Garuda - Garba Rujukan Digital

PRACTICAL LEARNING: ANALISIS VISUAL PADA KARYA ANAK-ANAK Sintowoko, Dyah Ayu Wiwid; Zen, Adrian Permana; Febrian, Yusep
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 13 No. 1 (2021)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/brikolase.v13i1.3624

Seni adalah salah satu media yang dapatmemicukreativitas dan imajinasi anak-anak. Penelitian ini mencoba untuk mengetahui bagaimana kecenderungan daya imajinasianak-anak diantara usia lima hingga delapan tahun dalam kreativitas menggambar dan mewarnai. Rumusan masalah penelitian ini adalah: (1) Apa dominasi karakter objek yang dilukis oleh anak-anak di Yayasan Siti Hajar Amali, Bandung, Jawa Barat? (2) Bagaimana representasi dominasi warna lukisan anak-anak di Yayasan Siti Hajar Amali, Bandung, Jawa Barat? Metode yang digunakan adalah kualitatif deskriptif dengan model practical learning terhadap anak-anak di Yayasan Siti Hajar, Bandung Jawa Barat. Hasil penelitian menunjukkan bahwa dari kesembilan objek penelitian didapatkan dua kategori visual analisis sesuaidenganimajinasimandirianak-anaktersebut. Dua kategori visual tersebut adalah arsitektur dan fauna dengan representasi kecenderungan warna sekunder. Warna pada gambar yang dibuat oleh anak-anak Yayasan Siti Hajar Amali dominan lebih banyak menggunakan warna sekunder. Warna ini seolah merepresentasikan adanya keinginan untuk berkembang dan mandiri sekaligus adanya control emosi yang cukup pada anak-anak di Yayasan Siti Hajar Amali, Bandung. Hal ini ditunjukkan melalui kecenderungan atau dominasi warna sekunder dalam karya-karya mereka. Dimana warna-warna sekunder ini dimaknai sebagai warna yang bersifat positif dan energik

Industri Film: Pemetaan Strategi Percepatan Ekonomi Kreatif Nasional Menuju Indonesia Maju 2040 Sintowoko, Dyah Ayu Wiwid
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 15 No. 1 (2023)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/brikolase.v15i1.4989

The focus on the Indonesian film industry's progress is just a mare centered on financial assistance for film appreciation and preparation for film production. This research was carried out because of critical thinking about the Indonesian film industry, which is now the time for a more structured design phase. This is because competition for foreign films, such as Korean films, is still fierce. To stem the high interest in foreign products in the country, a filter such as a well-thought-out design is required to map the direction of Indonesian film. As a result, this study intends to produce an outcome mapping the master plan for accelerating the creative economy in the film industry based on historical klasters phases 1.0 to 4.0. The method employed is analytical descriptive, with a film literature study approach. The study's findings indicate that progress in the film industry can be made from the ground up, such as through collaboration between government agencies and education, which complement each other. Mapping based on phases 1.0 to 4.0 is also intended to serve as the foundation for the proposed mapping of the pattern of the Indonesian film industry. The strategy adapted from Korean Cultural Industry as well.

Sumber Gagasan Penciptaan Karya Audio Visual Berbasis Konten Lokal Sintowoko, Dyah Ayu Wiwid
Capture : Jurnal Seni Media Rekam Vol. 5 No. 2 (2014)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v5i2.673

Creativity can be done by utilizing the environment, natural resources, and human resources. Human Resorces can attempt to pour out their thoughts, find problems, and take chances, and viable solutions to publish. Creativity through the media can inspire, encourage, influence, and able to bring a positive change for the audience. The potential of these natural resources that need to be developed by the community at the same time revive, that the stored wealth needs to be raised (one of them with audio-visual approach). In this case the community (residents) as actors, not only as a spectator only. Their awareness that we must lift to play the audio-visual media. Something extraordinary in rural or are citizens can see themselves, relatives, family, and neighbors through the medium of film and television, so that it becomes an individual and collective pride.

Kostum Dalam Membangun Karakter Tokoh Pada Film Soekarno Sintowoko, Dyah Ayu Wiwid; Sugihartono, Ranang Agung
Capture : Jurnal Seni Media Rekam Vol. 6 No. 1 (2014)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v6i1.725

This study discusses the procedures of costumes and characters in the Sukarnofilm. This qualitative descriptive research apply the Sukarno film as source of data. Thecollection of data by purposive sampling, with the method of observation, interviews,and literature. Data were analyzed through data reduction, data display, drawingconclusions and verification process. The results showed that the costumes portraythe characterization of the characters. Costume adjusted with basic clothing, headclothing, body clothing, legs underwear, and accessories are known for costume parts.Each character has a unique costume and a differentiator from other figures. Costumealso build characterization of actors according to the physiological dimension (neatness,cleanliness, beauty, beauty, valor, charm, charisma, and authority). Sociological dimensionsindicate socioeconomic class, role in the family / community, ideology, ancestry, levelof education, religion, ethnicity / race, and interaction between the actors. While thepsychological dimensions adapted to the atmosphere and scene. Color and layoutcostume describing feelings, honesty, sincerity, emotion, desire, desire, passion, inneraction, as well as the vision of each character in the film.Keywords: costume, characterization, actor, film, and Soekarno

