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All Journal Corak : Jurnal Seni Kriya Jurnal Taman Vokasi Home Economics Journal JURNAL PENDIDIKAN TAMBUSAI Journal on Education Jurnal Review Pendidikan dan Pengajaran (JRPP) Enggang: Jurnal Pendidikan, Bahasa, Sastra, Seni, dan Budaya Jurnal Abdimas Bina Bangsa JURNAL SOCIA AKADEMIKA Jurnal Abdimas Akademika Practice of Fashion and Textile Education Journal Abimanyu: Journal of Community Engagement Journal of Vocational and Technical Education (JVTE) BAJU: Journal of Fashion and Textile Design Unesa Style : Journal of Fashion Design Home Ec Inspirasi Dunia: Jurnal Riset Pendidikan dan Bahasa Ranah Research : Journal of Multidisciplinary Research and Development Jurnal Pendidikan dan Ilmu Sosial Guruku: Jurnal Pendidikan dan Sosial Humaniora Journal of Education Method and Learning Strategy Mutiara: Jurnal Penelitian dan Karya Ilmiah Jurnal Riset Multidisiplin dan Inovasi Teknologi Semantik : Jurnal Riset Ilmu Pendidikan, Bahasa dan Budaya Jurnal Nakula: Pusat Ilmu Pendidikan, Bahasa Dan Ilmu Sosial JURNAL MULTIDISIPLIN ILMU AKADEMIK JPBD (Jurnal Penelitian Busana dan Desain) Jurnal Online Tata Busana
Deny Arifiana
Universitas Negeri Surabaya
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Automotive Engineering Chemical Engineering, Chemistry & Bioengineering Civil Engineering, Building, Construction & Architecture Computer Science & IT Economics, Econometrics & Finance Education Electrical & Electronics Engineering Engineering Environmental Science Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Mathematics Mechanical Engineering Medicine & Pharmacology Physics Public Health Social Sciences Transportation Other

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PENCIPTAAN BUSANA GAYA ANDROGYNY DENGAN SUMBER IDE TARI JATHIL PADA KESENIAN REOG PONOROGO Wahyu Laily, Prasidya; Nahari, Inty; Arifiana, Deny; Nashikhah, Ma’rifatun
Jurnal Socia Akademika Vol. 11 No. 1 (2025): Edisi Juni 2025
Publisher : Akademi Kesejahteraan Sosial AKK Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63864/jsa.v11i1.390

Abstract

Indonesia has a rich culture that can be used as a source of inspiration in the creation of fashion designs, one of which is the Jathil dance in the Reog Ponorogo art form. The Jathil dance is unique because it represents a blend of masculinity and femininity. This is the primary foundation in the design of androgynous fashion, which harmoniously combines masculine and feminine elements. The purpose of this creation is to describe the process of creating androgynous-style fashion and to describe the presentation of androgynous-style fashion creation. The method used is practice-led research, which is a practice-based research approach through the stages of exploration, design, realisation, and presentation of the work. The creation process began with the development of alternative design sketches and alternative colour combinations. The results of this creation are three selected designs: one men's garment and two women's garments. The first work is a three-piece men's garment consisting of a top, bottom, and layered pants. The second work is a three-piece women's garment consisting of a tank top with a jathil silhouette appliqué and woven text, and a long skirt bottom. The third piece is a four-piece women's outfit consisting of a top, skirt, skirt layer, and ruffled sleeves. The presentation of this androgynous-style clothing creation is divided into three parts: pre-event, on-event, and post-event.
PENCIPTAAN MOTIF BATIK SIDOARJO DENGAN SUMBER IDE KUPANG LONTONG Fianty, Nesty Ayu; Arifiana, Deny
BAJU: Journal of Fashion and Textile Design Unesa Vol. 6 No. 1 (2025)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/baju.v6n1.p156-166

