Article Per Year (5 Year)
p-Index From 2021 - 2026
5.806
P-Index
This Author published in this journals
All Journal E-Journal Of Cultural Studies JOGED PROMUSIKA: Jurnal Pengkajian, Penyajian, dan Penciptaan Musik Harmonia: Journal of Research and Education Jurnal Kajian Bali MUDRA Jurnal Seni Budaya Lekesan: Interdisciplinary Journal of Asia Pacific Arts KALANGWAN Segara Widya: Jurnal Penelitian Seni Panggung Gondang: Jurnal Seni dan Budaya Dance and Theatre Review: Jurnal Tari, Teater, dan Wayang JURNAL TATA KELOLA SENI Humaniora Pantun: Jurnal Ilmiah Seni Budaya Randwick International of Social Science Journal Ghurnita: Jurnal Seni Karawitan Center of Knowledge Journal of Aesthetics, Creativity and Art Management Jurnal Igel: Journal of Dance Jurnal Riset Rumpun Ilmu Bahasa (JURRIBAH) Pariwisata Budaya: Jurnal Ilmiah Pariwisata Agama dan Budaya Bali-Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara Panggung Global Art Creativity Conference Open Access DRIVERset
I Ketut Sariada, I Ketut
Institut Seni Indonesia Denpasar
Religion Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences Other

Published : 55 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 55 Documents
Search

 2   3   4   5   6 
GELIAT RUANG SENI DAN KREATIVITAS DI SANGGAR SENI PEKANDELAN AGUNG I Putu Bagus Restu Pratama Wiwaha; I Wayan Mudra; I Ketut Sariada
Jurnal Pariwisata Budaya: Jurnal Ilmiah Pariwisata Agama dan Budaya Vol 10 No 1 (2025): Volume 10 No 1
Publisher : UHN IGB Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/pariwisata.v10i1.4502

Abstract

Pekandelan Agung Art Studio is an art studio that continues to preserve traditional dance arts amidst the influx of foreign cultures into Indonesia. This study aims to analyze the activities of Pekandelan Agung Art Studio in preserving traditional Balinese dance arts in 2019-2025. Data collection methods were carried out through observation, interviews, and documentation, determining data sources with purposive sampling and data analysis with hermeneutics. The results of the study showed that the activities of Pekandelan Agung Art Studio in preserving traditional Balinese dance arts were carried out through dance education, dance training, and performances internally and externally as well as building social, cultural, and economic values. The positive activities of this studio received the "Parama Patram Budaya" award from the Bali Provincial Culture Office. This award is a form of government appreciation for artists in maintaining traditional cultural values amidst the challenges of modernization.
The Analysis of the Art Ecosystem in the Development of Musicmathematics Samuel, Samuel; Mudra, I Wayan; Sariada, I Ketut
Journal of Aesthetics, Creativity and Art Management Vol. 4 No. 2 (2025): Journal of Aesthetics, Creativity and Art Management
Publisher : Institut Seni Indonesia Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jacam.v4i2.6085

Abstract

Musicmathematics is the integration of mathematical principles in music, offering a new approach in contemporary music composition. This study arises from the urgency to understand the impact of musicmathematics on the art ecosystem holistically, encompassing cultural, social, economic, educational, legal, and technological aspects. The research employs document analysis and audiovisual analysis methods to identify patterns, relationships, and the influence of musicmathematics on various elements of the art ecosystem. The study is based on the art ecosystem theory by Becker (1982), which emphasizes the interaction between art actors and social structures, and Benoît Mandelbrot’s fractal theory (1989), which observes recurring patterns in music structures. Additionally, the concept of dynamic culture (Geertz, 1973a) is used to understand cultural transformation through the application of mathematical innovations. The results of the research indicate that musicmathematics significantly contributes to music composition innovation, despite facing challenges in social acceptance and commercialization. Culturally, musicmathematics creates tension between innovation and tradition; socially, this genre forms a limited experimental community; and in education, it enriches curricula with analytical approaches facilitated by technology. The study concludes that musicmathematics holds great potential in supporting the transformation of contemporary arts, particularly through strengthening education and technology. However, adaptive strategies are needed to increase the acceptance of this concept in a broader art ecosystem. Keywords: musicmathematics, art ecosystem, music innovation, music education, art technology.
The Phenomenon of Baris Pendet Dance at Dalem Tanjung Sari Temple, Tanjung Bungkak Traditional Village, Denpasar City, Bali Sariada, I Ketut; Swarsana, I Putu; Sulistyani, Sulistyani; Yulianti, Ni Ketut Dewi; Santika, Sang Nyoman Gede Adhi
Journal of Aesthetics, Creativity and Art Management Vol. 4 No. 2 (2025): Journal of Aesthetics, Creativity and Art Management
Publisher : Institut Seni Indonesia Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jacam.v4i2.6086

