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All Journal Litera CaLLs : Journal of Culture, Arts, Literature, and Linguistics Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Proceedings of ISELT FBS Universitas Negeri Padang Journal of English as a Foreign Language Teaching and Research (JEFLTR) Prosiding Seminar Nasional Sastra, Bahasa, dan Seni (Sesanti) Ruhui Rahayu: Jurnal Pengabdian Kepada Masyarakat Jurnal Abdita Naturafarm

Nita Maya Valiantien

Unknown Affiliation

Author-ID : 2602183

Religion Arts Humanities Decision Sciences, Operations Research & Management Education Environmental Science Health Professions Languange, Linguistic, Communication & Media Social Sciences Other

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IGNITING STUDENTS’ MOTIVATION IN WRITING THROUGH JOURNAL WRITING Nita Maya Valiantien; Ririn Setyowati; Setya Ariani
Proceedings of ISELT FBS Universitas Negeri Padang Vol 4, No 2 (2016): Proceedings of the 4th International Seminar on English Language & Teaching (ISE
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (325.302 KB)

Until recent decades, the effort on diminishing students’ feeling of anxiety and less self-efficacy toward the writing activities in academic writing course still becomes a great concern for the teachers or practitioners of writing skill especially when dealing with students from multilingual society. These students, who learn English as a foreign language, often demonstrate the influence of their first language when composing a writing, even in a simple paragraph. Facing this situation, the teachers are forced to give attention more to students’ grammatical composition, and as a result of this most of the students give excessive attention only to revise the grammatical mistakes. Based on this situation, they develop “mental block” towards writing and have less interest in writing. To deal with this situation, many studies suggest that teachers need to foster students’ motivation since it is as crucial as developing students’ writing skills through practice. Hence, this paper aims to describe the effectiveness of giving journal writing task and providing comments to students’ writing in the task as a simple but useful way to ignite students’ motivation in writing. The object of the research is the students of academic writing course in Faculty of Cultural Studies of Mulawarman University Samarinda. List of questions were given to the students after they experienced the task to figure out how much the task and the comments influence students’ motivation in writing

THE PSYCHOANALYTICAL STUDY ON THE CHARACTERISTICS AND CAUSES OF ADOLESCENT DEVIANT BEHAVIOR FOUND IN DIVERGENT NOVEL BY VERONICA ROTH Nurhasanah Putri Wiyani; Surya Sili; Nita Maya Valiantien
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni dan Budaya Vol 1, No 2 (2017): Edisi April 2017
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Abstract This research investigates how the major character described to get causes of Beatrice's deviant behaviors in Veronica Roth’s Divergent Novel. This research used three different theories to answer two research questions. First, used the personality theory by Sigmund Freud and used the four ds of abnormality theory by Ronald J.Comer to define the deviant behavior of the main character, Beatrice Prior. This research also used behavior disorder theory by Harry Gottesfeld to analyzed the causes of deviant behavior which is performed by the main character. The data sources are literary data. The method of data collection of the research is library research. The technique of data analysis is descriptive qualitative method. The researcher served the data in dialogues, and narratives by Beatrice. Based on the analysis, the researcher draws two conclusions: First, this research shows that the failure to control personality can make a person being deviant. It is reflected in the major character’s personality when she wants to leave her faction. The second, this research shows that there are four causes of Beatrice deviant behavior in six causes of behavior disorder, they are the physical, biological factors; the family; and the self-concept, and natural support systems. Key words : psychoanalytical study, deviant behavior, Divergent novel. Abstrak Penelitian ini menyelidiki bagaimana karakter utama dijelaskan untuk mengetahui penyebab perilaku menyimpang Beatrice di novel Divergent karya Veronica Roth. Penelitian ini menggunakan tiga teori yang berbeda untuk menjawab dua pertanyaan penelitian. Pertama, menggunakan teori personality oleh Sigmund Freud dan menggunakan teori the four Ds of Abnormality oleh Ronald J.Comer untuk menentukan perilaku menyimpang dari karakter utama, Beatrice Prior. Penelitian ini juga menggunakan teori behavior disorder oleh Harry Gottesfeld untuk menganalisis penyebab perilaku menyimpang yang dilakukan oleh karakter utama. Sumber data adalah data sastra. Metode pengumpulan data dari penelitian ini adalah studi pustaka. Teknik analisis data adalah metode deskriptif kualitatif. Peneliti menyajikan data dalam dialog, dan narasi oleh Beatrice. Berdasarkan hasil analisis, peneliti menarik dua kesimpulan: Pertama, penelitian ini menunjukkan bahwa kegagalan untuk mengontrol kepribadian dapat membuat seseorang menjadi menyimpang. Hal ini tercermin dalam kepribadian karakter utama ketika ia ingin meninggalkan faksi nya. Yang kedua, penelitian ini menunjukkan bahwa ada empat penyebab perilaku menyimpang Beatrice dalam enam penyebab gangguan perilaku, yaitu fisik, faktor biologis; keluarga; konsep diri, dan sistem pendukung alami. Kata kunci: penelitian psikoanalitik, perilaku menyimpang, novel Divergent

