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All Journal Undagi : Jurnal Ilmiah Jurusan Arsitektur Universitas Warmadewa Jurnal Kajian Bali Agrimeta: Agrimeta: Jurnal Pertanian Berbasis Keseimbangan Ekosistem IJEBD (International Journal Of Entrepreneurship And Business Development) WICAKSANA: Jurnal Lingkungan dan Pembangunan Journal of Architectural Research and Education Jurnal Locus Penelitian dan Pengabdian Jurnal Sutramas Jurnal Abdi Daya Journal of Infrastructure Planning and Engineering Jurnal Indonesia Sosial Teknologi Community Services Journal (CSJ) Riwayat: Educational Journal of History and Humanities Jurnal Inovasi Global Jurnal Dinamika Sosial dan Sains
I Wayan Runa
Universitas Warmadewa
Religion Aerospace Engineering Agriculture, Biological Sciences & Forestry Arts Humanities Astronomy Automotive Engineering Civil Engineering, Building, Construction & Architecture Computer Science & IT Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Electrical & Electronics Engineering Engineering Environmental Science Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Mathematics Public Health Social Sciences

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Perencanaan dan Perancangan Wellness Center Di Desa Kelusa, Payangan, Gianyar, Bali Nadya Mihiro Putri; Ni Wayan Nurwarsih; I Wayan Runa
Undagi : Jurnal Ilmiah Jurusan Arsitektur Universitas Warmadewa Vol. 10 No. 1 (2022)
Publisher : Program Studi Arsitektur, Fakultas Teknik Universitas Warmadewa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22225/undagi.10.1.5264.105-114

Abstract

Mental health is an important aspect in realizing overall health. However, in most developing countries, mental health problems have not been prioritized. The Coronavirus-19 (COVID-19) pandemic has made mental health an important issue in the world. The World Health Organization (WHO) identifies mental health as an integral component of the response to COVID-19. The COVID-19 pandemic with its massive transmission and high mortality rate causes problems that lead to mental disorders. A community-based approach can expand the scope of mental health services during the COVID-19 pandemic. The public will be required to live in a new normal state to maintain mental health and safety. Wellness Center is a place for people to recover their mental wellness which is located in a quiet, quiet, safe and comfortable place. The activities that can be done at the Wellness Center include yoga, meditation, sports, self-indulgence, and self-healing.
Perencanaan Dan Perancangan Fasilitas Rest Area di Kecamatan Selemadeg Tabanan I Putu Gede Adi Purusa Maha Wiranata; I Wayan Widanan; I Wayan Runa
Undagi : Jurnal Ilmiah Jurusan Arsitektur Universitas Warmadewa Vol. 10 No. 2 (2022)
Publisher : Program Studi Arsitektur, Fakultas Teknik Universitas Warmadewa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22225/undagi.10.2.6306.309-317

Abstract

The Denpasar - Gilimanuk highway route crosses the coastal area in the Selemadeg area, Tabanan district. The national road that crosses this coastal area is a road that connects Tabanan Regency & Denpasar City, Bali Province and is an accident-prone route, where there are lack of road facilities such as signs and street lighting at night. The number of bumpy roads accompanied by a forest situation that is often assumed by local people to be a scary situation motivates traffic accidents in this area. When crossing the Denpasar - Gilimanuk highway, there are sporadic locations that provide stopovers or rest areas. Gas stations are also difficult to find along this road. Because of that, Rest & Service Areas (TIP) or generic claims to use a rest area are one of the facilities that must be found on a provincial road. As the name implies, this rest area is used as a resting place for road users. In addition to making human rest, the facilities in the rest area can also be used as a place to rest vehicles. The rest area that you want to build is a type B rest area where the facilities are ATM centers, toilets, stalls or kiosks, minimarkets, prayer rooms, restaurants, green open spaces, & parking lots. This rest area also has natural & culinary tourism, apart from resting, visitors can also enjoy the natural scenery and take selfies in this area.
Fasilitas Penunjang Industri Kain Endek di Kota Denpasar, Bali: bahasa indonesia Muliadi Arisasmika Arsitektur; Ni Putu Ratih Pradnyaswari Anasta Putri; I Wayan Runa
Undagi : Jurnal Ilmiah Jurusan Arsitektur Universitas Warmadewa Vol. 11 No. 2 (2023): UNDAGI : Jurnal Ilmiah Jurusan Arsitektur Universitas Warmadewa
Publisher : Program Studi Arsitektur, Fakultas Teknik Universitas Warmadewa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22225/undagi.11.2.7021.179-186

