KALIMANTAN Sigai, Ervanta Restulita Liber; Kumbara, Anak Agung Ngurah Anom; Cika, I Wayan; Arsana, I Gusti Ketut Gde
E-Jurnal Kajian Budaya (Online Journal of Cultural Studies) Vol 9, No 1 (2016): February 2016
Publisher : E-Jurnal Kajian Budaya (Online Journal of Cultural Studies)

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Globalization with all its implications has affected the life of Dayak Lawangan living in Central Dusun. Modernization has caused balian bawo to be getting scarce. The number of the speakers of balian bawo is decreasing, and it seems that no young generation is interested in it, although its existence still functions in various aspects of the Dayak Lawangan community’s life. In addition, the young generation is less interested in becoming balian bawo. This will affect the process of the regeneration of balian bawo. The result of the present study shows that the practice of balian waho is obtained through the myth and process of becoming balian bawo. This causes balian bawo to be the central position in the practice of balian bawo ritual. Balian waho plays an important role in the healing and purifying processes. It functions to prevent both manifest and latent misfortunes. It is the socio-cultural supporting life regulation for Dayak Lawangan. It is made up of religiosity, culture conservation, social life, and aesthetics. The formal education, the discontinuity of the internationalization process in families, the low income earned by those who work as balian bawo, their risky responsibility, the spiritual and physical abilities they need, and their religious and psychological ideologies have caused those who are interested in becoming balian bawo to decrease. The impacts are that the dimensions of time and magic formula as part of the ritual practice will change. In addition, the ideological struggle for the ritual practice of balian bawo, and the change in the population of balian waho will also result from the scarcity of the population of balian waho. As well, the social and solidarity ties will be getting weaker and the funds needed for the ritual will be high enough.

TIKUS KRITIKUS DALAM GEGURITAN YADNYA RING KURUKSETRA KARYA DOKTER IDA BAGUS RAI Juliana, I Wayan; Cika, I Wayan; Mas Triadnyani, I.G.A.A
JOURNAL OF LANGUAGE AND TRANSLATION STUDIES Vol 3 No 1 (2017) (march 2017)
Publisher : S2 Ilmu Linguistik Fakultas Ilmu Budaya Universitas Udayana

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Geguritan Yadnya Ring Kuruksetra (GYRK) karya Dokter Ida Bagus Rai merupakan karya abad ke-20. Tulisan ini menerapkan teori naratif Tzvetan Todorov yang menekankan pragmatika khususnya isotopi. Gagasan sebuah cerita tersebar dalam teks dan muncul secara berulang-ulang. Pengulangan dimaksudkan untuk menekankan gagasan yang terdapat di dalam karya. Sebab makna karya sastra dapat diperkuat dengan menelisik redundansi kata yang kerap muncul dalam karya. Studi ini menggambarkan isotopi penyadaran dan isotopi perasaan. Penyadaran dalam GYRK diungkapkan melalui kritikan oleh tokoh tikus, sedangkan isotopi perasaan termanifestasikan dalam rasa sedih, senang, bahagia, dll. Dengan melihat tingkat kehadiran kata dalam isotopi makna GYRK adalah penyadaran perasaan dalam pelaksanaan upacara keagamaan.AbstractGeguritan Yadnya Ring Kuruksetra (GYRK) by Doctor Ida Bagus Rai is literary work of 20th century. This research applies the narrative theory of Tzetevan Todorov which focuses on pragmatic especially isotopy. The concept of story is propagated in the text and appears repeatedly. The repetition is tended to concern the concepts found in the text. The meaning of literary work can be certainned by analyzing redundancy of words which appears frequently in the text. Awareness in GYRK is expressed through critics that delivered by mouse. While isotopy of feelingis manifested by the feelings of sad, happy, comfortable, etc. Investigating the level of words appearing in the isotopy of GYRK meaning is awareness feeling in implementation of ritual ceremony.

BANGKA MBULE-MBULE TRADITION AS A CULTURAL TOURIST ATTRACTION IN WAKATOBI, SOUTH EAST SULAWESI Yusuf, La Ode; Cika, I Wayan; Arsana, I Gusti Ketut Gde
E-Journal of Cultural Studies Volume 10, Number 3, August 2017
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Globalization has caused tradition to change, meaning that globalization has caused the sacred tradition to change into the propane tradition as it has been used as a tourist attraction. This present study discusses the Bangka mbule-mbule tradition used as a tourist attraction in Wakatobi Regency, South East Sulawesi. The study is intended to inform the public that the Bangka mbule-mbule has been performed as a cultural tourist destination. The study uses the descriptive qualitative method. The data which were obtained from the field were qualitatively described. The social theory combined with the theory of cultural tourism department was used to analyze the data. The result of the study shows that Tradition can be defined as a right heritage or a heritage from the past which is still currently found in society. One of the traditions which is still performed is the bangka mbule-mbule tradition. It is still performed by Mandati people in Wakatobi Regency, South East Sulawesi. The owners of the tradition still believe in it. It has been performed to support the cultural tradition in Wakatobi. The implication is that it has increased the number of tourists visiting Wakatobi, South East Sulawesi.

