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All Journal Pustaka: Jurnal Bahasa dan Pendidikan Protasis: Jurnal Bahasa, Sastra, Budaya, dan Pengajarannya Nalar: Jurnal Pendidikan dan Kebudayaan Simpati: Jurnal Penelitian Pendidikan dan Bahasa Jurnal Motivasi Pendidikan dan Bahasa Atmosfer: Jurnal Pendidikan, Bahasa, Sastra, Seni, Budaya, Dan Sosial Humaniora Morfologi : Jurnal Ilmu Pendidikan, Bahasa, Sastra dan Budaya Perspektif: Jurnal Pendidikan dan Ilmu Bahasa Pragmatik : Jurnal Rumpun Ilmu Bahasa dan Pendidikan INDOPEDIA (Inovasi Pembelajaran dan Pendidikan) GEMBIRA (Pengabdian Kepada Masyarakat) Journal of Humanities and Social Studies Jurnal Media Akademik (JMA) Dinamika Pembelajaran : Jurnal Pendidikan dan Bahasa Variable Research Journal
Adita Widara Putra
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Religion Agriculture, Biological Sciences & Forestry Arts Humanities Civil Engineering, Building, Construction & Architecture Computer Science & IT Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Environmental Science Health Professions Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Mathematics Medicine & Pharmacology Social Sciences Other

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STRUCTURAL ANALYSIS OF THE DRAMA SCRIPT "TEMANKU SAYANG TEMANKU MALANG (KEN KEMBALILAH SEPERTI DULU)" BY ELSA PEBRIYANTI Siti Sopiah; Silmi Ahsanti Dewi; Elva Elfiani Salsa; Adita Widara Putra
JOURNAL OF HUMANITIES AND SOCIAL STUDIES Vol. 2 No. 02 (2024): MAY 2024
Publisher : Media Inovasi Pendidikan dan Publikasi

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This article delves into the structural analysis of "Temanku Sayang Temanku Malang (Ken Kembalilah Seperti Dulu)", a drama script penned by Elsa Pebriyanti. The study aims to identify and examine the various structural elements that contribute to the overall narrative and thematic impact of the play. Through a critical analysis of the script, this research explores the ways in which Pebriyanti employs structural devices such as plot structure, character development, dialogue, and stage directions to convey the story's themes and messages. The analysis reveals that the script's narrative structure is characterized by a non-linear progression, with multiple flashbacks and flashforwards that blur the lines between past and present. This non-linear approach allows Pebriyanti to explore the complexities of human relationships and the consequences of past actions on the present. Furthermore, the study highlights the effective use of character development, particularly in the portrayal of the protagonist, whose emotional journey serves as a catalyst for the story's themes of love, loss, and redemption. The analysis also examines the role of dialogue in shaping the characters' personalities and relationships, as well as the ways in which stage directions contribute to the overall atmosphere and mood of the play. Additionally, the study discusses the significance of the play's title and its relationship to the themes and plot, highlighting the ways in which Pebriyanti uses the title to set the tone for the audience's engagement with the story. Ultimately, this research demonstrates that the structural elements of "Temanku Sayang Temanku Malang (Ken Kembalilah Seperti Dulu)" are carefully crafted to create a rich and nuanced narrative that explores the complexities of human relationships and the power of love and redemption. The study contributes to a deeper understanding of the script's structural dynamics and their impact on the audience's experience of the play.
STUDY OF THE DRAMA MANUFACTURE "STORM ALL NIGHT" BY MAX ARIFIN USING A STRUCTURALISM APPROACH Ajeng Raya Vidia; Yayu Sopa Ikmali Rijki; Siti Elinda Nur Pebriantini; Adita Widara Putra
JOURNAL OF HUMANITIES AND SOCIAL STUDIES Vol. 2 No. 02 (2024): MAY 2024
Publisher : Media Inovasi Pendidikan dan Publikasi

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This research aims to determine the intrinsic elements in a drama script "Badai Throughout the Night" by Max Arifin using a structuralism approach. The research method used is descriptive qualitative. In this research, intrinsic elements can be obtained which consist of theme, plot, characters and characterization, setting and message.
STRUCTURAL ANALYSIS OF PUTU WIJAYA'S “OPERASI" DRAMA SCRIPT AS AN ALTERNATIVE INDONESIAN LANGUAGE TEACHING MATERIAL Siti Papat Patimah; Salma Nurfadillah; Zakia Nur Huda; Adita Widara Putra
JOURNAL OF HUMANITIES AND SOCIAL STUDIES Vol. 2 No. 02 (2024): MAY 2024
Publisher : Media Inovasi Pendidikan dan Publikasi