Abstract

For a city to thrive, it needs a Creative Hub, which can be a place for social interaction and communication between various groups. Creative Hubs function as dynamic areas that provide employment options, educational opportunities, corporate development opportunities, and networking opportunities. It also encourages more intensive innovation in the creative field for the benefit of the local community and region. In general, Creative Hubs are facilities or containers, both physical and virtual, that can connect communities or creative activists by providing a dynamic space so that new innovations and creativity can be born. Because of its nature as a center, the creative hub only covers part of the area. However, activities in the creative hub connect talents, skills, and disciplines in the creative community. Planning and Designing Creative Hub Facilities in Denpasar City, Bali can later become a support for the endek fabric industry in addition to the availability of other facilities that can support activities for creative industry players. So it is hoped that this design can be able to facilitate young people in Denpasar City and is expected to build and increase activities for creative economic actors who will produce products of economic value.
Strategi Pengelompokan Kandang Anjing Pada Pusat Konservasi Anjing Liar di Padang Galak, Denpasar: bahasa indonesia Komang Junida Aryadi; Ni Putu Ratih Pradnyaswari Anasta Putri; I Wayan Runa
Undagi : Jurnal Ilmiah Jurusan Arsitektur Universitas Warmadewa Vol. 11 No. 1 (2023): UNDAGI : Jurnal Ilmiah Jurusan Arsitektur Universitas Warmadewa (Juni)
Publisher : Program Studi Arsitektur, Fakultas Teknik Universitas Warmadewa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22225/undagi.11.1.7107.18-26

Abstract

Dogs and humans benefit from each other, but the Denpasar City Agriculture Service (2019) states that only 30% of the total dog population in Denpasar are owned/cared for and the rest are wild dogs. The author wants to raise this issue in order to improve the quality of life for stray dogs. The Wild Dog Conservation Center facility in Padang Galak Denpasar aims to address the problem of dogs that are not owned or live on the streets. However, proper planning and design is needed to provide adequate facilities and be able to accommodate the community so that they can be treated according to their classification.
Implementasi Arsitektur Tradisional Bali Berbasis Ekowisata Di Desa Bukian I Wayan Suky Luxiana; I Wayan Runa; I Wayan Parwata; Agus Kurniawan
WICAKSANA: Jurnal Lingkungan dan Pembangunan Vol. 7 No. 2 (2023)
Publisher : Lembaga Penelitian, Universitas Warmadewa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22225/wicaksana.7.2.2023.61-68

