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All Journal Gorga : Jurnal Seni Rupa Bercadik E-Dimas: Jurnal Pengabdian kepada Masyarakat Panggung Gondang: Jurnal Seni dan Budaya Dance and Theatre Review: Jurnal Tari, Teater, dan Wayang Pendas : Jurnah Ilmiah Pendidikan Dasar Batoboh : Jurnal Pengabdian Pada Masyarakat Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Besaung : Jurnal Seni Desain dan Budaya PROSIDING: SENI, TEKNOLOGI, DAN MASYARAKAT PROPORSI : Jurnal Desain, Multimedia dan Industri Kreatif Jurnal Abdidas Budapest International Research and Critics Institute-Journal (BIRCI-Journal): Humanities and Social Sciences Ranah Seni: Jurnal Seni dan Desain Melayu Arts and Performance Journal Jurnal Pengabdian Seni ARTCHIVE: Indonesia Journal of Visual Art and Design Bercadik: Jurnal Pengkajian dan Penciptaan Seni Offscreen: film and television journal Paradigma: Jurnal Kajian Budaya VCode Cinelook: Journal of Film, Television, and New Media SPACEPRO Eduscape: Journal of Education Insight International Journal Multidisciplinary Journal of Social Science Panggung Journal of Learning on History and Social Sciences Journal of Higher Education and Academic Advancement Musikolastika: Jurnal Pertunjukan dan Pendidikan Musik
Rosta Minawati
Institut Seni Indonesia Padangpanjang
Religion Arts Humanities Economics, Econometrics & Finance Education Environmental Science Health Professions Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Mathematics Medicine & Pharmacology Physics Public Health Social Sciences Other

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Puncak Pato Sebagai Destinasi Wisata Alam Sumatera Barat Meria Eliza; Rosta Minawati; Syafriandi Syafriandi
Melayu Arts and Performance Journal Vol 6, No 1 (2023): Melayu Arts and Performance Journal
Publisher : Pascasarjana Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/mapj.v6i1.3668

Abstract

Puncak Pato, West Sumatra, is a tourist destination located on the border of Sungayang and Lintau. Puncak Pato as a tourism destination has natural and cultural  potential. It also has historical meaning in Minangkabau for uniting indigenous peoples and religions known as the "Satie Marapalam Oath Agreement". Pato Peak (Bukit Marapalam) is the place where this  agreement was signed between the adat  and religious communities of Minangkabau. This research is a qualitative study that aims to provide a comprehensive and in-depth description of Puncak Pato as a tourist destination. Pato Peak is located in highlands surrounded by hills and pine trees. There is beautiful natural scenery with cool winds drawing many visitors from West Sumatra and  other areas. Existing tourist facilities encourage bicycling , jogging, gymnastics, with meeting places and sites for various cultural arts activities. The facilities also include a large parking area , prayer rooms, and rest rooms. Visitors to Pucak Pato need only buy an adult ticket of IDR 10,000, IDR 5000 for a child. . Visitors are further served by stalls selling food and beverages.Keywords: Puncak Pato; Nature Tourism; West SumateraAbstrakPuncak Pato Sumatera Barat merupakan destinasi wisata berlokasi di perbatasan Sungayang  dan  Lintau.  Objek  wisata Puncak Pato memiliki potensi wisata alam dan budaya dan juga memiliki nilai sejarah Minangkabau dalam menyatukan kaum adat dan kaum agama, yang dikenal dengan “ Perjanjian Sumpah Satie Marapalam”. Puncak Pato (Bukit Marapalam) merupakan tempat terjadinya suatu kesepakatan dan penandatanganan surat perjanjian antara kaum adat dan kaum agama di Minangkabau. Penelitian ini merupakan penelitian kualitatif yang bertujuan untuk memberikan gambaran yang menyeluruh  dan  mendalam  tentang  eksistensi  Puncak  Pato sebagai Destinasi Wisata. Puncak Pato terdapat di dataran tinggi dikelilingi bukit dan pohon pinus. Pemandangan alam yang indah dan tiupan angin yang memberikan kesejukan sehingga banyak pengunjung yang dari Sumatra Barat maupun dari daerah lainnya. Spot wisata yang ada diantaranya sepeda, joging, senam, tempat rapat dan kegiatan berbagai seni budaya. Fasilitas yang dimiliki adalah parkir yang luas, mushola, dan toilet. Untuk berkunjung ke Pucak Pato hanya dengan tiket dewasa Rp 10.000 dan anak Rp 5000. Untuk memanjakan pengunjung terdapat warung-warung penjual makanan dan minumanKata Kunci: Puncak Pato; Wisata Alam; Sumatera Barat 
Social Communication in Dance Art and The Creative Industry Emri, Emri; Loravianti, Susasrita; Minawati, Rosta; Sahrul, Sahrul
Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Vol 25, No 2 (2023): Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni
Publisher : LPPM Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/ekspresi.v25i2.1701

