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All Journal Humanika : Kajian Ilmiah Mata Kuliah Umum DIKSI Lingua Didaktika: Jurnal Bahasa dan Pembelajaran Bahasa BASASTRA El-HARAKAH : Jurnal Budaya Islam Jurnal S2 Pendidikan Bahasa Indonesia Lingua Cultura KEMBARA Jurnal Varidika Kajian Linguistik dan Sastra Jurnal Gramatika Panggung Aksara Ranah: Jurnal Kajian Bahasa English Language and Literature International Conference (ELLiC) Proceedings Jurnal KATA : Penelitian tentang Ilmu Bahasa dan Sastra GERAM (GERAKAN AKTIF MENULIS) Bahtera Indonesia; Jurnal Penelitian Bahasa dan Sastra Indonesia INDONESIA: Jurnal Pembelajaran Bahasa dan Sastra Indonesia JOLLT Journal of Languages and Language Teaching Metafora: Jurnal Pembelajaran Bahasa Dan Sastra Jurnal Bastra (Bahasa dan Sastra) Jurnal Lektur Keagamaan Studies in English Language and Education Jurnalistrendi: Jurnal Linguistik, Sastra dan Pendidikan ADM : Jurnal Abdi Dosen dan Mahasiswa
Nugraheni Eko Wardani
Unknown Affiliation
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Mathematics Public Health Social Sciences Other

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Post-kolonialisme perempuan dalam novel “Gadis Pantai” dan film “The Last Princess” (kajian intertekstualitas) Rokhmah, Akhirul Insan Nur; Wardani, Nugraheni Eko
KEMBARA: Jurnal Keilmuan Bahasa, Sastra, dan Pengajarannya Vol. 9 No. 1 (2023): April
Publisher : Universitas Muhammadiyah Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22219/kembara.v9i1.23518

Abstract

Karya sastra sejarah dalam era pasca-kolonial memiliki cirik has tersendiri di mana perempuan dihadapkan pada suatu tindakan agresif para penjajah yang menyebabkan keterlindasan. Penelitian ini bertujuan untuk mengidentifikasi intertekstual dalam karya sastra post-kolonialisme yaitu novel Gadis Pantai dan film The Last Princess. Metode penelitian ini menggunakan desain penelitian deskriptif-kualitatif dengan metode penelitian mengalir. Teknik analisis data yaitu menggunakan triangulasi teori. Peneliti mengumpulkan teori-teori intertekstualitas, dan teori post-kolonialisme perempuan untuk diterapkan ke dalam penelitian ini. Cara untuk memvalidasi data, peneliti membuat deskripsi yang kaya dan padat. Hasil penelitian ini adalah konsep oposisi dalam novel Gadis Pantai terlihat melalui sistem kekuasaan berupa kasta, patriarki, serta kesenjangan orang kota dan orang kampung. Konsep transposisi terlihat dari pergeseran bingkai cerita dan diferensiasi lapisan sosial. Konsep Transformasi dijelaskan dalam penyebutan kata ‘Bendoro’ menjadi kata ‘Nyonya Besar’ dan terjadi sedikit perbedaan bingkai cerita dalam novel terjemahannya. Konsep oposisi film The Last Princess terdapat dalam adegan sikap priyayi dan sikap proletar, sikap pro-kontra terhadap penjajah, dan sikap raja dengan permaisurinya. Konsep transposisi terletak pada adegan di Jepang yang terjadi pergantian seting signifikan. Konsep transformasi perbedaan bahasa yang digunakan. Novel Gadis Pantai memiliki intertekstual sosial dan berkaitan erat dengan nilai-nilai mimikri yang ada dalam teori post-kolonialisme. Simpulan dari penelitian ini adalah beberapa bagian cerita sesuai dengan teori-teori post-kolonialisme perempuan. Film The Last Princess juga memberikan gambaran mengenai sejarah tentang dinasti terakhir di Korea, perjuangan dan kemerdekaan Korea. Keduanya melalui proses dalam teori Kristeva yakni konsep oposisi, transposisi, dan transformasi serta kaitannya dengan kondisi sosio-historis. Berdasarkan Teori Riffaterre terdapat hiponim yang berupa alur, perwatakan tokoh, dan kebudayaan patriarki yang berkembang di kedua belah karya sastra tersebut.
Hegemonic Masculinity in the Novel Ronggeng Dukuh Paruk by Ahmad Tohari Wardani, Nugraheni Eko; Suwandi, Sarwiji; Ulya, Chafit; Zulianto, Sugit; Setiyoningsih, Titi
KEMBARA: Jurnal Keilmuan Bahasa, Sastra, dan Pengajarannya Vol. 9 No. 2 (2023): October
Publisher : Universitas Muhammadiyah Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22219/kembara.v9i2.28149