Abstract

This research aims to obtain a holistic understanding of Baris Pendet Dance in Tanjung Sari Temple, Tanjung Bungkak Traditional Village, Denpasar City, Bali Province. This research was conducted by analyzing aspects of dance form, function, and philosophical meaning of Baris Pendet Dance. This research uses a qualitative research model with a descriptive approach. Data collection using observation techniques, interviews, literature studies and documentation studies. Several theories such as Aesthetic Theory, Structural Functionalism Theory, and Semiotics Theory are used to analyze data about the form, function and meaning of dance. The results showed that Baris Pendet dance in Pura Dalem Tanjung Sari is a group dance consisting of eight boys who have not yet entered puberty. The function of this Baris Pendet dance is the function of ritual, spectacle, and cultural preservation. Denotatively, this dance symbolizes respect for the value of spirituality in periodic rituals at Tanjung Sari Temple. While connotatively, this dance symbolizes the welcoming of humanity to the descent of the gods during the ceremony held at Tanjung Sari Temple.
Negotiating the Third Space: Islamic Performing Arts and Cultural Diplomacy Between Muslim Minorities and Royal Patronage in Bali Sariada, I Ketut; Gunadi Putra, I Gede; Rahiminejat, Rahim
Jurnal Kajian Bali (Journal of Bali Studies) Vol. 15 No. 3 (2025): Identity in Contemporary Bali
Publisher : Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JKB.2025.v15.i03.p06

Abstract

In Bali, Islamic performing arts have long bridged relations between Muslim minority communities and the puri royal courts, shaped by trade, intermarriage, and mutual coexistence. This study examines Rodat as a medium of social interaction and identity negotiation in Kepaon, Denpasar, and Puri Agung Pemecutan, with comparisons from other regions in Bali. Using a qualitative ethnographic approach that combines observation, interviews, and document analysis, the research traces the historical, symbolic, and political dimensions of these practices. The findings show that Rodat and other Islamic performances serve dual functions: preserving Muslim identity while legitimizing palace authority, creating a third space that enables coexistence without forced assimilation. This space functions as a mechanism of interfaith diplomacy, reinforced through rituals, mutual recognition, and cultural patronage. In doing so, this study advances theoretical understanding by demonstrating how Bhabha’s ‘third space’ can be institutionalized through traditional patronage, enabling coexistence without assimilation.
Negotiating the Third Space: Islamic Performing Arts and Cultural Diplomacy Between Muslim Minorities and Royal Patronage in Bali Sariada, I Ketut; Gunadi Putra, I Gede; Rahiminejat, Rahim
Jurnal Kajian Bali (Journal of Bali Studies) Vol. 15 No. 3 (2025): Identity in Contemporary Bali
Publisher : Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JKB.2025.v15.i03.p06

Abstract

In Bali, Islamic performing arts have long bridged relations between Muslim minority communities and the puri royal courts, shaped by trade, intermarriage, and mutual coexistence. This study examines Rodat as a medium of social interaction and identity negotiation in Kepaon, Denpasar, and Puri Agung Pemecutan, with comparisons from other regions in Bali. Using a qualitative ethnographic approach that combines observation, interviews, and document analysis, the research traces the historical, symbolic, and political dimensions of these practices. The findings show that Rodat and other Islamic performances serve dual functions: preserving Muslim identity while legitimizing palace authority, creating a third space that enables coexistence without forced assimilation. This space functions as a mechanism of interfaith diplomacy, reinforced through rituals, mutual recognition, and cultural patronage. In doing so, this study advances theoretical understanding by demonstrating how Bhabha’s ‘third space’ can be institutionalized through traditional patronage, enabling coexistence without assimilation.
Co-Authors Adhyatma, I Putu Ananta Wira Anak Agung Bagus Wirawan Anak Agung Gde Agung Indrawan Indrawan Anak Agung Gede Angga Mahputra Anak Agung Indrawan Anak Agung Ngurah Anom Kumbara Bhumi, I Made Bayu Puser Cerita, I Nyoman Desiari,  Made Ayu Devi, Putu Rismayuni Dewa Made Arta Subawa Udayana Dipasatyadewi, Ni Luh I Dewa Ketut Wicaksandita I Gede Adi Sudi Anggara I Gede Arya Sugiartha, I Gede I Gede Gunadi Putra I Gede Mawan I Gede Oka Surya Negara I Kadek Agus Sujiro Putra, I Kadek I Made Adhi Wiguna I Made Rianta I Made Rianta I Made, Rianta I Nyoman Cerita I Nyoman Sedana I Putu Bagus Restu Pratama Wiwaha I Wayan Dibia I Wayan Mudra, I Wayan Ida Ayu Triana Titania Manuaba Ida Ayu Trisnawati, Ida Ayu Indra Sadguna, I Gde Made Indrawan, Anak Agung Kaiway, Yudhi Aji Ristanto Kasih Kasih Kasih, Kasih Ketut Tara Listiawan Komang Indah Parasari Komang Indah Parasari Made Marajaya Made Tiartini Mudarahayu Ni Ketut Dewi Yulianti Ni Luh Ria Novitasari Ni Luh Sustiawati Ni Made Arshiniwati Ni Made Ayu Kesuma Dewi Ni Made Ruastiti Ni Made Ruastiti Ni Nyoman Manik Suryani Ni Wayan Juli Artiningsih, Ni Wayan Ni Wayan Suartini Prastiti, Ni Putu Suci Pratama, Putu Angga Putu Angga Pratama Rahiminejat, Rahim Remawa, Anak Agung Gede Rai Ricky Fernando Rino Ega Vebrian Samuel Samuel Santika, Sang Nyoman Gede Adhi Santosa, Hendra Satyani, Ida Ayu Wayan Arya Sulistyani Sulistyani Swarsana, I Putu Syahrian, Alfin Udayana, Dewa Made Arta Subawa Wiguna, I Made Adhi