Abstract

Arsitektur tradisional bali adalah microkosmos dari alam raya sebagai makrokosmos. Arsitektur tradisional merupakan sebagai wadah untuk membina dan menempatkan manusia secara individu maupun kelompok agar selaras dengan alam semesta. Desa Bukian merupakan salah satu Desa yang ada di Kabupaten Gianyar dimana Desa Bukian dikategorikan sebagai desa tua di Bali yang masih khas arsitektur Balinya. Tujuan penelitian ini adalah untuk Menginventarisasikan dan mengevaluasi data untuk dianalisa dan dikatagorikan sebagai dasar peramalan kemungkinan-kemungkinan masa depan untuk perancangan masa kini dari kenyataan masa lalu. Melalui penelitian dengan ukuran dalam “meter”, terhadap rumah tinggal di Desa Bukian dengan beberapa variable dari segi fungsi berdasarkan antropometri pemiliknya dan mengimplementasikan Arsitektur Tradisional Bali tersebut dengan konsep ekowisata sebagai bentuk pariwisata berkelanjutan.Untuk melindungi, membina dan mengembangkan Arsitektur Tradisional Bali Berbasis Ekowisata diperlukan penelitian. Dengan penelitian didapat berbagai kenyataan masa lalu sebagai materi pembahasan untuk mendapatkan bentuk-bentuk dari perlindungan, pembinaan dan pengembangan secara umum dan perancangan secara khusus arsitektur tradisional. Penelitian ini menggunakan mixed method yang berarti pula menggunakan data kuantitatif maupun kualitatif. Pengimplementasian Arsitektur Tradisional Bali berbasis ekowisata di Desa Bukian dengan cara konservasi dengan mempertahankan atau sedikit mengubah untuk mempertahankan ciri khas Arsitektur tradisional tersebut dengan mempelajari ukuran, fungsi dan bentuk Arsitektur tersebut. Partisipasi diterapkan dengan cara menyebar kuisioner untuk mengetahui kenyamanan ruang dan bentuk dan mendapat pemahaman untuk mempertahankan ciri khas Desa melalui Arsitektur itu sendiri. Segi Pendidikan adalah masyarakat dapat mempelajari tentang Arsitektur Tradisional dengan dibuatkan Model melalui aplikasi baik dari proses, dan cara pengerjaan dan Animasi Arsitektur tradisional Bali. Dari segi ekonomi masyarakat tidak perlu bingung mencari tukang atau undagi yang mempatok harga mahal dan bisa dikerjakan secara gotong royong sehingga biaya dapat ditekan. Kepuasan pengunjung daplikasikan dengan berkunjung saja sudah merasa nyaman dan berkeinginan berkunjung kembali itu dapat dilihat dari keramah tamahan dan magnet yang dipancarkan oleh arsitektur tradisional Bali tersebut.
Desain Detail Konservasi Pura Pajinengan Gunung Tap Sai Di Kabupaten Karangasem I Putu Andi Wira Adnyana Adnyana; I Nyoman Warnata; I Wayan Runa; I Wayan Gde Erick Triswandana
Jurnal Sutramas Vol. 3 No. 1 (2023): Jurnal Sutramas
Publisher : Fakultas Teknik Universitas Warmadewa

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Pura Pajinengan Gunung Tap Sai terletak di Dusun Puragae, Desa Pempatan, Kecamatan Rendang, Kabupaten Karangasem yang selanjutnya disebut Pura Tap Sai. Pura terletak di lereng barat laut Gunung Agung dan banyak umat ke pura untuk memohon keselamatan dan anugerah. Tap Sai berasal dari kata matapa sai sai (bertapa atau semedi setiap hari). Pada halaman utama (utamaning mandala) Pura terdapat pelinggih Lingga Yoni yang dililit akar pohon yang dipercaya umat sebagai tempat memohon anak atau keturunan, jodoh, segala permasalahan kesehatan, memohon obat, dan juga rezeki. Setelah persembahyangan di utamaning mandala, maka setiap umat (pemedek) akan diberikan seikat (11 Buah) dupa untuk melakukan permohonan khusus di Lingga Yoni. Pura juga memiliki tiga palinggih utama untuk memuja Dewi Sri, Dewi Rambut Sedana, dan Dewi Saraswati. Keberadaan pura ini di tengah hutan sehingga suasana alamnya tenang, damai, dan sakral. Oleh karena itu pura ini juga menjadi daya tarik masyarakat untuk kegiatan spiritual maupun untuk berwisata. Dengan jumlah masyarakat yang berkunjung ke Pura Pajinengan Gunung Tap Sai semakin meningkat, maka perlu adanya penataan mandala pura agar mampu menampung jumlah pengunjung secara optimal dan tentunya aman bagi para penyandang disabilitas, mengingat kondisi mandala pura yang cukup tinggi seperti terasering dikarenakan kontur tanah yang miring. Berdasarkan permasalahan di atas maka metode pelaksanaan pada tahun ke-3 ini adalah melalui desain detail konservasi pura. Pengumpulan data berupa penjajakan ke Pura untuk memperoleh data dalam proses desain detail konservasi pura. Desain detail pura agar lebih unik atau khas termasuk desain bangunan penunjang dan material pelinggih serta sirkulasi bagi para penyandang disabilitas. Jajak pendapat/wawancara dan sosialisasi juga dilaksanakan untuk mengoptimalkan desain detail konservasi Pura. Luaran akhir dari Program adalah desain detail konservasi pelinggih pura. Sebagai luaran akademis adalah publikasi pada Jurnal Ilmiah Nasional ber-ISSN. luaran lain seperti video tayang di Youtube dan berita di koran.
Pangempon Pura Pajinengan Gunung Tap Sai Kabupaten Karangasem – Bali, untuk Desain Konservasi Mandala Pura I Wayan Runa; I Nyoman Warnata; I Nyoman Nuri Arthana Nuri Arthana
Jurnal Abdi Daya Vol. 1 No. 1 (2021): Maret
Publisher : Universitas Warmadewa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22225/jad.1.1.2021.46-63

