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All Journal E-Jurnal Kajian Budaya E-JURNAL LINGUISTIK HUMANIS E-Journal of Linguistics E-Journal Of Cultural Studies Linguistika Jurnal Kajian Bali Vidyottama Sanatana: International Journal of Hindu Science and Religious Studies Udayana Journal of Social Sciences and Humanities (UJoSSH) International Journal of Social Science Stilistika: Journal of Indonesian Language and Literature

I Wayan Cika

Indonesian Department Faculty Of Arts, Udayana University

Author-ID : 2923775

Religion Agriculture, Biological Sciences & Forestry Arts Humanities Computer Science & IT Education Environmental Science Health Professions Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Medicine & Pharmacology Public Health Social Sciences Other

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IDEOLOGICAL STRUGGLE FROM STRATIFICATION OF CATUR WANGSA AND CATUR WARNA IN POETRY GEGURITAN CHANDRA BHAIRAWA Ida Bagus Made Wisnu Parta; I Nyoman Suarka; I Wayan Cika; I Made Suastika
Vidyottama Sanatana: International Journal of Hindu Science and Religious Studies Vol 5, No 2 (2021)
Publisher : Institut Hindu Dharma Negeri Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/ijhsrs.v5i2.3028

Balinese society has debated on Warna, Kasta (caste), and Wangsa stratification has been going on for a long time because of a lack of understanding about cultural differences. Bali's social stratification is focused on Wangsa. The title inherited the male line. This fits the ancestral scheme, Purusa, or patrilineal. The author is interested in investigating one of Catur Wangsa's issues in the Candra Bhairawa text focused on group polemics about Warna, Kasta (caste), and Wangsa stratification discourse. The issues addressed in this study are how to stratify Catur Wangsa's duties and responsibilities in Candra Bhairawa text. This study aimed to determine the ideological struggle to stratify Catur Wangsa and Catur Warna in Bali. The method used in this research is to study literature by gathering primary and secondary data. This study results in (1 ) identifying and charting Catur Warna and Catur Warna (2)Duties of Wangsa Brahmana, Wangsa Ksatria, Wangsa Waisya, Wangsa Sudra (3) The Wangsa philosophical conflict in society poses two points of view, notably, the desire to retain the Wangsa and release the Wangsa with several stages of the Diksa Ceremony.

The Discourse Of Ida Ratu Gede Mas Macaling Dalem Nusa Penida Klungkung (Position, Function and Meaning) I Made Dian Saputra; I Nyoman Suarka; I Nengah Sudipa; I Wayan Cika
Vidyottama Sanatana: International Journal of Hindu Science and Religious Studies Vol 2, No 1 (2018)
Publisher : Institut Hindu Dharma Negeri Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/ijhsrs.v2i1.515

Hindus community in Bali views time as an important matter. The presence of time or Kala is associated with the myth of Magic. The relationship can be seen in the myth of Sasih Ka-enem which is believed to be the phase of epidemic. Often the myth of Sasih Ka-enem is also associated with the discourse of Ida Ratu Gede Mas Macaling as the magi figure of propagator and disaster in Bali. Interestingly, the image of Ida Ratu Gede Mas Macaling Dalem Nusa Penida just seems to be a living myth and "offerings" for balian, pengiring, and mysticism. Recently, many people perceive him as an object of worship, and more various interesting versions of Magi discourse about him growing in society. Because of those reasons, it is important to study the phenomenon into this scientific writing to identify the value and meaning of Magi discourse.

