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All Journal Jurnal Komunikasi Interaksi : Jurnal Ilmu Komunikasi MediaTor: Jurnal Komunikasi Mediator Jurnal Ilmu Komunikasi Komunikator Communicatus: Jurnal Ilmu Komunikasi Jurnal Obsesi: Jurnal Pendidikan Anak Usia Dini PRofesi Humas Jurnal Komunikasi Ikatan Sarjana Komunikasi Indonesia Jurnal ASPIKOM Jurnal Eksplora Informatika SEIKO : Journal of Management & Business JURNAL PENDIDIKAN TAMBUSAI JURNAL LENSA MUTIARA KOMUNIKASI Interdisciplinary Social Studies Jurnal PIKMA : Publikasi Ilmu komunikasi Media dan Cinema Kresna: Jurnal Riset dan Pengabdian Masyarakat Caraka : Indonesia Journal of Communication KOMUNIKATA57 ArtComm : Jurnal Komunikasi dan Desain Jurnal Riset Jurnalistik dan Media Digital Bandung Conference Series: Communication Management Bandung Conference Series: Early Childhood Teacher Education Bandung Conference Series: Public Relations Bandung Conference Series: Journalism Jurnal Media Pengabdian Komunikasi MIMBAR : Jurnal Sosial dan Pembangunan Indonesian Journal of Classroom Action Research (IJCAR) Jurnal Spektrum Komunikasi Momentum Matrix: International Journal of Communication, Tourism, and Social Economic Trends ETHOS: Jurnal Penelitian dan Pengabdian kepada Masyarakat
Ferry Darmawan
Universitas Islam Bandung
Religion Arts Humanities Chemical Engineering, Chemistry & Bioengineering Civil Engineering, Building, Construction & Architecture Computer Science & IT Control & Systems Engineering Economics, Econometrics & Finance Education Electrical & Electronics Engineering Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Public Health Social Sciences Other

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"Nude Photography", Seni atau Pornografi? Darmawan, Ferry
Mediator Vol 3, No 2 (2002)
Publisher : FIkom Unisba

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Abstract

Menemukan kesepakatan tentang batasan pornografi memang sangat sulit. Apa yang dianggap pornografi oleh seseorang atau komunitas justru dipandang seni oleh seseorang atau komunitas lain. Begitu juga ketika masalah ini memasuki dunia fotografi. Foto telanjang, misalnya. masuk ke dalam pornografi atau seni? Di tengah ambiguitas definisi pornografi. jika sampai pada tataran aksi. pada akhirnya kita tetap membutuhkan rambu-rambu. Dalam fotografi, ketelanjangan objek manusia dianggap seni jika yang ditampilkan adalahs egi estetika. melalui rekayasa teknik pengambilan, permainan pencahayaan, komposisi, dan sebagainya. Sebaliknya, objek tersebut jatuh kedalam pornografi bila yang ditonjolkan adalah sisi erotismenya belaka.
Jurnalistik Foto di Era Digital: Antara Teknologi dan Etika Darmawan, Ferry
Mediator Vol 6, No 1 (2005): Kontroversi Dakwah dan Politik
Publisher : FIkom Unisba

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Abstract

The development of photography technology, which mounted on digital photography, has provided real challenge for traditional photography. Digital photography open up opportunity for photographer to transform and modify pictures taken by digital camera. This challenge also affected journalism photography. Viewed from the side of mass media technology, photography digital seemed to give many benefits for mass media industry. Digital photography beat traditional photography in terms of place and time. But one must keep in mind that journalism deals only with factual matters. A serious discussion over ethical issues concerning the practice of digital photography in journalism was necessary.
Desain dan Kasus Pembajakan Karya Intelektual di Indonesia Darmawan, Ferry; Saefuddin, Saefuddin
Mediator Vol 6, No 2 (2005): Bagaimana Kita Menjelaskan Penerapan Teknologi?
Publisher : FIkom Unisba

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Abstract

Design piracy, though considered as serious problems, is often overlooked. This phenomenoncommonly found in Third World countries. The government have been have been employing many ways to reduce piracy, such as adopting Intellectual Property Rights. But the effort to combat piracy was challenged by some parties which benefited from such activities. Piracy, in micro perspective, eliminates fair competition and creates unfair competition. The culture of piracy also harassed and submerged the role of law. Law enforcement toward Intellectual Property Rights is a must. The challenge is how to awaken members of society toward the importance of Intellectual Property Rights.
Posmodernisme Kode Visual dalam Iklan Komersial Darmawan, Ferry
Mediator Vol 7, No 1 (2006): Nomor Syukur
Publisher : FIkom Unisba

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Abstract

The development of ads and advertising raise some sociocultural issues concerning the sign being represented, image being constructed, information being delivered, meaning being acquired, and how everything affects perception, understanding, and public behavior. Advertising is attached to the product, offering images as values and moral reference for public. Advertising creates image of a product and assigns social relationship as reflected on status, prestige, and social class. Postmodernism establish a new form of signification: form follows fun. It is not the meaning, but the interplay between signs that considered the most important thing in advertising.
Bahasa Rupa Wimba dalam Komik “Flap Book” Anak-anak: Studi Analisis Isi Darmawan, Ferry
Mediator Vol 8, No 1 (2007): Berkomunikasi dengan Anak
Publisher : FIkom Unisba