Abstract

Kupang lontong is a traditional dish from Sidoarjo, consisting of mussels (kupang), rice cakes (lontong), lentho (fried mung bean fritters), shrimp paste (petis), raw garlic, and a flavorful broth that is tangy, spicy, and sweet. The dish is closely tied to coastal culture and the mussel-fishing community. This research aims to create Sidoarjo batik motifs by using kupang lontong as visual inspiration. Sidoarjo often incorporates ethnic foods into its batik designs, such as Jetis batik, which features motifs of rice and spinach flowers (kembang bayem), as spinach commonly grows in the region. This practice to transform kupang lontong into a batik design. The method follows theory of creation, which includes exploration, design, realization, and presentation. Ten designs were developed, three of which were realized as batik using the hand-drawn technique on primisima fabric measuring 115 × 200 cm. Naphthol as Synthetic dyes were used to produce vibrant colors. The result Sidoarjo batik motifs depict visual elements of kupang lontong, fishermen, and coastal scenery, combined with signature spinach flower (isen-isen kembang bayem) patterns typical of Sidoarjo batik. creation seeks to offer fresh ideas for developing batik motifs rooted in local richness.
Pelatihan Pembuatan Hand Painting Pada Remaja Putri Di Desa Trosobo Fema Laila Aziziah; Peppy Mayasari; Lutfiyah Hidayati; Deny Arifiana
ENGGANG: Jurnal Pendidikan, Bahasa, Sastra, Seni, dan Budaya Vol. 3 No. 2 (2023): Juni: Jurnal Pendidikan, Bahasa, Sastra, Seni, dan Budaya
Publisher : FKIP, Universitas Palangka Raya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37304/enggang.v3i2.8679

Abstract

Pelatihan hand painting pada remaja putri di desa Trosobo merupakan salah satu wujud dari peningkatan sumber daya manusia yang bertujuan untuk: 1) mendeskripsikan proses pelaksanaan pelatihan hand painting pada remaja putri di desa Trosobo 2) mendeskripsikan hasil jadi pelatihan hand painting pada remaja putri di desa TRosobo, dan 3) mengetahui respon peserta pelatihan hand painting pada remaja putri di desa Trosobo. Jenis penelitian yang digunakan yaitu pra eksperimen dengan tipe one shot case study. Pelatihan dilakukan di Balai RW 01 desa Trosobo dan diikuti oleh 30 peserta remaja putri. Metode pengumpulan data yang digunakan yaitu berupa observasi, penilaian produk dan angket. Instrumen penelitian yang digunakan berupa lembar observasi kegiatan instruktur, lembar penilaian hasil jadi produk hand painting pada kaos cotton combed, dan lembar angket kuisioner. Teknik analisis data yang digunakan yaitu analisis deskriptif. Hasil penelitian ini menunjukkan bahwa: (1) Keterlaksanaan proses pelatihan aktivitas instruktur mendapatkan nilai rata-rata 3,8 dengan kategori sangat baik. (2) Hasil produk pelatihan berupa hand painting pada kaos cotton combed yang dibuat oleh peserta mendapatkan hasil sebanyak 90% peserta memperoleh nilai rata-rata 4 dengan kategori sangat baik dan 10% peserta mendapatkan nilai rata-rata 3 dengan kategori baik. (3) Respon peserta terhadap proses pelatihan hand painting mendapatkan nilai rata-rata 3,7 yang berarti sangat baik.
PENCIPTAAN DESAIN MOTIF BATIK SIDOARJO PADA SYAL DENGAN SUMBER IDE CANDI DERMO Hurrin, Aissyah Febi Alamanda; Arifiana, Deny
BAJU: Journal of Fashion and Textile Design Unesa Vol. 6 No. 2 (2025)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/baju.v6n2.p210-226

