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All Journal ARABIYAT Jurnal Pendidikan Islam Al-Ma'rifah : Jurnal Budaya, Bahasa dan Sastra Arab Kordinat : Jurnal Komunikasi antar Perguruan Tinggi Agama Islam Kalamuna Loghat Arabi: Jurnal Bahasa Arab & Pendidikan Bahasa Arab Jurnal Abdimas Le Mujtamak Kilmatuna: Journal Of Arabic Education Al-Muyassar: Journal of Arabic Education Managere: Indonesian Journal of Educational Management Kalimatuna: Journal Of Arabic Research Jurnal Intelek Dan Cendikiawan Nusantara Jurnal Intelek Insan Cendikia Al-Irfan: Journal Of Arabic Literature and Islamic Studies INTIFA: Journal of Education and Language Qawa’id: Jurnal Bahasa dan Sastra Arab Educational Journal SciNusa: Jurnal Ilmu Sosial dan Humaniora
Erta Mahyudin
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Religion Humanities Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Electrical & Electronics Engineering Energy Engineering Environmental Science Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Materials Science & Nanotechnology Medicine & Pharmacology Social Sciences Transportation Veterinary Other

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Dekonstruksi Stereotip Gender dalam Lagu Pop Arab “Ya Banat” yang Dipopulerkan Oleh Nancy Ajram Mahyudin, Erta; Hanik Mahliatussikkah; Siti Jubaidah
Al-Ma‘rifah Vol 22 No 2 (2025): Al-Ma'rifah: Jurnal Budaya, Bahasa, dan Sastra Arab
Publisher : Universitas Negeri Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/almakrifah.22.02.05

Abstract

This article examines the deconstruction of gender stereotypes in Nancy Ajram's song “Yā Banāt” through the combined lens of critical discourse analysis and gender performativity theory. It explores how the song challenges entrenched stereotypes of Arab women by integrating cultural and religious symbolism with elements of cultural hybridity that bridge Arab tradition and global modernity. The research analyzes the song’s lyrics, the visual language of its music video, and audience responses on social media to reveal how “Yā Banāt”  articulates an active, joyful, and emancipatory identity for young Arab women. The study situates this work within the broader context of Arab feminist and popular culture discourses, addressing the gap in Arab music scholarship that often overlooks popular music as a site of gender negotiation. By incorporating theoretical frameworks from Islamic and Arab feminism as well as postcolonial studies, the findings highlight how popular music can function as a culturally resonant tool for social change, fostering new narratives of femininity that are both locally grounded and globally informed. This contributes to expanding feminist theory within the realm of popular culture in the Arab world.
Co-Authors Ahmad Dardiri Ahmad Royani Ahmad Wildan Sahuri Ramdani Alfan, Muhammad Anugrah, Mudea Dwi Azizah Nurvia Gusiar Azkia Muharom Albantani Azkia Muharom Albantani Azkia Muharrom Azzahra Emira Sudrajat Dewi Afifah Alihsan Fatimah Azzahra Putri Fudhaili, Achmad Gusiar, Azizah Nurvia Hanik Mahliatussikkah Hikmah Hikmah Husnaini Muhammad Makhluf Istianah, Siti Nur Kamila, Syifa Kardo, Mifta Dwi Kurnia, Salsabilla Afifah Maulana, Tengku Mifta Dwi Kardo Mohammad Rizqi Alif Syuhada’ Muammar Qadavi Umasugi Muhammad Wildan Maulana Hakiki Muhbib Abdul Wahab Muhbib Abdul Wahab Muhbib Abdul Wahab Nafisa'ah, Salsabila Rahmawati, Siti Uriana Raswan Royani, Ahmad Sania Naufala Zaka Sayyidah Labib Siti Jubaidah Siti Uriana Rahmawati Tahmid, Ryan Wildani Tengku Maulana Tiara Lestari, Hanna Ubaid Ridlo Wati Susiawati Wati Susiawati Wati Susilawati Winarbo, Mizaluna Diazurry Zahra, Nabila Himmatina