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All Journal PRASI: Jurnal Bahasa, Seni, dan Pengajarannya Gorga : Jurnal Seni Rupa Dinamisia: Jurnal Pengabdian Kepada Masyarakat JMM (Jurnal Masyarakat Mandiri) Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Martabe : Jurnal Pengabdian Kepada Masyarakat Visualita : Jurnal Online Desain Komunikasi Visual Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Jurnal Rupa Besaung : Jurnal Seni Desain dan Budaya Jurnal Abdimas Mandiri Reswara: Jurnal Pengabdian Kepada Masyarakat Lumbung Inovasi: Jurnal Pengabdian Kepada Masyarakat Judikatif: Jurnal Desain Komunikasi Kreatif Jurnal Visi Pengabdian Kepada Masyarakat Golden Ratio of Mapping Idea and Literature Format Jurnal Multidisiplin Madani (MUDIMA) Amarasi : Jurnal Desain Komunikasi Visual Journal of Comprehensive Science VisArt: Jurnal Seni Rupa dan Design Jurnal Abdimas Mahakam
Yulius, Yosef
Universitas Indo Global Mandiri
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Civil Engineering, Building, Construction & Architecture Computer Science & IT Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Electrical & Electronics Engineering Engineering Environmental Science Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Mathematics Mechanical Engineering Social Sciences Other

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Media Komunikasi Visual Awareness Campaign Pengetahuan Seksualitas Pada Anak-Anak Sejak Dini di Kota Palembang Syahrani, Allya; Yulius, Yosef; Lubis, Hestia
Besaung : Jurnal Seni Desain dan Budaya Vol. 11 No. 1 (2026): Besaung: Desember 2025-Maret 2026
Publisher : UNIVERSITAS INDO GLOBAL MANDIRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36982/jsdb.v11i1.5927

Abstract

Sexuality is a important aspect of human growth, including physical, emotional, social, and psychological elements. In Indonesia, sexuality is a culturally delicate and frequently taboo topic, especially regarding the education of children. Numerous parents find it challenging to tackle the subject, worrying it could spark early curiosity or be seen as unsuitable for their child's age. Methods based on fear and restrictions frequently do not connect with children in a meaningful way, while those guided by developmental psychology like the theories of Piaget and Freud tress the importance of age-appropriate, logical conversation. The absence of precise information from families and schools drives children to look for knowledge from media or friends, which can reinforce misinformation. Worrying levels of sexual violence targeting children, especially in regions such as Palembang, highlight the need for thorough, ethically-based sexuality education. The problem addressed in this design project is how to develop a visual communication medium for an awareness campaign on early childhood sexuality education in Palembang City using the design thinking method. The outcome of this project is a set of visual communication media in the form of an awareness campaign on sexuality education, which is expected to provide educational value for children from an early age
Pola Semiotika Representasi Emosi pada Desain Sampul Buku Anak: Analisis Peirce pada The Feelings Series Karya Trace Moroney Lubis, Hestia Rachmat Nunciata; Yulius, Yosef; Halim, Bobby
JURNAL RUPA Vol 10 No 1 (2025): In Press
Publisher : Telkom University

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Abstract

The study investigates semiotic patterns of emotional representation in children’s book cover design using Charles Sanders Peirce’s icon-index-symbol framework. The research examines ten book covers from The Feelings Series by Trace Moroney, a children’s picture book series that consistently addresses basic emotions in early childhood. The study aims to identify how emotional meanings are constructed through visual signs and to examine the dominant semiotic strategies employed across covers. A descriptive qualitative method was employed was applied through structured visual observation of key cover elements, including character facial expressions, body gestures, color palettes, typography, and background composition. Each visual element was treated as a unit of analysis and independently coded by two coders according to Peirce’s classification of iconic, indexical, and symbolic signs. Inter-coder reliability was assessed using percentage agreement, resulting in an initial agreement rate of 90%, with remaining discrepancies resolved through reflective discussion grounded in operational definitions and contextual visual analysis. The findings reveal a consistent cross-cover semiotic pattern in which indexical signs such as body posture, gesture, gaze direction, and compositional emphasis play a dominant role in constructing emotional context, while iconic signs, particularly facial expressions, function as primary cues for immediate emotional recognition. Symbolic signs, including color conventions, typographic treatment, and series identity, operate to stabilize and reinforce emotional meanings through culturally familiar visual codes. These three sign types work in an integrated manner to form a cohesive and readable system of emotional representation across the series. The study demonstrates that Peirce’s semiotic framework can be systematically operationalized as and analytical tool in visual communication design research, particularly within the context of children’s emotional literacy. The identified semiotic patterns provide practical insights for designers and publishers in developing children’s book cover that effectively communicate emotions in ways that are visually clear, developmentally appropriate, and emotionally supportive.
Persepsi Visual dan Konstruksi Makna Spiritualitas pada Prasasti Telaga Batu: Analisis Arnheimian Terhadap Simbol Air, Batu, dan Ular Yulius, Yosef; Suryanegara, Erwan; Patriansah, Mukhsin; Amalia, Shalyna Nadya; Ubaidillah, Muhammad
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 17 No. 2 (2025)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/brikolase.v17i2.7786