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The structural approach has been widely used by researchers to reveal the implied meaning in a literary work. Drama as a literary genre is built by physical elements that bind each other into one complete story so that it can be acted out in a drama performance. This research aims to analyze the structure of the drama script "Operasi" by Putu Wijaya. A structural approach is used to identify and describe the intrinsic elements that make up the entire text of a drama script. The elements analyzed include theme, plot, characters and characterization, setting, dialogue, message, and so on. In-depth analysis of a script's structure helps understand how the story is structured, conflict develops, characters develop, and themes are conveyed. This analysis uses a qualitative descriptive research method by utilizing qualitative data and describing it descriptively. The aim of this research is to reveal how the drama script "Operasi" is a reflection of society and current social conditions through the structure of its construction. Apart from that, its relevance to learning in schools can develop a deeper understanding of literary works. This scientific article highlights the artistic excellence of manuscripts and the importance of understanding structural analysis in appreciating and interpreting literary works. It is hoped that the results of the structural analysis of the drama script "Operasi" by Putu Wijaya will be able to add to the literature for further research.
SOCIOLOGICAL STUDY IN THE SCRIPTURE "LOVE THERE ARE OTHER PEOPLE" THE WORKS OF UTUY TATAN SONTANI Neng Elis Handayani; Gina Amelia Pitri; Dwi Rinna Artiani; Adita Widara Putra
JOURNAL OF HUMANITIES AND SOCIAL STUDIES Vol. 2 No. 02 (2024): MAY 2024
Publisher : Media Inovasi Pendidikan dan Publikasi

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Apart from being a means of entertainment, drama can also be used as a means of learning and as an object of research. The object of study in this research is a drama script by Tatang Sontani entitled "Unfortunately There Are Other People". from the sociological study of literature in the script "Unfortunately There Are Others" by Utuy Tatang Sontani focusing on the analysis of the moral values contained in the drama. This research uses a literary sociology approach to understand how the drama reflects social reality and moral values related to human life. The research results show that the drama "Love There Are Others" expresses various forms of moral values related to human relationships in the social environment of society. This is shown through interactions between characters. This research also shows that the drama can be used as an alternative teaching material in language and literature education in high schools.
STRUCTURAL ANALYSIS AND EXPRESSIVE SPEECH ACTIONS OF THE DRAMA SCRIPT “SUDAH GILA” BY CHAIRIL ANWAR Ai Cahyani; Wita Adia Amelia; Galih Ahmad Rivaldi; Adita Widara Putra
JOURNAL OF HUMANITIES AND SOCIAL STUDIES Vol. 2 No. 02 (2024): MAY 2024
Publisher : Media Inovasi Pendidikan dan Publikasi

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Drama has become a mirror of human life, creating narratives that enrich our understanding of human existence. This article explains basic concepts in the world of drama, along with important approaches in studying literary works such as structural and expressive. The structural approach helps us understand the formal elements of drama that interact with each other to form a cohesive narrative, while the expressive approach allows us to explore layers of emotions and character motivations which also discusses expressive speech acts, which are the use of language in drama to convey messages and emotions. Through exploring these concepts, we can deepen our experience in understanding and appreciating dramatic works, as well as reflecting on the human essence revealed on the stage of life. The data source for the study using a structural and expressive approach to speech acts in this research is the drama script Jadi Gila by Chairil Anwar by analyzing each dialogue of the characters. The method used is descriptive qualitative. Data collection techniques use reading, note-taking and literature study techniques. Meanwhile, the technique for analyzing data uses content analysis.
STRUCTURAL STUDY ON THE DRAMA SCRIPT "LAUTAN BERNYANYI" BY PUTU WIJAYA Syifa Nurlatifah; Resha Zakiyatussolihah; Jodi Iskandar; Adita Widara Putra
JOURNAL OF HUMANITIES AND SOCIAL STUDIES Vol. 2 No. 02 (2024): MAY 2024
Publisher : Media Inovasi Pendidikan dan Publikasi

