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All Journal Jurnal Pendidikan Vokasi Jurnal Penelitian dan Evaluasi Pendidikan Imaji: Jurnal Seni dan Pendidikan Seni Psikologika : Jurnal Pemikiran dan Penelitian Psikologi Bulletin of Electrical Engineering and Informatics Pharmaciana: Jurnal Kefarmasian Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts) PROMUSIKA: Jurnal Pengkajian, Penyajian, dan Penciptaan Musik Journal of Urban Society´s Arts Bioeksperimen: Jurnal Penelitian Biologi IJCAS (International Journal of Creative and Arts Studies) MUDRA Jurnal Seni Budaya Jurnal SOLMA Keteg : Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi Jambura Journal of Health Sciences and Research Poltekita : Jurnal Ilmu Kesehatan Journal of the Indonesian Medical Association : Majalah Kedokteran Indonesia Jurnal Prima Medika Sains COMSERVA: Jurnal Penelitian dan Pengabdian Masyarakat Jurnal Multidisiplin Madani (MUDIMA) Buletin Kedokteran dan Kesehatan Prima Eduvest - Journal of Universal Studies Media Dermato-Venereologica Indonesiana IDEA: Jurnal Seni Pertunjukan NuCSJo : Nusantara Community Service Journal
Djohan Djohan
Institut Seni Indonesia Yogyakarta
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Musical interpretation: case study in musical instrument practice learning vocational high school Ayu Niza Machfauzia; Suminto A. Sayuti; Djohan Djohan
Jurnal Pendidikan Vokasi Vol 8, No 2 (2018): June
Publisher : ADGVI & Graduate School of Universitas Negeri Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21831/jpv.v8i2.19875

Abstract

This study was intended to reveal: (1) the dimensions of musical interpretation taught; (2) the strategy used by teachers to introduce musical interpretation in instrument practice class; and (3) teacher’s ability or competence to teach musical interpretation. This research is case study, with the subjects were 12 teachers responsible for instrument practice class. They were selected using purposive sampling method. The data collection method used were in-depth interviews, passive participation observation, documentation and focus group discussion (FGD). The instrument of study was the researcher herself. Data validity was conduct triangulation by reviewing data acquired from a source. All data then were analyzed using interactive model which included data reduction, data presentation, and conclusion/verification. The results show that: (1) the dimensions of musical interpretation taught in every instrument practice class, were only dimensions of knowledge; (2) the strategy used by teachers when teaching musical interpretation was a direct strategy, teacher-centered learning approach, and used individual approach; and (3) teachers’ competence in teaching musical interpretation must be improved, both pedagogical and professional competences.
FILOSOFI MULTIKULTURALISME DALAM PENDIDIKAN MUSIK Djohan Salim
Imaji Vol 4, No 1 (2006): IMAJI FEBRUARI
Publisher : FBS UNY

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (166.726 KB) | DOI: 10.21831/imaji.v4i1.6704

Abstract

In these recent years, the issue of multiculturalism cannot be ignored in education. It has become a topic of discussions in various settings, such as academic and non-academic forums, political debates, cultural studies, and popular news. The aim of this article is to answer questions about what multiculturalism is and what it means to educators, especially those in music education. Support to music educators in all levels to understand and to implement multicultural music education is crucial. It also aims at describing multicultural music education in the United States and in other countries, including the philosophical ideas, problems and opportunities behind what are stated about multiculturalism. It is hoped that this article can give more perspectives about multiculturalism in education. Keywords: multiculturalism, political debates, music education
New Research on Indonesian Traditional and Contemporary Arts: An Exchange Between Indonesian and Italian Perspectives Djohan Djohan
IJCAS (International Journal of Creative and Arts Studies) Vol 1, No 2 (2014): December 2014
Publisher : Graduate School of Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ijcas.v1i2.2069