Materialization And Humanization Of The Spirit: A Contextualization Based On The Stylistic Representation Of The Balinese Hindu Modern Philosophy W.A. Sindhu Gitananda; I Wayan Cika; I Nyoman Suarka; I Wayan Suka Yasa
Vidyottama Sanatana: International Journal of Hindu Science and Religious Studies Vol 2, No 1 (2018)
Publisher : Institut Hindu Dharma Negeri Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/ijhsrs.v2i1.517

The prominent characteristic of the pre-modern and modern philosophical discourse in the archipelago is generalized to that of the spiritualism with the saivistic discourse; including a Balinese modern philosophical text entitled Aji Sangkya. However, the title of the text shows diachronic relationship with the Samkhya Dharsana the so-called Indian (Hindu) materialism with its jargon ‘evolution’. The tension between the discourse of spiritualism and materialism in the text is the main concern of the article based on its stylistic representations. The contextual stylistics and the deconstruction approach provide great opportunities to the Aji Sangkya to be interpreted as well as contextualized. Having elaborated the data, it is found that the text implies the process of materialization of the spirit (purusha or atman) into the circle of material (pradhana), until finally becoming material itself. Nonetheless, this materialization cannot merely be understood as the process with the ultimate goal of materialism, but implicitly of humanization since the human (manusa) comes as the ultimate accumulation of all the philosophical categories. The term related to the materialization must be taken as the process of humanization or making the spirit humanized; the humanism take the middle position between the spiritualism and the materialism in Aji Sangkya, the so-called Balinese Hindu modern text of philosophy.

Novel Suara Samudra Karya Maria Matildis Banda: Kajian Psikologi Ni Made Meri Apridayanti; I Wayan Cika; I Ketut Sudewa
Humanis Vol 24 No 2 (2020)
Publisher : Udayana University

This research is titled "Novel Suara Samudra by Maria Matildis Banda Psychology Psychology Study". The following research aims to find out the structure and relationship between psychology figures contained in the novel. There are three theories used for this research, namely structural theory based on Stanton's opinion, the theory of literary psychology by Sigmund Freud, the theory of love from Sternberg. The method used in data collection is a literature study method with advanced techniques in the form of note and write techniques. Then proceed with using the formal method and descriptive analysis method for analyzing data. Furthermore, in presenting the results of the analysis using the description method. Based on the analysis that has been done on the novel Suara Samudra, several things were discovered. First, in the analysis of the structure which included the characterizations, plot and setting depicted in the novel Suara Samudra. Second, the psychological relationship that is seen in terms of conflicts that occur between characters in the novel Suara Samudra.

Mushaf Lipat Abu: Suntingan, Terjemahan, dan Keutamaan serta Manfaat Teks Mohammad Hasbi Romadhoni; I Wayan Cika
Humanis Vol 26 No 1 (2022)
Publisher : Udayana University

Mushaf lipat Abu is a manuscript given by a collector from Jakarta named Abu in 2018. The purpose of this paper is to findi out the contents and describe and introduce the mushaf lipat because of the uniqueness of the manuscripts and to add studies to the Nusantara manuscripts using philological theory. Mushaf lipat Abu was studied using philological theory and translation theory. The method used for data collection is a catalog study method and a field study method with a note-taking technique whose purpose is to find a manuscript whether there are variants. The method used in analyzing the data is the standard method of single manuscript edition and the method of presentation is descriptive analytical method. The results showed that the mushaf lipat is a codex unicus because it is not contained in the catalog that the researcher refers to. Mushaf lipat consists of two main materials, namely wood and paper, mushaf lipat contains four letters in the Qur'an, namely Al-Fatihah as an opening letter, As-Sajdah, Ad-Duha, and Al-Ikhlas.

Analisis Psikologi Sastra Tokoh Lian dalam Novel Nyawakarya Vinca Callista Ni Wayan Rita Sutiari; I Wayan Cika; I Made Soreyana
Humanis Vol 17 No 3 (2016)
Publisher : Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (180.996 KB)

This study analyzed the novel Nyawa by Vinca Callista using psychology approach that focuses on the study of psychology of literature and psychological conflict. The issues that were analyzed in the study are (1) How is the structure of novel Nyawa including its characterization, plot, and setting (2) How is the psychological aspect of Lian in novel Nyawa by Vinca Callista (3) How is the psychological conflict of Lian in novel Nyawa by Vinca Callista. The theories used in this study were the structural theory, psychology of literature theory, and conflict theory. Structural theory was used to analyzed the intrinsic elements, while the psychology theory of literature was employed to assess the psychological aspect of Lian in novel Nyawa. To analyzed instrinsic elements, a theory proposed by Nurgiyantoro was used, while on the other hand, a theory proposed by Minderop, Atmaja, Kartono, Endraswara, Teeuw was used to analyzed the psychological aspect of Lian. Also a theory proposed by Minderop and Emzir was used to analyzed the psychological conflict of Lian.

