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All Journal E-Jurnal Kajian Budaya E-JURNAL LINGUISTIK HUMANIS E-Journal of Linguistics E-Journal Of Cultural Studies Linguistika Jurnal Kajian Bali Vidyottama Sanatana: International Journal of Hindu Science and Religious Studies Udayana Journal of Social Sciences and Humanities (UJoSSH) International Journal of Social Science Stilistika: Journal of Indonesian Language and Literature

I Wayan Cika

Indonesian Department Faculty Of Arts, Udayana University

Author-ID : 2923775

Religion Agriculture, Biological Sciences & Forestry Arts Humanities Computer Science & IT Education Environmental Science Health Professions Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Medicine & Pharmacology Public Health Social Sciences Other

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Hegemonic Ideology in Buruan Novel: A Post-colonial Study Ni Nyoman Kartini; I Nyoman Suarka; I Wayan Cika; Ida Bagus Rai Putra
e-Journal of Linguistics Vol 15 No 2 (2021): e-jl July
Publisher : Doctoral Studies Program of Linguistics of Udayana University Postgraduate Program

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/e-jl.2021.v15.i02.p05

This study aims at finding the ideology of hegemony in the novel Buruan based on post-colonialism studies. There are three elements of post-colonialism, namely hegemony, mimicry and hybridity. In this study, it focuses on the hegemony element because it reflects the hegemonic party and the hegemonic party. The method used in this research is the interview method and the literature method through the recording technique and note-taking technique. The results of the analysis were carried out by analytic descriptive with interpretation method and hermeneutic approach. The results showed that the perpetrators of hegemony in the novel Buruan were Japanese soldiers as invaders of the Indonesian people and skipper of the Misbah boat. Both of these actors treat women as oppressed parties from sexual behaviour and violence. This resulted in a hegemonic ideology that women as a subordinate group and victims of oppression from the attitude of male domination as a powerful group.

REPRESENTASI KEKERASAN SIMBOLIK DALAM KOMIK BOKU DAKE GA INAI MACHI I Gusti Agung Ayu Made Dianti Putri; I Wayan Cika; I Ketut Sudewa
Linguistika: Buletin Ilmiah Program Magister Linguistik Universitas Udayana Vol 25 No 2 (2018): September
Publisher : Program Magister Linguistik Universitas Udayana

Komik sebagai salah satu karya sastra menggunakan teks dan gambar sebagai senjata untuk menampilkan konflik cerita secara nyata. Salah satu komik yang menampilkan kekerasan di setiap ceritanya adalah komik Boku dake ga Inai Machi karya Kei Sanbe. Komik yang terdiri atas delapan volume ini menceritakan kekerasan fisik serta kekerasan simbolik yang terjadi pada tokoh-tokoh di dalam komik. Kekerasan fisik merupakan kekerasan yang langsung mengenai raga, sedangkan kekerasan simbolik merupakan kekerasan yang melukai psikis korbannya. Pada penelitian ini, analisis difokuskan pada kekerasan simbolik. Teori yang digunakan pada penelitian ini adalah teori semiotika oleh Ferdinand de Saussure mengenai penanda dan petanda serta teori semiotika oleh Marcel Danesi. Kekerasan simbolik yang ditemukan adalah kekerasan simbolik berdasarkan tindak tutur, kekerasan simbolik berdasarkan media perantara, dan kekerasan simbolik berdasarkan gestur

Narasi Berubah Pesan Moral Tetap: Transformasi Teks “Bhagawan Domya” ke dalam Cerita “Sang Eka Jala Resi” I Wayan Cika; I Made Madia; Ni Wayan Arnati
Jurnal Kajian Bali (Journal of Bali Studies) Vol 11 No 1 (2021): Volume 11 No. 1. April 2021
Publisher : Pusat Kajian Bali Universitas Udayana

Transformation of classic stories, epics, or regional folklore into Indonesian is an important part of the history of literary life in Indonesia. This article discusses the transformation of the story of Bhagawan Domya in Adi Parwa which is part of the Mahabharata epic into Indonesian folklore entitled Sang Eka Jala Resi (1977/1978). The study focuses on the transformation process, the impacts of adapter’s receptions on the transformation process, as well as the existence of values ??in the source and the result texts. This qualitative study draws data from source and result texts and analyzed them with intertextuality and reception theories. The analysis shows that in the transformation process, adapters use various techniques including conversion, expansion, modification, and lacuna (removal). Even though there are changes during the transformation, moral values ??that are useful for character building in the Bhagawan Domya source text are still substantially the same in the Sang Eka Jala Resi result text.

