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The Phenomenon Of Toxic Relationship Among Students Fani Salmatuanisa; Tita Wahyuni; Mukarto Siswoyo; Aghnia Dian Lestari
Journal of Social Research Vol. 3 No. 10 (2024): Journal of Social Research
Publisher : International Journal Labs

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55324/josr.v3i10.2241

Abstract

Humans are created as social creatures that will not be separated from a life that needs each other. Because humans actually need help from others, every individual does not always get the same treatment from someone. Toxic Relationship is an event when you feel hurt, feel disadvantaged, feel uncomfortable, feel insecure, lack of affection, and the victim feels intimidated. The impact can flatten fear and traumu and make it difficult to interact socially. The method used in this study is qualitative with a phenomenological approach by explaining the phenomenon of experience that has been carried out by one of the individuals experienced with real events. The object was obtained by several subjects with data sources coming from interviews and data analysis was carried out by data reduction, presenting data and drawing conclusions. The results of this study are two forms of violence, namely verbal violence and physical violence. Most of the problems obtained are about the bad treatment of their partners. This causes the victim to feel inferior and triggers his mental health.
Direction Wedding Photography In Creating Visual Aesthetic Creations Adie Alfariz N; Nuruzzaman nuruzzaman; Aghnia Dian Lestari
Journal of Social Research Vol. 3 No. 10 (2024): Journal of Social Research
Publisher : International Journal Labs

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55324/josr.v3i10.2242

Abstract

This research examines the crucial role of Direction Wedding Photography in Creating Visual Aesthetic Creations that meet contemporary expectations and trends in the wedding photography industry. The aim of this research is to analyze the key factors that influence the success of wedding photography, identify innovative techniques used by professional photographers, and understand the role of social media and digital platforms in shaping client preferences and expectations. Through a qualitative approach with descriptive analysis, this research explores the perspectives of professional photographers and clients to understand the complex dynamics in producing aesthetic and meaningful wedding photography work. The research results reveal that success in wedding photography depends on the integration of several key factors: technical expertise, artistic sensibility, effective communication and adaptability to contemporary trends. Photographers are required to master innovative techniques such as strobist lighting systems and optical manipulation using prism rod glass, which allows them to produce visual images that are not only documentary but also artistic. The analysis shows that visual aesthetics in wedding photography is a subjective concept, involving the photographer's personal interpretation and the client's individual preferences. Furthermore, this research reveals the significant impact of social media and digital platforms in shaping client preferences and expectations. So Direction Wedding Photography in the contemporary era is a complex synthesis of technical expertise, artistic creativity, emotional intelligence, and a deep understanding of socio-technological dynamics.
Using the Instagram Reels Feature @aryusaraah as a Medium for Self-Presentation Nina Amelia; Aghnia Dian Lestari
Journal of Social Research Vol. 5 No. 5 (2026): Journal of Social Research
Publisher : International Journal Labs

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55324/josr.v5i5.3146

Abstract

Instagram Reels, which are used as a medium for sharing daily life, have led to the emergence of mom influencers who use social media as a space for self-image formation. This study aims to analyze the self-presentation strategies of the Instagram account @aryusaraah through Reels by examining the management of the front stage and backstage, as well as understanding the motivation for using Reels as a means of self-image formation. This study uses Erving Goffman's dramaturgy theory to understand role management and the boundaries between private and public spaces. The method used is descriptive qualitative with data collection techniques in the form of interviews with account owners and active followers, as well as observation of Reels content. The results show that @aryusaraah consistently manages her personal front stage through adjustments to content themes, expressions, settings, appearances, and interaction patterns. The front stage presents the image of a young mother who is active in her activities while still taking care of her children, while the back stage is evident in the curation process and the restriction of personal aspects that are not in line with the image being built. The motivation to produce Reels is driven by the desire to share experiences, express oneself, and receive responses from followers. Through her Reels posts, Aryu Sarah successfully presents herself in line with the image she has built, without straying far from her real life.
Fear of Missing Out (FOMO): The Red Line #SLine Trend on Tiktok Among Gen Z Aghnia Dian Lestari; Zaenab Nurhabibah
Interdiciplinary Journal and Hummanity (INJURITY) Vol. 5 No. 3 (2026): Injurity: Interdiciplinary Journal and Humanity
Publisher : Pusat Publikasi Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58631/injurity.v5i3.1527