Abstract

Resensi Buku : Musik Revolusi Indonesia Djohan Salim
Keteg: Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi Vol 8, No 1 (2008)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1502.266 KB) | DOI: 10.33153/keteg.v8i1.629

Abstract

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Peran Fingering Pada Teknik Pizzicato Dan Harmonics Dalam Reinterpretasi Karya Maurice Ravel Anugrah Zigana Sani; R Taryadi; Djohan Salim
IDEA: Jurnal Ilmiah Seni Pertunjukan Vol 17, No 1 (2023): Vol 17, No 1 (2023)
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Tujuan dari penelitian ini adalah mengetahui peran fingering pada teknik pizzicato dan harmonics dalam upaya reinterpretasi terhadap repertoar Tzigane karya Maurice Ravel. Sering kita jumpai bahwa solois menerapkan penjarian yang berbeda dari penjarian yang sudah ditentukan dalam partitur. Tidak hanya itu, perbedaan juga terjadi antara solois yang satu dan yang lainnya meskipun memainkan karya yang sama. Penelitian ini menggunakan teori yang meliputi fingering, pizzicato, harmonic dan interpretasi yang nantinya akan membantu dalam proses realisasi pada dinamika, warna suara dan artikulasi sebagai bentuk dari reinterpretasi seorang solois.  Metode Penelitian yang digunakan adalah metode kualitatif dengan pendekatan studi kasus. Kasus yang digunakan adalah teknik pizzicato dan harmonics pada repertoar Tzigane karya Maurice Ravel. Hasil penelitian menunjukkan bahwa fingering pada teknik pizzicato mempengaruhi keberhasilan solois dalam merealisasikan reinterpretasi melalui teknik. Sedangkan fingering pada teknik harmonics dapat mendukung solois dalam merubah atau menguatkan kesan musikal tertentu berdasarkan rancangan reinterpretasi (blueprint).Kata kunci : fingering, pizzicato, harmonics, reinterpretasi, Maurice Ravel. ABSTRACTThe Role Of Fingering In Pizzicato And Harmonics Techniques In Reinterpretation Of Maurice Ravel's WorksThe purpose of this study was determine the role of fingering in the pizzicato technique and harmonics in an effort to reinterpret Maurice Ravel's Tzigane repertoire. We often find that the soloist applies fingering that is different from the fingering that has been determined in the scores. Not only that, differences also occur between one soloist and another even though they play the same work. This Study used the theory that includes fingering, pizzicato, harmonics and interpretation, which will help the process of realizing dynamics, timbre and articulation as a form of reinterpretation by a soloist. The research method used is a qualitative method with a case study approach. The case used is the pizzicato technique and harmonics in Maurice Ravel's Tzigane repertoire. The results of the study show that fingering in the pizzicato technique influences the success of the soloist in realizing reinterpretation through technique. Meanwhile, fingering in harmonics techniques can support soloists in changing or strengthening certain musical impressions based on reinterpretation designs (blueprints).Keywords: fingering, pizzicato, harmonics, reinterpretation, Maurice Ravel.
ALOPESIA AREATA SEBAGAI SEKUELE POST REINFEKSI COVID-19 Rudi Chandra; Djohan Djohan
Media Dermato-Venereologica Indonesiana Vol 49 No 3 (2022): Media Dermato-Venereologica Indonesiana
Publisher : Perhimpunan Dokter Spesialis Kulit dan Kelamin Indonesia (PERDOSKI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33820/mdvi.v49i3.344