THE AESTHETICS, RELIGIOSITY, AND RESPONSE OF THE READERS OF GEGURITAN SUCITA I Wayan Suka Yasa; I Wayan Cika; Tjokorda Rai Sudharta; I Nyoman Suarka
e-Journal of Linguistics Vol. 4. Januari 2010 No. 1
Publisher : Doctoral Studies Program of Linguistics of Udayana University Postgraduate Program

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (72.12 KB)

The object of this research is the text of Geguritan Sucita having total versesof 1,877. The problem observed is that the structure, esthetic rule applied andsource of text transformation into GS as religion literature. The main objective ofthis research is to answer the three problems concerned. In addition, it has theobjective to preserve and develop geguritan literature. The benefit can be as oneof sources of knowledge in literary science, especially concerning geguritanliterature; as the consideration in making policy related to religion and Balineseculture; and also as reading material, especially for readers of geguritan literature.The theory applied in reviewing the three problems is structural, semiotic,intertext, rasa (mode) and literature reception. The data source obtained byconducting literature study, observation and interview. The data is the analyzedfrom literature and religion point of view. The research novelties are as follows :GS is gita puja of Ida Ketut Jlantik (1905-1961) which is offered to GodAlmighty. As worshipped song, GS is sekar. The materials are quoted fromclassical works of prior Hindu which is then arranged in accordance with idealismof writers kawi-wiku by considering rule of k?vya.GS is established using Balinese language Kepara enriched withvocabularies of Old Javanese so it has Hindu esthetic. Formal structure of GS isestablished according to geguritan : padalingsa matrix. The text consists of 1,877rhythm, 11 rhyme and 57 melodies. Sinom rhythm as the idol one to lead otherrhythm in order to s?nta rasa. Verses of GS can be grouped into two parts: 4rhythm manggala and) 1,873 narrative rhythm. Totally, formal structure of GSfulfills alamkara principle. the text has melody and euphony religious melody.Narrative structure GS is established following norm of tattwa purarbh?wa‘reborn cycle’, in addition it is the leader of rhythm as well as function as epilog.In term of contemplative reading level bhakti yoga, manggala is finally known asthe center text of GS.GS narration is developed according to aguron-guron rule‘having the teacher from spiritual and nyastra tradition. From matrix aguronguron,it is proposed two plots in paradox one: k?ma and tirtayatra. Plot sourceof k?ma is narrated by the existence of Sang Sucita. On the other hand, plot sourceof tirtayatra is narrated by the existence of Sang Subudi. K?ma (desire) and dilemma. Its message, if someone wish to succeed in reaching life objective, thetwo obstacles must firstly be defeated through learning process of mulat sarira byyoga : bhakti-karma-jnana- and yoga. After completion of narrating plot source oftirtayatra, it is also narrated k?ma which is developed into ahangkara. For thisreason, it is presented bad figure I Pataka to spread disaster which is in contrastwith the common rule of geguritan literature. GS narration can be understood asreading model according to narrative structure rule of k?vya. In every part ofstructure called sandhi is expressed rasa. There are nine rasa that can be enjoyedin GS. The nine rasa is inter-related and function collectively to strength the mainrasa of GS, namely s?nta rasa.Discourse of GS is established structurally like a diamond necklace: acarasusila-tatwa-yoga by narrating religious concept of syncretism idea of Siwa-Buddha. The philosophic thought is the three big schools of Hindu: dwaitawisisth?dwaita-adwaita. The source text is having a discourse of declarativeimperativeobjective. The hypogram is much read in term of searching and then tobee expanded. It can finally be said that GS is a literature of Hindu that fulfills therequisite of mah?k?vya in the domain of Sekar Alit bali.

