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Konflik Tokoh Utama dalam Novel Panganten Karya Deden Abdul Aziz: Kajian Psikoanalisis Sosial Karen Horney Denny Adrian Nurhuda; Dedi Koswara; Nunuy Nurjanah; Retty Isnendes; Yuliani Yuliani
JENTERA: Jurnal Kajian Sastra Vol 12, No 2 (2023): Jentera: Jurnal Kajian Sastra
Publisher : Badan Pengembangan dan Pembinaan Bahasa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/jentera.v12i2.5256

Abstract

This study aims to explain the conflict phenomenon and types, also its resolution efforts made by the main character in the novel Panganten by Deden Abdul Aziz. The descriptive-qualitative research uses Karen Horney's literary psychology approach (psychoanalysis theory), which emphasizes that literature is a reflection of society, to analyze the data. The data analysis technique of this research is interpretative descriptive analysis. The results show that there are interpersonal conflicts between characters in this novel and intrapsychic conflicts consisting of despised real self, real self, ideal self, and actual self. In addition, conflict resolution efforts that occur in this novel are approaching others, fighting others, and staying away from others. AbstrakPenelitian ini bertujuan untuk menjelaskan fenomena, jenis, dan upaya penyelesaian konflik yang dilakukan oleh karakter utama dalam novel Panganten karya Deden Abdul Aziz. Penelitian ini menggunakan pendekatan psikologi sastra Karen Horney yang menekankan bahwa sastra merupakan cerminan masyarakat. Penelitian deskriptif kualitatif dengan teori psikoanalisis sosial Karen Horney ini menggunakan pendekatan psikologi sastra untuk menganalisis datanya. Teknik analisis data penelitian ini adalah teknik analisis deskriptif interpretatif. Hasil penelitian menunjukkan bahwa terdapat konflik interpersonal antartokoh dalam novel dan konflik intrapsikis yang terdiri atas diri rendah (despised real self), diri nyata (real self), diri ideal (ideal self), dan diri aktual (actual self). Di samping itu, upaya penyelesaian konflik yang terjadi dalam novel ini adalah mendekati orang lain, melawan orang lain, dan menjauhi orang lain. 
Kategori Emosi Tokoh Utama dalam Novel Rajapati di Pananjung Karya Ahmad Bakri: Kajian Psikologi Sastra Malik Fajar; Dedi Koswara
JENTERA: Jurnal Kajian Sastra Vol 13, No 2 (2024): Jentera: Jurnal Kajian Sastra
Publisher : Badan Pengembangan dan Pembinaan Bahasa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/jentera.v13i2.7462

Abstract

This research aims to describe the emotion category of the main character in the novel Rajapati di Pananjung by Ahmad Bakri using David Krech’s theory of emotional categories through a literary psychology approach. The method used in this research is descriptive  with content analysis technique. The result of this study describe David Krech’s categorisation theory on Yoyo as the main character.  Using this categorisation theory as a theoretical basis in dissecting the categorisation of Yoyo as the main character in this novel. The result of the analysis show the classification of emotions described by the author, one of which is through Yoyo as the main charcate. Thus, Krech’s categorisation of emotions can provide an overview and prove the truth of this thoughts through the category of emotions. This research is expected to provide an understanding of David Krech’s basic categorisation that can be used in dissecting the category of emotions in the novel Rajapati di Pananjung by Ahmad Bakri. AbstrakPenelitian ini bertujuan untuk medeskripsikan kategori emoasi tokoh utama dalam novel Rajapati di Pananjung karya Ahmad Bakri dengan menggunakan teori kategori emosi oleh David Krech melalui pendekatan psikologi sastra. Metode yang digunakan dalam penelitian ini yaitu deskriptif dengan teknik analisis isi. Hasil penelitian ini mendeskripsikan teori kategorisasi David Krech pada Yoyo sebagai tokoh utama. Menggunakan teori kategorisasi ini sebagai dasar teori dalam membedah kategorisasi Yoyo sebagai tokoh utama dalam novel ini. Dari hasil analisis tersebut memperlihatkan klasifikasi emosi yang digambarkan oleh pengarang salah satunya melalui Yoyo sebagai tokoh utama. Sehingga, kategorisasi emosi yang dikemukakan Krech dapat memberikan gambaran dan membuktikan kebenaran pemikirannya melalui kategori emosi. Penelitian ini diharapakan dapat memberikan pemahaman tentang kategorisasi dasar David Krech yang dapat digunakan dalam membedah kategori emosi dalam novel Rajapati di Pananjung karya Ahmad Bakri.
ASPEK PSIKOLOGIS TOKOH UTAMA DALAM NOVEL SAGAGANG JACARANDA KARYA RISNAWATI: KAJIAN STRUKTURAL DAN PSIKOLOGI Rima Mawar Wati; Dedi Koswara; Retty Isnendes
HUMAN: Journal of Social Humanities and Science Vol. 4 No. 1 (2026): HUMAN: Journal of Social Humanities and Science, July 2026
Publisher : ASIAN PUBLISHER

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58738/human.v4i1.1721

Abstract

This study aims to describe the psychological aspects of the main character in the novel Sagagang Jacaranda by Risnawati, utilizing Sigmund Freud's theory of literary psychology. A qualitative descriptive method was employed, utilizing reading and note-taking techniques to outline the story's structural elements and the main character's psychological aspects. The study's findings cover two areas: first, the structural elements contained within the novel—specifically theme, characters, plot, setting, and message. The novel's theme centers on an individual's internal conflict in accepting an unexpected reality. The protagonist is Adis, while the antagonists are Mamih and Gagah’s father (Papih). The plot is mixed (non-linear), featuring 20 temporal settings, 36 spatial settings, and one social setting. Second, regarding the psychological aspects of the character Adis, the Superego emerges as the dominant force, reflecting a personality that is mature, responsible, and capable of self-control when facing various life conflicts. Nevertheless, the Id remains present as an instinctive drive influencing the character's desires and emotions through subconscious reflex responses, though its intensity does not surpass the dominance of the Superego. Meanwhile, the Ego acts as a mediator, helping Adis balance Id-driven impulses with the reality she faces; consequently, her decisions and actions remain rational and take the interests of others into account. Thus, the balance between the Id, Ego, and Superego shapes Adis into a character who not only seeks to fulfill personal desires but also upholds moral and ethical values ​​in every decision-making process.