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All Journal E-JURNAL LINGUISTIK Linguistika Indonesian Journal of Applied Linguistics (IJAL) Jurnal Kajian Bali LINGUAL: Journal of Language and Culture MUDRA Jurnal Seni Budaya Proceedings of ISELT FBS Universitas Negeri Padang Apollo Project: Jurnal Ilmiah Program Studi Sastra Inggris Jurnal Review Pendidikan dan Pengajaran (JRPP) International Journal of Linguistics and Discourse Analytics (ijolida) Pustaka : Jurnal Ilmu-Ilmu Budaya Kulturistik : Jurnal Bahasa dan Budaya AKSARA: Jurnal Bahasa dan Sastra Stilistika: Journal of Indonesian Language and Literature Austronesian: Journal of Language Science & Literature International Journal of Education and Literature (IJEL) Jurnal Riset Rumpun Ilmu Bahasa (JURRIBAH) Elysian Journal : English Literature, Linguistics, and Translation Studies SPHOTA: Jurnal Linguistik dan Sastra Fakultas Bahasa Asing Universitas Mahasaraswati Denpasar Jurnal Pendidikan dan Ilmu Sosial Gudang Jurnal Multidisiplin Ilmu Jurnal Bima: Pusat Publikasi Ilmu Pendidikan Bahasa dan Sastra International Journal of Education, Language, Literature, Arts, Culture, and Social Humanities GEMBIRA (Pengabdian Kepada Masyarakat) Litera : Jurnal Bahasa dan Sastra Ulil Albab Open Access DRIVERset Humanis e-Journal of Linguistics
Ni Wayan Sukarini
Program Studi Sastra Inggris, Fakultas Ilmu Budaya, Universitas Udayana, Jalan Pulau Nias No 13, Denpasar, 80114, Indonesia
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Deixis Used in Shang Chi and The Legend of The Ten Rings Movie Script Ni Kadek Dinda Pratiwi; Ni Luh Sutjiati Beratha; Ni Wayan Sukarini
Stilistika : Journal of Indonesian Language and Literature Vol 2 No 2 (2023): Volume 2 No 2, April 2023
Publisher : Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/STIL.2023.v02.i02.p04

Abstract

This study is aimed to find out the types of deixis and analysis the function of deixis. Data were taken from Shang Chi and the Legend of the Ten Rings Movie Script. The theory that was applied in this study was proposed by Levinson. Documentation method and note-taking technique used in collecting the data. The collected data was analysed by using a descriptive qualitative method. Meanwhile, in presenting the data analysis, this study used an informal method. The result shows that all the types of deixis and its function based on the theory by Levinson are found in the data source.
Humor in the Gricean Maxim Non-observance of Animated Sitcom Show “Family Guy” Anak Agung Ngurah Kenata Janamejaya; Ni Wayan Sukarini; Ni Luh Sutjiati Beratha
Linguistika: Buletin Ilmiah Program Magister Linguistik Universitas Udayana Vol 30 No 2 (2023): September
Publisher : Program Magister Linguistik Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/ling.2023.v30.i02.p02

Abstract

This article aimed to find out how the non-observance of Gricean maxims was affecting the humor of the sitcom “Family Guy”. This article used a qualitative method where the data was taken from animated sitcom show “Family Guy” in a form of question-and-answer adjacency pair. This article used the observation method in collecting the data. Furthermore, the data was analyzed using content analysis method based on Grice’s cooperative principle theory which focused more on the maxim non-observance aspect. From the data collection, it showed that there were 33 maxim non-observance found, containing 19 violations of maxim, 10 flouts of maxim, 3 maxims opt out, and 1 clash of maxim. Based on the analysis, it was revealed that violation of maxim was the most used maxim non-observance due to how easy it was to create humorous situation when ones have the intention to disobey the maxim. On the other hand, the occurrences of the flout of maxim were on the second most occurred maxim non observance. The last two were opt out and clash which were not suitable when both were used for the humor aspect.
IDEOLOGY IN TRANSLATION OF CULTURAL LEXICAL ITEMS WITH REFERENCE TO PERBURUAN AND FUGITIVE Christina Made Dwi Utami; Ida Ayu Made Puspani; Ni Wayan Sukarini
LITERA : Jurnal Bahasa Dan Sastra Vol. 4 No. 1 (2018): LITERA : Jurnal Litera Bahasa Dan Sastra
Publisher : LPPM Universitas Dhyana Pura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36002/litera.v4i1.596

