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All Journal E-JURNAL LINGUISTIK Linguistika Indonesian Journal of Applied Linguistics (IJAL) Jurnal Kajian Bali MUDRA Jurnal Seni Budaya Proceedings of ISELT FBS Universitas Negeri Padang Apollo Project: Jurnal Ilmiah Program Studi Sastra Inggris Jurnal Review Pendidikan dan Pengajaran (JRPP) International Journal of Linguistics and Discourse Analytics (ijolida) Pustaka : Jurnal Ilmu-Ilmu Budaya Kulturistik : Jurnal Bahasa dan Budaya AKSARA: Jurnal Bahasa dan Sastra Stilistika: Journal of Indonesian Language and Literature Austronesian: Journal of Language Science & Literature ELITERATE : Journal of English Linguistics and Literature Studies Jurnal Riset Rumpun Ilmu Bahasa (JURRIBAH) Elysian Journal : English Literature, Linguistics, and Translation Studies SPHOTA: Jurnal Linguistik dan Sastra Fakultas Bahasa Asing Universitas Mahasaraswati Denpasar Jurnal Pendidikan dan Ilmu Sosial Gudang Jurnal Multidisiplin Ilmu Jurnal Bima: Pusat Publikasi Ilmu Pendidikan Bahasa dan Sastra International Journal of Education, Language, Literature, Arts, Culture, and Social Humanities GEMBIRA (Pengabdian Kepada Masyarakat) Litera : Jurnal Bahasa dan Sastra Ulil Albab Open Access DRIVERset Humanis e-Journal of Linguistics Jurnal Pendidikan dan Sastra Inggris
Ni Wayan Sukarini
Program Studi Sastra Inggris, Fakultas Ilmu Budaya, Universitas Udayana, Jalan Pulau Nias No 13, Denpasar, 80114, Indonesia
Religion Aerospace Engineering Arts Humanities Civil Engineering, Building, Construction & Architecture Computer Science & IT Control & Systems Engineering Decision Sciences, Operations Research & Management Earth & Planetary Sciences Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Mathematics Public Health Social Sciences Other

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Interrelation of Verbal and Visual Signs Effectively Increases Engagement in @barenbliss_id Instagram Posters I Gusti Ayu Cintya Premasari; Ni Wayan Sukarini; I Komang Sumaryana
Jurnal Riset Rumpun Ilmu Bahasa Vol. 4 No. 1 (2025): April : Jurnal Riset Rumpun Ilmu Bahasa (JURRIBAH)
Publisher : Pusat riset dan Inovasi Nasional

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55606/jurribah.v4i1.5245

Abstract

This research discusses the semiotic signs used in the @barenbliss_id Instagram posters. This research aims to identify the verbal and visual signs used in Barenbliss Indonesia Instagram posters and explain how these signs shape consumer perception to increase brand engagement. This research used a qualitative descriptive method. The data were collected from two Instagram posters published by @barenbliss_id in November 2024. These posters were documented and analyzed by identifying their verbal and visual elements. Afterward, the interrelation of the signs to increase engagement was explained. Afterward, the interrelation of the signs to increased engagement was explained. The analysis applied Barthes’s semiotics theory and supported by Chandler’s signs framework. The findings of this research show that visual signs are more dominant than verbal signs, with a total of 13 visual signs and 7 verbal signs. The signs used are texts containing information about the product, bright and soft colors, images of the product, and models that help visually show the product’s use. The verbal and visual signs used on the posters are interrelated and complement each other. These results show that well-coordinated use of verbal and visual elements can effectively shape positive consumer perceptions and increase brand engagement.
PERCEPTIONS OF WOMAN'S MENTAL HEALTH IN THE MAIN CHARACTER IN THE SHORT STORY THE YELLOW WALLPAPER Karniasih, Ni Wayan Listia Dewi; Antari, Ni Made Suwari; Sukarini, Ni Wayan
Jurnal Review Pendidikan dan Pengajaran Vol. 7 No. 4 (2024): Vol. 7 No. 4 Tahun 2024
Publisher : LPPM Universitas Pahlawan Tuanku Tambusai

