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Balinese language ecology: Study about language diversity in tourism area at Ubud village Ni Luh Sutjiati Beratha; Ni Wayan Sukarini; I Made Rajeg
Jurnal Kajian Bali (Journal of Bali Studies) Vol. 7 No. 2 (2017): BUDAYA EKONOMI BALI
Publisher : Universitas Udayana

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Abstract

Ubud Village in Gianyar Regency is one of the tourism areas in Bali where Balinese people are bilingual because they have mastered more than one languages. In the environment of Balinese language, there also live other languages including national language (Indonesian) and foreign languages (such as English, Japanese, and Mandarin). Balinese people nowadays, especially in tourism area, have difficulties in using Balinese language so they use mixed languages, namely Balinese language with Indonesian language, with English language, or Mandarin. This phenomenon might indicate that Balinese language appears to be marginalized. This article aims at investigating languages that are used in Balinese language environment in Ubud. Qualitative method is applied with sociocultural approach, and theories related to the use of language are applied. The study shows that the marginalization of Balinese language appears to exist because there are various ethnic groups of immigrants who live in this village. The village of Ubud has already been occupied by expatriates who deliberately come to Bali and settle in Ubud. This effects the choice and use of a language.
INTERAKSI SIMBOLIK DALAM WISATA RELIGI PENGLUKATAN TAMAN MAGENDA ECO PARK PAYANGAN GIANYAR BALI Ni Wayan Sukarini
Integrative Perspectives of Social and Science Journal Vol. 3 No. 06 Juni (2026): Integrative Perspectives of Social and Science Journal
Publisher : PT Wahana Global Education

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Abstract

Pulau Bali menarik  dari berbagai segmen wisatawan seperti pantai hingga wisatawan budaya, seperti salah satunya yang diminati oleh wisatawan saat ini adalah wisata religi melukat. Salah satu destinasi wisata religi yang sedang berkembang dengan konsep eco park adalah Penglukatan Taman Magenda Eco Park Payangan yang terletak di Desa Bukian, Kecamatan Payangan, Kabupaten Gianyar Bali. Penelitian ini bertujuan untuk mengetahui proses, bentuk interaksi simbolik, dan makna simbol-simbol religius dalam ritual melukat di Penglukatan Taman Magenda Eco Park. Metode yang digunakan dalam penelitian ini adalah metode kualitatif dengan pendekatan deskriptif kualitatif. Dalam penelitian ini teknik penentuan informan yang digunakan adalah teknik snowball sampling dan accidental sampling. Teknik pengumpulan data yang digunakan yaitu observasi, wawancara, studi kepustakaan dan dokumentasi. Pada penelitian ini menggunakan konsep interaksi simbolik, wisata religi, dan penglukatan. Penelitian ini menggunakan dua teori yaitu interaksionisme simbolik dan agama sebagai sistem kebudayaan. Hasil penelitian menunjukkan bahwa, proses interaksi simbolik yang terjadi di penglukatan Taman Magenda Eco Park ada dua yaitu interaksi antara pengelola dengan wisatawan dan masyarakat dengan wisatawan, selain itu dalam proses interaksi simbolik ini menggunakan analisis dengan konsep mind, self, dan society. Bentuk interaksi simbolik yang terjadi di yaitu ada bentuk interaksi verbal dan bentuk interaksi nonverbal. Selanjutnya makna simbol-simbol religius dalam ritual melukat di penglukatan Taman Magenda Eco Park dimaknai oleh masyarakat dan wisatawan berdasarkan dari pengelaman yang diketahui dan dirasakan.
Balinese language ecology: Study about language diversity in tourism area at Ubud village Ni Luh Sutjiati Beratha; Ni Wayan Sukarini; I Made Rajeg
Jurnal Kajian Bali (Journal of Bali Studies) Vol. 7 No. 2 (2017): BUDAYA EKONOMI BALI
Publisher : Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Ubud Village in Gianyar Regency is one of the tourism areas in Bali where Balinese people are bilingual because they have mastered more than one languages. In the environment of Balinese language, there also live other languages including national language (Indonesian) and foreign languages (such as English, Japanese, and Mandarin). Balinese people nowadays, especially in tourism area, have difficulties in using Balinese language so they use mixed languages, namely Balinese language with Indonesian language, with English language, or Mandarin. This phenomenon might indicate that Balinese language appears to be marginalized. This article aims at investigating languages that are used in Balinese language environment in Ubud. Qualitative method is applied with sociocultural approach, and theories related to the use of language are applied. The study shows that the marginalization of Balinese language appears to exist because there are various ethnic groups of immigrants who live in this village. The village of Ubud has already been occupied by expatriates who deliberately come to Bali and settle in Ubud. This effects the choice and use of a language.
Hibridisasi Seni Kerajinan Patung di Desa Kedisan, Bali Ni Luh Sutjiati Beratha; Ni Wayan Sukarini; I Made Rajeg
Jurnal Kajian Bali (Journal of Bali Studies) Vol. 6 No. 2 (2016): RUANG IMAJINER DAN RUANG PUBLIK DI BALI
Publisher : Universitas Udayana

