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All Journal Serupa : The Journal of Art Education Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts) Harmonia: Journal of Research and Education Imajinasi Jurnal Penelitian Pendidikan Catharsis Educational Management Innovative Journal of Curriculum and Educational Technology The Journal of Educational Development Jurnal Basicedu Dewa Ruci : Jurnal Pengkajian dan Penciptaan Seni Gelar : Jurnal Seni Budaya Journal of Primary Education Journal of Physical Education and Sports JSM (Jurnal Seni Musik) Tonika: Jurnal Penelitian dan Pengkajian Seni Visual Heritage: Jurnal Kreasi Seni dan Budaya Journal of Research and Educational Research Evaluation Varia Humanika Jurnal Basicedu Proceeding of International Conference on Science, Education, and Technology Riwayat: Educational Journal of History and Humanities Catharsis Buletin Pengembangan Perangkat Pembelajaran (JSM) Jurnal Seni Musik
Udi Utomo
Music Department, Semarang State University, Kampus Sekaran Semarang 50229, Indonesia
Arts Humanities Computer Science & IT Decision Sciences, Operations Research & Management Education Environmental Science Languange, Linguistic, Communication & Media Mathematics Social Sciences Other

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Journal : Catharsis

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The Preservation of the Terbang Papat Music at Ash-Shiddiqin Musalla in Kudus Regency Ryandana, Mylza Nova; Florentinus, Totok Sumaryanto; Utomo, Udi
Catharsis Vol 9 No 3 (2020)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v9i3.45272

Abstract

Terbang Papat is a typical traditional art from Kudus, the name of Terbang Papat was taken from the instruments of Terbang in the amount of four and used one Jidor. The art of Terbang Papat, now is starting to fade because it has been replaced by the times. This study aims to provide a preservation overview of the Terbang Papat art form in Kudus. The study was conducted by using a qualitative analysis research method with the research location in the Kedungdowo Kaliwungu village, Kudus Regency. The data collection techniques used observation, interviews, and document study. The data validity technique used data triangulation technique. Meanwhile, data analysis and processing techniques were carried out by collecting, reducing, clarifying and verifying data. The result of preserving the Terbang Papat music is from musical elements namely the time element and the characteristics of the accompanying instruments.
The Wedding Music Industry: An Adaptation of Andy Irawan Music during the Covid-19 Pandemic Natalia, Violinna Wynsa; Wadiyo, Wadiyo; Utomo, Udi
Catharsis Vol 9 No 3 (2020)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v9i3.45347

Abstract

This study aims to identify, reveal, analyze and describe adaptation of Andy Irawan Music's efforts to deal with the Covid-19 pandemic in the wedding music industry. The author uses an interdisciplinary approach, by borrowing theories and concepts from the disciplines of musicology, sociology, and economics. The object in this study is industry and adaptation, with the subject Andy Irawan Music. The research design uses an interpretive case study located in Semarang. The data were collected through observation, interviews, and documentation. The results show that Andy Irawan Music could adapt during the Covid-19 pandemic. Adaptation efforts made by Andy Irawan Music include appearing with new formations, optimizing the use of social media/ digital platforms, applying virtual music, following recommended health protocols, participating in wedding showcases, and creating Andy Irawan Disciples.
Implementation of Humanist Concept in Music Learning at Qaryah Thayyibah Learning Community Salatiga Taqi, Ahmad Yazid; Utomo, Udi; Cahyono, Agus
Catharsis Vol 10 No 1 (2021)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v10i1.47511

Abstract

Humanist education is related to Ki Hajar Dewantara who is referred to as the Father of education. It prioritizes the humanitarian aspect by maximizing the potential of individuals, it is free, open and unbound. Qaryah Thayyibah Learning Community (KBQT) is a learning community that uses the learning method of student freedom in determining interest.This study was conducted to analyze and describe the application of humanist education concepts to music learning in the Qoryah Thayyibah Learning Community.The method used was a qualitative analytical method. Data collection techniques were carried out by observation techniques, interviews and document studies. Data analysis techniques were carried out with learning theory and humanist educational concepts.The results of the research on the application of humanist education concepts in music education in KBQT were conducted in terms of students as curriculum makers, discussion model learning, Gelar Karya (GK), and Final Project.This research can expand the reader's perspective on the importance of the learning process in KBQT, as it teaches the compactness among students, students and mentors, and sense of responsibility of students to determine their plans, and to be worked on.
The Use of Musical Elements in Music Learning as an Effort to Foster Creativity of Children Kwidura, Nugroho; Utomo, Udi; Wadiyo, Wadiyo
Catharsis Vol 10 No 1 (2021)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v10i1.48081

