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ANALISIS PENERIMAAN AUDIENS TERHADAP FEMINISME DALAM FILM “LA LUNA” Hidayat, Nurzillah Diannovita; Tutiasri, Ririn Puspita
Pendas : Jurnal Ilmiah Pendidikan Dasar Vol. 11 No. 03 (2026): Volume 11 No. 03, September 2026 Produce
Publisher : Program Studi Pendidikan Guru Sekolah Dasar FKIP Universitas Pasundan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23969/jp.v11i03.60207

Abstract

La Luna addressed issues of feminism, patriarchy, and gender equality that remain relevant in contemporary society. Different social backgrounds, experiences, and personal values led audiences to interpret the feminist messages in various ways. This study aimed to examine audience reception of feminism in the film La Luna. A qualitative approach using Stuart Hall's reception analysis was employed. Data were collected through in-depth interviews with five purposively selected informants who had watched La Luna and represented diverse backgrounds. The data were analyzed through data reduction, data presentation, and conclusion drawing. The findings showed that most informants occupied the dominant-hegemonic position, as they accepted the film's messages regarding gender equality, the rejection of patriarchal culture, and women's empowerment. Several informants were categorized in the negotiated position because they accepted the idea of gender equality while still considering religious and cultural values in their interpretations. No informants were found in the oppositional position. The study concluded that La Luna successfully increased audience understanding and awareness of gender equality while encouraging more critical perspectives toward patriarchal practices.
DAMPAK STRATEGI KOMUNIKASI PEMBANGUNAN TERHADAP PARTISIPASI DAN PERUBAHAN PERILAKU MASYARAKAT Anto Kurniawan; Ririn Puspita Tutiasri
Pendas : Jurnal Ilmiah Pendidikan Dasar Vol. 11 No. 03 (2026): Volume 11 Nomor 03, September 2026 Posted
Publisher : Program Studi Pendidikan Guru Sekolah Dasar FKIP Universitas Pasundan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23969/jp.v11i03.63600

Abstract

Stunting remains one of the major public health issues that requires effective communication between healthcare workers and the community. Ngulungkulon Village, Trenggalek Regency, is one of the villages that has successfully reduced stunting rates through direct counseling as an implementation of development communication. This study aims to analyze the development communication strategies implemented by healthcare workers through direct counseling in stunting education in Ngulungkulon Village, Trenggalek Regency. The study employed a descriptive qualitative approach, with data collected through in-depth interviews, observation, and documentation. The informants consisted of healthcare workers, health cadres, and community members involved in counseling activities. Data were analyzed through data reduction, data presentation, and conclusion drawing. The study adopted Jan Servaes' participatory development communication theory and Onong Uchjana Effendy's communication strategy theory, which emphasizes audience identification, message formulation, media selection, and the role of communicators. The findings are expected to provide a comprehensive description of the implementation of development communication strategies in stunting education through direct counseling and indicate that communication tailored to community characteristics, supported by appropriate communication media, and implemented through a participatory approach can improve public understanding and awareness of stunting prevention. This study is expected to serve as a reference for village governments, healthcare workers, and other stakeholders in developing more effective health communication strategies.
PEMAKNAAN FATHERLESS SEBAGAI KETIDAKHADIRAN EMOSIONAL AYAH DALAM FILM ANDAI AYAH IBU TIDAK MENIKAH DENGAN AYAH Nazwa Mutiara Ramadhani; Ririn Puspita Tutiasri
Pendas : Jurnal Ilmiah Pendidikan Dasar Vol. 11 No. 03 (2026): Volume 11 No. 03, September 2026 Produce
Publisher : Program Studi Pendidikan Guru Sekolah Dasar FKIP Universitas Pasundan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23969/jp.v11i03.63883

Abstract

Fatherlessness is commonly understood as the physical absence of a father. However, contemporary media increasingly portrays fatherlessness as the absence of a father's emotional involvement in a child's life. This study aims to analyze how Generation Z interprets fatherlessness as emotional absence in the film Andai Ibu Tidak Menikah dengan Ayah. This research employed a qualitative approach using Stuart Hall's Reception Analysis theory. Data were collected through in-depth interviews with Generation Z informants aged 20–25 years who had watched the film. The findings reveal that most informants interpret fatherlessness not merely as the physical absence of a father but as the failure of a father to establish emotional closeness, communication, attention, and active involvement in the child's life despite being physically present. The film also influenced several informants to reconstruct their understanding of fatherlessness from physical absence to emotional absence. Furthermore, the reception analysis identified dominant-hegemonic, negotiated, and oppositional positions, indicating that audience interpretations were shaped by personal experiences, family backgrounds, and emotional relationships with their fathers. This study contributes to communication studies by demonstrating that film representations play an important role in constructing Generation Z's understanding of fatherlessness as an issue of emotional presence rather than solely physical absence.
MAKNA PERSELINGKUHAN SEBAGAI PRISTIWA YANG MENGUBAH BATAS PRIVASI KOMUNIKASI KORBAN DALAM HUBUNGAN PERNIKAHAN: PERSPEKTIF COMMUNICATION PRIVACY MANAGEMENT Elsa Nikita; Ririn Puspita Tutiasri
Pendas : Jurnal Ilmiah Pendidikan Dasar Vol. 11 No. 03 (2026): Volume 11 No. 03, September 2026 Produce
Publisher : Program Studi Pendidikan Guru Sekolah Dasar FKIP Universitas Pasundan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23969/jp.v11i03.63885