Abstract

ABSTRACTThis study aimed at describing the translation strategies, methods, and ideologies in translationof an Indonesian novel Perburuan which was translated into English Fugitive. A Methodologyfor Translation proposed by Vinnay and Darbelnet (2004), was used to explain how thetranslation strategies applied at word or phrase level. Further, “V” Diagram proposed by NewMark (1988), was used to describe how the translation methods applied at sentence level. Attext level, translator’s orientations and extent of mediation proposed by Hatim and Munday(2004), and Munday (2006) were utilized to explain the implementation of The Ideology ofTranslating and The Translation of Ideology. It was found in the study that The Ideology ofForeignizing was more dominant to Ideology of Domesticating. It indicated that there wereattempts done by the translator to introduce the source language foreign cultural lexical itemsto the target language reader.Keywords: (In)visibility, cultural lexical items, the ideology of translating, the translation ofideologyABSTRAKPenelitian ini bertujuan untuk mendeskripsikan strategi, metode, dan ideologi penerjemahandalam terjemahan novel bahasa Indonesia Perburuan ke dalam novel bahasa Inggris Fugitive.Metodologi Penerjemahan yang diusulkan oleh Vinnay dan Darbelnet (2004) digunakan untukmenerangkan bagaimana strategi penerjemahan diterapkan pada level kata dan frasa.Selanjutnya, diagram “V” yang diusulkan oleh Newmark (1988) digunakan untukmendeskripsikan bagaimana metode penerjemahan diterapkan pada level kalimat. Pada levelteks, mediasi orientasi penerjemah dan perluasan mediasi yand diusulkan oleh Hatim danMunday (2004), dan Munday (2006) digunakan untuk menjelaskan Ideologi Penerjemahan danTerjemahan Ideologi. Dalam penelitian ini ditemukan bahwa Ideologi Foreignisasi lebihdominan daripada Ideologi Domestikasi. Hal ini mengindikasikan bahwa terdapat usaha yangdilakukan penerjemah untuk mengenalkan item-item leksikal budaya asing bahasa sumber kedalam pembaca bahasa target.Kata kunci: (In)visibility, item-item leksikal budaya, ideologi penerjemahan, terjemahanideologi
An Analysis Of Code Switching Used By Cinta Laura In The Podcast Ruang Sandi Ni Made Raras Nandari Patni; Ni Wayan Sukarini; I Komang Sumaryana Putra
Jurnal Bima : Pusat Publikasi Ilmu Pendidikan bahasa dan Sastra Vol. 2 No. 3 (2024): September : Jurnal Bima : Pusat Publikasi Ilmu Pendidikan bahasa dan Sastra
Publisher : Asosiasi Riset Ilmu Pendidikan Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61132/bima.v2i3.1021

Abstract

English is an international language used by many people in various countries. The ability to use English well can open up international standard educational and employment opportunities, because all companies need employees with a certain level of English skills to reach top positions. Currently there is a phenomenon of people who like to mix Indonesian and English in everyday conversations. This happens because it is influenced by the environment, society, education and trends. People who usually speak one language and then switch to another language, either at the beginning, in the middle or at the end of their speech, are called Bilingual. This research aims to identify the most common types of code switching used by Cinta Laura when creating YouTube content with Sandiaga Uno in the Ruang Sandi Podcast on YouTube. This research uses observation techniques, especially non-participatory, and data collection is carried out by watching one of the contents of the Ruang Sandi Podcast in collaboration with Cinta Laura and only focusing on what she said. The research results show that there are 2 speech data from Tag Code Switching, 10 speech data from Intrasentential Code Switching and 8 speech data from Intersentential Code Switching. The resulting percentage is 10% Tag Code Exchange data, 50% Intrasentential Code Exchange data and 40% Intersentential Code Exchange data.
Illocutionary Acts Performed by Meilin in “Turning Red” the Movie Widyasari, Ketut Monica; Sukarini, Ni Wayan; Maharani, Sang Ayu Isnu
Apollo Project: Jurnal Ilmiah Program Studi Sastra Inggris Vol. 13 No. 1 (2024): Februari 2024
Publisher : Program Studi Sastra Inggris, Fakultas Ilmu Budaya, Universitas Komputer Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/apollo.v13i1.9675