Abstract

This study aims to understand how the visual elements of the Telaga Batu Inscription shape visual perception and spiritual meaning within the cultural context of the Sriwijaya Kingdom. The research applies Rudolf Arnheim’s visual perception theory, which defines seeing as an active mental process that organizes balance, direction, and structure to generate meaning. The method used is descriptive qualitative with visual analysis of three main elements of the inscription, namely stone, water, and serpent. Data were collected through literature review and visual documentation, then analyzed to identify principles of balance, rhythm, and unity that construct spiritual experience within the ritual of oath-taking. The results show that the Telaga Batu Inscription was designed with strong visual awareness to evoke a sense of sanctity and royal authority. The stone symbolizes stability and eternity, water functions as a medium of purification, and the seven-headed serpent represents cosmic protection. These elements together form a spiritual visual communication system that reinforces the values of loyalty and power in Sriwijaya. The findings demonstrate that visual perception theory can be applied to interpret ancient artifacts as visual communication designs carrying profound spiritual and cultural values.
Promosi Rumah Ong Boen Tjiet Sebagai Warisan Budaya Tionghoa Di Kota Palembang Oktari, Ismi; Viatra, Aji Windu; Yulius, Yosef
Besaung : Jurnal Seni Desain dan Budaya Vol. 11 No. 1 (2026): Besaung: Desember 2025-Maret 2026
Publisher : UNIVERSITAS INDO GLOBAL MANDIRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36982/jsdb.v11i1.6987

Abstract

The promotion of Rumah Ong Boen Tjiet as a Chinese cultural heritage site in the city of Palembang is driven by the declining public awareness, particularly among the younger generation, toward local cultural heritage due to the influence of globalization and the dominance of popular culture in digital media. Rumah Ong Boen Tjiet is a historical building that represents the acculturation between Chinese culture and local Palembang culture, as reflected in its architecture, ornaments, and historical values. However, the lack of effective promotional strategies, along with suboptimal environmental conditions and accessibility to the site, has resulted in limited public recognition. Therefore, a visual communication strategy is needed to introduce and enhance public awareness of the cultural and historical significance of this site. The objective of this design project is to develop a promotional identity that represents the historical and cultural values of Rumah Ong Boen Tjiet, while also formulating an effective promotional strategy that remains relevant in the context of modern media development. The method used in this project is the Design Thinking approach, which includes the stages of empathize, define, ideate, prototype, and test. Data collection techniques involve observation, interviews, documentation, and literature studies. The results of the project indicate that the use of visually based promotional media, such as promotional videos and other visual communication tools, can enhance the attractiveness of cultural information and expand the reach of publication, especially among younger audiences. Thus, this design is expected to support the preservation of Rumah Ong Boen Tjiet as part of cultural heritage and as a cultural tourism destination in the city of Palembang
Upaya Meningkatkan Perekonomian Warga Desa melalui Pelatihan Kerajinan Bunga dari Akar Kayu Mukhsin Patriansah; Yosef Yulius
Jurnal Abdimas Mahakam Vol. 5 No. 01 (2021): Januari
Publisher : Lembaga Penelitian dan Pengabdian Masyarakat

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Abstract

Di era globalisasi sekarang usaha kerajinan merupakan salah satu alternatif bisnis yang cukup menjanjikan untuk dikembangkan sebagai upaya meningkatkan perekonomian warga dan merupakan salah satu produk budaya yang kini menjadi komoditi negara untuk meningkatkan devisa. Kerajinan merupakan kegiatan kreatif dalam mengolah produk atau barang yang menggunakan bahan utama yang disediakan oleh alam seperti kayu, rotan, bambu, akar kayu, daun, kerang, dan lain sebagainya. Pada umumnya kerajinan dilakukan oleh tangan yang memiliki fungsi estetis dan memiliki nilai jual, sehingga mampu meningkatkan perekonomian warga setempat dan mampu menciptakan lapangan pekerjaan baru. Tujuan utama dari pelatihan ini merupakan stimulus bagi masyarakat setempat untuk melatih dan mengembangkan keterampilan mereka, sehingga mampu mengolah sumber daya alam yang ada salah satunya adalah akar kayu. Produk kerajinan yang dihasilkan dari program ini cukup memuaskan, hal ini ditandai dari berbagai jenis produk yang telah dibuat sudah layak di pasarkan dan dipamerkan kehadapan publik.
Peningkatan Skill melalui Pelatihan Motion Graphic di SMK Negeri 2 Banyuasin Bobby Halim; Yosef Yulius
Jurnal Abdimas Mahakam Vol. 5 No. 02 (2021): Juli
Publisher : Lembaga Penelitian dan Pengabdian Masyarakat