Abstract

The exploration of hegemonic masculinity within the context of sex and gender roles in Indonesian novels is an intriguing subject for analysis. In light of this background, the present research aimed to (1) describe and explain the hegemonic masculinity in the characters of the novel Ronggeng Dukuh Paruk and (2) describe and explain the efforts of the characters in confronting the hegemonic masculinity in the novel Ronggeng Dukuh Paruk.  This study adopted a qualitative descriptive research approach involving a content analysis strategy. The primary data source was Ahmad Tohari's novel Ronggeng Dukuh Paruk. Data collection techniques incorporated document analysis using the theory of hegemonic masculinity. Data validity was ensured through theory triangulation based on various theoretical perspectives. Data analysis followed an interactive approach, encompassing data reduction, data display, and conclusion drawing. The research findings are as follows: (1) Hegemonic masculinity in the novel manifests as a cultural imposition of stigmas and limitations on women in the name of culture, evolving into societal consensus. It arises due to the gender roles deeply intertwined with the cultural values dominating society within a patriarchal culture. (2) The characters in the novel are powerless in the face of hegemonic masculinity, encompassing power relations, the presentation of gender roles, and cathexis due to the firm grip of patriarchal culture on the lives of the community in Ronggeng Dukuh Paruk. Hence, struggles to break free from hegemonic masculinity within a patriarchal culture ultimately fail.
Ambivalensi Tokoh Subaltern dalam Cerpen Pengasigan ke Jawa Karya Ita Siregar: Kajian Poskolonialisme Hanifah, Dwiana Nur Rizki; Setyawan, Eko; Wardani, Nugraheni Eko
Metafora: Jurnal Pembelajaran Bahasa Dan Sastra Vol 11, No 1 (2024): April
Publisher : Lembaga Publikasi Ilmiah dan Penerbitan (LPIP)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30595/mtf.v11i1.21452

Abstract

Penelitian ini bertujuan untuk mendeskripsikan ambivalensi tokoh subalterm dalam cerpen Pengasingan ke Jawa karya Ita Siregar melalui kajian poskolonialesme. Penelitian ini merupakan jenis penelitian kualitatif menggunakan teknik studi pustaka. Sumber penelitian ini, yaitu dokumen yang berupa kalimat maupun dialog dari cerita pendek yang dikaji serta hasil penelitian sebelumnya. Peneliti melakukan analisis berdasarkan penelitian sebelumnya. Subjek penelitian ini, yaitu cerpen Pengasingan ke Jawa karya Ita Siregar yang dimuat dalam media Kompas.com. Peneliti mengkaji poskolonialisme di dalamnya. Kajian poskolonialisme yang peneliti kaji, yaitu mengenai kajian ambivalensi. Berdasarkan hasil penelitian, ditemukan empat bentuk ambivalensi tokoh subaltern dalam cerpen Pengasingan ke Jawa karya Ita Siregar, di antaranya adalah pembaptisan, penggunaan pakaian kolonial, pemberian nama baptis, melepas identitas, dan pengasingan.
TINDAK TUTUR EKSPRESIF DALAM FILM GARA GARA WARISAN SERTA RELEVANSINYA PADA MATERI DRAMA DI SMA Sukarjo, Galuh Kusumawati; Saddhono, Kundharu; Wardani, Nugraheni Eko
Jurnal Bastra (Bahasa dan Sastra) Vol. 9 No. 4 (2024): JURNAL BASTRA EDISI OKTOBER 2024
Publisher : Program Studi Pendidikan Bahasa dan Sastra Indonesia, FKIP, Universitas Halu Oleo Kampus Bumi Tridharma Andounohu Kendari, Provinsi Sulawesi Tenggara – Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36709/bastra.v9i4.665