Abstract

ABSTRACT Introduction: Coronavirus disease (COVID-19) is a global pandemic that caused unprecedented morbidity and mortality. Aside from respiratory symptoms, dermatological manifestations have been widely reported, with the predominant manifestation was the hair loss. Case report: A 32-year-old male resident doctor experienced a solitary patchy alopecia areata (AA) on vertex, started 1 month after being reinfected by SARS-CoV-2. Personal history was negative for autoimmune and trichological disorders, no family history with AA. Trichoscopy examination revealed yellow dots, black dots, broken hairs, and exclamation-mark hairs. Treated with topical minoxidil and tretinoin for three months with excellent response. Discussion: The SARS-CoV-2 infection and related anxiety or emotional stress due to two times COVID-19 infections could have triggered AA. SARS-CoV-2 infection induces an activation of cytokine cascade involving interferon to disrupt hair follicle immune privilege (HFIP). Meanwhile, psychological stress enhances neurogenic inflammations and induces a shift to the immune response to type 1 T-helper cells and increases apoptosis of epithelial cells that affects hair growth. There were three prior reports about new onset AA in post COVID-19. Our report is the fourth case of new onset AA in post COVID-19, but the only case with COVID-19 reinfection. Conclusion: Our report on new onset AA in post COVID-19 reinfection provides an insight into the possible association between SARS-CoV-2 infection and AA. The onset of AA in COVID-19 patient represents a sequelae of post COVID-19 caused by immune responses or psychological distress, and there appears to be a close association in timing between them.
Hubungan jumlah paritas terhadap usia menopause Grasiah, Joster; Amansyah, Adek; Pratama, Irza Haicha; Djohan, Djohan
Jurnal Prima Medika Sains Vol. 4 No. 1 (2022): Juni
Publisher : Program Studi Magister Kesehatan Masyarakat Universitas Prima Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34012/jpms.v4i1.2260

Abstract

Semakin meningkatnya jumlah wanita berusia 59 tahun di Indonesia, menjadi penting untuk mecegah menopause pada usia yang terlalu dini. Jumlah paritas merupakan salah satu faktor yang penting untuk mencegah menopause lebih cepat. Oleh karena itu penelitian ini bertujuan untuk mengetahui hubungan antara paritas terhadap menopause pada pasien di Rumah Sakit Umum Royal Prima. Penelitian ini merupakan penelitian cross-sectional pada 30 pasien menopause di Rumah Sakit Umum Royal Prima yang dipilih dengan simple random sampling. Analisa data yang dilakukan untuk menilai pengaruh jumlah paritas terhadap usia menopause adalah uji Kruskal-Wallis dan korelasi spearman rho. Hasil penelitian menunjukkan bahwa rata-rata pasien menopause berada pada usia 67.10 tahun dengan kecenderungan mengalamai menopause pada usia 54 tahun. Terdapat perbedaan yang signifikan terhadap usia menopause pada masing-masing kelompok paritas (p= 0,023). Selain itu, hasil analisa statistik lainnya juga menunjukkan bahwa terdapat korelasi yang bersifat positif antara jumlah paritas terhadap usia menopause (p= 0.05; koefisien korelasi: 0.874). Oleh karena itu, jumlah paritas secara signifikan mempengaruhi usia menopause, dimana pasien dengan jumlah paritas yang banyak cenderung mengalami menopause yang lebih lama.
KEMAMPUAN MUSIKALITAS SEBAGAI SARANA PENGEMBANGAN KETERAMPILAN SOSIAL Djohan, Djohan
Jurnal Penelitian dan Evaluasi Pendidikan Vol. 13 No. 1 (2009)
Publisher : Graduate School, Universitas Negeri Yogyakarta in cooperation with Himpunan Evaluasi Pendidikan Indonesia (HEPI) Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21831/pep.v13i1.1405