THE DIFFERENCES BETWEEN MEN AND WOMEN’S LANGUAGE IN THE DEVIL WEARS PRADA MOVIE Tri Puspa Juwita; Dyah Sunggingwati; Nita Maya Valiantien
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni dan Budaya Vol 2, No 1 (2018): Edisi Januari 2018
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

ABSTRACT This research with the title investigated the differences between men and women’s language feature and the consistency of the using of that language features by each gender. This research used the theory from Coates (2004) about men’s language features and Lakoff, quoted by Holmes (2003) about women’s language. The researcher got the data from every dialogue by main and supporting characters. The research design in this research used qualitative method from Mack et al (2005). The data source of this research got from the dialogue of men and women’s characters and the researcher also used books and journals which are related to this research to analyze the data. The technique of data analysis is descriptive method. The researcher draws two conclusions: firstly, this research found that men and women’s character in The Devil Wears Prada movie did not use all of the language features from Coates and Lakoff. Secondly, the researcher found that in some situation, the men and women’s character did not consistent use their own language features. Keywords: features consistency, men’s language, women’s language, The Devil Wears Prada movie ABSTRAK Penelitian ini bertujuan untuk meneliti tentang perbedaan antara bahasa pria dan bahasa wanita dan konsistensi pengunaan tersebut pada masing-masing jenis kelamin. Penelitian ini menggunakan teori dari Coates (2004) tentang bahasa pria dan teori dari Lakoff yang dikutip oleh Holmes (2003) tentang bahasa wanita. Peneliti mendapatkan data dari seluruh percakapan yang dilakukan oleh pemeran utama dan pemeran pendukung. Penelitian ini menggunakan metode kualitatif dari Mack et al (2005). Sumber data diperoleh dari percakapan karakter pria dan wanita dan juga didukung oleh buku dan jurnal yang berkaitan dengan penelitian ini. Cara untuk menganalisis data adalah dengan menggunakan metode deskripsi. Peneliti mendapatkan dua kesimpulan: pertama, ditemukan bahwa karakter pria dan wanita di film The Devil Wears Prada tidak menggunkan seluruh kriteria dari Coates dan Lakoff. Kedua, peneliti menemukan bahwa di beberapa situasi, karakter pria dan wanita tidak konsisten menggunakan karaker bahasa masing-masing gender. Kata kunci: konsistensi karakter, bahasa pria, bahasa wanita, film The Devil Wears Prada

THE REVEALING OF CHARACTERS THROUGH SOLILOQUIES IN WILLIAM SHAKESPEARE’S A MIDSUMMER NIGHT’S DREAM DRAMA Imelda Intan Safitri; Singgih Daru Kuncara; Nita Maya Valiantien
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni dan Budaya Vol 3, No 2 (2019): April 2019
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

This research aimed to reveal the characters’ personality traits by reference to Costa and McCrae (1992) through one of the characterization devices called soliloquy and knowing about the role of characters soliloquy in A Midsummer Night’s Dream drama. The method of this research was qualitative content analysis. The data of this research were the characters’ soliloquies in the drama. After analyzing, the result showed that soliloquies had important roles in A Midsummer Night’s Dream drama. The roles were to reveal about the characters development and the drama plot; although there was no narration in the drama, but soliloquies could show and describe the characters’ personality traits, each character had one till five personality traits through telling their true thoughts and intentions by using soliloquies in A Midsummer Night’s Dream drama. Penelitian ini bertujuan untuk memaparkan ciri-ciri kepribadian berdasarkan teori Costa dan McCrae (1992) melalui salah satu jenis karakterisasi yaitu solilokui sekaligus untuk mengetahui peranan solilokui pada karakter dalam drama A Midsummer Night’s Dream. Metode yang digunakan untuk penelitian ini adalah kualitatif konten analisis. Data yang digunakan berupa solilokui dari tiap-tiap karakter di dalam drama. Hasil penelitian ini menunjukan bahwa solilokui memiliki peran penting pada drama A Midsummer Night’s Dream. Peran penting solilokui di dalam drama tersebut adalah untuk mengungkapkan perkembangan karakter dan jalan cerita; meski tidak ada narasi namun solilokui dapat menunjukkan dan menjelaskan ciri-ciri kepribadian karakter di dalam drama. Masing-masing karakter memiliki satu hingga lima ciri-ciri kepribadian melalui penyampaian pola pikir dan tujuan mereka yang sebenarnya melalui penggunaan solilokui di drama A Midsummer Night’s Dream.