Abstract

This analysis entitled "Illocutionary Act Performed by Meilin in Turning Red the Movie," aims at determining and analysing the types of illocutionary acts and direct and indirect illocutionary acts performed by Meilin as the main character in "Turning Red." This analysis was based on qualitative research, and data was collected through the documentation method and a note-taking technique. After collecting all relevant data, the data were analysed using the descriptive qualitative method. The data source was the utterances of Meilin, the main character in "Turning Red," the movie. This article analysed the data using the types of illocutionary acts theory proposed by Searle (1979) to categorise and analyse the collected data into five groups: declarations, assertive, expressive, directives, and commissives; and the approach proposed by Yule (1996) to determine and analyse direct and indirect illocutionary acts. Based on the result of the analysis, there were only four types of illocutionary acts used by Meilin in the movie: assertive, directive, commissive, and expressive. Assertive was expressed 17 times, directive was expressed 20 times, commissive appeared 9 times, and expressive appeared 2 times. In this analysis, no declaration acts were found because there were no utterances by Meilin that contained utterances to declare something. Therefore, the analysis also found that direct speech was the type most often expressed by Meilin; it was expressed 25 times, while indirect speech was only expressed 23 times. She mostly expressed her utterances directly because that is the easiest way to communicate with the listener. Keywords: Illocutionary acts, Types of illocutionary acts, Direct and indirect acts
Language Style Used by Peter Parker in the Spiderman Movie Sintia, Intan; Savitri, Putu Weddha; Sukarini, Ni Wayan
Apollo Project: Jurnal Ilmiah Program Studi Sastra Inggris Vol. 13 No. 1 (2024): Februari 2024
Publisher : Program Studi Sastra Inggris, Fakultas Ilmu Budaya, Universitas Komputer Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/apollo.v13i1.9706

Abstract

This undergraduate thesis is entitled Language Style Used by Peter Parker in the “Spider-Man” Movie. This study focused on the language style particularly to identify and analyze the type language style and function of language in Peter Parker’s utterances. The object of this study is Peter Parker’s utterances in the “Spider-Man” movie. This study used observation and documentation methods with taking note technique in collecting data. The data was analyzed using descriptive qualitative methods, means the results are explaining descriptively. The results of the analysis are presented in informal method. This study used two theories; the theory of type of language style proposed by Joos and the theory of function of language proposed by Jakobson. Based on the theory, the type of language style in this study shows three types of language style. There are formal style, consultative style, and casual style. In this study, there are types of language style which is not found, namely frozen style and intimate style. These types of language style do not exist because in the movie, the situations and Peter Parker’s utterances does not contain frozen style and intimate style. Meanwhile, the function of language in this study shows four functions of language. There are phatic function, conative function, referential function, and expressive function. There are two functions of language that are not in the movie, namely poetic function and metalingual function because it does not match the contents of the story and Peter Parker’s utterances. The result shows that Peter Parker used more casual style to communicate with other characters and expressive functions, which aimed to express Peter Parker’s emotions and feelings. Keywords: Sociolinguistics, Type of language style, Function of language
Analysis of Positive Politeness Strategies In Wish Movie Ni Luh Putri Ayu Febriani; Ni Wayan Sukarini; Ni Luh Sutjiati Beratha
SPHOTA: Jurnal Linguistik dan Sastra Vol. 16 No. 2 (2024): SPHOTA: Jurnal Linguistik dan Sastra
Publisher : Fakultas Bahasa Asing (FBA) Universitas Mahasaraswati Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36733/sphota.v16i2.9138

