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Implementasi Teknik Pengambilan Gambar oleh Director of Photography dalam Pembuatan Video Feature “Mengendalikan Udara dalam Keseimbangan Teknik Terbang Aeromodelling” Muhammad Naufal Sukandi; Rinda Aunillah; Kurnia Lucky Fadillah
Masyarakat Berkarya : Jurnal Pengabdian dan Perubahan Sosial Vol. 3 No. 3 (2026): Agustus: Masyarakat Berkarya: Jurnal Pengabdian dan Perubahan Sosial
Publisher : Lembaga Pengembangan Kinerja Dosen

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62951/karya.v3i3.3485

Abstract

The role of the Director of Photography (DoP) in the video feature "Controlling the Air in Aeromodelling Flight Technique Balance" is crucial in packaging the technical narrative into a communicative visual language. This study aims to analyze the application of cinematographic elements in the form of camera angle, camera movement, type of shot, and composition in video works documenting the activities of the Rajawali Aeromodelling Club community at Sulaiman Air Base. The creation formula focused on how the dynamic movement of the miniature aircraft as well as the frequency control could be visually translated to make it informative to the general public. The concept of creating this work is based on visual communication theory and cinematography techniques, especially framing arrangements, camera movements, and the use of natural lighting in an open field (airfield). The production techniques applied by DoP include the use of telephoto lenses for focus tracking on fast-moving objects, as well as camera angle variations to capture pilot interactions. The results of the discussion showed that the pre-production stage to mature production was able to represent the essence of flying mechanics with precision. The conclusion of this Final Project emphasizes that the combination of dynamic camera movements and precise visual composition succeeds in conveying an abstract narrative about "air balance" into an educational and aesthetic media show.
Penerapan Penyutradaraan dalam Membangun Narasi Visual pada Video Feature “Mengendalikan Udara dalam Keseimbangan Teknik Terbang Aeromodeling” Muhammad Dzaki Ammar Ramdhan; Muhamamd Naufal Sukandi; Rinda Aunillah
Filosofi : Publikasi Ilmu Komunikasi, Desain, Seni Budaya Vol. 3 No. 3 (2026): Agustus: Filosofi : Publikasi Ilmu Komunikasi, Desain, Seni Budaya
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/filosofi.v3i3.1172

Abstract

The development of audiovisual media in the digital era has driven video features to become an effective medium for delivering educational, cinematic, and emotional information. This Final Project is entitled “The Application Of Directing In Constructing A Visual Narrative In The Feature Video ‘Controlling The Air Through the Balance Of Aeromodelling Flight Techniques’”. This work is motivated by the lack of audiovisual media that deeply explores the technical process of aeromodeling, particularly regarding aircraft balance and flight stability. The purpose of creating this work is to design a creative visual concept and storytelling arc, implement the director's role in precisely guiding camera movements and audio-visual arrangements, and enhance public understanding of basic aerodynamic principles through a cinematic presentation. The creative production methodology was carried out through three main stages: pre-production, production, and post-production. The pre-production stage included creative concept design, technical research, treatment development, and shotlist determination. The production stage was executed by directing the filming of manufacturing activities at the GACC Cimahi workshop, expert interviews, and flight testing at Lanud Sulaiman. The post-production stage involved supervising visual editing, directing voice-over recording, sound design, color grading, and refining the storytelling rhythm. The final result demonstrates that the director plays a pivotal role in translating aerospace technical complexities into an informative, communicative visual display with deep human interest. Through a video feature approach, this work successfully delivers a harmony between technical accuracy and cinematic aesthetics for the audience.
Penerapan Teknik Reportase Wawancara (People Trail) Dalam Produksi Video Feature “Seventeen Menginspirasi, Carat Berkontribusi” Aisyah Islamiati; Rinda Aunillah Sirait; Iwan Koswara
Jurnal Pengabdian kepada Masyarakat Indonesia (JPKMI) Vol. 6 No. 1 (2026): April: Jurnal Pengabdian Kepada Masyarakat Indonesia (JPKMI) 
Publisher : AMIK Veteran Purwokerto