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This research aims to obtain a description of the elements that make up a drama script. The method used in the structural study of the drama script "Lautan Bernyanyi" by Putu Wijaya is to use a qualitative descriptive method. "Qualitative research is research used to examine the condition of natural objects. The data analysis technique used in this research is qualitative descriptive data analysis, namely describing the intrinsic elements contained in the drama script "Lautan Bernyanyi". The results of the research reveal that the plot of the drama script "Lautan Bernyanyi" by Putu Wijaya is classified as an advanced plot. The characters in the drama script "Lautan Bernyanyi" by Putu Wijaya consist of the characters Captain, Chomol, Panieka, Adenan, Rubi, Dayu Sanur, Shaman. The drama script "The Singing Ocean" is set on the deck of the Tiger Laut ship. The setting of Putu Wijaya's "Singing Ocean" takes place in an atmosphere of tension, anxiety, panic, fear, anger and joy. The major theme of the drama The Singing Sea is Captain Leo's doubts as a human being who always thinks logically and opposes forms of myth that have been passed down from generation to generation to be believed. The minor theme of the drama The Singing Sea is the relationship between Captain Leo and his subordinate Comol. The message can be taken, that we humans must have firm beliefs to determine something.
PSYCHOLOGICAL STUDY OF LITERATURE ON THE MAIN CHARACTER OF THE PLAY “BULAN BUJUR SANGKAR” BY IWAN SIMATUPANG Titin Rostini; Angelina Sepiani Kusmawati; Resti Febrisanti; Adita Widara Putra
JOURNAL OF HUMANITIES AND SOCIAL STUDIES Vol. 2 No. 02 (2024): MAY 2024
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This research aims to describe the psychological character of parents in the play “Bulan Bujur Sangkar” by Iwan Simatupang by using psychological studies of the characters contained in the play. The method used in this research is descriptive and literature review. This process involves collecting data through analyzing relevant documents. Literary works are artistic expressions that not only reveal stories and characters, but also reflect various aspects of human life such as emotions, conflicts, and thoughts. Literature can capture the complexity of human psychology through stories and symbols and provide deep insight into a person's mental and emotional state. The descriptive method in this study was used to collect data related to the research topic. This process involves collecting data through analyzing relevant documents. In the literature review, this research refers to relevant theories and previous studies that have similar topics or methodologies. The results of this study show the absurdity of parental characters through three stages of thinking concepts namely Id, Ego, and Supergo. In the play Bulan Bujur Sangkar, the parent character fights back by committing suicide on the gallows.
ANALISIS NILAI SOSIAL DALAM NASKAH DRAMA AYAHKU PULANG KARYA USMAR ISMAIL SEBAGAI ALTERNATIF BAHAN AJAR BAHASA INDONESIA KELAS XI Milna Widya; Rani Amaliah; Ismi Agustina Rokayanti; Adita Widara Putra
VARIABLE RESEARCH JOURNAL Vol. 1 No. 02 (2024): JULI 2024
Publisher : Media Inovasi Pendidikan dan Publikasi

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Drama merupakan    salah    satu   genre sastra yang dapat mempengaruhi   dan   membentuk sikap masyarakat   berdasarkan   muatan pesan dibaliknya. Salah satu naskah drama yang memuat nilai-nilai sosial adalah naskah drama Ayahku Pulang karya Usmar Ismail. Penelitian ini bertujuan untuk menganalisis nilai-nilai sosial yang tercermin dalam naskah drama Ayahku Pulang karya Usmar Ismail dan urgensinya pada perubahan karakter peserta didik. Metode penelitian yang digunakan adalah penelitian studi pustaka, yaitu suatu metode pengumpulan data dengan memahami dan mempelajari teori-teori dari berbagai literatur yang berkaitan dengan penelitian. Pendekatan yang digunakan adalah pendekatan sosiologi sastra. Hasil penelitian ini menunjukkan nilai-nilai sosial yang tercermin dalam naskah Drama Ayahku Pulang karya Usmar Ismail dan urgensinya terhadap perkembangan karakter anak.
JURNAL KAJIAN NASKAH DRAMA “KERETA KENCANA” KARYA W.S. RENDRA: PENDEKATAN STRUKTURAL Resti Nurbiadu Intani; Syakira Fauziah; Marwatul Kamilah; Adita Widara Putra
VARIABLE RESEARCH JOURNAL Vol. 1 No. 02 (2024): JULI 2024
Publisher : Media Inovasi Pendidikan dan Publikasi

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Karya sastra, bagaikan cermin yang memantulkan dinamika sosial dan kultural dalam masyarakat. Hal ini yang menjadikan naskah drama “ kereta kencana dikaji dalam jurnal ini. Dalam kajian ini, naskah drama "Kereta Kencana" karya W.S. Rendra menjadi objek penelitian. Tujuannya adalah untuk melihat bagaimana pendekatan strukturalisme dapat digunakan untuk menguak makna dan struktur dalam karya sastra tersebut. Penelitian ini mengungkap berbagai lapisan naratif, struktur, dan pesan yang terkandung dalam naskah drama tersebut. Dengan menggunakan metode penelitian deskriptif kualitatif dan pendekatan strukturalisme dengan cara melakukan studi kasus pada naskah drama “Kereta Kencana”yang mengandung unsur-unsur intrinsik didalamnya. Hasil dari penelitian adalah kajian lebih dalam mengenai unsur-unsur intrinsik pada naskah drama “Kereta Kencana” seperti tokoh, penokohan, alur, latar, sudut pandang, amanat dan tema. Selain itu dalam penelitian ini juga mengkaji hubungan antar karakter, perkembangan plot, pesan filosofis dan sosial, dan gaya bahasa yang dipakai.
KAJIAN SOSIOLOGI SASTRA NASKAH DRAMA “BEN GO TUN” KARYA SAINI KM Fajri Fahrulrazi; Assyifa Rahman; Amelia Nasywa Dwi Agusta; Sabrina Fajriani Nuramali; Adita Widara Putra
VARIABLE RESEARCH JOURNAL Vol. 1 No. 02 (2024): JULI 2024
Publisher : Media Inovasi Pendidikan dan Publikasi