Abstract

Social communication in the world of dance is an essential element in societal life. It not only facilitates the exchange of information and ideas but also builds and maintains social relationships within the arts. However, to ensure effective communication, it is necessary to address various challenges such as communication gaps and message distortion. A better understanding of social communication can help individuals and communities interact more effectively and harmoniously. Dance communication is an effective and powerful way to convey complex messages, emotions, and ideas. Through various mediums, artists can interact with their audience and build deep understanding and appreciation. However, to achieve effective communication, challenges such as diverse interpretations and cultural gaps must be addressed. Thus, art can continue to play a vital role as a communication tool in society. The creative industry is an economic sector focused on the creation and exploitation of intellectual and artistic works. It is a dynamic and rapidly growing sector that plays a significant role in the modern economy. By harnessing creativity and intellectual skills, this industry not only generates substantial economic value but also makes a significant contribution to cultural identity and innovation. However, to reach its full potential, various challenges such as intellectual property rights protection, funding, market access, and education need to be addressed. With appropriate support, the creative industry can continue to grow and provide greater benefits to society and the economy, especially in the field of dance arts
Perancangan Iklan Layanan Masyarakat Untuk Mengurangi Kecanduan Game Pada Pelajar SMP Rajab, Junaidi; Budiwaspada, Agung Eko; Minawati, Rosta
SPACEPRO: Product Design Jurnal Volume 1 Nomor 1, Mei 2023
Publisher : INSTITUT SENI INDONESIA PADANGPANJANG

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/spacepro.v1i1.3762

Abstract

Abstract The influence of the game is so great for Junior High School students, in which games can create addiction for them. As a result, they cannot manage their time well, skip their classes, and oftenly disturbed while studying because they constantly think about games on and on. The main cause is likely because of the psychology of junior high school students that still cannot control what they want wisely. As a result, their performance in studying will certainly decrease, which is resulted in their failure in academics. If this phenomena continues, it will surely impact their future in negative way. Therefore, it is necessary for the media to help junior high school students to be aware about the importance of managing their time, as well as giving the understanding that play games is not bad but they should know the boundary. Keywords: Public Service Ads, Games, Junior High School Students.
Naki-Naki: Oral Tradition of the Karo of North Sumatra Minawati, Rosta; Alamo, Enrico
Budapest International Research and Critics Institute-Journal (BIRCI-Journal) Vol 6, No 4 (2023): Budapest International Research and Critics Institute November
Publisher : Budapest International Research and Critics University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33258/birci.v6i4.7791