Transformation of Kakawin Bharatayudha Into The Story of Pandawa Lima I Wayan Cika; I Made Soreyana; I Wayan Teguh
Udayana Journal of Social Sciences and Humanities Vol 1 No 2 (2017): UJoSSH, September 2017
Publisher : Research and Community Services Institutes of Udayana University

The story of Pandawa Lima ‘Hikayat Pandawa Lima’ (abbreviated to HPL) written in Malay is a literary work transformed from the Mahabharata Epic ‘Wiracarita Mahabharata,’ especially ‘Kakawin Bharatayuda’ (abbreviated to KBY) written in the Old Javanese language. As a transformational literary work, additions, and reductions could not be avoided. The part that was added and reduced depended on the adapter’s way of thinking and socio-culture values. It was also closely related to the linguistic, literary and cultural conventions inspiring the transformational process. This present study is intended to discuss how the adapter received KBY as the source text (hypogram), what adjustments were made, and how they were made. The problems of the study were analyzed using the theory of literary reception and the qualitative and hermeneutic method. The objective of the study is to reveal the HPL adapter’s reception of its source text (hypogram). The result of the analysis shows that the HPL adapter adapted KBY without degrading the hypogram, meaning that the great values which the hypogram contains are still intact and complete. However, several adjustments were made in HPL; they are the incidents, names of weapons, and characters.

Wisada Sawah: Sumber Pengetahuan Pengelolaan Sawah dalam Tradisi Masyarakat Bali Made Paramasuta Wijaya; I Wayan Cika; I Wayan Suardiana
Humanis Vol 26 No 2 (2022)
Publisher : Udayana University

This study aims to provide knowledge in the field of agriculture that comes from traditional texts to the community. This study discusses the problems of (1) the form of rice field management in the Wisada Sawah text; (2) function; and (3) the meaning of the Wisada Sawah text. Data were collected using the library method, then analyzed using descriptive-analytical methods, and presented using informal methods. The theory used in this study are the theory of discourse, function, and semiotics. This study succeeded in revealing the form of rice field management on a s?kala and niskala. The analysis of the function and meaning of the Wisada Sawah text is related to the dimensions of cognition and social context, that is the context of a society with agrarian culture. The functions of the Wisada Sawah text are religious functions, ecological functions, and social functions. The meaning of the Wisada Sawah text is the harmonious relationship between humans and God, the harmonious relationship between humans and nature, and the harmonious relationship between human beings.

Wacana Metta dalam Kakawin Ananda Bhuwana Dewa Sangkaryang; I Wayan Cika; I Ketut Jirnaya
Humanis Vol 26 No 3 (2022)
Publisher : Udayana University

Kakawin Ananda Bhuwana is an Old Javanese literary work that describes a character's journey in search of happiness (metta). The creativity and imaginative power of the author in compiling the story and giving the title to this literary work is a unique and special attraction. The theory used is the discourse theory proposed by Van Dijk. The analysis results of Kakawin Ananda Bhuwana's text show Kakawin Ananda Bhuwana as a constructor of metta discourse formed from a formal structure consisting of a macrostructure, a superstructure, and a microstructure.