Abstract

The purpose of this study is to explain and reveal how the process of using musical elements is applied as an effort to foster creativity of the students in Foundation of Music class at Sekolah Musik Indonesia Semarang. This research used an interdisciplinary approach with qualitative analytical methods. The research design used a case study and the focus of the research was the Foundation of Music class at Sekolah Musik Indonesia Semarang. The data collection techniques used were observation, interviews and documentation studies. Validation of data in this study used triangulation techniques and data analysis techniques used interactive models. The results of this study show that the first process of using musical elements in classroom learning of Foundation of Music is able to introduce elements of music (rhythm and melody) using the sequence/order of learning set at the Foundation of Music class and also by using play-based learning method and learning media in the form of musical instruments, puzzles music books, and paper notation used during the process learning takes place. Second, the activities carried out during the learning process lead to a creative process through the teacher's openness and its positive impact on the students (creative personality), integration of methods and diversity of learning activities (creative process), and verbal motivation (creativity press).
Function Changes on Brendung Art Performance in Sarwodadi Community Pemalang Regency: Between Preservation and Development Nirwanto, Bagus; Cahyono, Agus; Utomo, Udi
Catharsis Vol 10 No 1 (2021)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v10i1.48192

Abstract

The purpose of this study is to analyze the shift of function in the context of art preservation and development on Brendung art perfomance in Sarwodadi community, Pemalang Regency. The research method used qualitative data and the research used a case study design. This research used both primary and secondary data sources and the data collection techniques used observation, interview, and document studies. The data analysis technique used interactive data analysis. Brendung is an art in Sarwodadi community, Pemalang and it is part of a performance, which shows a Brendung doll dance under the influence of spirits. The form of its performances have some changes in terms of a form of preservation effort, but it does not abandon the tradition or typical parts of Brendung art. Some preservation efforts of Brendung Art are done in order to maintain the existence of Brendung art itself so that it can still exist and is accepted by the society. The changes in the art are there but they do not abandon the old tradition. The shift of Brendung art performance in Sarwodadi community is as the effort so that the art will survive and does not disappear by the development of the era. It changes but it does not abandon the old tradition or the typical parts of Brendung art. Some preservation efforts of Brendung Art are done in order to maintain the existence of Brendung art itself so that it can still exist and is accepted by the society. The changes in the art are there but they do not abandon the old tradition. Brendung art was initially an art performance that functioned as a means of ritual and related to society and their belief, however, as the time goes by, it changes into an entertainment platform and aesthetic presence for its community.
Baoguang Music Performance in Art Education at Jaya Village Community, Central Kuantan District, Kuantan Singigi Regency, Riau Province Julta, Arbi; Sunarto, Sunarto; Utomo, Udi
Catharsis Vol 10 No 1 (2021)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v10i1.49781

Abstract

The realization of Riau Province as the center of Malay economy and culture in religious, physically and spiritually prosperous community in Southeast Asia in 2020 is a quotation from the vision and missions of Riau Provincial Government. This vision and missions were sparked by the reasons that there is Malay culture that is growing very rapidly in Riau Province which has become the identity and tradition of the local community. The Malay culture which is still loved, maintained, and continuously developed, is the music of Baoguang which is found at Jaya Village, Central Kuantan District, Kuantan Singingi Regency, Riau Province. This research was conducted with the aim of discussing the Form, Meaning, and Function in the Context of Art Education in Baoguang music performance. The method used was descriptive qualitative research method, it means that to obtain the data, in-depth observation and interviews were done. The results of the study show as follows; 1) The presentation form of Baoguang music is presented with rhythm, harmony, timbre, tempo, dynamics as well as traditional musical instruments such as gong 1 and gong 2 which are harmoniously intertwined each other; 2) The meaning in performance of Baoguang music always involves symbols that are rich in meanings, the existence of symbols attempt to present the part of Malay culture; 3) The function of Baoguang music performance as an accompaniment for the ceremony is to carry out the traditional ceremonies send the “pancar” children (marriage), batobo and circumcision. The realization of Riau Province as the center of Malay economy and culture in religious, physically and spiritually prosperous community in Southeast Asia in 2020 is a quotation from the vision and missions of Riau Provincial Government. This vision and missions were sparked by the reasons that there is Malay culture that is growing very rapidly in Riau Province which has become the identity and tradition of the local community. The Malay culture which is still loved, maintained, and continuously developed, is the music of Baoguang which is found at Jaya Village, Central Kuantan District, Kuantan Singingi Regency, Riau Province. This research was conducted with the aim of discussing the Form, Meaning, and Function in the Context of Art Education in Baoguang music performance. The method used was descriptive qualitative research method, it means that to obtain the data, in-depth observation and interviews were done. The results of the study show as follows; 1) The presentation form of Baoguang music is presented with rhythm, harmony, timbre, tempo, dynamics as well as traditional musical instruments such as gong 1 and gong 2 which are harmoniously intertwined each other; 2) The meaning in performance of Baoguang music always involves symbols that are rich in meanings, the existence of symbols attempt to present the part of Malay culture; 3) The function of Baoguang music performance as an accompaniment for the ceremony is to carry out the traditional ceremonies send the “pancar” children (marriage), batobo and circumcision.
Adaptation Strategy for Music Learning at SMA Negeri 5 Purwokerto during the COVID-19 Pandemic Wisnugraha, Azhardi; Utomo, Udi; Malarsih, Malarsih
Catharsis Vol 10 No 2 (2021)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v10i2.52890