Abstract

Pura Pajinengan Mount Tap Sai is located in Puragai Hamlet, Besakih Traditional Village, Pempatan Village, Rendang District, Karangasem Regency - Bali, hereinafter referred to as Pura Tap Sai. Tap Sai Temple is located on the northwest slope of Mount Agung. People who Tangkil come to the temple to ask for safety and grace. Tap Sai comes from the word matapa sai sai (daily meditation or meditation). On the main page (utamaning mandala) of Pura Tap Sai, there is also a shrine of the Lingga Yoni wrapped in tree roots (natural) which the people believe is a place to ask for children or offspring, mate, all health problems, ask for medicine, and also fortune. After praying at the main mandala, each devotee / pemedek will be given a bundle (11) of incense to make a special wish at the natural Yoni Lingga. The existence of this temple is in the middle of the forest so that the natural atmosphere is calm, peaceful, and sacred. Therefore, this temple is also a public attraction both for spiritual activities and for traveling. With the increasing number of community members visiting Pura Pajinengan Mount Tap Sai, it is necessary to organize the main temple's mandala so that it is able to accommodate the number of visitors optimally and of course it is also safe for people with disabilities, given the high condition of the temple mandala such as terraces due to the contours of the ground. that's tilted. Based on the above problems, the method of implementation is through the design of the mandala pura conservation. Data collection was in the form of exploration to Pajinengan Temple Mount Tap Sai to obtain data in the design process. The design of the temple mandala to be more unique or distinctive, including the design of buildings and pelinggih and circulation materials for people with disabilities. In addition, it also conducted opinion polls and socialization to optimize the design of the mandala conservation at Pura Pajinengan Mount Tap Sai. The final output in the first year of the Community Partnership Program or this service for the community of Pajinengan Temple Mount Tap Sai people is preliminary data for the design of the mandala and temple shrine conservation. The preliminary data consist of the area of ​​land / temple area, the area of ​​the temple mandala, the existing main palinggih buildings, the existing supporting palinggih buildings, the sacred trees that need to be preserved, and the unique potential for the concept of temple development.
IDENTIFIKASI DAN PERAN STAKEHOLDER DALAM PENGEMBANGAN INFRASTRUKTUR KAWASAN WISATA PATUNG CRISTO REI, DILI, TIMOR LESTE I Nengah Sinarta; Wayan Runa; Ika Wahyuni; Jose Manuel Maniquin
Jurnal Abdi Daya Vol. 2 No. 1 (2022): Jurnal Abdi Daya Vol.2 No.1 Tahun 2022
Publisher : Universitas Warmadewa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22225/jad.2.1.2022.25-32