KABA GOMBANG PATUANAN: AN ORAL LITERARY WORK OF MINANGKABAU PESISIR SELATAN REGENCY, WEST SUMATRA Eva Krisna; I Nyoman Kuta Ratna; I Wayan Cika; I Nyoman Weda Kusuma
e-Journal of Linguistics Vol. 3. Juli 2009 No. 2
Publisher : Doctoral Studies Program of Linguistics of Udayana University Postgraduate Program

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (58.091 KB)

Kaba Gombang Patuana (abbreviated to KGP) is a Minang literary genre whichis orally presented in the form of songs. Therefore, it is known as an intonational prose.As a piece of oral literary work, KGP needs a medium of presentation. The mediumneeded is in the form of a performance known as Pertunjukan Kak Oai (PKO), whichexists at Kenagarian Air Haji, Pesisir Selatan Regency, West Sumatra. Kaba GambangPatuanan tells about the socio cultural life of the community of Pesisir Selatan Regencyusing the local variety of Minangkabau language. The availability of the texts of KGP,the performance of PKO, and the collective community possessing such a literary workshows that the phenomenon of what is written and spoken about oral literary work isdifferent from the phenomenon of what is written and spoken about written literary work.Oral literary work cannot be approached from literary discipline only, but linguisticapproach and anthropological approach are also needed.The morphology of KGP is made up of stem of the story ‘batang curito’, branchof the story ‘dahan curito’ , and twig of the story ‘rantiang curito’. The batang curito(the stem of the story) is the text of GPP as a whole. The ‘Dahan Curito’ (the branch ofthe story) serves as the episodes of the story and the Ranting Curito serves as the parts ofthe episode. The functions performed by KGP are: (1) as a medium for conveying what isexpected from a king; (2) as a medium for conveying Minang tradition; (3) as a mediumfor conveying oceanic knowledge; (4) as a medium for conveying nation-lovingenthusiasm ‘chauvinism’ ; (5) as a medium for conveying henotheism towards ancestors.

Gama Tirtha Ideology in Ancient Myth of Ratu Gede Tengahing Sagara I Made Nurjaya Putra Mahardika; I Wayan Cika; I Ketut Sudewa
e-Journal of Linguistics Vol 14 No 2 (2020): e-jl July
Publisher : Doctoral Studies Program of Linguistics of Udayana University Postgraduate Program

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/e-jl.2020.v14.i02.p05

The Balinese can not be separated from their ancestral beliefs. The ancestral or idiological beliefs in Balinese society are conveyed through myths. One of the most well-known myths in Bali is the Ratu Gede myth. The myth of Ratu Gede is very trusted and believed in constructing worship rituals. The worship ritual that is routinely performed is the Nangluk Marana ritual. Nangluk Marana is a ritual handed down by the myth of Ratu Gede Nusa Penida. The myth of Ratu Gede is not limited to the figure of Ratu Gede Nusa Penida, but in Bali it also found a similar myth called the myth of Ratu Gede Tengahing Sagara. The name sagara which means the sea has shown its identity as the ruler of the ocean. The myth of Ratu Gede Tengahing Sagara as the ruler of the ocean is not only being told on the coast, but also spread out to the highlands. The idiological influence of Ratu Gede Tengahing Sagara's myth to the highlands cannot be separated from the intertwining of stories handed down from generation to generation. The intertwining that can be seen in the form of Ratu Gede Tengahing Sagara's sacred route is always related to water civilization.

THE DISCOURSE OF THE THEMES “PAYUK PRUNGPUNG” AND “RAREANGON’ IN THE DANCE DRAMA OF ARJA RRI DENPASAR PERFORMED AT BALI ARTS FESTIVAL I Made Suarta; I Nyoman Weda; Nyoman Kuta Ratna; I Wayan Cika
e-Journal of Linguistics Vol. 3. Juli 2009 No. 2
Publisher : Doctoral Studies Program of Linguistics of Udayana University Postgraduate Program

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (40.829 KB)