THE DECONSTRUCTIVE SEMIOTICS OF FISHING MANTRA DICTION IN THE BAJO ETHNICS Rita Lindayani, Lilik; Suarka, I Nyoman; Cika, I Wayan; Kebayantini, Ni Luh Nyoman; Putra, Ansor; Samsul, Samsul; Maliudin, Maliudin
E-Journal of Cultural Studies Volume 11, Number 4, November 2018
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Language is a form of human emergency sensitivity to the situation around it. If observed, if the linguistic position is in the semiotic point pattern, then natural signs can be a form of verbal power. Accompanying Nietzsche's thoughts on a strategy he calls "geneology" in historicism, in order to observe the traditions of creativity that exist in society, Nietzsche believes that every creation has a special set of interests for a particular location or context. The Bajo people as a sea tribe in general, including ethnic Bajo who inhabit Katela Island in West Muna Regency, Southeast Sulawesi also establish this creative process in the copyright mantra, which is in the form of sea spells arranged in diction and symbols on signs and codes given by nature. The significant process occurs when spells as something that is believed by the Bajo people in fishing activities have many functions. This study adopts Derrida's Deconstruction theory, in Derrida's view, the core location of deconstruction is deconstruction related to language. If conventional semiotics emphasizes the signification process, namely the functioning of the sign as a reflection of established social codes, then in the poststructuralist semiotics which is emphasized is a significant process, namely a creative creation of signs and codes without and without limited. Keywords: Deconstructive Semiotics, Sea Mantra Dictation, and Bajo Ethnicity

THE DISCOURSE OF PADANG RESTAURANTS IN GUS TF SAKAI’S NOVEL ULAR KEEMPAT Fadlillah, Fadlillah; Wirawan, AA Bagus; Cika, I Wayan
E-Journal of Cultural Studies Volume 11, Number 3, August 2018
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

The topic of the research is the novel titled Ular Keempat (the Fourth Snake) by Gus tf Sakai. It is focused on the text of Rumah Makan Padang (Padang restaurants) in the novel based on the study of cultural studies literature. In the final part of the story of Ular Keempat, there is a side text of Rumah Makan Padang. The main point of the research is the archeology of Rumah Makan Padang. The approaches used are the Foucault‘s discourse and Derrida‘s deconstruction. The result of the study shows that the essence of the story of Hajj trip in the articulation of Minangkabau people‘s view of life can be revealed in some texts. First, text of Padang was the episteme discourse built by the Dutch East Indies goverment. Second, the discourse of Minangkabau Sufistic culture systemically was demolished by the Dutch East Indies government. Third, the discourse of Minangkabau culture was systemically controlled by the Dutch East Indies government. Fourth, the discourse of Dutch colonial‘s liberal culture is actually continued by the Indonesian government towards Minangkabau culture. Fifth, the literary approach can be applied by studying the metaphors and cultural hospitality. Through this research it can be argued that the text of Hajj trip, in the novel of Ular Keempat, is a manifestation of the essence of merantau text empirically. Life for Minangkabau people is actually migration and after life is the true home; this is theirlife view. Thus, Minangkabau culture is actually a sufistic culture, and surau is the center of Minangkabau culture.

COMMODIFICATION OF TUTURANGIANA ANDALA RITUAL PERFORMED BY COMMUNITY OF FISHERMEN, BAUBAU CITY, MAKASAR ISLAND, SOUTHEAST SULAWESI PROVINCE Syahrun, Syahrun Syahrun; Kembara, A.A. Ngurah Anom; Cika, I Wayan Cika; Sukarja, Putu Sukarja
E-Journal of Cultural Studies Vol 8 No 1 (2015): Volume 8, Number 1, Februari 2015
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

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Tuturangiana andala ritual is a tradition of floating offerings which have been performed from generation to generation by the community of fishermen in Makassar Island. It used to be simply performed; however, being commodified, it had been performed more lively than before. The government of Baubau City had modified it; everything had been transformed into commodities. The problems arised were analyzed using the theory of semiotics, the theory of rites, and the theory of discourse of power and knowledge. The data were obtained through interview, observation, and documentation. The result of the study shows: first, the process of commodification could not be separated from the process of production, the process of distribution and the process of consumption of the tuturangiana ritual. What was produced for the performance of the tuturangiana andala ritual was the place where it was performed, the things needed for the offerings, the clothing, the dance and the music instrument. The commodified tuturangiana andala ritual was distributed through media and direct communication. It was consumed by the people living in Makassar Island and the local government for tourism. Second, the commodified tuturangiana andala ritual contained (1) the philosophical meaning, (2) the economic meaning, (3) the political meaning, (4) the cultural conservation. Third, the commodified tuturangiana ritual affected the components of the social cultural system of the community of fishermen in Makassar Island such as the common ideology, religion, art, politics, social stratification, technology, economy, and ecology.