Abstract

Timor Leste, which is a new country, is trying to develop tourism as a strategy for community economic development. By developing tourism it is hoped that it will encourage investment in infrastructure, generate income for the country and direct and indirect employment involvement around the region. One of the tourist attractions that want to be developed is the Cristo Rei Statue area which is located on Fatukama hill, Dili City.In 2000 the Government of the Republica Democratica de Timor-Leste had planned to rehabilitate or develop the Cristo Rei Statue as an icon of the City of Dili. Currently, supporting infrastructure for the area has been built, such as parking areas, toilets, trash cans and rest areas. The condition of the infrastructure that is being built is currently damaged and lacks maintenance. Through this PKM, it is hoped that it will be able to identify the condition of the existing infrastructure in the area of ​​the Cristo Rei Statue and be able to increase the role of stakeholders in efforts to maintain and develop infrastructure.
PKM PEMBERDAYAAN MASYARAKAT DALAM PENYUSUNAN RENCANA PENGEMBANGAN ARTEFAK BUDAYA SEBAGAI WISATA DESA DI DESA SIANGAN, KECAMATAN GIANYAR, KABUPATEN GIANYAR Agus Kurniawan; I Wayan Runa
Jurnal Abdi Daya Vol. 3 No. 1 (2023): Jurnal Abdi Daya Vol.3 No.1 Tahun 2023
Publisher : Universitas Warmadewa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22225/jad.3.1.2023.25-33

Abstract

The Traditional Siangan Adult Village can be found 31 kilometers northeast of Denpasar City. As a spiritual tourist village, this village has cultural potential to develop. Seven ancient sites, natural beauty, local art, and cultural traditions can all be used as a tourist attraction in the Siangan Adult Village. The indigenous village community has not fully appreciated the potential of cultural heritage to be used as a starting point for spiritual tourism. To support the tourist growth of Siangan Village, it is necessary to empower the public to inventory the heritage of cultural artifacts and its use as a tourist attraction. The Foundation Sentir Bali as a partner in the Community Partnership Programme (PKM) is expected to be able to cope with the following problems: (1) the entire cultural heritage that exists in the Adult Siangan Village has not been inventorized, (2) the historical background of the cultural patrimony existing in the Village Siangan, and (3) it has not yet been used as a spiritual tourist base. By carrying out the inventory of cultural reserves in Siangan Village and managing the cultural reserve as a tourist attraction, PKM is a form of empowerment of the community in the use of cultural reservoirs. Planning as a spiritual pathway. Archaeological documentation techniques and public archeological approaches are used in the implementation of cultural reserve management models. Partners together with the community will recognize the importance of the cultural reserve as the foundation of spiritual tourism, which implies the well-being of the community, as a result of this strategy.
Infrastructure development in Kenderan Village, Tegallalang sub-district, Gianyar regency Trisuci Arnawati Ida Ayu; Laksmini Ni Luh Putu; Natalia Wulansari Ni Ketut; I Wayan Runa; Putu Aryastana
Journal of Infrastructure Planning and Engineering Vol. 2 No. 2 (2023)
Publisher : Master Program of Infrastructure and Environmental Engineering, Postgraduate Program, Warmadewa University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22225/jipe.2.2.2023.10-15