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Abstract

This article discusses Balinese handicraft especially statue handicraft produced by craftsmen at Kedisan Village, Tegal-lalang District, Gianyar Residence. The competitiveness of the product is very high in tourism market and has the process of hybridization. The specific target that will be achieved related to the identity maintenance of Balinese culture. Thus the main discussion of this article is the caused of hybridization on statue handicraft in Bali. In the era of globalization the fusion between local and global cultures has already happened and this is a phenomenon of postmodernism because there is relationship of cultural influences. This condition can be comprehended from hybridization phenomenon on statue handicraft in Bali. Theories of globalization and glocalization are applied to analyse the data in this article. Qualitative method is used to achieve the objective and target through the implementation of participated observation technique and in-depth interview. The whole data is analysed descriptively, holisticly, and interpretatively. The Balinese artists on statue have done the changes in the form of statue through hybridization against the statue as the effect of made to order because of internal and external factors.
THE DEPICTION OF THE MAIN CHARACTER'S RESISTANCE AGAINST GENDER ROLES IN BRAVE I Nyoman Darma Satya; Ni Wayan Sukarini; Ni Luh Sutjiati Beratha
ELITERATE : Journal of English Linguistics and Literature Studies Vol 5, No 1 (2025): ELITERATE : Journal of English Linguistics and Literature Studies
Publisher : Faculty of Languages and Literature, Universitas Negeri Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26858/eliterate.v5i1.77375

Abstract

The representation of gender roles in media such as movies plays an important role in shaping the social and cultural values of behavioral expectations of individuals within society. While many studies have examined the depiction of traditional gender roles in movies, a few of them focuses on how the main character resists these roles and challenge patriarchal traditions. This study analyzes Brave with a focus on the main character’s resistance against gender roles through the perspective of radical feminism. The purpose of this study is to describe how the main character challenges patriarchal expectations and traditional gender norms in the narrative, and asserts her independence within a patriarchal context. The data were collected the movie scenes and dialogues through documentation and note-taking techniques. The data were analyzed using narrative analysis in qualitative method by applying feminism theory proposed by Tong (2009), which focusing on radical feminism as a lens. The findings identify three forms of resistance by the main character: the resistance against arranged marriage, the resistance against femininity roles, and the resistance of personal autonomy. These forms of resistance reflect radical feminist principles by directly opposing patriarchal structures and affirming women’s right to self-determination. The study concludes that Brave not only illustrates gender roles but also provides a critical narrative of resistance, demonstrating the potential of animated movies to question and reconstruct social and cultural understandings of gender.Keywords: gender, gender roles, radical feminism, resistance 
Co-Authors A A Ayu Cindy Karina Ivana Irawan ABDI SUDIATMIKA, I PUTU GEDE Adi Utamayasa, I Gede Aditya Bimo Laksono Adriel Elbert Dinata Anak Agung Gede Hari Wishnawa Anak Agung Ngurah Kenata Janamejaya Anak Agung Sagung Shanti Sari Dewi Anissa Nanda Puri Kurniasih Antari, Ni Made Suwari Aritorang, Athalia Beshorah Byanca Vanessa Suwasdika Christina Made Dwi Utami Daar, Gabriel Fredi Desak Ayu Krisna Dewi Dewi, Ni Luh Desy Utari Dini Siamika Tito Prayogi Dwi Aditya Darmawan Edelenyi Deme Gabor Erisa Octavianti Hayati, Indy Nur I Dewa Ayu Ika Fransiska I Gede Budiasa I Gede Putu Sudana I Gusti Ayu Cintya Premasari I Gusti Ayu Gede Sosiowati I Komang Sumaryana I Komang Sumaryana Putra I Made Hartadi Jaya Nugraha I Made Pradipta I MADE RAJEG I Made Suastra I Made Yudhi Putrawan I Nengah Sudipa I Nyoman Darma Satya I Nyoman Sedeng I Nyoman Udayana I Putu Eka Prawijaya I Wayan Eka Bawa Pradnyana I Wayan Eka Suarmita I Wayan Pastika I WAYAN PASTIKA I Wayan Simpen Ida Ayu Ika Sarita Dewi Ida Ayu Made Puspani Ida Bagus Gede Dwitya Dharma Suputra Ida Bagus Putra Yadnya Karniasih, Ni Wayan Listia Dewi Km Tri Sutrisna Agustia KOMANG HARI SANTHI DEWI . L. Sutjiati Beratha Laksono, Aditya Bimo Luh Gde Inten Purnama Sari Setiawan Luh Gede Novita Rahayu Luh Putu Amara Sukma Dewi Maharini, Sang Ayu Isnu Maria Gorethy Nie Nie Melani, Dian Angga Melkyanus Dju Rohi Ni Kadek Dinda Pratiwi Ni Kadek Eni Dharmayanti Ni Kadek Jessica Sarindra Dwije Ni Kadek Mirayanti Ni Kadek Sindy Arista Ni Luh Ayu Shinta Andriani Ni Luh Cintya Sandi Astini Ni Luh Desy Utari Dewi Ni Luh Ketut Mas Indrawati Ni Luh Nyoman Seri Malini Ni Luh Putri Ayu Febriani Ni Luh Sutjiati Beratha Ni Luh Sutjiati Beratha Ni Made Budiartini Ni Made Devi Sudiarta Putri Ni Made Dhanawaty Ni Made Dwijayani Ni Made Raras Nandari Patni Ni Made Suwari Antari Ni Made Suwari Antari Ni Made W.B. Megasari Bintang Ni Putu Desi Ramayanti Ni Putu Parmini Ni Putu Tifani Puspa Lestari Ni Putu Wahyu Febriyani Ni Wayan Sri Jayanti Novita Mulyana PUJA ASTUTI, NI PUTU Putra, I Komang Sumaryana Putu Anggita Novarianti Putu Ayu Asty Senja Pratiwi Putu Cahya Jaya Dirga Putu Weddha Savitri Rifky Lana Rahardian Sala, Giulia Sang Ayu Isnu Maharani Sang Ayu Isnu Maharini Sintia, Intan Urbanus Laratmase Venesia Vergie Wasista, I Putu Udiyana Wayan Andrika Putera Widyasari, Ketut Monica Yuli Fimawati