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Journal : Stilistika: Journal of Indonesian Language and Literature

Konstruksi Kalimat pada Dialog Film Hafalan Shalat Delisa Karya Tere Liye Puronami Sarah Stefany; Made Sri Satyawati; Anak Agung Putu Putra
Stilistika : Journal of Indonesian Language and Literature Vol 1 No 1 (2021)
Publisher : Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (617.198 KB) | DOI: 10.24843/STIL.2021.v01.i01.p01

Abstract

This research is entitled “Konstruksi Kalimat Pada Dialog Film Hafalan Shalat Delisa Karya Tere Liye”. This study aims to describe (a) the structure of the sentence and (b) what types of sentences are used in the dialogue. The data collection methods and techniques used are the note-taking method, data analysis methods and techniques using the agih method with basic techniques for direct elements, while the methods and techniques for presenting the results of data analysis are formal methods with descriptive techniques. The results of this study include the structure of sentences in the dialogue of the film Hafalan Shalat Delisa which is divided into two groups, namely the structure of single sentences and compound sentences. The single sentence structure consists of eight sentence patterns, namely (1) SP, (2) SPO, (3) SPK, (4) SP-Pel, (5) SPOK, (6) SPO-Pel, (7) PK, and (8) PO. In compound sentences there are five sentence patterns, namely (1) SP+SP, (2) SP+PO, (3) SP+PK, (4) Konj+SPO+KSP and (5) SPPel+SPO. The types of sentences in the film dialogue Hafalan Shalat Delisa are divided into three types, namely (a) types of sentences based on the number of clauses, namely single sentences, equivalent compound sentences, multilevel compound sentences and mixed compound sentences, (b) types of sentences based on syntactic classification in the form of declarative sentences, imperative sentences, interrogative sentences, and exclamatory sentences, and (c) types of sentences based on the completeness of their elements in the form of major sentences and minor sentences.
Analisis Sentimen Kata Anjay pada Media Sosial Twitter Dalam Kajian Linguistik Komputasi Yusuf Parri Akbar; Made Sri Satyawati; Nyoman Putra Sastra
Stilistika : Journal of Indonesian Language and Literature Vol 1 No 2 (2022): Volume 1 No. 2. April 2022
Publisher : Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (894.666 KB) | DOI: 10.24843/STIL.2022.v01.i02.p06

Abstract

Language serves as a means of supporting activities, ideas, and human behavior. Every form of human life can be expressed in language. Language in everyday use depends on the user and the situation of use. Because of these two things, various variations of language are used in communication. In mid-2020, Indonesia was shocked by the ban on the use of the word anjay. The purpose of this study was to determine the classification of text mining methods in filtering the word anjay, to find out how the sentence structure is in each tweet, to find out how the nuances of the meaning of the word anjay in each tweet. From the k-fold cross validation process, the average accuracy result is 50%, the precision result is 59.2%, the recall result is 47.3%, and the f-measure result is 41.2%. The word anjay is found in phrases or nouns 252 tweets, verbs 232 tweets, adjectives 187 tweets, pronouns 32 tweets, numerals 16 tweets, prepositions 12 tweets, and adverbs 11 tweets. The word anjay is found in 350 tweets of declarative sentences, 283 exclamative tweets, 78 interrogative tweets, and 31 imperative tweets. The word anjay has various interjections, including; interjection of admiration, interjection of wonder, interjection of gratitude, interjection of surprise, interjection of hope, interjection of anger, interjection of curses, and interjection of hope. In terms of nuances of meaning using redundancy, the word anjay has no influence in a sentence. The word anjay serves as an affirmation of the core of a sentence.
Co-Authors A.A. Putu Suari Alimah Fadhilah Can Anak Agung Putu Putra Anak Agung Putu Putra Anggie Ray Salvatore Antari, Ni Made Suwari Aron Meko Mbete Aron Meko Mbete Asako Shiohara Bintang Suryaningsih, A.A. Istri Agung CHOIRUN NISA Dewa Ayu Widiasri Dewa Gede Agung Aditya . Gusti Nyoman Ayu Sukerti Hanny Hafiar I Gde Nyana Kesuma I Gede Budasi I Gusti Ayu Agung Dian Susanthi I Gusti Ayu Gede Sosiowati I Gusti Made Sutjaja I Gusti Ngurah Ketut Putrayasa I Ketut Artawa I Ketut Darma Laksana I Ketut Oka Ribawa I Made Beni Wrihatnala I Made Budiarsa I Nengah Sudipa I Nyoman Kardana I Nyoman Sedeng I NYOMAN SUPARWA I Nyoman Udayana I WAYAN PASTIKA I Wayan Simpen I Wayan Simplen Ida Bagus Putra Yadnya Johandi Sinaga Kadek Ayu Winda Winanda Kesuma, I Gde Nyana Ketut rtawa Ketut Widya Purnawati La Yani Laksono Trisnantoro Lien Darlina Maryanti E. Mokoagouw Muliawan, Made Sani Damayanthi Nazara, Wa’özisökhi Ni Ketut Ratna Erawati Ni Ketut Sri Rahayuni NI MADE AYU SULASMINI . Ni Made Dhanawaty Ni Made Sri Maharani Ni Nyoman Dewi Astari Putri Ni Wayan Kencanawati Ni Wayan Sri Darmayani Nidya Fitri Nidya Fitri Novita Mulyana Nyoman Putra Sastra Paramarta, I Made Suta Puronami Sarah Stefany Putri, Ni Nyoman Dewi Astari Putu Agus Bratayadnya, Putu Agus Putu Ayu Prabawati Sudana Putu Eka Dambayana Suputra Said, Rahmat Sawirman Sawirman Sukardi Sukardi Syufi, Yafet Togasa, Shotaro Wayan Yuni Antari Wa’özisökhi Nazara Widiasri, Dewa Ayu Widiatmika, Putu Wahyu Yafed Syufi Yafet Syufi Yendra Yusuf Parri Akbar