Abstract

The purpose of this study was to analyze the problems, adaptation strategies, and factors that influenced music learning at SMA Negeri 5 Purwokerto during the COVID-19 pandemic. This study used a descriptive qualitative approach. The research was conducted at SMA Negeri 5 Purwokerto. Data collection techniques used observation, interviews, and documentation studies. Validation of data used triangulation techniques with data analysis techniques using interactive models. This study found that in the online learning process at SMA Negeri 5 Purwokerto, the problems faced were differences in student understanding and limited facilities and infrastructure. There are three strategies for adapting music learning at SMA Negeri 5 Purwokerto during the Covid-19 pandemic. First, the method adaptation strategy is carried out using the blended learning method. Second, the media adaptation strategy is carried out by changing the lesson plans, using smartphones, laptops, and video conferencing through the Google Classroom application, Zoom, and Whatsapp. Third, the assessment adaptation strategy is carried out by assessing student attendance, assessing assignment portfolios and exams. Factors that influence online learning of music subjects at SMA Negeri 5 Purwokerto consist of internal and external factors. Students' internal factors can be seen from intelligence, talent, student health conditions, learning methods, understanding and interests, and motivation. The most influencing factors are intelligence & talent, student understanding and interest, and motivation. Meanwhile, the external factors in this study are the physical environment, school, and family environment. The external factor that influences the student learning online the most is the physical environment factor. The purpose of this study was to analyze the problems, adaptation strategies, and factors that influenced music learning at SMA Negeri 5 Purwokerto during the COVID-19 pandemic. This study used a descriptive qualitative approach. The research was conducted at SMA Negeri 5 Purwokerto. Data collection techniques used observation, interviews, and documentation studies. Validation of data used triangulation techniques with data analysis techniques using interactive models. This study found that in the online learning process at SMA Negeri 5 Purwokerto, the problems faced were differences in student understanding and limited facilities and infrastructure. There are three strategies for adapting music learning at SMA Negeri 5 Purwokerto during the Covid-19 pandemic. First, the method adaptation strategy is carried out using the blended learning method. Second, the media adaptation strategy is carried out by changing the lesson plans, using smartphones, laptops, and video conferencing through the Google Classroom application, Zoom, and Whatsapp. Third, the assessment adaptation strategy is carried out by assessing student attendance, assessing assignment portfolios and exams. Factors that influence online learning of music subjects at SMA Negeri 5 Purwokerto consist of internal and external factors. Students' internal factors can be seen from intelligence, talent, student health conditions, learning methods, understanding and interests, and motivation. The most influencing factors are intelligence & talent, student understanding and interest, and motivation. Meanwhile, the external factors in this study are the physical environment, school, and family environment. The external factor that influences the student learning online the most is the physical environment factor.
Bridal Parade Music As A Cultural Expression of The Kikim in Lahat Regency Effendi, Widia; Utomo, Udi; widodo, Widodo
Catharsis Vol 10 No 2 (2021)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v10i2.53280