Abstract

Gianyar Regency has many villages that can be relied upon as tourist destinations due to their cultural and natural potential. Kenderan Village has a natural atmosphere with vast stretches of rice fields and hills, which are the main attractions of this village. Various potentials can be developed through ecotourism concepts as tourist attractions. The development of tourist village infrastructure involves the arrangement of the area and environment to maintain its natural state, as well as the optimal development of other supporting tourist facilities that have not been utilized. The aim of this research is to identify the potentials in Kenderan Village (cultural, natural, and village potentials) and to determine the necessary infrastructure for the development of Kenderan Village as a tourist village. This study uses observation, interviews, and documentation as research techniques, employing the SWOT approach. The results of this research show that there are various tourism potentials that can be developed into various attractions and activities, which can be categorized into three types: natural potentials (rice fields, plantations, and natural beauty), cultural potentials (archaeological sites, Beji Telaga Waja, and Pura Griya Sakti Manuaba), and village potentials (Puri Agung Kenderan and traditional settlements). The development of tourism potentials in Kenderan Village is expected to provide optimal benefits for the local community, entrepreneurs, and the government in a sustainable manner, while contributing to environmental preservation.
Co-Authors A. A. Ngurah Agung Reditya Ananta Surya A.A Yenni Arini Dewi Adinata, Ida Wayan Sastra Agus Kurniawan Agus Kurniawan Agus Kurniawan Agus Kurniawan Agus Kurniawan Agus Kurniawan Agus Kurniawan Anak Agung Gede Raka Gunawarman Anak Agung Istri Sri Wiadnyani Arsitektur, Muliadi Arisasmika Arthana, I Nyoman Nuri Ayu Dwinita Yoga Saraswati, Ida Dewa Ayu Nyoman Sri Astuti Etika Cahya Wulan Gede Eka Dharma Putra Gede Riki Prawira Hima Santhani I Dewa Nyoman Raka I Gede Ramsa Wahyu Alam Sari I Gede Ramsa Wahyu Alam Sari I Gusti Agung Putu Eryani I Gusti Made Candra Sedana Candra I Kadek Surya Cipta I Ketut Arnawa I Ketut Darma I Made Pasek Satya Bhuana I Made Riandika Surya Wiguna I MADE SUKERTA I Made Suryana I Nengah Sinarta I Nyoman Andy Armawan I Nyoman Warnata I Nyoman Warnata I Putu Aditya Surya Pramana I Putu Andi Wira Adnyana Adnyana I Putu Andi Wira Adnyana Adnyana I Putu Gede Adi Purusa Maha Wiranata I Putu Gede Adi Purusa Maha Wiranata I Putu Hartawan I Putu Teja Artawan I Wayan Budi Merta I Wayan Gde Erick Triswandana I Wayan Parwata I Wayan Putra Irawan I Wayan Suky Luxiana I Wayan Suky Luxiana Ida Ayu, Trisuci Arnawati Ika Wahyuni Jose Manuel Maniquin Komang Arya Surya Nugraha Komang Bagas Parista Parmasta Komang Deddy Endra Prasandya Komang Junida Aryadi Komang Junida Aryadi Kristy Atmasari Ratuanak, Dian Laksmini Ni Luh Putu Luh Kadek Budi Martini Made Mas Surya Wiguna Muliadi Arisasmika Arsitektur Nadya Mihiro Putri Natalia Wulansari Ni Ketut NEVIATY PUTRI ZAMANI Ni Kadek Ari Manik Lukita Ni Ketut, Natalia Wulansari Ni Ketut, Suparmi Ni Komang Indra Mahayani Ni Luh Putu, Laksmini Ni Wayan Meidayanti Mustika Nurwarsih, Ni Wayan Olivio Pinto Da Silva Pande Putu Dwi Novigga Artha Pithamaha, I Putu Wikan Prabandari, Nyoman Ratih Pradnyaningrum, Putu Siskha Pradnyaswari Anasta Putri, Ni Putu Ratih Putri, Ni Putu Ratih Pradnyaswari Anasta Putu Aryastana Putu Gus Lie Atmaja Putu Pritayuni Paramisiwi Putu Santhi Dharma Gita Putu Sri Astuti Putu Sri Astuti, Putu Sri Sastrawan, I Wayan Wirya Sastrawan, Wirya Suparmi Ni Ketut Trisuci Arnawati Ida Ayu Wandira, I Wayan Mariyana Warnata, I Nyoman Wicaksana, Gde Bagus Andhika Widanan, I Wayan Wijaya, I Kadek Merta Wikan Pradnya Dana, Gde