Abstract

Abstract The design of batik is one of stages in batik making process. The development of motif ideas can create patterns and motifs on batik fabric. The making of batik decorative motif design in this study is inspired by cultural heritage found in Sidoarjo. This research an art based study that describes the batik motif design from Sidoarjo, this research also inspired by Dermo Temple. The objective of this research are: (1) To describe the process of exploring the Sidoarjo Batik motif with the source of the idea of Dermo Temple which will be applied to products in the form of scarves.  (2) to describe the process of creating Sidoarjo batik design inspired by the Dermo temple to be applied to a product in form of scarf. (3) to describe the final result of the Sidoarjo batik design creation inspired by Dermo Temple to be applied to a product in form of scarf. The method used in this research is the artwork creation, that’s consist four stages: exploration or pre design, design development, realization of the work, and also the presentation of the work. At the design stage of the work, alternative designs are made, so that 3 motif designs can be selected that will be applied to products in the form of scarves. The results of the creation stated that the scarf product measuring 35 cm x 180 cm was created according to the characteristics of the Batik Sidoarjo and Dermo Temple motifs. The results of the creation state that the scarf product measuring 35 cm x 180 cm was created according to the characteristics of the Batik motif of Sidoarjo and Dermo Temple as the main motif of batik. The results of the creation state that: (1) Scarf products measuring 35 cm x 180 cm were created according to the characteristics of the Batik motifs of Sidoarjo and Dermo Temple as the main motif of batik. (2 The motifs created on the product in the form of scarves go through the design development stage, so that batik patterns can be created in accordance with the results of the motif exploration. (3) The finished product is in the form of a scarf created with the written batik technique.  
PENINGKATAN PRODUKTIVITAS DAN MANAJEMEN UD. MJ FASHION MELALUI PENERAPAN MESIN PRESS SEPATU DAN OVEN PENGERING OTOMATIS Yunus; Arifiana, Deny; Prakoso, Albrian Fiky; Pambudi, Rizdana Galih; Anshari, Bima
Abimanyu : Jornal of Community Engagement Vol 6 No 2 (2025): August 2025 (In Press)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

SMEs have a major impact in improving the welfare of society through their contribution in moving the wheels of the economy in social life. One example is UD. MJ Fashion Sidoarjo, an SME engaged in conventional shoe craftsmen. However, through the results of interviews and situation analysis with partners, several problems were found including the low quality and quantity of production due to uneven drying results on the entire surface of the sole and upper shoes which have an impact on the low quality and quantity of products that affect the growth of UD's business. MJ Fashion Sidoarjo, causing slow productivity which results in a decrease in competitiveness and loss of customers. As a solution to overcome these problems, the PKM Team conducted a method of direct application of the use of Shoe Press Machines and Automatic Drying Ovens. With the hope of providing a solution to the problem of quality and quantity of shoe production. With the machine, it is anticipated that there will be a significant increase in the aspects of Quality Management and Productivity in the shoe production process while increasing the operational efficiency of UD. MJ Fashion Sidoarjo, but also has the potential to make a positive contribution to the local economy and community welfare through increased competitiveness and business growth.
Pembuatan Obi Modifikasi Berbahan Crinoline dengan Aplikasi Bordir Sholekah, Andawiyah Fatikhatus; Arifiana, Deny
Corak Vol 13, No 1 (2024): Mei 2024
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/corak.v13i1.10081