Abstract

Infidelity in marriage not only affects interpersonal relationships between spouses but also influences how victims manage personal information following the betrayal. This study aims to analyze the communication privacy management of infidelity victims in marital relationships using Sandra Petronio's Communication Privacy Management Theory. This research employed a qualitative approach with a phenomenological method. Data were collected through in-depth interviews with eight informants who had experienced infidelity in their marriages. The findings reveal that victims establish privacy boundaries by considering whether to disclose or conceal information about the infidelity, selectively choosing trusted individuals to receive such information, managing privacy boundaries on social media, negotiating information ownership with family members and close friends, and rebuilding their privacy and personal identity after the betrayal. The study also found that the management of communication privacy is dynamic and influenced by emotional conditions, trust, family considerations, and social consequences resulting from information disclosure. This study contributes to communication studies by demonstrating that victims actively negotiate and reconstruct their communication privacy following marital infidelity rather than merely concealing personal information.
REPRESENTASI DOMINASI PEREMPUAN DALAM FILM THE SHADOW STRAYS: ANALISIS SEMIOTIKA JOHN FISKE Muhammad Hilman Zafiri; Ririn Puspita Tutiasri
Pendas : Jurnal Ilmiah Pendidikan Dasar Vol. 11 No. 03 (2026): Volume 11 No. 03, September 2026 Produce
Publisher : Program Studi Pendidikan Guru Sekolah Dasar FKIP Universitas Pasundan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23969/jp.v11i03.64133

Abstract

This study analyzes the representation of female dominance in the 2024 Netflix film The Shadow Strays, directed by Timo Tjahjanto, using John Fiske's semiotic approach encompassing three levels of analysis: reality, representation, and ideology. The film features a female protagonist, Nomi, a hired assassin who dominates masculine spaces within the action genre. Through analysis of 23 selected scenes covering visual, cinematographic, and narrative elements, this study finds that female dominance is consistently represented through masculine costuming and makeup, camera techniques positioning women in strategic and superior roles, and dialogue that systematically subverts patriarchal expectations. At the ideological level, the film advances feminist values by depicting an organization entirely led by women and moral conflicts resolved without male intervention. This study contributes to understanding how film media shapes public discourse on gender equality, particularly through the representation of female masculinity in contemporary Indonesian cinema, while offering insights for the film industry to continue producing strong, ideologically grounded narratives centered on women.
Representasi Ideologi Patriarki pada Film Suzanna : Malam Jumat Kliwon (2023) Nadhirah Hasna , Aulia; Puspita Tutiasri , Ririn
Pendas : Jurnal Ilmiah Pendidikan Dasar Vol. 11 No. 03 (2026): Volume 11 No. 03, September 2026 Produce
Publisher : Program Studi Pendidikan Guru Sekolah Dasar FKIP Universitas Pasundan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23969/jp.v11i03.64636

Abstract

Film serves not only as a medium of entertainment but also as a form of mass communication that represents and reproduces social ideologies, including patriarchal ideology. Suzanna:MalamJumat Kliwon (2023)portrays various power relations that demonstrate male dominance over women in both domestic and social contexts. This study aims to analyze the representation of patriarchal ideology in the film. The research employed a qualitative approach using John Fiske's semiotic analysis through three analytical levels: reality, representation,and ideology. Data were collected through observations of eight scenes depicting patriarchal practices and supported by relevant literature. The findings reveal that patriarchal ideology is represented through four main aspects: (1) control over women's life choices, (2) objectification of women's bodies and reproductive functions, (3)male domination and gender-based violence, and(4) the silencing of women's voices in decision-making. These representations are constructed through dialogue, facial expressions, gestures, cinematographic techniques, lighting, and visual composition that consistently portray unequal power relations between men and women. The study concludes that Suzanna: Malam Jumat Kliwon (2023) represents patriarchy as a social system that legitimizes male dominance through normalized practices in both domestic and social life, thereby restricting women's rights, autonomy, and agency.
Personal Branding Through Two Channels: Content Analysis of Finance Minister Purbaya Yudhi Sadewa on Private (@purbayayudhis) and Official (@menkeuri) Tiktok Accounts Rezananto Bimo Aryo Bhaskoro; Ririn Puspita Tutiasri
International Journal of Social, Economic, and Business Vol. 2 No. 4 (2026): June 2026 (In Press)
Publisher : Lavish Opulent Education