Abstract

The purpose of this article entitled "Naki-naki: Oral Tradition of the Karo Tribe in North Sumatra" is to examine the context of the traditional courtship system among the young people using oral tradition (oral literature) in the Karo community that developed in ancient times. The Karo community has a unique tradition in finding a life partner. Karo youths, whether male or female, are encouraged to marry (erjabu) as soon as they reach adulthood. Adult males are referred to as "anak perana" and are identified by characteristics such as wearing long pants (saluar gedang) and sleeping in the traditional Karo building called "jambur." Adult females are known as "singuda-nguda" and are identified by characteristics such as menstruation, participation in youth work groups, including communal activities and involvement in artistic festivals (guro-guro-aron).The stages of introduction between young people begin with the tradition of "ngaras-ngaras" and continue with "ertutur." Ertutur can be done with the help of friends, family intermediaries, or directly. The introduction then progresses to a stage known as "Naki-naki." Naki-naki is the moment when the "anak perana" endeavors to convince the "singuda-nguda" to fully accept him for marriage. Naki-naki involves using the eloquent Karo language and is often done at night on the terrace of the house ("ture") or inside the house. The goal is for the couple and their families to get to know each other well.
MAKNA MEDIA KAMPANYE BAGI PEMILIH PASANGAN MAHYELDI DAN AUDY JOINALDY PADA PILKADA SUMATERA BARAT TAHUN 2020 Ilham, Muhamad; Minawati, Rosta; Yulika, Febri
VCoDe : Visual Communication Design Journal Volume 2, Nomor 1, Desember 2022
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/vcode.v2i2.3646

Abstract

Penelitian ini berjudul “Analisis Media Kampanye Pasangan Mahyeldi dan Audy Joinaldy Pada Pilkada Sumatera Barat Tahun 2020”. Penelitian ini bertujuan untuk menganalisis media kampanye pasangan Mahyeldi dan Audy Joinaldy pada pilkada Sumatera Barat tahun 2020. Metode penelitian yang digunakan adalah penelitian kualitatif. Data dikumpulkan melalui observasi, wawancara, dokumentasi dan studi pustaka. Data dianalisis menggunakan analisis teori desain komunikasi visual, SWOT dan teori semiotika Roland Barthes. Hasil penelitian ini menunjukkan bahwa; pertama, media kampanye menjadi salah satu faktor penentu dalam upaya mendapatkan raihan suara terbanyak, terutama dalam mengkomunikasikan pesan dan tujuan personal branding kepada para pemilih. Adanya logo khusus (MA) pada media kampanye sebagai personal branding kedua pasang calon menjadi daya tarik tersendiri dalam proses kampanye yang dilakukan. Logo MA (Mahyeldy Audy) selalu muncul dalam setiap media kampanye yang dipublikasikan seperti spanduk, baliho, umbul-umbul dan media kampanye lainnya; Kedua, terdapatnya bentuk media utama dan media pendukung, saling berkaitan serta konsisten bentuk media kampanye yang digunakan. Media utama seperti logo, adanya keunikan simple, sederhana, elegant, identitas minangkabau, serta menarik perhatian sedangkan media pendukung seperti baliho, umbul-umbul, spanduk saling konsisten, keseragaman, unik dari segi figure atau foto, tagine, ikon logo, tipografi, dan warna. Makna media terdapat dari segi beberapa pandangan diantaranya komunikasi politik, antropologi politik, sosiologi politik dan lainnya.
RITUAL BELA DIRI KUTAU DALAM MASYARAKAT DESA SURO, KABUPATEN MUSI RAWAS Lidiantari, Aulini; Muliati, Roza; Nursyirwan, Nursyirwan; Minawati, Rosta
Paradigma: Jurnal Kajian Budaya Vol. 14, No. 2
Publisher : UI Scholars Hub

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This paper discusses the Kutau martial arts ritual practiced by the people of Suro Village, Muara Beliti District, Musi Rawas Regency, South Sumatra Province. Kutau is one of the ancestral heritages consisting of a set of rituals. Kutau takes the form of traditional martial arts that has been developed by the Suro Village community. Applying the qualitative approach, this study aimed to systematically document all forms of rituals in Kutau and its functions within the Suro community. Data were collected through observation, interviews, and documentation, which were then analyzed using Victor Turner’s ritual approach and Talcot Parsons’ function approach. Results show that Kutau is a medium of communication between the community and their ancestors to pass down the Kutau knowledge, which is closely related to Suro people’s belief system. Kutau still prevails thanks to the latency function of the Kutau community, so that the whole system is able to survive and adapt to the current society.
Fenomena Musik Ring Back Tone (RBT): Kapitalisme, Budaya Popular, dan Gaya Hidup Rosta Minawati
PANGGUNG Vol 26 No 1 (2016): Nilai dan Identitas Seni Tradisi dalam Penguatan Budaya Bangsa
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v26i1.163