THE STUDY OF SLANG UTTERANCES IN BRICK MOVIE Daynikita Merisabel; M. Bahri Arifin; Nita Maya Valiantien
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni dan Budaya Vol 4, No 2 (2020): April 2020
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

This study discussed about slang utterances found in the movie entitled Brick directed by Rian Johnson. It is interesting to conduct slang research on Brick movie since it is a unique neo-noir movie which portrays teenager’s life that speak in an invented slang in the ‘20s, ’30s, and ‘40s. By using descriptive qualitative method, the purpose of the study is to identify the types of slang appeared in the conversation and to observe the context behind the slang used in Brick movie. The slang data is analyzed based on the types of American Slang theory by Chapman (1988) and by Partridge (1933). To support the analysis of context, the writers used the Ethnography of Speaking by Hymes (1974). Regarding to the research findings, the writers identified that there are three types of slang used by the seven characters in Brick movie script, namely: student slang, primary slang and secondary slang. The most frequently type of slang is secondary slang with total of 12 data. Furthermore, the meaning of each slang utterances is not only based on dictionaries but also based on the context of situation, such as setting, participants, ends, act, key, instrumentalities, norms, and genre. In conclusion, this study showed that there are many aspects of slang which can be analyzed more deeply into several other branches of linguistics, such as sociolinguistic, pragmatic and semantic.

CHARACTER ANALYSIS OF DEXTER MORGAN FROM DEXTER TV SHOW: WITH SPECIAL REFERENCE TO PSYCHOPATH OR SOCIOPATH DISORDERS Sulistyo Dwi Antoko; Muhammad Natsir; Nita Maya Valiantien
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni dan Budaya Vol 2, No 2 (2018): Edisi April 2018
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

ABSTRACT Dexter Morgan is the master of horrendous crimes without everyone acknowledgement, he is the master manipulator reflected through each episodes of Dexter TV Show. By using descriptive qualitative method, this study aimed to answer the following questions. The first research question is about the characters of Dexter Morgan, and the second research question is about how he conceals himself from the society. By using theories from Robert Hare’s Psychopathy Checklist –Revised (PCL- R) and Hervey M. Cleckley’sThe Mask of Sanity, the questions are answered in a direct way. The results of the study showed that Dexter Morgan matches 19 from 20 of PCL- R traits from both two factors (Personality and Behavior) such as charming personality, grandiose of self-worth, proneness to boredom, liar, manipulative, lack of remorse, shallow affect, poor and early behavioral problems, promiscuous sexual behavior, lack of realistic goals, impulsive, irresponsible, cannot accept responsibility, short-term relationship, juvenile delinquency, and criminal versatility. The only exception in the trait is from second factor which is revocation of conditional release, because Dexter Morgan never got caught, so he does not need to escape or bail from restraining orders.The result of the second research question showed how psychopath or sociopath lurking around in our peaceful society filled with happiness and joys by faking a smile and superficial charming personality. Psychopath conceals themselves in our everyday lives. Based on the answers of research questions, Dexter Morgan has dominant character as a high functioning psychopath because he can manipulate everyone, undetected serial killer, and act like a wolf in sheep clothes. Keywords: Psychopath, Sociopath, Psychological, Conceals, Dexter Morgan ABSTRAK Dexter Morgan adalah seorang ahli dalam memanipulasi kehidupan dan juga seorang kriminal tak terdeteksi. Dengan menggunakan metode deskriptif kualitatif, penilitian ini bertujuan untuk menjawab pertanyaan sebagai berikut. Pertanyaan pertama adalah tentang karakter dari Dexter Morgan, dan yang kedua adalah tentang bagaimana Dexter Morgan menyembunyikan identitas dirinya yang sebenarnya di kehidupan sosial. Dengan menggunakan teori dari Robert Hare yang bernama Psychopathy Checklist – Revised (PCL –R) dan Harvey M.Cleckley yang berjudul The Mask of Sanity. Hasil dari penilitian ini adalah Dexter Morgan mampu membuktikan bahwa ia sangat fit dengan 19 dari 20 kriteria PCL –R dari kedua faktor (Kepribadian dan Kebiasaan) seperti kepribadian yang mempesona, kebanggaan berlebihan terhadap diri sendiri, cepat bosan, pembohong, manipulatif, kurangnya perasaan menyesal, kosong, mempunyai masalah kebiasaan sejak dini, kebiasaan seksual yang acak, kurangnya tujuan realistis, bertindak tanpa berfikir, tidak bertanggung jawab, tidak bisa menanggung tanggung jawab terhadap diri sendiri, hubungan jangka pendek, dan lain sebagainya. Satu-satunya kriteria yang tidak dipenuhi Dexter Morgan adalah pembebasan dengan syarat tertentu, karena Dexter Morgan tidak pernah tertangkap oleh pihak berwajib, ia tidak perlu di bebaskan dengan syarat. Sedangkan jawaban dari pertanyaan kedua adalah bagaimana seorang psikopat atau sosiopat menguntit dalam kehidupan sehari-hari kita menggunakan senyuman palsu dan juga keahlian untuk memanipulasi kerabat atau teman-teman di kehidupan sosial. Berdasarkan jawaban dari kedua pertanyaan, Dexter Morgan sangat dominan dengan sifat psikopat dalam dirinya sehingga ini membuat ia adalah psikopat berkemampuan tinggi, ia hebat memanipulasi dan juga pembunuh tak terdeteksi, ia adalah serigala dalam jubah domba. Kata kunci: Psikopat, Sosiopat, Psikologi, Menyembunyikan, Dexter Morgan.