DAYAK LAWANGAN BALIAN BAWO IN CENTRAL DUSUN, EAST BARITO, CENTRAL KALIMANTAN Liber Sigai, Ervanta Restulita; Kumbara, A.A Ngurah Anom; Cika, I Wayan; Arsana, I Gusti Ketut Gde
E-Journal of Cultural Studies Vol 9 No 1 (2016): Volume 9, Number 1, February 2016
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar

Globalization with all its implications has affected the life of Dayak Lawangan living in Central Dusun. Modernization has caused balian bawo to be getting scarce. The number of the speakers of balian bawo is decreasing, and it seems that no young generation is interested in it, although its existence still functions in various aspects of the Dayak Lawangan community’s life. In addition, the young generation is less interested in becoming balian bawo. This will affect the process of the regeneration of balian bawo. The result of the present study shows that the practice of balian waho is obtained through the myth and process of becoming balian bawo. This causes balian bawo to be the central position in the practice of balian bawo ritual. Balian waho plays an important role in the healing and purifying processes. It functions to prevent both manifest and latent misfortunes. It is the socio-cultural supporting life regulation for Dayak Lawangan. It is made up of religiosity, culture conservation, social life, and aesthetics. The formal education, the discontinuity of the internationalization process in families, the low income earned by those who work as balian bawo, their risky responsibility, the spiritual and physical abilities they need, and their religious and psychological ideologies have caused those who are interested in becoming balian bawo to decrease. The impacts are that the dimensions of time and magic formula as part of the ritual practice will change. In addition, the ideological struggle for the ritual practice of balian bawo, and the change in the population of balian waho will also result from the scarcity of the population of balian waho. As well, the social and solidarity ties will be getting weaker and the funds needed for the ritual will be high enough.

PHILOSOPHICAL MEANING BEHIND THE CHINESE CUISINE IN MANADO CITY Martini, Sri; Suarka, I Nyoman; Cika, I Wayan; Setiawan, I Ketut
E-Journal of Cultural Studies Volume 12, Number 2, May 2019
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

The type of food served at lunar celebrations in Manado city has a distinctive flavor, color color, is seen to contain the meaning of Filososfis for the life of Chinese people. That is, which later became a fascination in this study. The purpose of this research is to uncover the Filofis meaning of the food sundries served in lunar celebrations. Data collection methods are performed with observations of participation and interviews in depth. Data analysis techniques are done qualitatively. The research conclusion that the type of food presented in the lunar celebration contains philosophical meaning for the human life of matching and related to the hope for goodness, the coming of fortune, prosperity, and health that is to be achieved by In the celebration, both individually and in the family. Keywords: Lunar celebrations, food offerings, philosophical meanings, good wishes

REPRESENTASI KEKERASAN SIMBOLIK DALAM KOMIK BOKU DAKE GA INAI MACHI I Gusti Agung Ayu Made Dianti Putri; I Wayan Cika; I Ketut Sudewa
Linguistika: Buletin Ilmiah Program Magister Linguistik Universitas Udayana Vol 25 No 2 (2018): September
Publisher : Program Magister Linguistik Universitas Udayana

Komik sebagai salah satu karya sastra menggunakan teks dan gambar sebagai senjata untuk menampilkan konflik cerita secara nyata. Salah satu komik yang menampilkan kekerasan di setiap ceritanya adalah komik Boku dake ga Inai Machi karya Kei Sanbe. Komik yang terdiri atas delapan volume ini menceritakan kekerasan fisik serta kekerasan simbolik yang terjadi pada tokoh-tokoh di dalam komik. Kekerasan fisik merupakan kekerasan yang langsung mengenai raga, sedangkan kekerasan simbolik merupakan kekerasan yang melukai psikis korbannya. Pada penelitian ini, analisis difokuskan pada kekerasan simbolik. Teori yang digunakan pada penelitian ini adalah teori semiotika oleh Ferdinand de Saussure mengenai penanda dan petanda serta teori semiotika oleh Marcel Danesi. Kekerasan simbolik yang ditemukan adalah kekerasan simbolik berdasarkan tindak tutur, kekerasan simbolik berdasarkan media perantara, dan kekerasan simbolik berdasarkan gestur

Narasi Berubah Pesan Moral Tetap: Transformasi Teks “Bhagawan Domya” ke dalam Cerita “Sang Eka Jala Resi” I Wayan Cika; I Made Madia; Ni Wayan Arnati
Jurnal Kajian Bali (Journal of Bali Studies) Vol 11 No 1 (2021): Volume 11 No. 1. April 2021
Publisher : Pusat Kajian Bali Universitas Udayana

Transformation of classic stories, epics, or regional folklore into Indonesian is an important part of the history of literary life in Indonesia. This article discusses the transformation of the story of Bhagawan Domya in Adi Parwa which is part of the Mahabharata epic into Indonesian folklore entitled Sang Eka Jala Resi (1977/1978). The study focuses on the transformation process, the impacts of adapter’s receptions on the transformation process, as well as the existence of values ??in the source and the result texts. This qualitative study draws data from source and result texts and analyzed them with intertextuality and reception theories. The analysis shows that in the transformation process, adapters use various techniques including conversion, expansion, modification, and lacuna (removal). Even though there are changes during the transformation, moral values ??that are useful for character building in the Bhagawan Domya source text are still substantially the same in the Sang Eka Jala Resi result text.

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