Abstract

ABSTRACT RBT music is a phenomenon enjoyed by millions  of fans.  RBT, better known as ring back tones  have become part of the lifestyle  of subscribers.  Ring back tones have sound meanings  (as music) which are experienced by callers after placing their calls. The music is heard by callers till the phone is answered.  The phenomena of RBT is capable of gaining  the interest  of a million customers. In Indonesia  cellphone use has become widespread, cheap and available.  The  func- tion  of the  cellular  telephone can facilitate  the acquisition  of needs for its owner. In general urban centers around the world will form social  networks,  engage in capitalism,  popular cul- ture  and life styles. The  development  of this phenomenon is inseparable from capitalism  itself. Through RBT consumers can easily  download their favorite songs. In the context  of this phe- nomenon capitalism,  pop culture  and lifestyle represent three inseparable interrelated  elements. Keywords: Music RBT, Capitalisme, CulturalPopular,  Lifestyle.     ABSTRAK Musik RBT merupakan fenomena yang digemari berjuta pelanggan. RBT atau yang lebih dikenal dengan   nada sambung menjadi gaya hidup para pelanggannya. Nada sambung (ring back tone) memiliki arti suara (musik) yang di dengar lewat jalur telepon oleh pihak penelepon setelah melakukan pemanggilan. Musik tersebut dapat di dengar pihak yang menghubungi sampai telepon dijawab.Fenomena RBT mampu meraih berjuta pelanggan. Di Indonesia, pengguna Hp menjadi sangat umum, murah dan terjangkau. Fungsi telepon seluler akan lebih memfasilitasi pemenuhan kebutuhan pemiliknya. Secara umum, kota-kota urban di dunia akan membentuk jaringan sosial, kapitalisme, budaya popular, dan gaya hidup. Perkembagan fenomena ini tidak terlepas karena adanya kapitalisme.Melalui RBT, para konsumen dengan mudah mendownloadlagu-lagu yang digemari. Berkaitan dengan fenomena tersebut, kapitalisme, budaya pop(ular) dan gaya hidup merupakan tiga serangkai yang tidak dapat dipisahkan. Kata kunci: Kapitalisme, Budaya Populer, Gaya Hidup
Kreativitas Sebagai Strategi Pengembangan Musik Kompang Grup Delima di Bantan Tua Bengkalis Rosta Minawati; Nursyirwan Nursyirwan
PANGGUNG Vol 28 No 3 (2018): Identitas Kelokalan dalam Keragaman Seni Budaya Nusantara
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v28i3.507

Abstract

ABSTRACTThis article aims to discover the strategy of creativity used by performers of Kompang music in Bantan Tua, Bengkalis. The data was collected through observation, interviews, and documentation. The Kompang Delima Group is one of the kompang groups that has developed kompang as performing art. In 2012 the Delima Group started to include creative movements in their performances. The movement creativities were inspired by the social and cultural life of the people. “Nunduk” is one of the characteristic movements of the Delima Group in Bantan inspired by menoreh (harvesting a rubber). The creativities are developed through the elements of local culture, including movements, formations, and floor patterns, and the emphasis on the clarity of articulation in each line of the recitation of the barzanzi text in order to gain more aesthetic impression of performance.Keywords: creativity, Kompang music, Delima group, BengkalisABSTRAKTulisan ini bertujuan mengungkap strategi kreativitas pemain musik Kompang di Bantan Tua Bengkalis. Data dikumpulkan melalui observasi, wawancara, dan dokumentasi. Grup Kompang Delima adalah salah satu grup Kompang yang mengembangkan musik Kompang sebagai seni pertunjukan. Pada tahun 2012, Grup Delima mulai memasukkan gerak yang kreatif di dalam pertunjukannya. Hasil kreativitas yang dilakukan dengan menggarap gerak yang terinspirasi dari kehidupan sosial dan kultur masyarakatnya. Nunduk adalah gerakan yang khas yang dimiliki grup Delima di Bantan Tua yang terinspirasi dari menoreh (mengambil karet). Kreativitas dilakukan dengan mengembangkan gerak, formasi dan pola lantai, serta penekanan pada kejelasan artikulasi setiap syair barzanji yang dilafalkan agar tercapai kesan estetik dalam penampilannya.Kata kunci: kreativitas, musik Kompang, grup Delima, Bengkalis
Kajian Organologi Pembuatan Alat Musik Tradisi Saluang Darek Berbasis Teknologi Tradisional Ediwar Ediwar; Rosta Minawati; Febri Yulika; Hanefi Hanefi
PANGGUNG Vol 29 No 2 (2019): Konstruksi Identitas Budaya dalam Seni dan Sastra
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v29i2.905