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Abstract

Kegiatan pelatihan Skill Motion Graphic di SMK Negeri 2 Banyuasin merupakan respon dari pihak terkait. Di tengah kondisi pandemi ini, industri kreatif terus digalakan oleh pemerintah Indonesia. Bidang Multimedia memiliki kesempatan tersendiri saat ini, dikarenakan pandemi yang menyerang Indonesia berakibat perubahan gaya hidup masyarakatnya. Akibat pandemi,masyarakat Indonesia lebih banyak menghabiskan waktu dengan daring/online karena melalui daring masyarakat masih dapat beraktivitas sehari-hari,dari bekerja, belajar (sekolah) hingga menikmati hiburan. Maka dari itu Multimedia berperan penting dalam gaya hidup saat pandemi ini. Universitas Indo Global Mandiri (UIGM) Palembang, berkomitmen untuk selalu berusaha melakukan pengabdian terhadap masyarakat secara terus menerus sebagai wujud kepedulian insan akademik terhadap peningkatan kualitas hidup masyarakat. Untuk itu Tim Pengabdian Masyarakat Universitas Indo Global Mandiri (UIGM ) Palembang bermaksud menjalin kemitraan dengan SMK Negeri 2 Banyuasin dengan skema pengabdian internal, yaitu 1) Memberikan wawasan mengenai Motion Graphic dan pengetahuan mengenai perkembangan industri kreatif. 2) Memberikan keterampilan Motion Graphic bambu terhadap peserta pelatihan. 3) Memberikan pengetahuan dan wawasan dalam pembuatan Motion Graphic. 4) Meningkatkan keterampilan bagi peserta yang sudah memiliki basic dasar dalam multimedia. 5) Memberikan motivasi dan kiat-kiat kepada peserta agar dapat menjadi desainer yang mandiri dan mampu memproduksi Motion Graphic secara berkala.
Co-Authors Ainunnisa, Amalia Aiununnisa, Amelia Aji Windu Viatra Aji Windu Viatra Amalia, Shalyna Nadya Amelia Aiununnisa Amirullah, Ahmad Ridho Anisya Apriani Apriani Auliya Hegar, Tata Bobby Halim Bobby Halim Bobby Halim Damayanti, Alfina Darmawan, Adel Ari Dewi Sartika Didiek Prasetya Edwar, Hediana Imelda Erwan Suryanegara Febina Dwi Rahmah Febriansyah, Luki Fernanda, Yohanes Reno Ferry, Ferry Muhammad Rahman Firdaus Pangestu Marfa Hadhira Rahma Halim, Bobby Halim, Bobby Hallim, Bobby Hestia Rachmat Nunciata Lubis Hestia Rachmat Nunciata Lubis Husni Mubarat Husni Mubarat, Husni Imelda Saluza, Imelda Indah Permata Sari Indah Permatasari Irma Suryani, Riri Iswandi, Heri Iswandi, Heri Jessica Halim Junoko, Safar Kharimah, Ayu Nissa Khoiriyah, moh yogie pratama Lesi Hertati, Lesi Lubis, Hestia Lubis, Hestia Rachmat Nunciata Maharani Maharani, Maharani Marcelina, Dona Marnisah, Luis Muhammad Rivan Hakim Mukhsin Patriansah Mukhsin Patriansah Noor Faiza Febrianti Nugraha, M. Ihsan Nur ‘Azah Nurwijayanti Nyoman Dewi Pebryani Okta Wahdjudha, Rizkha Oktari, Ismi Pangestu, Risvi Pangestu, Risvi Patriansah, Mukhsin Patriansah, Mukhsin Prasetya, Didiek Pratama, Edo Pratiwi, Dika Putri Pratiwi, Febbi Neliandri Purnamasari, Dwi Chandra Putra, M Edo Pratama Putra, M. Edo Pratama Putri, Rheina Anastasia Raden Okta Riansyah Rahma, Hadhira Ramadhon, Nando Riansyah, Raden Okta Rizkha Okta Wahdjudha S. Suharto Salsabilah Soha, Fadhilah Mutiara Sapar Junoko Sapitri, Ria Saputra, Tedy Setiawan Sartika, Dewi Setyo, Sutikno Try Setyo, Sutikno Try Somantri, usuf Suharto Suharto Sutikno Try Setyo Syahrani, Allya Syamsiar, Syamsiar Terttiaavini, Terttiaavini Ulfa, Yulia Verdianto, Valentinus Windu Viatra, Aji Yosef Yulius Noor Faiza Febrianti Yuniarti Wulandari, Yuniarti