PENGARUH DRAMA KOREA TERHADAP DRAMA PADA PERTELEVISIAN INDONESIA (Study Kasus Drama My Love From The Stars dan Kau yang Berasal dari Bintang) Sintowoko, Dyah Ayu Wiwid
Capture : Jurnal Seni Media Rekam Vol. 7 No. 1 (2015)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v7i1.1563

This research tried to know the influence of Korean drama entitled My LoveFrom The Stars toward Indonesian drama Kau yang Berasal dari Bintang. This research constituted as qualitative descriptive research with those two dramas as the objects. The findings showed that the Indonesian drama Kau yang Berasal dari Bintang drama has similarity with the Korean drama My Love From The Star in the storyline, setting, and costumes. In the storyline, both dramas used a historical time describing love story between alien and human. In the costumes, Kau yang Berasal dari Bintang, used traditional costumes like Kebaya (to show the setting time in 400 years ago) and in the My LoveFrom The Stars used Hanbok as a traditional costumes too. The similarities in the setting are both of them used outdoor area (to describe pre-modernism) and crowded city (to describe modernization area).Keywords : Korean drama, storyline, costume, dan setting.

COSTUME AND FEMINISM: CHARACTER IN FILM KARTINI Sintowoko, Dyah Ayu Wiwid; Sari, Siwi Anjar
Capture : Jurnal Seni Media Rekam Vol. 13 No. 2 (2022)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v13i2.3796

Film Kartini, particularly the mise-en-scene aspect, appears to represent an era in the nineteenth century. The study focuses on Kartini's costumes. The research problem is how characters are constructed in the Film Kartini through costumes. The qualitative research method was employed for this study, and data collection was conducted using purposive sampling, with five scenes from Film Kartini serving as the primary data. The findings indicate that the costume’s four components, namely the top cloth, the body cloth, the leg cloth, and the accessories, are closely related to the character’s physiological, sociological, and psychological dimensions. The physical appearance of Kartini's costumes in its four components accurately reflects the physiological dimension. Meanwhile, Kartini appears to come from a noble family on the social dimension. Finally, on the psychological dimension, Kartini expresses her optimism for feminism through her costumes and movements but is confronted by the clash of Javanese traditions.

FILM TOURISM: A CASE STUDY OF SUMEDANG AS SUNDANESE CULTURAL PUSEUR Denny Nugraha, Novian; Erdhina Adi, Anggar; Budi Haswati, Sri Mharani; Sintowoko, Dyah Ayu Wiwid
Capture : Jurnal Seni Media Rekam Vol. 13 No. 2 (2022)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v13i2.4022

As a Sundanese Cultural Puseur (center), Sumedang Regency can arguably increase Local Own-Source Revenues (PAD – Pendapatan Asli Daerah) for the Sumedang Municipal Government. Hence, this artistic study aims to offer a positive identity for Sumedang Regency through film tourism. Specifically, this research employs a practical method to produce a film tourism creation titled “Historical Land of Pasundan.” The results indicate that the visual look of the Sumedang film tourism is quite complex and dynamic, demonstrating the regency’s superior potential, culinary offerings, and indigenous Sundanese culture. Sumedang is specifically labeled as the Sundanese Culture Puseur partly due to its historical significance and to attract a greater number of domestic and international tourists. This film tourism captures many images containing wide shots, close-ups, and camera movements and hence appears to be very dynamic as a part of the tourism and creative industry’s efforts to recover from the Covid-19 effects.

Pembuatan Konten Website dengan Medium Audiovisual untuk Mendukung Promosi UMKM Azolla Sintowoko, Dyah Ayu Wiwid; Azhar, Hanif
Jurnal Pengabdian Seni Vol 5, No 1 (2024): MEI 2024
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/jps.v5i1.12585