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/jrpp.v7i4.35261

Abstract

The aim of this study is to determine the mental health of the main character in a short story, who is often found to be suffering from postpartum depression. The research method used in this research is descriptive qualitative. This data was taken from the HCC Learning website. The data collection is carried out using the documentation method. The theory used in this research is Dobie's literary critical theory in the third edition of the book and Beauvoir's (1949) feminist theory. In the story The Yellow Wallpaper, the woman's perceived mental health is depicted as drastically declining due to confinement and lack of freedom, leading to isolation and delusions. The main character, who initially suffers from mild depression, becomes increasingly obsessed with the wallpaper pattern in her room, the ending in a complete mental collapse due to ineffective therapy and a stressful environment.
The ‘Ogoh-Ogoh’ Youth Festival: A Living Structure of Folklore Transmission in the International Tourist Town of Ubud, Bali Ni Putu Parmini; Sukarini, Ni Wayan; Indrawati, Ni Luh Ketut Mas; Sala, Giulia; Wasista, I Putu Udiyana
Jurnal Kajian Bali (Journal of Bali Studies) Vol. 15 No. 3 (2025): Identity in Contemporary Bali
Publisher : Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JKB.2025.v15.i03.p04

Abstract

This ethnographic study examined the annual festival of ogoh-ogoh (giant sculpture) held by youth in the international tourist town of Ubud, Bali. Using participant observation supplemented by semi-structured interviews with youth organizations, ritual specialists, master craftsmen, and artists, along with documentary analysis of institutional protocols and competition frameworks, the study reveals that the intersemiotic translation from narrative to sculptural form maintains the link with Balinese folklore, transforming it into desirable cultural capital through hermeneutic problem-solving that requires consultation of palm leaf lontar manuscripts and the involvement of elders. Visual–spatial and kinesthetic processing generates mnemonic amplification, producing mythological preservation, while adaptive transmission demonstrates young people's mastery of contemporary technologies and administrative skills, reinforcing traditional knowledge, enabling organizational sovereignty, and maintaining epistemic authority through strategic opacity. These findings redefine cultural sustainability beyond the conservation–innovation dichotomy, revealing the folkloric vitality that emerges through modernity and touristic culture.
Myth and Ideology in Smartphone Advertisement Km Tri Sutrisna Agustia; Ni Luh Sutjiati Beratha; I Wayan Pastika; Ni Wayan Sukarini
e-Journal of Linguistics Vol. 20 No. 1 (2026): January
Publisher : The Doctoral Studies Program of Linguistics of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/e-jl.2026.v20.i01.p06

Abstract

In the digital era, smartphone advertising extends beyond the promotion of technical features and increasingly functions as a medium for constructing cultural meanings, myths, and ideologies. This study examines YouTube advertisements for the Samsung Galaxy A34 using Roland Barthes’ semiotic framework, which includes the levels of denotation, connotation, myth, and ideology. Through qualitative analysis, the research identifies how visual narratives and technological representations in the commercials generate symbolic associations with empowerment, mobility, multicultural harmony, and futurism. These connotative meanings evolve into broader cultural myths that portray technology as a liberating force, a unifying agent, and a marker of social progress. At the ideological level, the advertisements naturalize values of modernity, consumerism, technological determinism, and hyper-individualism. Additionally, the study highlights YouTube’s algorithmic and multimodal features, which amplify the reach and ideological influence of such advertisements by enabling targeted dissemination and interactive user engagement. The findings demonstrate that YouTube smartphone commercials function not only as marketing tools but also as cultural texts that shape societal perceptions of technology, identity, and modern life.
Translation Shift Found in Gadis Kretek Novel PUJA ASTUTI, NI PUTU; Pratiwi, Putu Ayu Asty Senja; Sukarini, Ni Wayan
International Journal of Linguistics and Discourse Analytics Vol 7 No 1 (2025): IJOLIDA Vol. 7 No. 1, September 2025
Publisher : Denpasar Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.52232/ijolida.v7i1.191