Arketipe dalam Novel Re: Karya Maman Suherman: Analisis Psikologi Analitik Carl Gustav Jung Andi Widian Prabowo; I Wayan Cika; I G.A.A. Mas Triadnyani
Stilistika : Journal of Indonesian Language and Literature Vol 2 No 2 (2023): Volume 2 No 2, April 2023
Publisher : Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/STIL.2023.v02.i02.p02

The world of prostitution is not solely caused by the abyss of poverty. However, it is caused by the turmoil of the human unconscious on the causality of his personality. Re is the main character in the novel Re by Maman Suherman who represents the complex world of playing games. The arena that Re is involved in, featuring various interesting characters is reviewed in more depth. Problems in tracing the personality of the characters in Maman Suherman's novel Re. The theory used is Carl Gustav Jung's Psychoanalysis. Data was collected using a literature study method with reading, listening, and note-taking techniques. Data analysis was carried out by interpretive descriptive method. The results are based on research, the incident utilizes the background as the main strength with detailed specifications. The whole is not fully interwoven in the relationship between elements. The psychological character of Re displays the archetype of the audience, the great mother, and the hero which is manifested in her psychic causality. The character of Re shows the personality of the collective unconscious (persona, shadow, anima and animus), Herman reflects the persona of an intelligent student, and Mami Lani is a representation of the persona of a blind heart.

THE STRUGGLE OF IDEOLOGY IN THE SPIRITUALITY OF BALINESE SOCIETY IN THE MIDDLE AGE: A CRITICAL DISCOURSE ANALYSIS I Wayan Gede Wisnu; I Wayan Cika; A.A. Ngurah Anom Kumbara; Ni Made Wiasti
E-Journal of Cultural Studies Vol 16 No 1 (2023): Volume 16 Number 1 February 2023
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/cs.2023.v16.i01.p02

This paper is a description of the ideological struggle in the spirituality of Balinese society in the middle Bali Period which was articulated through discourse as a discursive. The choice of such a topic departs from a perception of the typology of Balinese society which is assumed to have spiritual stability, but instead experiences ideological struggles in this realm as indicated by the phenomenon of the middle Bali period. The phenomenon of spirituality is elaborated as a problem which includes the form and the implications of ideological struggles in the spirituality of the Balinese people of the Middle Bali Period. The explanation of the variables in this paper uses critical discourse theory which refers to Foucault's view. The results of the study reveal that the forms of the spirituality of Balinese society in the middle Bali Period include strengtheningteachings of Shiva and strengthening the Shiva-Buddhist concept. Meanwhile, the implications of the struggle include appreciation of the authority of Shiva Sidhanta's teachings and degradation of cognition of "Shiva Bhujangga" teachings. Keywords: the struggle of ideology, spirituality, Balinese society, and the Middle Bali Period

GAMELAN SELONDING SACRED FUNCTION IN TENGANAN PEGRINGSINGAN VILLAGE I Wayan Suharta; I Nyoman Suarka; I Wayan Cika; I Ketut Setiawan
E-Journal of Cultural Studies Volume 14, Number 1, February 2021
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/cs.2021.v14.i01.p03

Gamelan Selonding in Tenganan Village has its own history, its existence is associated with stories that have been passed down from generation to generation.It begins with the discovery of three blades iron plates which is stated as gamelan selonding blade.It is believed to be a piturun not made by human beings, but because of the nature, by the people of Tenganan village called ‘Bhatara Bagus Selonding'.Gamelan Selonding for Tenganan people is very sacred.To maintain its sacredness, it should be adapted to the concept desa, kala, and patra, should not be touched by anyone else, except by a designated group of seven people as Juru Gambel (Balinese musician). Juru Gambel has their responsibility for the sanctity of Selonding gamelan, it cannot be placed at random space and could only be played at specified time. For Tenganan people the Selonding gamelan sacredness is not just an outward statement, but the totality of the integration of thoughts, feelings, words and attitudes, so that the treatment for the Selonding is a form of prostration. Selonding not only honored and sacred, and sanctified, but it fulfills all the vibrations of the Tenganan Village community in meeting space, time, and circumstances. This paper uses a qualitative approach and the writing mechanism analyzes the text which is described to know and understand the sacredness of Selonding gamelan in Tenganan. Keywords: Gamelan Selonding, function, sacred.