Abstract

Penelitian ini bertujuan untuk mengembangkan instrumen kepekaan musikalitas sehingga dapat memberikan kontribusi terhadap perkembangan peran musik dalam pendidikan serta peningkatan keterampilan sosial pada siswa sekolah dasar. Penelitian ini dilakukan terhadap 381 siswa kelas 3, 4, dan 5 sekolah dasar di Jakarta dan Yogyakarta. Hasil penelitian menunjukkan bahwa kepekaan musikalitas siswa dapat diukur melalui instrumen kepekaan terhadap musik dan kemampuan ini memiliki korelasi yang signifikan dengan skor kecerdasan sosial.Kata kunci:      penghargaan diri, musik pendidikan, penilaian kemampuan musikalitas
Pengaruh Mendengarkan Musik Terhadap Kondisi Rilaksasi Djohan, Djohan; Tyasrinestu, Fortunata; Sualang, Lady Angela Exlesia
Resital: Jurnal Seni Pertunjukan Vol 23, No 3 (2022): Desember 2022
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/resital.v23i3.8337

Abstract

ABSTRACT The Impact of Listening to Music on Relaxation Condition. This study was conducted to identify the effectiveness of passively using instrumental music in stimulating subjects to reach relaxation. Music has been used for centuries in association with trance condition. Currently, the use has been developing, including in the realm of hypnosis or "brainwashing". The notion that music can affect listeners' self-control has become a well-known topic like the concepts of automatic responses and conditioned reflexes that form the basis of psychological models of musical stimulation. Relaxation as one of the achievements of hypnotherapy in which music has a role in the presence of 'physiological psychology' as a physical reflex phenomenon in response to sounds. The sound of gong – Indonesian traditional musical instrument – and tuning forks have been widely used to induce hypnotic trances to conditioned reflex – automatic responses to sounds that have physiological effects through the conscious mind. In the 1770s, Mesmer, a German doctor, combined the recovery process of his patients with the theory that the universe was deliberately manipulated used in health-related matters. The presence of hypnotism to gain relaxation was considered to be embodied from this treatment known as 'magnetic sleep'. The concept of magnetism was understood as a 'sympathetic vibration' which had something in common with music and it was believed that this condition can be communicated, transmitted and amplified through sounds. In subsequent developments, conventional musical instruments such as piano, violin, and harp were used which further strengthened the perspective of the previous theory. Nevertheless, hardly did the people use local traditional musical instruments or culture, such as gamelan. In this study the authors implemented experimental curation approach with one post-test design only for the same subject group. The authors picked sample consisting of adolescents with no hearing or health problems after being examined. The total sample of N = 10 were given passive musical intervention by listening through compositions of the sound sources and nuances Javanese gamelan nuances, then measurements were taken through self-report questionnaire and integrated group discussion. The results of the study indicate that attaining relaxed condition can reduce subjective stress through listening to music, thereby allowing a temporary reduction in somatic symptoms.ABSTRAK Penelitian ini dilakukan untuk mengidentifikasi efektivitas penggunaan musik instrumental secara pasif dalam menstimuli subjek agar dapat mencapai kondisi rilaksasi. Musik telah berabad lamanya digunakan dalam asosiasinya dengan kondisi trans dan saat ini pemanfaatannya makin berkembang termasuk ke ranah hypnosis atau “cuci otak”. Gagasan bahwa musik dapat memengaruhi pengendalian diri pendengar telah menjadi tema yang makin dikenal seperti konsep respons otomatis dan refleks terkondisi yang menjadi dasar model psikologi ketika terjadi stimuli musik. Rilaksasi sebagai salah satu capaian hipnoterapi dan musik memiliki peran dengan hadirnya 'psikologi fisiologis' sebagai fenomena refleks fisik merespons suara. Mulai dari suara gong dan garpu tala banyak digunakan untuk menginduksi trans hipnosis hingga ke refleks terkondisi, respons otomatis terhadap suara yang berefek pada fisiologis melalui pikiran sadar. Pada 1770-an, Mesmer, seorang dokter kebangsaan Jerman telah menggabungkan penyembuhan pasiennya dengan teori alam semesta yang secara terencana dimanipulasi untuk digunakan dalam kaitannya dengan kesehatan. Kehadiran hipnotisme untuk mencapai rilaksasi juga dianggap lahir dari perlakuan tersebut yang dikenal dengan istilah ‘magnetic sleep’. Konsep magnetisme dipahami sebagai sebuah 'getaran simpatik' yang memiliki kesamaan dengan musik dan dipercaya kondisi tersebut dapat dikomunikasikan, disebarkan, serta diperkuat melalui suara. Pada perkembangan selanjutnya digunakan alat musik konvensional seperti piano, biola, dan harpa yang makin memperkuat pandangan teori sebelumnya. Namun demikian, hanya sebagian kecil yang menggunakan alat atau kultur musik tradisi setempat seperti, gamelan. Metode penelitian menggunakan pendekatan kurasi eksperimen dengan rancangan one post-test design only pada kelompok subjek yang sama. Sampel dalam penelitian terdiri dari remaja yang telah dilakukan asesmen tanpa memiliki gangguan pendengaran atau kesehatan tertentu. Total sampel sebanyak N=10 diberi intervensi musik secara pasif dengan cara mendengarkan melalui komposisi berdasarkan sumber suara dan nuansa gamelan Jawa kemudian dilakukan pengukuran melalui kuesioner self-report serta diskusi kelompok terpadu. Hasil penelitian menunjukkan bahwa pencapaian kondisi rileks dapat mengurangi stres subjektif melalui mendengarkan musik sehingga memungkinkan berkurangnya gejala somatik hingga beberapa saat.
Mendengarkan Gaya Musik Rhythm n Blues dan Pengalaman Relaksasi Djohan, Djohan; Wardani, Indra Kusuma; Zahra, Fifyan Nisrina
Resital: Jurnal Seni Pertunjukan Vol 25, No 1 (2024): April 2024
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/resital.v25i1.13307