Abstract

This study investigates translation shifts in Gadis Kretek by Ratih Kumala and its English translation Cigarette Girl, translated by Annie Tucker. Using a descriptive qualitative approach and drawing on Catford’s (1965) theory of translation shifts, the research examines linguistic changes that occur in the translation process from Indonesian into English. The findings identify two major types of translation shifts: level shifts and category shifts. Level shifts involve changes between grammatical and lexical levels, while category shifts comprise structural, class, unit, and intra-system shifts. These shifts demonstrate the translator’s strategies in addressing systemic differences between Indonesian and English to achieve naturalness, clarity, and semantic equivalence in the target text. The study highlights the practical role of translation shifts in enhancing textual readability without compromising the source text’s meaning. By illustrating how Catford’s shift theory operates in a contemporary literary context, this research contributes to translation studies and offers useful insights for literary translators dealing with cross-linguistic and structural challenges.
Verbal and Visual Signs on “How I Met Your Mother” TV Series Poster Edelenyi Deme Gabor; Ni Made Suwari Antari; Ni Wayan Sukarini
Jurnal Pendidikan dan Sastra Inggris Vol. 5 No. 1 (2025): Jurnal Pendidikan dan Sastra Inggris
Publisher : Lembaga Pengembangan Kinerja Dosen

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55606/jupensi.v5i1.5901

Abstract

This research, entitled Verbal and Visual Signs on “How I Met Your Mother” TV Series Poster, focuses on identifying both verbal and visual signs that appear on the official poster of the series and analyzing the meanings they convey. The study applies a qualitative-descriptive method with a semiotic approach, mainly grounded in Chandler’s (2007) theory of semiotics. This is further supported by Dyer’s (1982) theory of verbal and nonverbal signs, as well as Olesen’s (2019) color theory, which enrich the interpretation of the visual elements. The data for this research were collected from official How I Met Your Mother TV Series posters accessed through online sources. The analysis highlights how verbal signs, such as the series title and additional text, function as direct communicators, providing the audience with essential information about the show. At the same time, visual signs play a central role in shaping the poster’s meaning. The representation of the main characters, the recurring image of the iconic yellow umbrella, and the deliberate use of colors in both costumes and background create symbolic layers that reflect the characters’ personalities, relationships, and the overall tone of the narrative. This research demonstrates that a poster is not only a promotional tool but also a semiotic artifact that embodies the essence of the series. Through the interplay of verbal and visual elements, the How I Met Your Mother poster encapsulates the themes of love, friendship, and destiny, which lie at the heart of the storyline and continue to resonate with its audience.
THE DEPICTION OF THE MAIN CHARACTER'S RESISTANCE AGAINST GENDER ROLES IN BRAVE Satya, I Nyoman Darma; Sukarini, Ni Wayan; Beratha, Ni Luh Sutjiati
ELITERATE : Journal of English Linguistics and Literature Studies Vol 5, No 1 (2025): ELITERATE : Journal of English Linguistics and Literature Studies
Publisher : Faculty of Languages and Literature, Universitas Negeri Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26858/eliterate.v5i1.77375