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Abstract

Knowledge and technology development generate a modern means of mass media, such as photo, moving image, television. This development based on images, therefore, demanded the ability of image to tell stories of something. Around 80% of audiovisual information absorbs by human through visions. The fact was utilized to optimizing the process of children learning. Compared with writings, children learn better from pictures in order to grasp the meaning and concept. Wimba is a-picture-reading-methods for pre-school children. Flapbook is an example of book full of wimba discourse. Wimba itself was a term introduced for concrete images.
Modalitas Visual Kartunis dalam Kartun Politik Online Pascareformasi Darmawan, Ferry
Jurnal ILMU KOMUNIKASI Vol 13, No 1 (2016)
Publisher : FISIP Universitas Atma Jaya Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (302.692 KB) | DOI: 10.24002/jik.v13i1.603

Abstract

Abstract : The reform era is a new era for freedom of the press, including cartoonist, to freely express their ideas without being afraid of criminalization. Visual modality is the depiction chosen by cartoonist to reveal the truth. This research tries to analyze the visual modality of cartoonist to depict President Susilo Bambang Yudhoyono (SBY), in association with freedom of expression. Critical discourse analysis is conducted collaboratively with social semiotics to describe aspects of execution options within expression. The study reveals that in depicting SBY, the cartoonist are infl uenced by Hollywood movies and hold ‘westernized’ perspective that is free to criticize.Abstrak: Era reformasi merupakan era baru bagi kebebasan pers, dalam hal ini kartunis, untuk bisa bebas berekspresi tanpa dibayangi hukum pidana. Modalitas visual adalah bagaimana kebenaran diungkapkan kartunis dalam pilihan penggambarannya. Penelitian ini mencoba menganalisis modalitas visual kartunis dalam penggambaran Presiden SBY dikaitkan dengan kebebasan berekspresi. Melalui metode analisis wacana kritis yang dikolaborasi dengan semiotika sosial, penelitian ini bertujuan memaparkan aspek pilihan eksekusi dalam berekspresi. Hasil penelitian menunjukkan bahwa kartunis dipengaruhi oleh fi lm-fi lm Hollywood dalam menampilkan PresidenSBY dan berisi perspektif ‘kebarat-baratan’ yang lebih bebas untuk mengkritik siapa pun.
MEDIAMORFOSIS ITU BERNAMA BOOKTUBE: ANALISIS RESEPSI TERHADAP PENONTON BOOKTUBE Permatasari, Andalusia Neneng; Maulani, Izni Indrawati; Darmawan, Ferry; Nurrahmawati, Nurrahmawati
Interaksi: Jurnal Ilmu Komunikasi Vol 10, No 1 (2021): June 2021
Publisher : Master of Communication Science Program, Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/interaksi.10.1.55-67

Abstract

This study aims to determine the audience's meaning regarding booktube. Booktube is content about books, such as book reviews, discussions with authors, video challenge, video bookshelf tour, book haul, etc on Youtube. This study uses a qualitative method with a reception analysis for participants belonging to the M Generations (Sesak Media Generation). Booktube interpreted differently by participants as audiences, which is interpreted as an ordinary content of YouTube that cannot replace conventional book reviews. Another interpretation of the audience regarding booktube is as a form that is not just ordinary content, but also a community and effort and attempt to increase the level of literacy in Indonesia.
Hoax Digital Literacy on Instagram Dedeh Fardiah; Ferry Darmawan; Rini Rinawati
Jurnal Komunikasi Ikatan Sarjana Komunikasi Indonesia Vol 6, No 2 (2021): December 2021 - Jurnal Komunikasi Ikatan Sarjana Komunikasi Indonesia
Publisher : Ikatan Sarjana Komunikasi Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25008/jkiski.v6i2.581

Abstract

The development of communication technology brings forth new media with various multiplatforms. Information spreads instantaneously to all corners of the world through abundant media devices. In social media spaces, every individual can produce informational content and disseminate it, so it appears as a new phenomenon of citizen journalism. Individuals act as both producers and targets of social media content simultaneously. Ironically, due to freedom of expression on social media, various hoaxes appear intentionally or unintentionally and are widely distributed. This study aims to explore the official Instagram account that handles hoaxes in West Java Province and provide a digital literacy education in their post. This study uses the content analysis method, which efficiently investigates media content on both printed form and digital posts. In addition, it also uses descriptive content analysis to describe in detail a message or a specific content. The study object is Instagram @jabarsaberhoaks with an analysis unit of information items about hoaxes and various digital literacy on Instagram @jabarsaberhoaks in 2020.  In total, their number reaches 900 posts. The result of this study shows that the most common hoax is fake news, such as manipulated content, misleading content, fake news, and fabricated content with health, political, and economic themes. Explicitly or implicitly, digital literacy education about hoaxes can be obtained by accessing the information contained in Instagram accounts. The implication is that it is necessary to study the extent of this educational content responded by the public, so media messages can effectively and efficiently be in the form of educational media about interactive hoaxes.
Modalitas Visual Kartunis dalam Kartun Politik Online Pascareformasi Ferry Darmawan
Jurnal ILMU KOMUNIKASI Vol. 13 No. 1 (2016)
Publisher : FISIP Universitas Atma Jaya Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (302.692 KB) | DOI: 10.24002/jik.v13i1.603