Abstract

This undergraduate thesis is aimed to analyze the positive politeness strategies of the characters in the “Wish” movie. The collected data of this undergraduate thesis was analyzed based on the politeness theory by Brown and Levinson (1987). The method used in this undergraduate thesis was descriptive qualitative method. The results of this undergraduate thesis indicate that twelve positive politeness strategies were identified in the conversations of the characters in the "Wish" movie. These are; attend to H (Strategy 1), exaggeration (strategy 2), intensifying interest towards the hearer (strategy 3), employing in-group identity markers (strategy 4), seeking agreement (strategy 5), avoiding disagreement (strategy 6), joke (8) offering and promising (strategy 10), be optimistic (strategy 11), involving both speaker and hearer in activities (strategy 12), give or ask for reasons (13) and gifts to the hearer (strategy 15), which may include goods, sympathy, understanding, or cooperation.
Verbal humor created by flouting maxims in how i met your mother series Aritorang, Athalia Beshorah; Beratha, Ni Luh Sutjiati; Sukarini, Ni Wayan
Aksara: Jurnal Bahasa dan Sastra Vol 24, No 2 (2023): Aksara: Jurnal Bahasa dan Sastra
Publisher : Universitas Lampung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23960/aksara/v24i2.pp625-633

Abstract

This article is entitled Humorous Situation Created by Flouting of Maxim in Comedy Series How I Met Your Mother. It is aimed at identifying the types of maxims being used in order to create verbal humor. The data was taken from “How I Met Your Mother” comedy series. This undergraduate thesis applied two theories to solve the problems. The first is the theory is the Grice’s maxims to identify what are the maxims flouted in the series and also to find which maxim is dominantly flouted. Whereas, the second theory is the theory of verbal humor by Shade. This undergraduate thesis used the documentation method for collecting data, the data was collected from the comedy series by watching the series, reading the movie script as well as seen at the subtitle of the series. Then identify the maxims flouted by the characters in it. The result of this undergraduate thesis shows that all maxims were flouted in the series. And there were four types of verbal humor implied in the series How I Met Your Mother.
Types of Directive Illocutionary Acts in Barbie Movie Ni Kadek Jessica Sarindra Dwije; Ni Wayan Sukarini; Ni Luh Sutjiati Beratha
International Journal of Education and Literature Vol. 3 No. 2 (2024): August : International Journal of Education and Literature
Publisher : Pusat Riset dan Inovasi Nasional

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55606/ijel.v3i2.109

Abstract

This article analyzed the six types of directive illocutionary acts that used by the main character in Barbie movie, named Barbie Margot. The aims of this article is to find out the types of directive illocutionary acts that used by the main character in Barbie movie. The descriptive method used to analyzed the data source based on Allan (1986) theory on six types of directive illocutionary acts and the theory of context situation byHolmes (2013) as a support theory to identifying the data. The data was collected using observing method with the technique of listening, reading, documentation and note taking to observe and collect the data. As a result this article showed that the Barbie Margot used four types of directive illocutionary acts, there are; requirement (1), request (2). question (4) and prohibition (2).
Violations Of Grice’s Maxim Ni Kadek Mirayanti; Ni Luh Sutjiati Beratha; Ni Wayan Sukarini
International Journal of Education, Language, Literature, Arts, Culture, and Social Humanities Vol. 2 No. 2 (2024): May : International Journal of Education, Language, Literature, Arts, Culture,
Publisher : FKIP, Universitas Palangka Raya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59024/ijellacush.v2i2.792