Abstract

ABSTRACTThe music of Saluang Darek wind instrument is Minangkabau traditional music that uses the musical instrument of aerophone classification (air as the main source of vibration) and the kind of end-blown without-block flutes musical instrument, and this musical instrument is used to accompany Minangkabau songs or dendangs. Saluang Darek is made of bamboo. The best bamboos for making Saluang Darek are (1) Talang bamboo (Schizostachyum brachycladum kurz), (2) Buluah Kasok bamboo (Gingantocholoa apus), (3) Tamiang bamboo (Schizostachyum zollingeri steud), and (4) Cimanak bamboo (Schizostachyum longispiculatum). The production of Saluang Darek musical instrument uses the traditional technology by still maintaining the quality of instrument that's ready to be used for the performing arts particularly in accompanying dendang. The method used in this research was the qualitative method by using the approach of organology study. Data were collected through the library research, observation, interview, and documentation. This study found the importance of the musical instrument study in order to give information for the musicologists' and ethnomusicologists' works, at once conserve the musical culture in West Sumatera.Keywords: Saluang Darek, Organology, Aerophone, Traditional technology ABSTRAKMusik tiup Saluang Darek adalah musik tradisional Minangkabau yang menggunakan alat musik klasifikasi Aerophone (udara sebagai sumber getaran utama) dan alat tiup jenis end-blown without-block flutes digunakan untuk mengiringi nyanyian atau dendang Minangkabau. Alat musik Saluang darek terbuat dari bambu, yang paling baik untuk alat musik Saluang adalah (1) bambu  talang ( Schizostachyum brachycladum kurz), (2) bambu buluah kasok (Gingantocholoa apus), (3) bambu tamiang (scizostachyum zollingeri steud), (4) bambu cimanak (Schizotachyum longispiculatum). Pembuatan alat musik Saluang darek menggunakan teknologi tradisional dengan tetap menjaga kualitas alat yang siap dipakai untuk seni pertunjukan dalam mengiringi dendang. Metode yang dipakai dalam penelitian ini adalah metode kualitatif dengan pendekatan kajian organologi. Data dikumpulkan melalui studi pustaka, observasi, wawancara dan dokumentasi. Kajian ini mendapati pentingnya   kajian instrumen musik untuk memberikan infomasi dalam pekerjaan musikolog dan etnomusikolog, sekaligus pelestarian budaya musikal di Sumatera Barat. Kata kunci: Saluang darek, Organology, Aerophone, Teknologi tradisional ABSTRACTThe music of Saluang Darek wind instrument is Minangkabau traditional music that uses the musical instrument of aerophone classification (air as the main source of vibration) and the kind of end-blown without-block flutes musical instrument, and this musical instrument is used to accompany Minangkabau songs or dendangs. Saluang Darek is made of bamboo. The best bamboos for making Saluang Darek are (1) Talang bamboo (Schizostachyum brachycladum kurz), (2) Buluah Kasok bamboo (Gingantocholoa apus), (3) Tamiang bamboo (Schizostachyum zollingeri steud), and (4) Cimanak bamboo (Schizostachyum longispiculatum). The production of Saluang Darek musical instrument uses the traditional technology by still maintaining the quality of instrument that's ready to be used for the performing arts particularly in accompanying dendang. The method used in this research was the qualitative method by using the approach of organology study. Data were collected through the library research, observation, interview, and documentation. This study found the importance of the musical instrument study in order to give information for the musicologists' and ethnomusicologists' works, at once conserve the musical culture in West Sumatera.Keywords: Saluang Darek, Organology, Aerophone, Traditional technology ABSTRAKMusik tiup Saluang Darek adalah musik tradisional Minangkabau yang menggunakan alat musik klasifikasi Aerophone (udara sebagai sumber getaran utama) dan alat tiup jenis end-blown without-block flutes digunakan untuk mengiringi nyanyian atau dendang Minangkabau. Alat musik Saluang darek terbuat dari bambu, yang paling baik untuk alat musik Saluang adalah (1) bambu  talang ( Schizostachyum brachycladum kurz), (2) bambu buluah kasok (Gingantocholoa apus), (3) bambu tamiang (scizostachyum zollingeri steud), (4) bambu cimanak (Schizotachyum longispiculatum). Pembuatan alat musik Saluang darek menggunakan teknologi tradisional dengan tetap menjaga kualitas alat yang siap dipakai untuk seni pertunjukan dalam mengiringi dendang. Metode yang dipakai dalam penelitian ini adalah metode kualitatif dengan pendekatan kajian organologi. Data dikumpulkan melalui studi pustaka, observasi, wawancara dan dokumentasi. Kajian ini mendapati pentingnya   kajian instrumen musik untuk memberikan infomasi dalam pekerjaan musikolog dan etnomusikolog, sekaligus pelestarian budaya musikal di Sumatera Barat. Kata kunci: Saluang darek, Organology, Aerophone, Teknologi tradisional 
Analisis Struktur Pertunjukan Opera Batak Sisingamangaraja XII: Episode Tongtang I Tano Batak Sulaiman Sulaiman; Rosta Minawati; Enrico Alamo; Sherli Novalinda
PANGGUNG Vol 29 No 2 (2019): Konstruksi Identitas Budaya dalam Seni dan Sastra
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v29i2.908