Sifat Kepahlawanan Tokoh Bujang dalam Novel "Pulang" Karya Tere Liye Nita Maya Valiantien; Setya Ariani
Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Vol 4 No 4 (2021)
Publisher : Universitas Mulawarman

This study aims to provide an overview of heroic traits shown by the character Bujang in Tere Liye's novel Pulang. The method used in analyzing the data is qualitative method because the data collected and analyzed are in the form of narratives and dialogues in the text related to the heroic traits possessed by Bujang as the main character in the novel. Furthermore, this study uses descriptive techniques to define the heroic traits found in Bujang character. From the results of the analysis, it was found that eight heroic traits possessed by Bujang in the novel Pulang. The traits include caring, charismatic, inspiring, reliable, resilient, selfless, smart, and strong. This finding shows that heroic traits can be found in characters who are involved in the world of crime and also in literary works that use the setting and themes of the criminal world. By having these eight heroic traits, Bujang is a representation of a hero even though he is a character who has a role in the criminal world he lives in the novel.

THE REPRESENTATION OF CHINESE SOCIETY AS PORTRAYED IN IP MAN 4: THE FINALE MOVIE Marlborizky Dyah Maharanie Wahyono; Nita Maya Valiantien; Aries Utomo
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 6, No 4 (2022): Oktober 2022
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v6i4.6623

This article discussed the representation of Chinese society as portrayed in IP Man 4: The Finale movie. Furthermore, the representation of the Other towards the Chinese character using Macfie's representation theory, while Murphy's characterization theory was used to analyze the struggle waged by the Chinese society. The reasons the researcher chose this movie, because (1) IP Man 4: The Finale movie is one of the movies that have just aired in 2020, (2) no one has analyzed this movie using representation theory, and (3) also until now there are still many cases where there are still superiority and inferiority between East and West that still exist and cannot be solved. In this research, the research design used was qualitative by using a qualitative descriptive analysis approach. This research reveals that the representation of Chinese society in IP Man 4: The Finale movie is aberrant, despotic, inferior, passive, feminine, backward, and inauthentic. The findings show that the struggle of Chinese society was characterized by three significant ways, namely: The past life (the character's past story), the character's speech (conversation and mind), and mannerism (reaction or action). By looking at representation theory, we can understand that the term oriental culture aims to prevent the East from not getting a negative connotation. This term is not a justification for blaming something that inaccurate statement, but rather an effort to keep the Eastern nation honorable and dignified.

Byronic Hero in the Main Character of Elizabeth Cody Kimmel’s ParaNorman Novel Zahratin Nor; Anjar Dwi Astuti; Nita Maya Valiantien
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 7, No 1 (2023): Januari 2023
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v7i1.6728

This research discussed the main character in ParaNorman novel that has Byronic hero characteristics and also about the hero’s journey. This research used theories from Peter Thorslev and Atara Stein for the Byronic hero characteristics and Evie Lotze for the stages of hero's journey. The objective of this research is to find out the Byronic hero characteristics and the stages of hero’s journey portrayed through the main character named Norman Babcock. The result of this analysis shows Norman has several characteristics which included anti-social, superhuman-abilities, tender with girls, rebel, restless wandering, responsible and mysterious person. The result also showed that the journey Norman had in ParaNorman followed the stages of all the four stages of hero’s journey such as the call, wandering, help from unlikely places and others, and the last triumph or returning with the boon. Therefore, by analyzing characteristics and the stages of the hero’s journey by using theories from Peter Thorslev, Atara Stein, and Evie Lotze this research had concluded that Norman was able to fulfill the stages of the hero journey as a Byronic hero character in ParaNorman novel.