Abstract

Tujuan penelitian ini adalah untuk mengidentifikasi pengaruh mental melalui pengalaman relaksasi seseorang ketika mendengarkan musik dengan gaya aransemen Rhythm n Blues. Selama ini banyak penelitian terkait musik tidak lagi hanya dalam konteks musikologis tetapi sudah berorientasi pada manfaat baik bagi pelaku aktif atau pendengar pasif. Sehingga perspektif musik atau seni pada umumnya saat ini sudah berkembang sedemikian rupa hingga tidak lagi berorientasi pada seni untuk seni. Model tema penelitian ini merupakan bagian dari penguatan dan pengumpulan bukti saintifik guna pengembangan psikoterapi musik yang banyak diimplementasikan dalam bidang terapi musik.Secara teoretis, paparan terhadap musik tidak hanya akan memunculkan familiaritas atas sebuah lagu atau karya musik tanpa lirik, tetapi juga membentuk kegemaran (liking) pendengar sebagai akibat dari respons emosi terhadap musik tersebut. Hal ini tidak terlepas dari peran ekspektasi dari efek kehadiran rasa puas serta kesan plesantness dan unpleasantness bagi pendengar yang memicu efek positif-negatif sebuah musik terhadap emosi. Selain itu, respons emosi seseorang terhadap rangsang stimulus juga tidak terlepas dari kerja sistem saraf pusat yang dapat berimplikasi pada reaksi fisiologis. Salah satu reaksi fisiologis yang sering kali dijadikan acuan dalam aplikasi musik untuk terapi dan bersifat terapeutik adalah kerja sistem saraf otonom (autonomic nervous system; selanjutnya disebut ANS).Penelitian ini menggunakan metode kuantitatif dengan pendekatan kuasi eksperimen yang membandingkan kelompok kontrol dan kelompok eksperimen. Subjek di kelompok eksperimen adalah mahasiswa musik dari berbagai instrumen mayor, sedangkan subjek di kelompok kontrol adalah mahasiswa non-musik dengan berbagai latar belakang studi dengan total sampel sebanyak N=78. Usia subjek berada di rentang 17-27 tahun (=20,5±1,53). Subjek mendengarkan rekaman repertoar musik Barok yang dimainkan oleh piano dan sudah diaransemen ulang dalam format band-kombo. Kemudian pengukuran kondisi relaksasi dilakukan menggunakan kuesioner yang aitemnya mengukur indikator kerja sistem syaraf parasimpatetik dan indikator psikis berupa state anxiety. Hasil penelitian ini menunjukkan bahwa secara statistik tidak terdapat perbedaan pengalaman rilaksasi yang signifikan di antara kedua kelompok baik melalui indikator ANS(t­ANS=.502, p=.617) maupun indikator psikir (tpsikis=1.38, p=.172) Kata kunci: gaya musik; rhythm n blues; relaksasi; musikologis; autonomic nervous system ABSTRACTThe aim of this research is to identify the effect of listening to RnB music to the