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.65688/ijseb.v2i4.185

Abstract

This study analyzes the personal branding of Indonesia's Finance Minister, Purbaya Yudhi Sadewa, across two distinct TikTok channels: his private account (@purbayayudhis) and the official Ministry account (@menkeuri). Utilizing a qualitative descriptive approach with content analysis, the research examines 28 video posts using Peter Montoya's 8 Laws of Personal Branding and Labrecque’s Digital Personal Branding framework. The findings reveal that while both accounts represent the same figure, they employ different communication strategies that complement each other. The private account frames the Minister as humanistic, humorous, and approachable, whereas the official account emphasizes professionalism, competence, and institutional authority. A key finding is the consistent use of the "thumb gesture" (gaya jempol) as a powerful visual identity marker across both platforms, fulfilling the law of distinctiveness. This study demonstrates how public officials can successfully manage dual digital identities to build both emotional proximity and professional credibility
Co-Authors Achmad Fatchullah Minan Jauhari Adiasri Putri Purbantina Ahmad, Namira Yunita Alya Nur Andre Yusuf Trisna Putra Anggraeny, Dwi Nuning Anto Kurniawan Anugrah, Yuni Esa Arfianti Valerina Alfi Arisanti, Mutiara Putri Aulia Rahma wati Aulia Rahmawati Aulia Rahmawati, Aulia Bayu Setiawan Bayu Setiawan Binti Qumairoh Cindy Prastia Putri Citra Rani Angga Riswari Clareta, Dyva Dian Hutami Rahmawati Didiek Tranggono Dina Safira Putri Dina Safira Putri Dwi Nuning Anggraeny Dwi Nuning Anggraeny Dwi Wahyuningtyas Elfira Prasanti Elsa Nikita Eunike Jayanti Widiastuti Ezra Sabilillah Mahardhika Fadhilah Diva Oktaviansyah Febriyanti, M.Med.Kom, Syafrida Nurrachmi Febriyanti, Syafrida N. Galih Ayu Palupi Haidar, Fajar Al Heidy Arviani Helenita Margareth br Tarigan Herlambang, Rahmat Noval Hidayat, Nurzillah Diannovita Ilmi, Ibnu Malkan Bakhrul Inggrid Priscillia Irmawanti Jimmy Pradana Jimmy Putra Pradana Jonathan Diven Setiawan Karim Nazri Karim Nazri Kevin Wijaya Sugiarto Kusnarto Kusuma, Ade Kusuma, Ade Kusumajanti Latif Ahmad Fauzan Lina Yuniati Maulidya Rahmatika Aulia Mifa Amira Dewi Mohammad Syarrafah Muhammad Farhan Ramadhan Muhammad Febriyanto Muhammad Hilman Zafiri Murti, Sesilia Tri Ria Mustikasari, Ratih Pandu Nabila Dafa Purwa Nadhifah Bernice Tsaniyah Nadhifah Bernice Tsaniyah Nadhirah Hasna , Aulia Nadia Nerissa Nadia Nerissa Nafi'ah, Salsabila Nazwa Mutiara Ramadhani Niko Kurniawan Laminto Niko Kurniawan Laminto Novita Afra Mas'ud Nursha Dwi Setyowati Pandhu Tanoyo Pandu Tanoyo Poppy Febriana Pradana, Jimmy Putra Priscillia, Inggrid Purnamasari, Nurjihan Pricillia Putri Aniisah Putri, Ayudya Raharjo, Ari Puji Rahmawati, Dian Hutami Renada Audri Suhariono Reza Mehdi Fauzi Rezananto Bimo Aryo Bhaskoro Rista Dwi Lestari Rista Dwi Lestari Rizky, Andisa Rofi Wahyu Aditama Saifuddin Zuhri Salsa Alfina Zhahra Sania Nerissa Santoso, Wahyu Sesilia Tri Ria Murti Shevina Alana Devanty Sigit Andrianto Siti Nurima Septriyanti Sumardjijati Sumardjijati Sumardjijati Sumardjijati Sumardjijati, Sumardjijati Sumardjijati, Sumardjijati Sumrdjijati Tantina, Arin Triandini, Raisya Aqilah Wahyu Santoso Widiastuti, Eunike Jayanti Yanda Bara Kusuma Zainal Abidin Achmad Zuhri4, Saifuddin