Abstract

One of the arts that is very full of Islamic nuance with the Kikim Tribe is the art of “Arakan” or "Ngarak" (parade) or better known as the Kikim bridal parade. The problem raised in this study aims to analyze the music of the Kikim bridal parade as a cultural expression of the Kikim Tribe in Lahat Regency. This research used a qualitative method with a case study research design. Data collection techniques involved observation, interviews and document studies. The results showed that the Arakan which was staged in Kikim District, Padang Bindu Village, was a form of cultural expression for the Kikim community living in Lahat Regency. The performance is often staged for accompanying the bride and groom from Kikim Tribe In the organological framework, Ngarak or Arakan music consists of compositions of poetry (vocals), tambourines (rhythm), tambourines/terbangan genjring (rhythm), and gongs (rhythm). Meanwhile, if they are classified based on the characteristics of instruments used, they fall into the category of percussion instruments. The songs in Arakan use sholawat and berzanji lyrics (prays and praises for Prophet Muhammad SAW) and they are performed by dancers (as well as vocals). Therefore, the role of vocals in Arakan is to play the melody of the song sung by the dancers to clarify the meaning of the song through poetry in addition to providing an element of aesthetic variation.
Co-Authors A.A. Ketut Agung Cahyawan W Abdul Rachman Afwa, Mughny El. Agus Cahyono Alhail, Hadi Andhika Kurniawan Annisa Furi, Giza Abel Arbi, Bahtiar Arbi, Bahtiar Arqam, Muh. Azmi, Ulya Zakaria Bekti, Wahyu Prasetyo Beniarso, Mundin Bidang, Aris Bima Pradipta, Nareswara Cahyono, Indrawan Nur Cinta Salim, Clarrisa Vicky Fidela Dalori, Dalori Dedy Firduansyah Dewantara, Pitrang Dewi, Nurul Kemala Dini, Tria Ayu Effendi, Widia Eka Titi Andaryani Eko Raharjo Fakhruddin Fakhruddin Falah, Ade Fajrul Farid Ahmadi Faruq Alfianto, Faruq Fathur Rokhman Fauzi, Muhamad Irfan Febrianto, Aji Sofian Glenie Latuni Guntaris, Endik Handayani, Setyati Dyah Hariono, Slamet Hartono Hartono Haryadi - I Ketut Suada Ida Zulaeha Imam Ghozali Indariyana, Raditya Wahyu Irfanda Rizki Harmono Sejati Joko Wiyoso Juanita Theresia Adimurti Julta, Arbi Kartikasari, Farida Nur Kautzar, Awang Kembang Ayu Agustya Korsini, Perseveranda Putra Krido Bangun Nugroho, Dwi Kodrat Krisbiyanti, Billa Kurnia, Yoga Pria Kwidura, Nugroho Laili Rahmawati, Laili Lestari, Yunia Murdi M. Marauna, Vikran Mahardhika, Hendy Malarsih Malarsih Manuel Pratama, Ritchie Margono, Agusta Muchsin, Ibnu Amar Muhammad Jazuli Muhammad Rifki Mujadid, Ahmad Zahry Natalia, Violinna Wynsa Natonis, Rolfi Junyanto Is Nirbaya, Eryaya Nirbaya, Eryaya nirwanto, bagus Oriana Tio Parahita Nainggolan Pamungkas, Benidiktus Candra Perdana, Firdaus Perdana, Firdaus Prabowo, Anik Pramudhita, Chatarina Ria Pratama, Ritchie Manuel Prayekti, Hesty Puput Meinis Narselina Puspita, Nisa Rahma Putri, Farah Kamelia Ali Putri, Osmawinda Renaldus Afoan Elu, Agustinus Richard Junior Kapoyos Riyatmoko, Joko Rosikhatul Ilmiyah, Rosikhatul Ruata, Isabella Christy Ryandana, Mylza Nova Sabillah, Masayu Selly Sabillah, Masayu Selly Safitri, Setiorini Rahma Safitri, Setiorini Rahma Santi Pratiwi, Santi Saputra, Dani Nur Saputra, Oktafian Harys Sari, Reza Nepilia Shobirin, Ma’as Siwi, Laras Grahita Slamet Haryono Soegiyanto Soegiyanto, Soegiyanto Soesanto Soesanto Sri Susilogati Sumarti Suardi, Rofiandri Sugiyo Sugiyo, Sugiyo Suharto Suharto Sumaryanto F, Totok Sumaryanto F, Totok Sumaryanto, Toto Sunarto Sunarto Syah Sinaga, Fajry Sub'haan Syahrul Syah Sinaga Tampubolon, Rina Anggita Taqi, Ahmad Yazid Teguh Supriyanto Theo Ardiyarta Tilova, Eshia Monica Tina Mati, Reneldis Tjetjep Rohendi Rohidi, Tjetjep Rohendi Totok Sumaryanto F., Totok Totok Sumaryanto Florentinus, Totok Sumaryanto Tri Joko Raharjo Udju, Makdalena Yuniati Hege Ulfah, Zulfia Wadiyo Wadiyo wafa, mochammad usman Wahyu Lestari Wasino Wasino wicaksono, refi yunanda Widodo Widodo Wiharyanti, Theresia Ratna Wijaya, Barkah Bangkit Willy Lontoh Willy Lontoh, Willy Winata, Dean Arda Wismandanu, Hanur Wisnugraha, Azhardi Woro Sumarni Wulandari, Eky Olivia Zairin, Achmad