Abstract

Fear of Missing Out (FOMO) is one of the phenomena driving Generation Z's participation in social media, particularly in the S Line Trend on TikTok. This trend is sensitive and contrary to norms, thus causing controversy. Using a descriptive qualitative approach based on the Fear of Missing Out (FOMO) theory, this study aims to analyze how FOMO drives Generation Z's participation in the S Line Trend on TikTok, identify the factors that cause FOMO, and identify its impact on moral values and digital behavior. Primary data were obtained through interviews with eight Generation Z TikTok users aged 19–28 who followed the S Line Trend, while secondary data were obtained through observation of S Line Trend content on TikTok and documentation. The results show that Generation Z's experience of FOMO manifests itself in the form of fear of being left behind, concern about social judgment, and anxiety about remaining relevant in their social circle. Exposure to the TikTok algorithm, coupled with entertainment motives, social pressure in social circles, and the need for validation and self-existence, are the contributing factors. This superficial participation has the effect of creating negative perceptions from the surrounding environment, which makes Generation Z more cautious in following trends. FOMO not only acts as a motivator but also shapes the consequences, so Generation Z needs to be more critical in using social media.
Building a Brand Experience: The Role of PT Kai’s Public Relations Department in the Branding of The Panoramic Train Zain, Yoga Pramudya Azhar; Khumayah, Siti; Lestari, Aghnia Dian
Federalisme: Jurnal Kajian Hukum dan Ilmu Komunikasi Vol. 3 No. 2 (2026): Mei: Federalisme : Jurnal Kajian Hukum dan Ilmu Komunikasi
Publisher : Asosiasi Peneliti dan Pengajar Ilmu Hukum Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/federalisme.v3i2.1740

Abstract

This study explores the role of the Public Relations (PR) Department of PT KAI in developing the brand experience of the Panoramic Train service. It focuses on identifying the PR Department’s roles, communication strategies employed, and key factors determining the success of branding efforts. A qualitative case study approach was used, with data collected through interviews with PR staff and Panoramic Train passengers, supported by field observations and document analysis. Data were analyzed using thematic content analysis with within-source and between-source triangulation to ensure validity. The findings reveal that the PR Department plays three main roles: as a team member responsible for developing the Panoramic Train brand experience, as a visual image developer, and as a message propagator. The communication strategies implemented include storytelling, social media utilization, collaboration with strategic partners, visual content creation, passenger education regarding train features, and passenger training initiatives. The success of the branding effort is influenced by service design quality, alignment between communicated messages and actual service delivery, emotional engagement with the public, and passengers’ willingness to share their experiences. Overall, the Panoramic Train has evolved beyond a transportation service into an experience-based product with added value, strategically managed by PT KAI’s PR Department to enhance corporate image and strengthen brand equity.
The Roblox Metaverse As An Interaction Media For School-Aged Children Lusiana Herawati; Siti Khumayah; Aghnia Dian Lestari
CONVERSE Journal Communication Science Vol. 2 No. 4 (2026): April
Publisher : Indonesian Journal Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47134/converse.v2i4.5716