Abstract

The purpose of this research is to find out how the process of making obi made of crinoline with embroidery applications, and find out the results of making obi made of crinoline with embroidery applications. This study uses the method of creation of work which is divided into four stages. The first is the pre-design stage. Second, the design stage. Third, the embodiment stage. Fourth, the presentation stage. This research resulted in the process of making obi made of crinoline starting from making designs, making patterns, laying patterns and cutting materials, sewing. The process of making embroidery applications begins with making designs, working on embroidery applications by embroidery craftsmen, cutting embroidery applications according to the design. The process of applying the embroidery application to the obi made from crinoline begins with laying the embroidery application, then installing the embroidery application using a sum stitch with the help of a needle and string thread. The finished result of making an embroidery application on a crinoline obi is not in accordance with the source of ideas and designs that have been made.ABSTRAKTujuan dari penelitian ini ialah untuk mengetahui bagaimana proses pembuatan obi berbahan crinoline dengan aplikasi bordir, dan mengetahui hasil pembuatan obi berbahan crinoline dengan aplikasi bordir. Penelitian ini menggunakan metode penciptaan karya yang terbagi menjadi empat tahap. Pertama yaitu tahap pra-perancangan. Kedua, tahap perancangan. Ketiga, tahap perwujudan. Keempat, tahap penyajian. Penelitian ini menghasilkan proses pembuatan obi berbahan crinoline dimulai dari pembuatan desain, pembuatan pola, peletakan pola dan memotong bahan, menjahit. Proses pembuatan aplikasi bordir dimulai dengan pembuatan desain, pengerjaan aplikasi bordir oleh pengrajin bordir, pemotongan aplikasi bordir sesuai dengan desain. Proses penerapan aplikasi bordir pada obi berbahan crinoline dimulai dengan peletakan aplikasi bordir, lalu pemasangan aplikasi bordir dengan menggunakan tusuk sum dengan alat bantu jarum dan benang senar. Hasil jadi pembuatan aplikasi bordir pada obi berbahan crinoline kurang sesuai dengan sumber ide dan desain yang telah dibuat.
Penerapan Aplikasi Bordir Bermotif Naga Dan Burung Phoenix Pada Crinoline Gaun Choengsam Azifah, Ni'matul; Arifiana, Deny
Corak Vol 13, No 1 (2024): Mei 2024
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/corak.v13i1.10086

Abstract

AbstractThis study aims to find out how the finished process of applying dragon and phoenix patterned embroidery applications to crinoline cheongsam dresses, and to find out the results of applying dragon and phoenix patterned embroidery applications to crinoline cheongsam dresses. This study uses the method of creation of work which is divided into four stages. The first is the pre-design stage. Second, the design stage. Third, the embodiment stage. Fourth, the presentation stage. This research resulted in the process of applying embroidery with dragon and phoenix motifs to the cheongsam crinoline dress starting from making the design, making and cutting the pattern, sewing the main material, sewing the crinoline by providing trim with tile cloth, attaching the crinoline to the cheongsam dress by tucking it tightly, then giving Embroidered patches with dragon and phoenix motifs by sewing using strings. The finished result is the application of embroidery with dragon and phoenix motifs on the crinoline cheongsam dress according to the design that has been made. With the characteristic selection of yellow color with dragon aAnd phoenix embroidery, it really describes the characteristics of Chinese Dress.AbstrakPenelitian ini bertujuan untuk mengetahui bagaimana proses dari penerapan aplikasi bordir bermotif naga dan burung phoenix pada crinoline dress cheongsam, dan mengetahui hasil penerapan aplikasi bordir bermotif naga dan burung phoenix pada crinoline dress cheongsam. Penelitian ini menggunakan metode penciptaan karya yang terbagi menjadi empat tahap. Pertama yaitu tahap pra-perancangan. Kedua, tahap perancangan. Ketiga, tahap perwujudan. Keempat, tahap penyajian. Penelitian ini menghasilkan proses penerapan aplikasi bordir bermotif naga dan burung phoenix pada crinoline dress cheongsam dimulai dari membuat desain, membuat dan memotong pola, menjahit bahan utama, menjahit crinoline dengan memberikan lis dengan kain tile, memasangkan crinoline pada dress cheongsam dengan dijelujur rapat, kemudian memberikan aplikasi bordir tempel bermotif naga dan burung phoenix dengan cara disum menggunakan senar. Hasil jadi penerapan aplikasi bordir bermotif naga dan burung phoenix pada crinoline dress cheongsam sesuai dengan desain yang telah dibuat. Dengan pemilihan karakteristik warna kuning dengan bordiran naga dan burung phoenix sangat menggambarkan karakteristik dari chinese dress.
Penciptaan Convertible pada Busana Ready to Wear Deluxe dengan Sumber Ide Rumah Adat Tikel Balung Mulyono, Dinda Marthania Putri; Arifiana, Deny; Kharnolis, Mein; Nashikhah, Ma’rifatun
Practice of Fashion and Textile Education Journal Vol. 5 No. 2 (2025): Practice of Fashion and Textile Education Journal
Publisher : Universitas Negeri Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/pftj.v5i2.56793