Abstract

The representation of gender roles in media such as movies plays an important role in shaping the social and cultural values of behavioral expectations of individuals within society. While many studies have examined the depiction of traditional gender roles in movies, a few of them focuses on how the main character resists these roles and challenge patriarchal traditions. This study analyzes Brave with a focus on the main character’s resistance against gender roles through the perspective of radical feminism. The purpose of this study is to describe how the main character challenges patriarchal expectations and traditional gender norms in the narrative, and asserts her independence within a patriarchal context. The data were collected the movie scenes and dialogues through documentation and note-taking techniques. The data were analyzed using narrative analysis in qualitative method by applying feminism theory proposed by Tong (2009), which focusing on radical feminism as a lens. The findings identify three forms of resistance by the main character: the resistance against arranged marriage, the resistance against femininity roles, and the resistance of personal autonomy. These forms of resistance reflect radical feminist principles by directly opposing patriarchal structures and affirming women’s right to self-determination. The study concludes that Brave not only illustrates gender roles but also provides a critical narrative of resistance, demonstrating the potential of animated movies to question and reconstruct social and cultural understandings of gender.Keywords: gender, gender roles, radical feminism, resistance 
Napoleon’s Panoptic Surveillance in George Orwell’s Animal Farm Hayati, Indy Nur; Sukarini, Ni Wayan; Antari, Ni Made Suwari
Humanis Vol. 29 No. 3 (2025): Volume 29 No 3, Agustus 2025
Publisher : Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JH.2025.v29.i03.p04

Abstract

This article aims at examining the Panopticism within the novella Animal Farm during Napoleon’s leadership. This is done by applying the theory of Panopticism developed by Foucault as derived from Bentham's Panopticon model. This research utilizes the qualitative method and uses George Orwell’s novella Animal Farm (1945) as the data source. Foucault's panoptic schema is characterized by the impression of continuous observation internalized into self-surveillance. The findings suggest that the Animal Farm is considered a panoptic society, with the pigs corresponding to the tower inspectors and the farm animals as the prisoners. The panoptic surveillance comes in various forms and primarily through discourse, to influence the animals to conform to the norm of staying docile and accepting Napoleon’s leadership. The Panopticism in Animal Farm shows how discourse can be a powerful device of social control as a surveillance method, especially when it incites fear and the desire for security.
Meaning of Phrasal Verb ‘pick up’ Subtype do/happen: A Natural Semantic Metalanguage Approach Luh Gde Inten Purnama Sari Setiawan; L. Sutjiati Beratha; Ni Wayan Sukarini
e-Journal of Linguistics Vol. 13 No. 2 (2019): July
Publisher : The Doctoral Studies Program of Linguistics of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/e-jl.2019.v13.i02.p13

Abstract

The difficulties in knowing and understanding the meaning of a language oftenappear in units of language with an idiomatic meaning, such as phrasal verb. A single unit ofphrasal verb usually produces a meaning which is totally different with the meaning of itsconstituent. Phrasal verb ‘pick up’ is a unique phrasal verb since it bears various meaningsunlike other phrasal verbs. The implementation of Natural Semantic Metalanguage (NSM) as atheory in this study leads to a great significance of avoiding misunderstanding on the meaningsof phrasal verb ‘pick up’ by defining the meanings through semantic structures. This study isintended to find and describe the meanings of phrasal verb ‘pick up’. Mention the object of thestudy here result of this study showed that phrasal verb ‘pick up’ is a kind of transitive phrasalverb which often followed by object. The different objects in phrasal verb ‘pick up’ lead to non-composition polysemi between DO / HAPPEN. This combination of two polysemies come ineight meanings.
‘Balish’: Bahasa Inggris Dialek Pekerja Pariwisata di Kawasan Wisata Kuta Bali Ni Luh Sutjiati Beratha; Ni Wayan Sukarini; I Made Rajeg
Jurnal Kajian Bali (Journal of Bali Studies) Vol. 11 No. 2 (2021): Volume 11 No 2 Oktober 2021
Publisher : Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JKB.2021.v11.i02.p11