Abstract

This study aims to: (1) analyze and describe the forms of expressive speech acts found in the film Gara Gara Warisan by Muhadkly Acho, and (2) describe the relevance of the film Gara Gara Warisan in Learning Drama Material for Grade XI in High School. This research is a qualitative research. The data sources of this research include documents in the form of the Gara Gara Warisan film and its informants, namely the Indonesian language teacher of class XI. Data collection techniques are carried out by document analysis and interviews. Meanwhile, the data validity test technique is the triangulation of theory and data sources. This study uses a data analysis technique, namely document analysis. The results of this study are as follows. The film Gara Gara Pahlawan contains expressive speech acts which consist of 5 expressive speech acts of apologizing, apologizing, giving praise, saying thank you, and saying congratulations. Overall there were 13 data found. The most data is in the expressive speech act of apologizing with 5 data, while the data with the lowest amount is the expressive speech act of apologizing with 1 data.
Social Criticism and Morality in "Subversif!" Drama by Faiza Mardzoeki as Literature Teaching Materials Putri, Intan Listyaning; Andayani, Andayani; Wardani, Nugraheni Eko
Journal of Languages and Language Teaching Vol 12, No 1 (2024)
Publisher : Universitas Pendidikan Mandalika

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33394/jollt.v12i1.8828

Abstract

The overarching goal of education extends beyond the mere attainment of competencies and academic standards; it encompasses a broader responsibility to cultivate students' awareness of their societal roles, obligations, and rights. This research, undertaken with the specific focus on the drama script "Subversive!" by Faiza Mardzoeki, aims to elucidate the manifestations of social criticism and morality within this literary work. Employing a qualitative research approach, this study hinges on document analysis as its primary methodological framework. Qualitative research, distinguished by its departure from statistical procedures and quantitative calculations, relies on the exploration of assumptions, broad perspectives, theoretical lenses, and a thorough examination of research problems. The research findings primarily unveil instances of social criticism embedded in political contexts and discernible moral dynamics between individuals. Notably, these insights derived from the drama script "Subversive!" serve as valuable material for the pedagogical realm, contributing to the understanding of literary texts in educational settings. This research contends that the implications of its findings extend to the realm of high school literature education, providing a foundation for educators to consider various aspects, types, and impacts of literary works. By delving into the social and moral criticisms encapsulated within these texts, educators can enhance the learning experience, prompting thoughtful reflection on societal constructs and the multifaceted roles literature plays. Additionally, the research underscores the pivotal role of teachers in facilitating this process, thereby emphasizing the broader educational significance of integrating critical perspectives into the study of literature.
MAKNA SIMBOLIK DAN PENDIDIKAN KARAKTER DALAM TRADISI KEDUK BEJI TERHADAP PEMBELAJARAN BAHASA INDONESIA DI SMP Cahya, Clarissa Nindytya; Wardani, Nugraheni Eko; Saddhono, Kundharu
INDONESIA: Jurnal Pembelajaran Bahasa dan Sastra Indonesia Volume 5 Number 3 October 2024
Publisher : Universitas Negeri Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59562/indonesia.v5i3.64728

Abstract

This research was conducted with the aim of describing the background, symbolic meaning, character education value of the relevance of teaching material ceremony in junior high school Keduk Beji tradition ceremony in Tawun Village. This type of research was conducted using qualitative descriptive method. This research data is in the form of observation, interviews with informants. The data collection technique used is by making observations or observations and conducting interviews. The result of the research is the Keduk Beji ceremony is motivated by the sacrifice of an ancestor named Raden Ludrojoyo who is believed to meditate around Sendang Tawun which eventually became a spring. Each stage of the procession and offerings of the Keduk Beji traditional ceremony used has a symbolic meaning contained, namely as a form of respect for ancestors and gratitude to God by using offerings as offerings to ancestral spirits believed by the surrounding community. The Keduk Beji traditional ceremony contains character education values reflected in the Pancasila profile, such as faith, fear of God, and noble character, mutual cooperation, and global diversity. And the Keduk Beji traditional ceremony has relevance in Indonesian language learning as teaching material for descriptive text by giving assignments in the form of describing the Keduk Beji traditional ceremony procession.
KETIDAKADILAN GENDER DALAM LIRIK LAGU TARLING DANGDUT Alfien, Moh. Fajrul; Wardani, Nugraheni Eko
Bahtera Indonesia Jurnal Penelitian Bahasa dan Sastra Indonesia
Publisher : Universitas Wiralodra