THE IDEOLOGY CONTAINED BEHIND THE REPRESENTATION OF BALINESE WOMEN IN GEGURITAN BASUR AND THE NOVEL BASUR Erawan, Dewa Gede Bambang; I Nyoman Suarka; I Wayan Cika; Suardiana, I Wayan
International Journal of Social Science Vol. 5 No. 1: Juni 2025
Publisher : Bajang Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53625/ijss.v5i1.10464

Through the analysis of the ideology contained behind the representation of Balinese women in Geguritan Basur and Basur Novel, this study aims to reveal how the construction of Balinese women is formed in the text, as well as what ideology is contained behind the representation of Balinese women in Geguritan Basur and Basur novel. This study is significant because it can reveal how literary texts help maintain, challenge, or reshape views on women in Balinese society. This study uses a qualitative approach with a constructionist foundation and Michel Foucault's discourse analysis model. The aim is to analyze and find the ideology behind the representation of Balinese women in Geguritan Basur and Basur novel. The researcher is the main instrument (human instrument) whose job is to select data, analyze, interpret, and conclude. The method used in data collection is a literature study, with reading, note-taking, and interview techniques. Data analysis is carried out descriptively and qualitatively and with the following stages: reading data, marking, classifying, analyzing, and interpreting using the theories of Representation, Gender Equality, and Intertextuality. The results of this study indicate that the ideology behind the representation of Balinese women in Geguritan Basur and the Basur novel includes autonomy in determining a partner, inclusive education, free humans, and criticism of the patrilineal system

Co-Authors A.A. Ketut Agung Cahyawan W A.A. Ngurah Anom Kembara, A.A. Ngurah Anom A.A. Ngurah Anom Kumbara Anak Agung Bagus Wirawan Anak Agung Ngurah Anom Kumbara Andi Widian Prabowo Anwar, Khairil Dewa Gede Bambang Erawan Dewa Sangkaryang Dian Saputra, I Made Ervanta Restulita Liber Sigai, Ervanta Restulita Eva Krisna Gitananda, W.A. Sindhu I Gusti Agung Ayu Made Dianti Putri I Gusti Ayu Agung Mas Triadnyani I Gusti Ketut Gde Arsana, I Gusti Ketut Gde I Ketut Jirnaya I Ketut Setiawan I Ketut Sudewa I Made Dian Saputra I Made Madia I Made Nurjaya Putra Mahardika I Made Soreyana I Made Soreyana I Made Suarta I Made Suastika I Nengah Sudipa I Nyoman Kuta Ratna I Nyoman Kutha Ratna I Nyoman Suarka I Nyoman Suwija I Nyoman Weda I Nyoman Weda Kesuma I Nyoman Weda Kusuma I Wayan Gede Wisnu I Wayan Suardiana I Wayan Suharta I Wayan Suharta, I Wayan I Wayan Suka Yasa I Wayan Teguh Ida Bagus Kade Gunayasa Ida Bagus Made Wisnu Parta Ida Bagus Rai Putra Juliana, I Wayan Lilik Rita Lindayani Made Dian Saputra Made Paramasuta Wijaya Maizufri - Maliudin, Maliudin Mohammad Hasbi Romadhoni Muhammad Badaruddin Ni Luh Nyoman Kebayantini Ni Made Meri Apridayanti Ni Made Wiasti Ni Nyoman Kartini Ni Wayan Arnati Ni Wayan Rita Sutiari Nyoman Kuta Ratna Nyoman Kutha Ratna Prof. Dr. Nyoman Kutha Ratna S.U. Putra, Ansor Putu Sukarja Sukarja, Putu Sukarja Samsul Samsul Sigai, Ervanta Restulita Liber Sri Martini Suka Yasa, I Wayan Syahrun Syahrun Syahrun, Syahrun Syahrun Syamsul Arifin Tadjudin Maknun TATI NURHAYATI Tjokorda Rai Sudharta Yusuf, La Ode

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