Abstract

This research is a research on the creation of artwork that describes convertibles on ready-to-wear deluxe fashion with the source of the idea of ​​the Tikel Balung traditional house. The purpose of this creation research is (1) To describe the formulation of ideas and concepts for creating convertibles on ready-to-wear deluxe fashion with the source of the idea of ​​the Tikel Balung traditional house, (2) To describe the process of creating convertibles on ready-to-wear deluxe fashion with the source of the idea of ​​the Tikel Balung traditional house, (3) To describe the finished results of convertibles on ready-to-wear deluxe fashion with the source of the idea of ​​the Tikel Balung traditional house, and (4) To describe the presentation of convertibles on ready-to-wear deluxe fashion with the source of the idea of ​​the Tikel Balung traditional house. The method used in this research is the method of creation of works, namely through 4 stages of research starting from exploration, design of works, manifestation of works, to presentation of works. The creation of fashion works resulted in 1 men's clothing and 2 women's clothing with the application of convertibles on the three clothes. One men's clothing design with a convertible construction size on the pants and two women's clothing designs with modular convertibles applied to the outer and pants. Manipulating fabric in the creation of this deluxe ready to wear clothing is taken from the slimpet motif which is the main motif of the Tikel Balung traditional house, which is applied using printing, embroidery techniques, and a combination of the two.
Penerapan Media Video Tutorial Pada Kompetensi Dasar Sulaman Aplikasi Di Kelas XI SMK Dharma Wanita Gresik Risna Taftiyana Dewi; Yulistiana Yulistiana; Deny Arifiana; Ma’rifatun Nashikhah
JURNAL PENDIDIKAN DAN ILMU SOSIAL (JUPENDIS) Vol. 1 No. 2 (2023): APRIL : JURNAL PENDIDIKAN DAN ILMU SOSIAL
Publisher : Institut Teknologi dan Bisnis (ITB) Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.54066/jupendis.v1i2.357

Abstract

The media is one important factors in learning activities. Learning media is an intermediary between educators and students in delivering materia. The aim of this research were (1) to describe the implementation of leraning by applying video tutorial media to the basic competence of application embroidery (2) to describe student learning outcomes in the basic competence of application embroidery after applying video tutorials (3) to describe student responses to video tutorials on the basic competence of application embroidery. The type of research is pre-experimental with design one shot case study.this research was conducted at Dharma Wanita Vocational School Gresik in class XI fashion design in the odd semester of the 2022/2023 school years. The data collection method used is the observation method, the questionnaire method, and the test method for learning outcomes. Based on the result data analysis, the implementation of learning by applying video tutorial media was obtained from the assessment of 2 observers 0f 97, 7% for teacher activities and 89,5% for student activities which were declared very good. Student learnimg outcomes were stated to have completed the KKM with average 0f 84, 62. Student responses to the video tutorial media that wer eapplied obtained an average percentage of 93, 75% including very good category.
PENGARUH JENIS BENANG TERHADAP HASIL JADI CORSAGE BERBASIS TEKNIK CROCHET Habiba, Latifa Eka Almira; Arifiana, Deny; Hidayati, Lutfiyah; Nahary, Inty
Style : Journal of Fashion Design Vol 4, No 2 (2025): Style : Journal Of Fashion Desain
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/style.v4i2.5753