Abstract

Abstract : The reform era is a new era for freedom of the press, including cartoonist, to freely express their ideas without being afraid of criminalization. Visual modality is the depiction chosen by cartoonist to reveal the truth. This research tries to analyze the visual modality of cartoonist to depict President Susilo Bambang Yudhoyono (SBY), in association with freedom of expression. Critical discourse analysis is conducted collaboratively with social semiotics to describe aspects of execution options within expression. The study reveals that in depicting SBY, the cartoonist are infl uenced by Hollywood movies and hold ‘westernized’ perspective that is free to criticize.Abstrak: Era reformasi merupakan era baru bagi kebebasan pers, dalam hal ini kartunis, untuk bisa bebas berekspresi tanpa dibayangi hukum pidana. Modalitas visual adalah bagaimana kebenaran diungkapkan kartunis dalam pilihan penggambarannya. Penelitian ini mencoba menganalisis modalitas visual kartunis dalam penggambaran Presiden SBY dikaitkan dengan kebebasan berekspresi. Melalui metode analisis wacana kritis yang dikolaborasi dengan semiotika sosial, penelitian ini bertujuan memaparkan aspek pilihan eksekusi dalam berekspresi. Hasil penelitian menunjukkan bahwa kartunis dipengaruhi oleh fi lm-fi lm Hollywood dalam menampilkan PresidenSBY dan berisi perspektif ‘kebarat-baratan’ yang lebih bebas untuk mengkritik siapa pun.
Bahasa Rupa Wimba dalam Komik “Flap Book” Anak-anak: Studi Analisis Isi Ferry Darmawan
MediaTor (Jurnal Komunikasi) Vol 8, No 1 (2007): Berkomunikasi dengan Anak
Publisher : Pusat Penerbitan Universitas (P2U) LPPM Unisba

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29313/mediator.v8i1.1229

Abstract

Knowledge and technology development generate a modern means of mass media, such as photo, moving image, television. This development based on images, therefore, demanded the ability of image to tell stories of something. Around 80% of audiovisual information absorbs by human through visions. The fact was utilized to optimizing the process of children learning. Compared with writings, children learn better from pictures in order to grasp the meaning and concept. Wimba is a-picture-reading-methods for pre-school children. Flapbook is an example of book full of wimba discourse. Wimba itself was a term introduced for concrete images.
Co-Authors Abdullah, Sandi Ibrahim Abu Setiawan Pratama Alam, Fadhli Noor Alex Sobur Alfiansyah Alfiansyah Andalusia Neneng Permatasari Andhiya, Syifa Anisa Suci Rahmawati Arif Hakim Arif Hakim Ariyanto, Jarot Asih Handayanti Betha Dwi Octaviani Carissa Izza Shafa Dadi Ahmadi Dawam, Dawam Dedeh Fardiah Dwiana Ocviyanti Faisal Miftah Fadhillah Fathurrohman, Rizal Fitria Nabillah Nabillah Giszela Deviona Hadi Baku Pangestu Hadnansyah, Edwan Hakim, Arif Hakim, Imam Chaerul Handy Maulana Yusuf Ihsan, Zainal Ike Junita Irgiana Fajri Andjani Izni Nur Indrawati Maulani Joe, Michael Kant, Mohamad Alif Gibran Kemal Pri Hutama Kiki Zakiah Darmawan Kurnia Lucky Kurniawan, Yogiek Indra Kusumalestari, Ratri Rizki Lasmedi Afuan Listiani, Endri Maya Amalia Oesman Palapah Muhamad Thiraafi Salni Muhammad Hafizh Rashiif Aryanto Muhammad Irsyad Sabiq Musyrifah, Farida Mutia Umar Nadia Nadia Ayu Budiani Nadyta Hana Radhiyah Naufal Hadi Makarim Naufal Tijani Nia Kurniati Nia Kurniati Syam Nidya, Khalifia Rahma Nirwansyah Rustaman Novita, Sophia Nurrahmawati Nurru Alfi Fazri Furau'ki Nuryati, Wulan Ogy Mahendra Puteri Saleha Nurhidayah Putri, Radisya Eka Raden Nisrina Aulia Indallah Rifqi Abdul Rini Rinawati Riyanti Hayuning Pratiwi Riza Hernawati Saefuddin Saefuddin Saefuddin Saefuddin Sandi Ibrahim Abdullah Sapitri, Intan Sasongko, Bintang Loantara Shanty Olivia Shawila Nolanda Destiano Lestari Suhaeri, Dedy Supaat, Viky Edya Martina Suprihatin, Ati Tamarisky Setiawan Putra Venny Sevtiany Venny Sevtiany Yanti Yanti Yeva Rosana Yuristia Wira Cholifah Zahra, Ainun Zidnal Falah