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55606/jpkmi.v6i1.10300

Abstract

In recent years, Korean Pop (K-Pop) culture has expanded beyond entertainment to form fan communities with strong identities and social activities. One of the largest K-Pop fandoms in Indonesia is CARAT, the fan community of the South Korean group SEVENTEEN, which is actively involved in various social and humanitarian initiatives. However, limited media coverage has caused these activities to be overlooked, reinforcing negative stereotypes toward K-Pop fandoms. This study aims to highlight the social activities of the CARAT Bandung community through a human-interest feature video entitled “SEVENTEEN Inspires, CARAT Contributes”. The methods employed include journalistic reporting techniques consisting of research, observation, and interviews with community members and professional sources. The findings indicate that CARAT Bandung not only focuses on entertainment-related activities but also builds social relationships, solidarity, and meaningful social contributions. The feature video demonstrates that K-Pop fandoms can function as positive social agents and serve as relevant journalistic media for shaping public perspectives on fan communities in Indonesia.
Participatory documentary filmmaking for disaster literacy and community resilience in Lembang Fault Rosfiantika, Evi; Aunillah, Rinda; Kusmayadi, Ika Merdekawati
ProTVF Vol 10, No 2 (2026): September 2026
Publisher : Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24198/ptvf.v10i2.65608

Abstract

Background: Indonesia's position along the Pacific Ring of Fire exposes it to high seismic risk, particularly in the Lembang Fault zone of West Bandung Regency. Despite existing disaster education initiatives, these programs remain inadequately contextualized within local socio-cultural realities, contributing to a substantial disparity in effective risk communication. Purpose: This study examines how participatory documentary filmmaking, grounded in local wisdom, can serve as a culturally embedded medium for strengthening disaster literacy among communities along the Lembang Fault. Methods: Employing a qualitative action research approach, this study engaged a pentahelix collaboration involving community organizations, academia, government, media, and the private sector. The primary intervention was the co-creation of the documentary film Menyasar Lembang, mapping geological hazards alongside the cultural narratives of at-risk Sundanese communities. Results: The integration of participatory storytelling with indigenous knowledge systems fostered a dialogic learning space that cultivated multidimensional disaster risk understanding. The film reinforced both scientific literacy and local value systems, while the research produced a replicable conceptual model of community-based documentary filmmaking for disaster literacy, encompassing facilitation, risk assessment, community production, and evaluation. Conclusion: The co-produced, culturally embedded documentary Menyasar Lembang demonstrates significant potential as a catalyst for collective learning, cultural revitalization, and grassroots resilience. Implications: This research offers a scalable and replicable model for disaster risk communication applicable across other vulnerable regions in Indonesia. Theoretically, it affirms the capacity of participatory visual media, particularly documentary film, to bridge scientific knowledge and indigenous wisdom in building community resilience.
Co-Authors Abie Besman Aceng Abdullah Aceng Abdullah Achmad Abdul Basith Aisyah Islamiati Akmalia, Shobihatunnisa Alam, Pandu Watu Aldehead Marinda Merfonsina Uparatu Allesandro, Yanuar Aldi Amanda Putri Julianti Arkhadies Hanif Medina Aura Diva Rizky Budi Gustaman Dadang Rahmat Hidayat Damayanti, Adinda Afifah Dandi Supriadi Dandi Supriadi Desyandri Desyandri Dhiya, Silvi Alin Dian Wardiana Sjuchro Diya Mirzha Rusyanto Dwi Masrina Edwin Rizal Eleora, Vanessa Valencia Encang - Saepudin Encang Saepudin Encang Saepudin Evi Rosfiantika Fathinah, Alya Fazila Safia Utomo Feliza Zubair Ghathfan Ariiq Muhammad Hanny Hafiar Henny Sri Mulyani Rohayati Herawati, Irna Herlina Agustin Hosana Solagracia Sifra Ika Merdekawati Kusmayadi Iwan Koswara Iwan Koswara iwan koswara, iwan Jimi Narotama Mahameruaji Jimi Narotama Mahameruaji Kurnia Lucky Fadillah Linda Kurniawati Maimon Herawati Muh. Fadli Rumpak Muhamamd Naufal Sukandi Muhammad Dzaki Ammar Ramdhan Muhammad Naufal Sukandi Nadia Febriani Nadia Febriani Nadya Yasmine Khaerunnisa Nisya Aprilya Nunik Maharani Hartoyo Nuraini, Nisrina Nurmaya Prahatmaja Nuryah Asri Sjafirah Nuryah Asri Sjafirah, Nuryah Asri Pandu Watu Alam Puspa Aulia Putri Rahadian Ngabanga Rahmat Maulana Sihotang Rahmatika, Chaerunnisa Rap Yobel Nathania Rasyid, Nur Aini Ridha Rizqiyanty Robina Rully Khairul Anwar Sakinah, Salwa Santi Susanti Santi Susanti Selma Kirana Haryadi Shafa Najla Amira Sihotang, Rahmat Maulana Silvi Alin Dhiya Tarigan, Inggit Yulis Sutari Teddy K. - Wirakusumah Ufayra Syahidina Vallencya Alberta Vanessa Valencia Eleora Vania Annora Martsa Awanti Yalatama, Regita Nada Yanuar Aldi Allesandro Zidan Dwi Fatwa Aulia