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Penelitian ini bertujuan untuk mengkaji sebuah naskah drama dan meningkatkan minat pembaca terhadap naskah drama, khususnya karya Saini KM, serta menumbuhkan kesadaran kritis terhadap masalah sosial yang diangkat. Metode penelitian deskriptif kualitatif digunakan untuk menganalisis naskah drama. Objek kajian dalam penelitian ini adalah sebuah naskah drama Ben Go Tun karya Saini KM. Objek dari penelitian ini adalah kondisi sosial yang tercermin dalam naskah Ben Go Tun. Pendekatan sosiologi sastra dipilih karena mengkaji sastra sebagai fenomena sosial. Naskah drama Ben Go Tun karya Saini KM menggambarkan masalah sosial yang terjadi seperti status sosial, diskriminasi, dan kejahatan sosial pada masyarakat kelas menengah ke bawah pada era Orde Baru. Hasil analisis menunjukkan kritik sosial terhadap penghormatan berlebihan terhadap status sosial. Tindakan kejahatan sosial dan pelanggaran norma yang digambarkan mencerminkan realita sosial yang relevan dengan kondisi masyarakat saat ini. Drama ini tidak hanya memberikan hiburan tetapi juga memberikan pelajaran sosial melalui refleksi dalam karya sastra.
Co-Authors Aas Salamah Ai Cahyani Ajeng Maryam Ajeng Raya Vidia Alfina Fitriani Amelia Nasywa Dwi Agusta Amelia Nurfitri Annisa Angelina Sepiani Kusmawati Anjani Lintang Pertiwi Annida Yasti Sari Assyifa Rahman Astri Fauziah Hindasah Aulia Gita Ayuningtyas Bintang Putri Pamungkas Budi Riswandi Chica Chaswati Dalpa Nurmaulidah Deisy Permata Nurfaizar Sari Dian Khoerani Dinar Rahmatina Sajidah Dinda Nurdiana Dwi Rinna Artiani Elfara Zahra Pramono Elva Elfiani Salsa Eulis Siti Nurallawiah Evi Fatmalasari Fajri Fahrulrazi Fany Haifa Alia Ferani Siti Nurhanifah Fitri Nurrochmah Galih Ahmad Rivaldi Ghina Ayu Salsabila Gina Amelia Pitri Hana Nurhasanah Hesti Nurlinda Hilwa Hamya Aulia Hizkia Dwi Prayoga Irey Damara Ismi Agustina Rokayanti Jein Fitria Sriwulan Pitaloka Jelita Maulida Nurhamidah Jodi Iskandar Lisa Herlina Lulu Ratika Yuniar Lutfi Nurhayati Marwatul Kamilah Milla Amellia Milna Widya Moh. Hafidz Assidiq Syam Mutiara Dwi Utami Naila Riski Ahsani Nandang Kurnia Sandi Neng Elis Handayani Neng Ira Hoerunnisa Neng Sri Wahyuni Nurul Bariah Nurohmah Nurohmah Pani Aulia Rukmana Radita Rahmawati Rangga Aria Hidayat Rani Amaliah Resha Zakiyatussolihah Respi Nurdiani Resti Febrisanti Resti Nurbiadu Intani Retna Ayu Ratu Gumilang Rifa Fauziah Salma Risqi Sri Mulyati Rita Rismawati Rizka Maulidania Robby Dwi Prasetia Saadah, Anis Fathu Sabrina Fajriani Nuramali Salma Nurfadillah Salsabila Putri Rahmawati Salwa Sania Adawiah Savadila Adinda Mynur Seni Melani Sevti Putri Thavany Sevti Putri Thavany Shifa Harun Salsabilah Shinta Rosiana Shofi Al Zahra Shofiyatul Mukromiyah Silfa Milatul Istiqomah Silmi Ahsanti Dewi Siti Asiah Siti Elinda Nur Pebriantini Siti Papat Patimah Siti Sopiah Syakira Fauziah Syifa Nurlatifah Titin Rostini Trisa Nurfitri Ulfah Fauziah Verra Neisya Septiani Widyanti Kusuma Winda Murni Wita Adia Amelia Yayu Sopa Ikmali Rijki Yulia Awalliyah Yuni Ertinawati Zahra Jelita Zakia Nur Huda