The discourse of the themes “Payuk Prungpung” (abbreviated into PP) and“Rareangon” (abbreviated into RA) of the dance drama of Arja RRI (RRI stands for theRadio of the Republic of Indonesia) of Denpasar performed at Bali Arts Festival(abbreviated into PKB) was chosen as the object of the study for the following threereasons: (1) it is interesting; (2) nobody has investigated it; and (3) it is unique. In thisstudy the history of the development and existence of the dance drama of Arja RRI aswell as its forms, functions and meanings were analyzed. This study aimed at (1)justifying empirically the dynamism of the dance drama of Arja RRI Depasar; (2)objectively explaining its ontology; (3) formulating the form of the discourse of thethemes of PP and RA performed at PKB; (4) explaining the axiological and conceptualfunctions of the themes of PP and RA performed at PKB; (5) revealing the values of thediscourse of the themes of PP and RA performed at PKB.The structural theory combined with the semiotic theory was referred to as thetheoretical framework in this study. In addition, the theories of narrative discourse,literary reception, and esthetics were also referred to. The data needed were collected by(1) observation; (2) interview; (3) documentation and library research. The method andtechnique of analysis applied included (1) transcription; (2) translation; (3) data analysis.The methods of (1) descriptive analytic and (2) hermeneutic were used to analyze thedata. The research findings were (1) formally and (2) informally presented.In general, the form of the discourse of the themes of PP and RA is made up of(1) intrinsic elements; (2) discourse of songs; and (3) discourse of non songs. Thefunctions include (1) educational function; (2) amusement function; (3) informativefunction. The meanings revealed include (1) religious meaning; (2) magic meaning; (3)ruabhineda (positive and negative) meaning; (4) trihita karana (the relationship betweenman and his God, the relationship between man and his environment and the relationshipbetween man and his fellow beings) meaning.

Co-Authors A.A. Ketut Agung Cahyawan W A.A. Ngurah Anom Kembara, A.A. Ngurah Anom A.A. Ngurah Anom Kumbara Anak Agung Bagus Wirawan Anak Agung Ngurah Anom Kumbara Andi Widian Prabowo Anwar, Khairil Dewa Gede Bambang Erawan Dewa Sangkaryang Dian Saputra, I Made Ervanta Restulita Liber Sigai, Ervanta Restulita Eva Krisna Gitananda, W.A. Sindhu I Gusti Agung Ayu Made Dianti Putri I Gusti Ayu Agung Mas Triadnyani I Gusti Ketut Gde Arsana, I Gusti Ketut Gde I Ketut Jirnaya I Ketut Setiawan I Ketut Sudewa I Made Dian Saputra I Made Madia I Made Nurjaya Putra Mahardika I Made Soreyana I Made Soreyana I Made Suarta I Made Suastika I Nengah Sudipa I Nyoman Kuta Ratna I Nyoman Kutha Ratna I Nyoman Suarka I Nyoman Suwija I Nyoman Weda I Nyoman Weda Kesuma I Nyoman Weda Kusuma I Wayan Gede Wisnu I Wayan Suardiana I Wayan Suharta, I Wayan I Wayan Suka Yasa I Wayan Teguh Ida Bagus Kade Gunayasa Ida Bagus Made Wisnu Parta Ida Bagus Rai Putra Juliana, I Wayan Lilik Rita Lindayani Made Dian Saputra Made Paramasuta Wijaya Maizufri - Maliudin, Maliudin Mohammad Hasbi Romadhoni Muhammad Badaruddin Ni Luh Nyoman Kebayantini Ni Made Meri Apridayanti Ni Made Wiasti Ni Nyoman Kartini Ni Wayan Arnati Ni Wayan Rita Sutiari Nyoman Kuta Ratna Nyoman Kutha Ratna Prof. Dr. Nyoman Kutha Ratna S.U. Putra, Ansor Putu Sukarja Sukarja, Putu Sukarja Samsul Samsul Sigai, Ervanta Restulita Liber Sri Martini Suka Yasa, I Wayan Syahrun Syahrun Syahrun, Syahrun Syahrun Syamsul Arifin Tadjudin Maknun TATI NURHAYATI Tjokorda Rai Sudharta Yusuf, La Ode

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