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31943/bi.v10i1.955

Abstract

Ketidakadilan gender masih menjadi fenomena yang sering terjadi di tengah masyarakat. Hal tersebut tidak hanya terjadi di kehidupan nyata, tetapi juga terdapat pada hasil dari produk kebudayaan seperti karya sastra, iklan, dan lagu. Pnelitian ini bertujuan untuk menjelaskan bentuk-bentuk ketidakadilan gender pada lirik lagu tarling dangdut. Metode yang digunakan dalam penelitian ini ialah metode kualitatif dengan pendekatan analisis isi. Sumber data dalam penelitian ini ialah lagu tarling dangdut pantura. Data dalam penelitian ini berupa lirik lagu tarling dangdut yang memuat bentuk ketidakadilan gender. Teknik pengampilan sampel yang digunakan ialah teknik purposive sampling. Teknik validitas data menggunakan triangulasi sumber dan teori. Hasil dari penelitian ini menununjukkan bahwa lagu-lagu tarling dangdut berjudul Keloas, Pecak Welut, Wayu Colongan, Dermayu Hongkong, Ngobor Kodok, Rong Puluh Ewu, Mabok Tuak, dan Selangkung Rong Langkung memuat bentuk ketidakadilan gender meliputi subordinasi, stereotip, kekerasan, dan beban kerja ganda.
Kesenian Berokan Indramayu: Asal-Usul, Makna Simbolik, dan Fungsi Alfien, Moh. Fajrul; Subiyantoro, Slamet; Wardani, Nugraheni Eko
PANGGUNG Vol 35 No 2 (2025): Representasi, Transformasi, dan Negosiasi Budaya dalam Media, Seni, dan Ruang So
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v35i2.3875

Abstract

Berokan merupakan salah satu kesenian yang terdapat di Indramayu, Jawa Barat. Kesenian ini berupa pertunjukan seorang dalang yang mengenakan kostum seperti binatang macan atau singa. Kesenian Berokan memiliki latar sejarah, fungsi, dan makna simbolik yang unik. Penelitian ini bertujuan untuk menjelaskan asal-usul, makna simbolik, dan fungsi kesenian Berokan. Penelitian ini menggunakan metode deskriptif kualitatif dengan pendekatan etnografi. Data penelitian ini berupa hasil wawancara mendalam dengan informan dan studi pustaka. Narasumber dalam penelitian ini yaitu budayawan Indramayu, seniman Berokan, dan data berasal dari buku-buku yang memuat informasi mengenai kesenian Berokan. Teknik pengambilan sampel menggunakan snowballsampling dan purposive sampling. Teknik pengumpulan data menggunakan teknik wawancara mendalam dan analisis dokumen. Uji validitas data menggunakan triangulasi sumber dan metode. Hasil penelitian ini menunjukkan bahwa bentuk fisik dan prosesi dalam kesenian Berokan seperti bentuk ekor, bentuk wajah dan tingkah lucunya, sesajian, bahan kostum, prosesi lempar bantal, dan hubungan antara dalang dan Berokan  memiliki makna yang selaras dengan nilai-nilai kebudayaan di Indramayu.  Kesenian Berokan juga memiliki fungsi religius, fungsi didaktis, dan fungsi sosial. 
Reinterpretation of religious and nationalism in Wasiat Renungan Masa: A hermeneutical approach to Hamzanwadis thought Wijaya, Herman; Andayani, Andayani; Wardani, Nugraheni Eko
Studies in English Language and Education Vol 12, No 2 (2025)
Publisher : Universitas Syiah Kuala