experience of relaxation. Due to the increasing number of research in music and its benefit to the listeners, current researches tent to go over music beyond its trait as an art. These research themes and models are beneficial to be implemented in music theraphy in the long run. Focusing on the comparison between original and arranged music to different group of listeners, the present research explored the observable indicators of relaxation through the symptoms of parasympathetic nervous system and anxiety state. Two groups of subjects ranging of 17-27 years old (mean=20,5±1,53) divided into control and experiment group. The control group listened to the original Minuet in G major by J. S. Bach  meanwhile the experiment group  listened to the arranged version of this piece in RnB style. The data was collected though online survey to collect the demography, anxiet state, and relaxation state both phisically and psychologycally. The result showed no significant difference between the two subject groups in terms of relaxation state both physically (t­ANS=.502, p=.617) and psychologycally (tpsikis=1.38, p=.172)
Co-Authors Adek Amansyah Adhi Nugroho, Jonatan Adi Kurniawan Adi Wicaksono, Rifky Adinda Adinda Anita Merry Cisca Anugrah Zigana Sani Arifianti, Isti Asep Hidayat Wirayudha Ayu Niza Machfauzia Baeha, Ferdinando Motuho Christina Tapilouw, Marisa Dewi Sulaksana, Sutrania Djuang, Michelle Hendriani Ermi Girsang Ferlita S, Frita Fortunata Tyasrinestu Galang Priatama, Rafla Grasiah, Joster Hartadji, Ezer Widhi Husna, Fika Amaliza Hutagalung, Tommy Rizky Ibnu, Syahroni Indra Kusuma Wardani Irsyad, Widya irza Haicha Pratama Khainir Akbar, Khainir L. Nasroen, Saskia Lister, Gilbert Luwiga, Abraham Anton Febrindo Marisa Christina Tapilouw Mawarni, Aghisna Indah Napitu, Sabar Hamonangan Victorianus Nasution, Ali Napiah Natali , Oliviti Natali, Oliviti Nur Pratiwi, Dian Oentari, Widyaningsih Oliviti Natali Phakkharawat Sittiprapaporn Prayanto Widyo Harsanto Prayoon Suyajai Puspawani, Yeni R Taryadi R. Chairul Slamet Raharjo, Rahmat Rahmadayani, Fanny Rajagukguk, Clara Terecia Rudi Chandra Rudi Chandra Sabandar, Anna Helena Saepudin, Asep Setiawan, Chriestian Denny Siahaan, Debora Helena Sri Kasmiyati Sualang, Lady Angela Exlesia Sucahyo Sucahyo Sukma Suntana, Mutiara Suminto A. Sayuti Sunardi, Stanislaus Sylvana, Dhini Talya Br. Bangun, Inneke Tarigan, Setia Budi Teguh Zega, Yakin Tuwio, Namuri Migo Wibowo, Dimas Andre Adi Widya Pasca Amir Widyaningsih Oentari Widyaningsih Oentari Wulan Dhari Yashinta Maria Veronica Yulia Dewi, Zwista Yuliansyah, Jeri Zahra, Fifyan Nisrina Zega, Yakin Teguh