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All Journal Rekam : Jurnal, Fotografi, Televisi Animasi Tanra : Jurnal Desain Komunikasi Visual Fakultas Seni dan Desain Universitas Negeri Makassar Jurnal Pengabdian Kepada Masyarakat (Indonesian Journal of Community Engagement) ProTVF Texture : Art and Culture Journal Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Capture : Jurnal Seni Media Rekam Jurnal Rupa International Journal of Visual and Performing Arts Widya Komunika: Jurnal Komunikasi Pendidikan Narada : Jurnal Desain dan Seni Jurnal Pengabdian Seni Jurnal Abdimas Komunikasi dan Bahasa Prosiding Konferensi Nasional PKM-CSR Sense : Journal of Film and Television Studies Jurnal Visual Ideas eProceedings of Art & Design Pengabdian Seni
Dyah Ayu Wiwid Sintowoko
Telkom University
Arts Humanities Control & Systems Engineering Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Environmental Science Languange, Linguistic, Communication & Media Library & Information Science Nursing Public Health Social Sciences Other

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VISUALISASI TEKANAN ORANG TUA TERHADAP ANAK DALAM FILM EKSPERIMENTAL PRESSURE Nathaniel, Sibyl; Sintowoko, Dyah Ayu Wiwid; Ridzky, Axel Ramadhan
eProceedings of Art & Design Vol. 12 No. 5 (2025): Oktober 2025
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Pressure adalah film eksperimental menggambarkan tentang tekananpsikologis yang dialami anak akibat ekspektasi, tuntutan, dan kontrol berlebihan dariorang tua. Dalam masyarakat yang menjunjung tinggi kesuksesan konvensional,anak kerap dijadikan proyeksi harapan tanpa memikirkan kondisi emosionalnya.Permasalahan utama yang diangkat adalah bagaimana pola asuh yang menekandapat menimbulkan dampak psikologis yang tersembunyi, seperti ketakutan,keterasingan, dan ketidakpercayaan diri. Tujuan film ini adalah mengedukasi danmembuka ruang refleksi tentang pentingnya empati dan komunikasi dalam keluarga.Melalui pendekatan non-naratif dan simbolis, film ini menggunakan elemen visualseperti pencahayaan kontras, warna gelap, serta pergerakan kamera yang tidakterlalu stabil untuk menggambarkan ketidakstabilan emosin anak. Audioinstrumental, suara repetitive, dan momen keheningan dipakai untuk menimbulkanketidaknyamanan yang mencerminkan kecemasan batin. Temuan umum darieksplorasi ini menunjukan bahwa tekanan dari orang tua seringkali tidak tampaksecara fisik, namun berdampak besar terhadap Kesehatan mental anak.Kesimpulannya, Pressure bukan hanya karya visual, tetapi juga media reflektif yangbermanfaat bagi orang tua, pendidik, dan masyarakat dalam memahami pentingnyamendukung perkembangan emosional anak.Kata kunci : Tekanan psikologis, pola asuh, kesehatan mental anak, filmeksperimental.
Interactive Online Storytelling Using AR Technology for the Familia Kreativa Community Rahman, Yanuar; Sintowoko, Dyah Ayu Wiwid; Triani, Ananda Risya
Jurnal Pengabdian kepada Masyarakat (Indonesian Journal of Community Engagement) Vol 12, No 1 (2026): Maret
Publisher : Direktorat Pengabdian kepada Masyarakat Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/jpkm.102338

Abstract

Community service initiatives involving interactive online storytelling using Augmented Reality (AR) technology aim to provide a novel educational experience for children aged 6 to 9, particularly members of the Familia Kreativa community. Storytelling is a powerful tool for imparting moral values, fostering creativity, and promoting reading habits among children. However, contemporary delivery methods are necessary to meet the needs of today's generation. AR technology was selected for its capacity to deliver interactive and immersive three-dimensional visual elements, which enhance participant engagement. This program comprised four phases: preparation, development of storytelling materials and modules, implementation of two online storytelling sessions, and evaluation. During the sessions, participants used smart devices to scan worksheets, which revealed AR features and objects. This activity involved direct interaction between participants and the storyteller through questions, answers, and visual exploration. The results indicate that AR technology improves participants' focus, interaction, and comprehension of the narratives. Children demonstrated better recall of story elements, while parents noted that this approach effectively reduced boredom and enhanced the learning experience. AR technology shows substantial potential for fostering creative learning and visual literacy in early childhood. Its use in this initiative aligns with the goals of quality education under SDG 4 and creates opportunities for technical innovation in the broader context of early childhood education development.
Konstruksi Maskulinitas dalam Film Seperti Dendam, Rindu Harus Dibayar Tuntas Fathiyah Nurshabrina Rahmah; Dyah Ayu Wiwid Sintowoko; Teddy Ageng Maulana
Rekam Vol 21, No 2 (2025): Oktober 2025
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/rekam.v21i2.9298