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24815/siele.v12i2.37491

Abstract

This research explored the reinterpretation of the dimensions of religion and nationalism in Hamzanwadis Wasiat Renungan Masa. This research aimed to understand religious messages and nationalism in the context of changing times and reveal their relevance to the challenges of globalization and modernization. The problem in this study lay in the complexity of the relationship between the spiritual dimension and national identity that emerged in the text. This research method was a hermeneutic approach to analyze the text in depth using the data source of the text Wasiat Renungan Masa. Data collection techniques were based on literature studies and text analysis. Data analysis techniques involve in-depth interpretation to uncover hidden meanings. Data validation was performed through triangulation by comparing the results of the analysis with the views of literary experts. The results of this study indicated that the religiosity of Kiyai Hamzanwadi is inseparable from the spirit of nationalism; instead, both complement and strengthen each other. Religion is considered a source of inspiration that encourages individuals to fight for the interests of the nation and state, while nationalism is not only a concept of nationality but also an expression of loyalty to religious teachings. This research enriches the understanding of literatures role in expressing religious values, nationalism, and their relevance to identity and social change in Indonesia.
Ecological wisdom in the legend of Otak Aiq Tojang: An ecocritical analysis Hilmi, Hubbi Saufan; Andayani, Andayani; Wardani, Nugraheni Eko
Studies in English Language and Education Vol 11, No 2 (2024)
Publisher : Universitas Syiah Kuala

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24815/siele.v11i2.35428

Abstract

This study examines the Legend of Otak Aiq Tojang to explore ecological wisdom and spirituality within the Sasak people. Otak Aiq Tojang is a spring sacred to the Sasak people in Lendang Nangka village. This study used a literary ecocriticism approach with data collection techniques in the form of observation and interviews. Interviews were conducted with five informants representing predetermined social layers in the community using purposive sampling. The analysis reveals that the legend has profound significance in Sasaks life, symbolizing a harmonious balance between humans and nature. The connection between ecological policy and sustainability is underscored by the legend of Dewi Anjani, a purported mythological being, and Betere Indra Guru Saktis arrival and subsequent discovery of the spring. These tales have an impact on religious observances, including Begawe Beleq and Maulid Adat, which commemorate Prophet Muhammads birth. These legends serve not only as historical narratives but also as sources of spiritual and ecological insights. The water deemed auspicious by Otak Aiq Tojang symbolizes sustainability, reflecting the communitys holistic perspective on the environment. Prohibitions of indiscriminate entry and specific food offerings during rituals signify a dedicated preservation effort, illustrating the interconnectedness of cultural norms and ecosystem maintenance. This study enhances our understanding of Sasaks ecological wisdom, particularly within the context of the Otak Aiq Tojang legend. The implications extend to a deeper comprehension of the interplay between myths, religious rituals, and nature conservation in local cultural settings, thus providing a basis for future research in this domain.
Co-Authors Akbar, Oky Aldri Frinaldi Alfien, Moh. Fajrul Ali Djamhuri Andayani Andayani Ani Rakhmawati Atikah Anindyarini Awwaabiin, Salmaa Budhi Setiawan Cahya, Clarissa Nindytya Chafit Ulya Chandra, Afry Adi Claudia, Vinsca Sabrina Devilito, Rio Edy Suryanto Eko Setyawan Else Liliani Hanifah, Dwiana Nur Rizki Hartono, Tirza Marshanda Herman J Waluyo Hidayah, Sa'adatun Nuril Hilmi, Hubbi Saufan Istiana, Rahayu Nur Kundharu Saddhono Kusuma, Krisna Aji Maretta, Arina Dicka Maulidina, Bunga Hening Memet Sudaryanto Muhammad Rohmadi Mukhibun, Akhmad Nur Rohmah, Sari Putri, Intan Listyaning Putri, Ulfa Rizqi Rokhmah, Akhirul Insan Nur Sari, Essa Rohimah Sarwiji Suwandi Setiyoningsih, Titi Simanungkalit, Kaleb Edison Slamet Mulyono Slamet Subiyantoro Stevania, Arinta Ayu Sukarjo, Galuh Kusumawati Sumarlam Sumarlam, Sumarlam Sumarwati, S. Supriyadi, FX Suwandi , Sarwiji Suwarno Suwarno Tripungkasingtyas, Sri Yuniarti Waluyo, Herman J. Widowati, Rahmadhani Briliannisa Wijaya, Herman Zulianto, Sugit Zuliyanto, Sugit