Abstract

ABSTRACTOpera Batak is a “traditional” performance genre from the Toba Batak ethnic group. Opera Batak is staged based on oral tradition through acting, music and dance. The creation of works aims to preserve Sisingamangaraja XII's historical values. The method is carried out beginning with research through observation, interviews, literature studies with steps to work on the search phase, the stage of giving content, the development stage, and the stabilization stage.Transitions of performers and sections are accompanied musical instruments including gondang, suling, serunai, kedapi, hesek, odap and garantung. This mixture is intended to bring the drama to life and entertain the audience. The figures in Opera Batak are Sisingamangaraja XII, Patuan Anggi, Putri Lopian, Boru Sagala, Somaling, Panglima Sarbut and Panglima Amandopang. his episode tells how the war against the Dutch company in the Batak land for about 30 years. Arranged with a flow, dramatic, and conflicting conflict to show Sisingamangaraja's humanity and kinship side in the face of war.Key Word: Opera Batak, Theater, Sisingamangaraja XII, Tongtang I Tano BatakABSTRAKOpera Batak merupakan seni pertunjukan ‘tradisi’ dalam masyarakat Batak.Opera Batak ditampilkan melalui sastra lisan, pemeranan, musik, dan tarian. Penciptaan karya bertujuan untuk melestarikan nilai-nilai kesejarahan Sisingamangaraja XII. Metode dilakukan diawali dengan riset melalui observasi, wawancara, studi pustaka dengan langkah garap; tahap pencarian, tahap memberi isi, tahap pengembangan, dan tahap pemantapan. Opera Batak dipandu pencerita dalam mengenalkan tema, menyapa penonton, menggambarkan kisah, dan menggenalkan pemain. Peralihan pemain dan bagian diiringi musik yang terdiri atas: gondang, suling, sarunai, kecapi, hesek, odap, dan garantung. Tokoh Opera Batak dalam episode Tongtang I Tano Batak adalah Sisingamangaraja XII, Patuan Anggi, Putri Lopian, Boru Sagala, Somaling, Panglima Sarbut, dan Panglima Amandopang. Episode ini menceritakan bagaimana perperangan melawan kompeni Belanda di tanah Batak yang kurang lebih 30 tahun lamanya. Disusun dengan alur, dramatik, dan konflik yang rapat untuk memperlihatkan sisi kemanusian dan kekeluargaan Sisingamangaraja dalam menghadapi perperangan.Kata Kunci: Opera Batak, Teater, Sisingamangaraja XII, Tongtang I Tano Batak 