Abstract

Popularitas merenda yang terus meningkat telah menarik banyak pemula untuk mencoba kerajinan ini. Sebagai langkah awal, penting bagi pemula untuk memahami jenis benang yang sesuai dengan karakteristik produk rajutan yang ingin dibuat. Benang memiliki berbagai jenis berdasarkan serat dan ketebalan, yang masing-masing memberikan efek visual dan tekstur berbeda pada hasil akhir. Saat ini, produk rajutan tidak hanya terbatas pada pakaian, tetapi juga meluas ke barang-barang rumah tangga dan aksesori, salah satunya adalah korsase. Korsase merupakan aksesori dekoratif yang sering dibuat dalam bentuk bunga imitasi, seperti anyelir, dan banyak digunakan untuk mempercantik pakaian atau tas.Penelitian ini merupakan studi eksperimental yang membandingkan hasil korsase rajutan menggunakan tiga jenis benang yang berbeda, yaitu katun, poliester, dan akrilik. Penilaian dilakukan melalui kuesioner oleh individu yang sudah terbiasa dengan teknik merenda (crochet). Data yang terkumpul kemudian dianalisis menggunakan uji non-parametrik Kruskal-Wallis. Hasil penelitian menunjukkan adanya perbedaan yang signifikan antara ketiga jenis benang tersebut. Benang poliester memperoleh nilai tertinggi (67,78), disusul oleh katun (35,08) dan akrilik (33,63). Berdasarkan hasil ini, urutan preferensi benang untuk membuat korsase adalah poliester, katun, lalu akrilik.
Co-Authors Adani, Marsha Belinda Afifah, Nadia Tsany Agus Wiyono Ahmad Ajib Ridlwan Albrian Fiky Prakoso Alfitrah, Fauzan Aliya Putri, Shofi Anshari, Bima Ayunda Salsadilla Azifah, Ni'matul Aziza, Mar'atul Berlian Puteri Maharani Bilqis, Jihan Colodia, Sindi Dafira``, Rana Alya Damayanti, Ailsa Dinano Vianingrum Dyantina, Nahilla Engki Edi Saputra Faizah Nurhaliza Fajarani Erliana Fatmawati Fema Laila Aziziah Ferita Dwi Evayanti Fianty, Nesty Ayu Frizkita Putri Amanda Gladis Gandini Habiba, Latifa Eka Almira Haryati, Jasmine Heru Arizal Hurrin, Aissyah Febi Alamanda Ika Prastiana Rahmawati Inty Nahari Irma Russanti Isna Yuniarti Shalehah Kaffa, Fissilmi Kamaluzzaman, Hani Karellina, Stefani Cinthia Kuncoro, Argi Dwi Kusuma, Karina Septia Lutfiyah Hidayati Lutfiyah Hidayati Ma'rifatun Nashikhah Maratus Sholichah Marniati Marniati Marniati Marniati Marniati Marniati Marniati Marniati, Marniati Maylani, Rima Ma’rifatun Nashikhah Ma’rifatun Nashikhah Ma’rifatun Nashikhah Mein Kharnolis MEIN KHARNOLIS Mein Kharnolis Miarsih, Ayu Mien Kharnolis Mita Yuniati MITA YUNIATI Mulyono, Dinda Marthania Putri Mustika Rahmawati Nahary, Inty Nararya, Amisarah Jalasena Dwi Nashikhah, Ma'rifatun Nashikhah, Ma’rifatun Ningrum, Febrianita Yulia Ningrum, Putri Setia Nur, Ghefira Azizah Nurhaliza, Faizah Pambudi, Rizdana Galih Peppy Mayasari Peppy Mayasari, Peppy Pradani, Nikenia Vindy Prayata, Shafira Prayogo, Aji Catur Putri, Shendy Mutiara Anjani qurrota aini Rahayu, Imami Arum Tri Rahmawati, Efi Risma Fajiyah Risna Taftiyana Dewi Saputra, Catur Surya Sarah Merita Aristianti Sayidatul Istighfarini Sefirlia Sari, Dynis Nova Setyarizqi, Lutfia Qotrunnada Sholekah, Andawiyah Fatikhatus Sholekah, Andawiyah Putri Fatikhatus Siti Muthiatus Sholichah Stefani Cinthia Karellina Thalib, Safira Valentina TR, Imami Tri Rahayu, Imami Arum Umami, Septya Tri Wahyu Laily, Prasidya Yulianti Puspa Rini Yulistiana Yulistiana Yuma, Shabrina Yasinta Zahra Yuniati, Mita YUNUS Yunus Yunus