Abstract

Violations in conversation are found not only in everyday life when people interact with other people, but also, in drama and films performed by characters, in novels, interviews, debates, and other forms of social interaction performed for various reasons. This study examines the violations of Grice's Maxim in the movie Jack Reacher: Never Go Back, focusing on the characters' conversational utterances. Using observation method and note-taking technique, the descriptive qualitative method was applied, analyzing data using the Theory of Cooperative Principles and Context of Situation. The results showed twenty-nine data of conversation were violated by the characters in the movie. Maxim of Quality (51,7%), Maxim of Quantity (13,8%), Maxim of Relation (10,4%), and Maxim of Manner (24,1%).
Co-Authors A A Ayu Cindy Karina Ivana Irawan ABDI SUDIATMIKA, I PUTU GEDE Adi Utamayasa, I Gede Aditya Bimo Laksono Adriel Elbert Dinata Anak Agung Gede Hari Wishnawa Anak Agung Ngurah Kenata Janamejaya Anak Agung Sagung Shanti Sari Dewi Anissa Nanda Puri Kurniasih Antari, Ni Made Suwari Aritorang, Athalia Beshorah Byanca Vanessa Suwasdika Christina Made Dwi Utami Daar, Gabriel Fredi Desak Ayu Krisna Dewi Dewi, Ni Luh Desy Utari Dini Siamika Tito Prayogi Dwi Aditya Darmawan Erisa Octavianti I Dewa Ayu Ika Fransiska I Gede Budiasa I Gede Putu Sudana I Gusti Ayu Cintya Premasari I Gusti Ayu Gede Sosiowati I Komang Sumaryana I Komang Sumaryana Putra I Made Hartadi Jaya Nugraha I Made Pradipta I MADE RAJEG I Made Suastra I Made Yudhi Putrawan I Nengah Sudipa I Nyoman Sedeng I Nyoman Udayana I Putu Eka Prawijaya I Wayan Eka Bawa Pradnyana I Wayan Eka Suarmita I WAYAN PASTIKA I Wayan Pastika I Wayan Simpen Ida Ayu Ika Sarita Dewi Ida Ayu Made Puspani Ida Bagus Gede Dwitya Dharma Suputra Ida Bagus Putra Yadnya Indy Nur Hayati Karniasih, Ni Wayan Listia Dewi Km Tri Sutrisna Agustia KOMANG HARI SANTHI DEWI . Laksono, Aditya Bimo Luh Gede Novita Rahayu Luh Putu Amara Sukma Dewi Maharini, Sang Ayu Isnu Maria Gorethy Nie Nie Melani, Dian Angga Melkyanus Dju Rohi Ni Kadek Dinda Pratiwi Ni Kadek Eni Dharmayanti Ni Kadek Jessica Sarindra Dwije Ni Kadek Mirayanti Ni Kadek Sindy Arista Ni Luh Ayu Shinta Andriani Ni Luh Cintya Sandi Astini Ni Luh Desy Utari Dewi Ni Luh Ketut Mas Indrawati Ni Luh Nyoman Seri Malini Ni Luh Putri Ayu Febriani Ni Luh Sutjiati Beratha Ni Luh Sutjiati Beratha Ni Made Budiartini Ni Made Devi Sudiarta Putri Ni Made Dhanawaty Ni Made Dwijayani Ni Made Raras Nandari Patni Ni Made Suwari Antari Ni Made Suwari Antari Ni Made W.B. Megasari Bintang Ni Putu Desi Ramayanti Ni Putu Parmini Ni Putu Tifani Puspa Lestari Ni Putu Wahyu Febriyani Ni Wayan Sri Jayanti Novita Mulyana PUJA ASTUTI, NI PUTU Putra, I Komang Sumaryana Putu Anggita Novarianti Putu Ayu Asty Senja Pratiwi Putu Cahya Jaya Dirga Putu Weddha Savitri Rifky Lana Rahardian Sala, Giulia Sang Ayu Isnu Maharani Sang Ayu Isnu Maharini Sintia, Intan Urbanus Laratmase Venesia Vergie Wasista, I Putu Udiyana Wayan Andrika Putera Widyasari, Ketut Monica Yuli Fimawati