Abstract

Construction of Masculinity in The Movie Vengeance Is Mine, All Others Pay Cash.This study examines the construction of masculinity in the 2021 film “Seperti Dendam, Rindu Harus Dibayar Tuntas” (Vengeance Is Mine, All Others Pay Cash), focusing on the use of cinematographic and mise-en-scene elements to represent fragile masculinity. The film follows Ajo Kawir, a man grappling with childhood trauma that disrupts his sense of masculinity, particularly in terms of sexuality and emotion. This research employs a descriptive qualitative method by analyzing eight selected scenes that reflect aspects of masculinity. The theoretical framework includes cinematography, mise-en-scene, and masculinity theories such as hegemonic masculinity and toxic masculinity. The findings reveal that the film portrays masculinity not only through physical strength but also through vulnerability, especially in confronting sexual crises and emotional conflict. The use of color, lighting, framing, and costume enhances the masculine identity and inner turmoil of the characters. Moreover, the film presents an unconventional gender dynamic, particularly through the character Iteung, who displays strength and dominance, thereby reshaping the power relations between men and women. This analysis offers new insights into the construction of masculinity in Indonesian cinema, emphasizing the role of visual elements in shaping social meaning and masculine identity.
Co-Authors Adeseptian, Ricco Adrian Permana Zen Akbar, Mohammad Zydan Akhmadi Akhmadi Alfianto, Rynaldi Alghonyu, Dhara Alifiardi, Lukman Alifyan, Muhammad Daffa Amalia, Shalvinna Ananda Risya Triani Anggar Erdhina Adi Arfi Andrian Arini Arumsari Ariq, Nadhif Jasir Arsyafitri, Yasmin Annisaa Aryawijaya, Emir Hakim Asfar, Muhammad Qessar Ashila, Muhammad Azka Avianto Nugroho Azahra, Qonita Rahima Azwar, Azwin Bahri, Rizki Fahreza Belinda, Geby Ayu Budi Haswati, Sri Maharani Cucu Retno Yuningsih Didit Endriawan Donny Trihanondo Dony Tri Hanondo Dwitama, Muhamad Rizki Epri Diningrum, Anisa Ersyad, Firdaus Anwar Fadhilla, Alya Fathiyah Nurshabrina Rahmah Fauzan, Emir Ahmad Febrian, Yusep Febriana, Sheva Pahlevi Fiallco, Yoppyndra Fikriansyah, Muhammad Rizki Firdaus Azwar Ersyad, Firdaus Azwar Firdaus, Firdaus Azwar Ersyad Firdaus, Ivan Fauzy Ganjar Gumilar Gregorius Kresna Haga Ginting Gumelar, Muhammad Handriyandi, Muhammad Adli Hanif Azhar Hasan, Yassar Herliana, Zhira Ananda Iis Kurnia Nurhayati Ikhlas, Nazryl Akmallul Iqbal Prabawa Wiguna Isroni Muhammad Miraj Malau, Nova Astrit Febrianty Martiyadi Nurhidayat Miftahussurur, Giat Agus Muchammad Zaenal Al Ansory Muhammad Arief Fauzi Muhammad Rizky Ramadhan Nacazeta, Alghofiri Omar Nathaniel, Sibyl Negara, Fajar Wijaya Novian Denny Nugraha Nugraha, Arjuun Khanif Alfin Nugraha, Yudhistira Farhanda Nurul Fitriana Bahri Paku Kusuma Pratama, Febrian Aggy Putra, Edwar Fernanda Dwi Putri, Anisa Silviana Putri, Jade Elisa Putri, Shalomitha Debora Ramadhan, Muhammad Sabili Ramadhana, Syahdila Novanza Ranti Rachmawanti Rapekan, Muhammad Fakhrinur Shiyam Refi Rifaldi Windya Giri Ridzky, Axel Ramadhan Roro Retno Wulan Salsabila, Siela Salma Semesta, Cakrawala Jagad Shafy Putra, Muhammad Situmeang, Ezra Dereno Siwi Anjar Sari Soni Sadono Sugihartono, Ranang Agung Sukarso, Dwie Alfhyandy Sumarnis, Nisa Teddy Ageng Maulana Vega Giri Rohadiat Wijayanti, Sheila Nurfitri Yanuar Rahman