Abstract

Roblox, as a Metaverse platform, is increasingly recognized as a medium that supports interaction for school-aged children (7–12 years old), which also has the potential to shape children's communication patterns and social skills. This study aims to explore the role of Roblox as a medium of interaction for school-aged children, analyze the communication patterns that emerge between children, and identify whether children's communication skills can be improved through various communication features in Roblox. The research method used is descriptive qualitative, with the research location in Windujaya Village. Data were collected through in-depth interviews and also participatory observation of children and parents, supported by library observation, then analyzed through the stages of data reduction, data presentation, and conclusions. The results show that Roblox is proven to function as a relatively rich communication medium with the integration of verbal cues (chat), nonverbal cues (avatars, emotes, dances), rapid feedback, and identity personalization through avatar customization through its various features. Knowledge is also formed of two-way (personal) and multi-way (group) interaction patterns, which have the potential to be a means of cooperation, negotiation, and coordination during play. Thus, Roblox certainly plays a role as an interactive medium that can improve children's communication skills, although it still requires parental supervision and the use of security features to minimize negative factors in virtual interactions.
Co-Authors ., Mahmudah Adie Alfariz N Aditya , Reynanda Rizky Agustin, Diny Tri Ahmad Khoiril Imam Alfitri, Alfi Alifa Amanda, Grisha Anshor, Habib AL Anzani, Indri Aprillia, Agnest Asyandika Alfian Avissa Abli Umayyah Basuki, Luthfi Nugraha Bharoto, Rd. Mahendra Haryo Bharoto, RM Haryo Billy Meisabillah Cintia Cintia Cintia, Cintia Cornelia, Ayu Dedet Erawati Desak Nyoman Intan Dimas Saputra Dimas Zuanfaizin Pamungkas Diva Rahmanto Erlangga, Cunk Fadilah, Dhelfa Nur Fahrul Rozi Fakihani, Mukhamad Fani Maharani Fani Salmatuanisa Farida Nurfalah Farida Nurfalah, Farida Faudzi, Azwar Febriana Dzulhijjah Fernando, Farhan Fitriandini, Nadiah Dwi Frahmadan Almer Gita Wibowo, Tifanny Aurelia Grisha Amanda Handayani, Amelia Dwi Hanna Mazlin Hape, Virnica Amanda Harsono, Yhonanda Herdiawati, Cut Dhien Hidayat, Moh. Taufik Indryani, Safitri Ipik Permana Irma Nirmala Silki Irvanianto, Salsa Azzahra Kautsar, Faiz Muhammad Khaerudin Imawan Khansa Syarifah Alya Aziz Khikmawati, Nurlaili Khoirul Umam Khotimah, Aas Nur Lestari, Ratna Ayu Lita, Lita Lusiana Herawati Madinah, Asifa Hijrotul Maharani, Shara Mahmudah Mahmudah Marcella, Rosa Meylina, Cindy Miftahul Jannah Moh Sutarjo Moh. Sutarjo Mohammad Fajrul Falaakh Muhammad Nuruzzaman Muhammad Nuruzzaman Muhammad Triesnabayu Mujahidin, Sulthon Mukarto Siswoyo Nabila Nabila Nadia Nisa Aulia Nenden Dewianti Neni Yulianita Nina Amelia Nisa Anisa Pujianti Nisa, Lutfi Firda Nurjannah, Esa Noviana Nurohmah, Sintiya Putri Nursahidin . Nurudin Siraj Nurudin Siraj Nurul Sabilla Nuruzzaman nuruzzaman Oktaviany, Fanny Intan Otto Fajarianto Permata, Mochamad Rizky Pipit Putri Mayangsari Pratiwi Kartika Sari Prayogi, Shandy Fitro Prihatmadji, Wiwiet Purwadini, Aminah Puspita, Tina Putri Amalia Putri, Ghina Fikriya Putri, Sarifhatul Aini Yuliyus Rd. Mahendra Haryo Bharoto Rismayanti Dewi Safitri Indryani Senliana, Silma Septiani, Ane Setyawan, Aldo Sevty Adinia Shalma Calista Zahra Siraj, Nurudin Siti Fatimah Siti Khumayah Sri Wulandari Sri Wulandari Suci, Aprilianti Noer Indah Susanti, Tantri Aditya Sutarjo, Moh Syahril Ramadhan, Raden Muhammad Tantri Aditya Susanti Thaharah, Beby Tita Wahyuni Tri Yanti Monika Triansyah, Dicky Tyas Nur Aini Wijayanti, Nurrul Fahmi Maulida Wiwiet Prihatmadji Wulandari, Noni Yhonanda Harsono Yudha Fahreza, Sehan Zaenab Nurhabibah Zahranisa, Azhira Zain, Yoga Pramudya Azhar