Website azolla.id berbasis medium interaktif, film, yang didedikasikan untuk UMKM Azolla Klaten sebagaibagian dari upaya membantu UMKM Azolla Klaten berkembang. Website ini digunakan sebagai salah satumedia informasi sekaligus wadah promosi UMKM Azolla Klaten. Kegiatan ini dilakukan untuk mendorongUMKM Azolla di Kajen, Klaten dalam merespons menjamurnya pemanfaatan media digital saat ini. Websiteini rencananya digunakan untuk mendukung promosi UMKM di area terpencil agar eksistensinya tetapbertahan, produknya tetap dikenal masyarakat luas, sekaligus mendukung ruang pendidikan bagi mahasiswadengan rumpun ilmu sejenis. Metode direct-practice diterapkan guna memaksimalkan perancangan websiteinteraktif. Hasil pengabdian kepada masyarakat (abdimas) menunjukkan bahwa website azolla.id tampakefektif untuk mendorong kemajuan UMKM daerah sekaligus dapat mendorong kebijakan ekonomi kreatifmasyarakat desa. Website ini memudahkan viewer dalam melihat produk UMKM, proses budi daya, danpemanenan azolla. Pembuatan website dan konten di dalamnya juga membantu menuntaskan problemmasyarakat, salah satunya problem yang dihadapi UMKM Azolla ini dalam bidang promosi media UMKM. The azolla.id website is specifically designed to support Azolla MSME. This MSME is located in Klaten. Sincethe MSME products are highly potentioal to be widely spread, the website serves as an informational platformand promotional forum for Azolla. The website is designed to facilitate the promotion of Micro, Small, andMedium Enterprises (MSMEs) specifically in distant locations. Morover, it aims to ensure the sustainability ofthese enterprises, introduce the products to the wider community, and provide an educational platform forstudents with similar expertise. The program of creating the website content leads to a result that azolla.idwebsite effectively promotes regional MSME’s advancement and fosters innovative economic strategies in ruralregions. Developing a website and its content can effectively address community issues, such as the challengesfaced by Azolla in promoting their businesses through MSME media.

Pembuatan Konten Website dengan Medium Audiovisual untuk Mendukung Promosi UMKM Azolla Sintowoko, Dyah Ayu Wiwid; Azhar, Hanif
Jurnal Pengabdian Seni Vol 5, No 1 (2024): MEI 2024
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/jps.v5i1.12585

Website azolla.id berbasis medium interaktif, film, yang didedikasikan untuk UMKM Azolla Klaten sebagaibagian dari upaya membantu UMKM Azolla Klaten berkembang. Website ini digunakan sebagai salah satumedia informasi sekaligus wadah promosi UMKM Azolla Klaten. Kegiatan ini dilakukan untuk mendorongUMKM Azolla di Kajen, Klaten dalam merespons menjamurnya pemanfaatan media digital saat ini. Websiteini rencananya digunakan untuk mendukung promosi UMKM di area terpencil agar eksistensinya tetapbertahan, produknya tetap dikenal masyarakat luas, sekaligus mendukung ruang pendidikan bagi mahasiswadengan rumpun ilmu sejenis. Metode direct-practice diterapkan guna memaksimalkan perancangan websiteinteraktif. Hasil pengabdian kepada masyarakat (abdimas) menunjukkan bahwa website azolla.id tampakefektif untuk mendorong kemajuan UMKM daerah sekaligus dapat mendorong kebijakan ekonomi kreatifmasyarakat desa. Website ini memudahkan viewer dalam melihat produk UMKM, proses budi daya, danpemanenan azolla. Pembuatan website dan konten di dalamnya juga membantu menuntaskan problemmasyarakat, salah satunya problem yang dihadapi UMKM Azolla ini dalam bidang promosi media UMKM. The azolla.id website is specifically designed to support Azolla MSME. This MSME is located in Klaten. Sincethe MSME products are highly potentioal to be widely spread, the website serves as an informational platformand promotional forum for Azolla. The website is designed to facilitate the promotion of Micro, Small, andMedium Enterprises (MSMEs) specifically in distant locations. Morover, it aims to ensure the sustainability ofthese enterprises, introduce the products to the wider community, and provide an educational platform forstudents with similar expertise. The program of creating the website content leads to a result that azolla.idwebsite effectively promotes regional MSME’s advancement and fosters innovative economic strategies in ruralregions. Developing a website and its content can effectively address community issues, such as the challengesfaced by Azolla in promoting their businesses through MSME media.

Konstruksi Women Empowerment pada Film "Marlina si Pembunuh dalam Empat Babak" Salsabila, Siela Salma; Sintowoko, Dyah Ayu Wiwid; Wiguna, Iqbal Prabawa
Rekam Vol 19, No 2 (2023): Oktober 2023
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/rekam.v19i2.9329

Women empowerment merupakan salah satu bentuk gerakan perlawanan perempuan dalam gender. Bentuk perlawanan tersebut adalah mengenai stigma perempuan yang masih dianggap lemah, bahkan di era ini. Salah satu bentuk perlawanan perempuan terhadap gender tampak terlihat dalam film Marlina si Pembunuh dalam Empat Babak. Berdasar pada latar belakang tersebut, penelitian ini bermaksud untuk menganalisis konstruksi women empowerment dalam film Marlina si Pembunuh dalam Empat Babak. Metode yang digunakan adalah kualitatif dengan melihat konteks-konteks yang tersembunyi dari adegan film. Jenis penelitian yang digunakan dalam penelitian ini adalah deskriptif analitis dengan pendekatan literature film. Hasil penelitian menunjukkan bahwa aspek mise-en-scene dapat mengkonstruksi women empowerment dengan didukung oleh dimensi penokohan. Visualisasi male gaze jugamasih terlihat dan menghasilkan karakter perempuan, Marlina, dengan adegan sadistic side. Dramatisasi adegan juga terlihat dari aspek sinematik film

Title

Found 83 Documents
Search

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Title Search

Found 83 Documents Search

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Title

Found 83 Documents
Search