Collaborative Learning for Enhancing Student Academic Achievement in Online Grammar Class: an Experimental Study Setya Ariani; Nita Maya Valiantien
Journal of English as A Foreign Language Teaching and Research Vol. 2 No. 1 (2022): March Volume
Publisher : Research Synergy Foundation Press

Collaborative learning is an activity to work in small groups or teams that allows students to develop mutual cooperation in learning. This study aims to highlight the effectiveness of collaborative learning in improving student academic achievement. It was carried out with a quantitative method and the pretest-posttest experimental design was applied. There were sixty students participated in this study. To assess students’ achievement, online grammar pretest and posttest were distributed. In addition, collaborative learning questionnaire was administered to elicit students’ responses towards collaborative learning. Based on paired-samples t test result, it was found that the pretest and posttest mean scores were significantly different (t(59) = -5.977, p < .05). This indicated that there was a higher mean score of posttest after the implementation of collaborative activities. Most students responded that collaborative learning activities improved academic performance and team work helped them to receive input from their peers as well as provide better result in completing the tasks than working individually. It is recommended that various collaborative activities should be designed to motivate university students in learning grammar.

Co-Authors Alamsyah Alamsyah - Alaydrus, Syarifah Fairuz Shafira Alfian Rokhmansyah Alreza, Eko Ridho Andina, Maisyara Andriana, Wahyu Sartika Annisa Fitri, Annisa Aprilia, Wiwin Aries Utomo Arifin, M Bahri Asmara, Tusri Juni Atillah, Widya Barli, Christian Chris Asanti, Chris D, Dahri Dahri Dahlan, Dahri Daynikita Merisabel DESI NATALIA, DESI Dewi Sari, Dewi Dominilla, Abigail Flavia Dyah Sunggingwati Eka Sudirman Fadillah, Alif Fatimah M Giriani, Nella Putri Hajrah, Siti Hanum, Irma Surayya Haryanti, Regzi Sri Hijrah, Nur Hilal, Hikmatul Fajar Syamsu Hilal, Hikmatul Fajar Syamsul Imelda Intan Safitri Indah Sari Lubis, Indah Sari Irni Jiwalno, Jiwalno Jonathan Irene Sartika Dewi Max Julan, Dezelin Brigitha Kartina, Ema Khairun Nisa Kharisma, Angel Latifah, Siti Noor Lifu, Atika Rosita Lifu M, Nur Jannatul M. Natsir Makin, Yohanes Klaudius Bala Marlborizky Dyah Maharanie Wahyono Mawuntu, Arvianda Zefania Muhammad Alim Akbar Nasir Muhammad Natsir Muhammad Natsir Munti, Ayu Haritsa Musthofa, Dwi Nadeak, Magdalena Febriwati Nainggolan, Olleta Vichi Nasrul Ullah Ni'mah, Sofia Nisah, Septiana Hairul Noor Rachmawaty Nurhajar, Ayu Sukma Nurhasanah Putri Wiyani Nurrahma, Virza Mei Utami NURUL AZIZAH Perdana, Yanuarius Rangga Pitaloka, Epifani Putri Rabbiyani, Sari Rahayu, Famala Eka Sanhadi Rahayuningsih, Herdiana Rahmadhani, Fachreza Rahmah, Nor Ririn Setyowati Ririn Setyowati Ristyabudi, Nasywaa Diva Rizkianty, Lana Rasita Safa Rosianah, Rosianah Rubianti, Rubianti Saferi Yohana Samria Sunaryo Sari, Linda Satyawati Surya, Satyawati Setya Ariani Setyoko, Aris Sili, Surya Singgih Daru Kuncara Siti Rohani Sli, Surya Sulistyo Dwi Antoko Sumual, Merciana S. Supiansyah, Selvia Surahman, Dian Purnama Surya Sili Tantri, Agra Liz Tri Puspa Juwita Tri Wulandari Widuri, Dwi Sinta Ayu Yofi Irvan Vivian Yunadi, Akbar Zahratin Nor Zamruddin, Mardliya Pratiwi

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