Abstract

English plays an important role for workers in the tourism sector of all classes, including wholesalers, massage therapists, parking attendants, and shop assistants. Preliminary observations show that they, in general, use Balinese dialect of English or Balish. This article describes the Balish used in tourism area of Kuta, Bali, by tourism workers who have naturalized the English language by adopting several language features, especially Balinese and Indonesian, such as sentence structures, words, and expressions. The data were analyzed using The New Englishes theory and the results showed that the use of Balinese and Indonesian words in English resulted in the creation of new words, grammatical shifts, changes in word meanings, use of idioms, use of groups of verbs, and repetition of forms. Balish has adopted several grammatical features, both from Balinese and Indonesian, and it is hoped that one day it will have regular speakers so that it becomes a pidgin.
Co-Authors A A Ayu Cindy Karina Ivana Irawan ABDI SUDIATMIKA, I PUTU GEDE Adi Utamayasa, I Gede Aditya Bimo Laksono Adriel Elbert Dinata Anak Agung Gede Hari Wishnawa Anak Agung Ngurah Kenata Janamejaya Anak Agung Sagung Shanti Sari Dewi Anissa Nanda Puri Kurniasih Antari, Ni Made Suwari Aritorang, Athalia Beshorah Byanca Vanessa Suwasdika Christina Made Dwi Utami Daar, Gabriel Fredi Desak Ayu Krisna Dewi Dewi, Ni Luh Desy Utari Dini Siamika Tito Prayogi Dwi Aditya Darmawan Edelenyi Deme Gabor Erisa Octavianti Hayati, Indy Nur I Dewa Ayu Ika Fransiska I Gede Budiasa I Gede Putu Sudana I Gusti Ayu Cintya Premasari I Gusti Ayu Gede Sosiowati I Komang Sumaryana I Komang Sumaryana Putra I Made Hartadi Jaya Nugraha I Made Pradipta I Made Rajeg I MADE RAJEG I Made Suastra I Made Yudhi Putrawan I Nengah Sudipa I Nyoman Sedeng I Nyoman Udayana I Putu Eka Prawijaya I Wayan Eka Bawa Pradnyana I Wayan Eka Suarmita I WAYAN PASTIKA I Wayan Pastika I Wayan Simpen Ida Ayu Ika Sarita Dewi Ida Ayu Made Puspani Ida Bagus Gede Dwitya Dharma Suputra Ida Bagus Putra Yadnya Karniasih, Ni Wayan Listia Dewi Km Tri Sutrisna Agustia KOMANG HARI SANTHI DEWI . L. Sutjiati Beratha Laksono, Aditya Bimo Luh Gde Inten Purnama Sari Setiawan Luh Gede Novita Rahayu Luh Putu Amara Sukma Dewi Maharini, Sang Ayu Isnu Maria Gorethy Nie Nie Melani, Dian Angga Melkyanus Dju Rohi Ni Kadek Dinda Pratiwi Ni Kadek Eni Dharmayanti Ni Kadek Jessica Sarindra Dwije Ni Kadek Mirayanti Ni Kadek Sindy Arista Ni Luh Ayu Shinta Andriani Ni Luh Cintya Sandi Astini Ni Luh Desy Utari Dewi Ni Luh Ketut Mas Indrawati Ni Luh Nyoman Seri Malini Ni Luh Putri Ayu Febriani Ni Luh Sutjiati Beratha Ni Luh Sutjiati Beratha Ni Made Budiartini Ni Made Devi Sudiarta Putri Ni Made Dhanawaty Ni Made Dwijayani Ni Made Raras Nandari Patni Ni Made Suwari Antari Ni Made Suwari Antari Ni Made W.B. Megasari Bintang Ni Putu Desi Ramayanti Ni Putu Parmini Ni Putu Tifani Puspa Lestari Ni Putu Wahyu Febriyani Ni Wayan Sri Jayanti Novita Mulyana PUJA ASTUTI, NI PUTU Putra, I Komang Sumaryana Putu Anggita Novarianti Putu Ayu Asty Senja Pratiwi Putu Cahya Jaya Dirga Putu Weddha Savitri Rifky Lana Rahardian Sala, Giulia Sang Ayu Isnu Maharani Sang Ayu Isnu Maharini Satya, I Nyoman Darma Sintia, Intan Urbanus Laratmase Venesia Vergie Wasista, I Putu Udiyana Wayan Andrika Putera Widyasari, Ketut Monica Yuli Fimawati