Co-Authors Ade Moussadecq Adi Krisna Agung Eko Budi Waspada Agung Eko Budi Waspada Agung Eko Budi Waspada Agung Eko BW Ahmad Bahrudin Ahmad Nafis Ajawaila, Gerzon Alfalah Alfalah Andiko, Benny Ary Leo Bermana Asral, Kairul Asril Aulia, Rani Ayu Soraya Benny Andiko Bermana, Ary Leo Choiru Pradhono Cindi Adelia Putri Emas Citra Emalia Dani Manesah Dela Puspita Riza Desmiati Desmiati Desmiati, Desmiati Dira Herawati Edi Satria Ediwar Ediwar Edward Zebua EMRI, EMRI Enrico Alamo Enrico Alamo Enrico Alamo Enrico Alamo Enrico Alamo Fadel Muhammad Fadhilatul Khaira Febri Yulika Febriano, Gilang FRANSISKUS XAVERIUS YATNO KARYADI Gerzon Ajawaila Giovani Giovani Hanefi Hanefi Hanefi Hanefi Hanefi, Hanefi Harisman Harisman Harisman Harisman Heldi Heldi Heldi Heldi, Heldi Hery Sasongko Hidayat, Hengki Armez Hidayat, Hengki Armez Ilham, Muhamad Iswandi Iswandi Juli Atika Kairul Asral Khairi, Ilhamul Khairul Layali Kholilah, Anni Khosy Berlian Putry Koes Yuliadi Krispra Tomi Soeharto Layali, Khairul Lidiantari, Aulini Lira Rahma Juwita Loravianti, Susasrita Mahdi Bahar Mahdi Bahar Martion Martion Martion Martion Mega Kencana Saliman Meria Eliza Miswar Miswar Muhammad Ali Mursid Alfathoni Muhammad Ilham MULYADI Nabilla Khansa Nafis, Ahmad Nilawati Nilawati Nilawati Nilawati Nilawati Nilawati, Nilawati Nilawati Novesar Jamarun Novina Yeni Fatrina Nursyirwan Nursyirwan Nursyirwan Nursyirwan Nursyirwan Nursyirwan Nursyirwan Nursyirwan Nursyirwan Nursyirwan Olvyanda Ariesta Prakarti, Vicia Dwi Pratama, Wendo Afriyoma Rajab, Junaidi Riki Iskandar Roza Muliati Sahrul Sahrul Sahrul, Sahrul Satria, Edi Sherli Novalinda Sofia Yosse Solehat, Iis Sri Wahyuni Suci Fajrina SUCI FAJRINA Suherni Suherni Suherni Suherni, Suherni Sulaiman Sulaiman sulaiman sulaiman Sulaiman Sulaiman Sulaiman Sulaiman Sulaiman Sulaiman Sulaiman Sulaiman Sumanti, Titik Surya Darma Suryanti Suryanti Suryanto Suryanto Syafriadi, Syafriandi Syafriandi Syafriadi Syafriandi Syafriandi Utami, Yhovy Hendricasri Vani Sasri Wahyuni Vicia Dwi Prakarti Wa'afini Wahyono Wahyono Wahyuni, Vani Sasri Widdiyanti Widdiyanti Yandri Yandri Yeni Ruseli Yeni Ruseli Yogian Hutagama Yogian Hutagama Yosi Ramadona Yosi Ramadona Yosse, Sofia Yusfil Yusfil Yusfil, Yusfil Zulhelman Zulhelman Zulhelman Zulhelman