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All Journal Litera CaLLs : Journal of Culture, Arts, Literature, and Linguistics Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Proceedings of ISELT FBS Universitas Negeri Padang Journal of English as a Foreign Language Teaching and Research (JEFLTR) Prosiding Seminar Nasional Sastra, Bahasa, dan Seni (Sesanti) Ruhui Rahayu: Jurnal Pengabdian Kepada Masyarakat

Nita Maya Valiantien

Unknown Affiliation

Author-ID : 2602183

Arts Humanities Education Environmental Science Languange, Linguistic, Communication & Media Social Sciences Other

Published : 71 Documents Claim Missing Document

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FLOUTING MAXIMS PERFORMED BY THE CHARACTERS IN JACKIE MOVIE: A PRAGMATICS ANALYSIS Jiwalno Jiwalno; Nita Maya Valiantien; Ririn Setyowati
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni dan Budaya Vol 4, No 1 (2020): Januari 2020
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

The objectives of this research are to find the kinds of flouting maxim in Jackie movie performed by the characters and to find the motivation of the characters in flouting the maxim. This research used a qualitative content analysis approach. The data source of this research was the script of Jackie movie. The data were taken from the dialogues and utterances of the characters that are correlated with flouting maxim. Through the findings of the analysis, there were 24 dialogues containing the flouting maxim. Those data consisted of four kinds of flouting maxim, namely flouting maxim of quality, flouting maxim of quantity, flouting maxim of relation, and flouting maxim of manner. In flouting the maxim, it was found that the characters had an underlying motivation. From four types of motivation which were competitive, convivial, collaborative, and conflictive, the characters within the movie flouted the maxim with only two types of the motivation, namely competitive and collaborative.

THE DIFFERENCES BETWEEN MEN AND WOMEN’S LANGUAGE IN THE DEVIL WEARS PRADA MOVIE Tri Puspa Juwita; Dyah Sunggingwati; Nita Maya Valiantien
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni dan Budaya Vol 2, No 1 (2018): Edisi Januari 2018
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

ABSTRACT This research with the title investigated the differences between men and women’s language feature and the consistency of the using of that language features by each gender. This research used the theory from Coates (2004) about men’s language features and Lakoff, quoted by Holmes (2003) about women’s language. The researcher got the data from every dialogue by main and supporting characters. The research design in this research used qualitative method from Mack et al (2005). The data source of this research got from the dialogue of men and women’s characters and the researcher also used books and journals which are related to this research to analyze the data. The technique of data analysis is descriptive method. The researcher draws two conclusions: firstly, this research found that men and women’s character in The Devil Wears Prada movie did not use all of the language features from Coates and Lakoff. Secondly, the researcher found that in some situation, the men and women’s character did not consistent use their own language features. Keywords: features consistency, men’s language, women’s language, The Devil Wears Prada movie ABSTRAK Penelitian ini bertujuan untuk meneliti tentang perbedaan antara bahasa pria dan bahasa wanita dan konsistensi pengunaan tersebut pada masing-masing jenis kelamin. Penelitian ini menggunakan teori dari Coates (2004) tentang bahasa pria dan teori dari Lakoff yang dikutip oleh Holmes (2003) tentang bahasa wanita. Peneliti mendapatkan data dari seluruh percakapan yang dilakukan oleh pemeran utama dan pemeran pendukung. Penelitian ini menggunakan metode kualitatif dari Mack et al (2005). Sumber data diperoleh dari percakapan karakter pria dan wanita dan juga didukung oleh buku dan jurnal yang berkaitan dengan penelitian ini. Cara untuk menganalisis data adalah dengan menggunakan metode deskripsi. Peneliti mendapatkan dua kesimpulan: pertama, ditemukan bahwa karakter pria dan wanita di film The Devil Wears Prada tidak menggunkan seluruh kriteria dari Coates dan Lakoff. Kedua, peneliti menemukan bahwa di beberapa situasi, karakter pria dan wanita tidak konsisten menggunakan karaker bahasa masing-masing gender. Kata kunci: konsistensi karakter, bahasa pria, bahasa wanita, film The Devil Wears Prada

THE REVEALING OF CHARACTERS THROUGH SOLILOQUIES IN WILLIAM SHAKESPEARE’S A MIDSUMMER NIGHT’S DREAM DRAMA Imelda Intan Safitri; Singgih Daru Kuncara; Nita Maya Valiantien
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni dan Budaya Vol 3, No 2 (2019): April 2019
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

This research aimed to reveal the characters’ personality traits by reference to Costa and McCrae (1992) through one of the characterization devices called soliloquy and knowing about the role of characters soliloquy in A Midsummer Night’s Dream drama. The method of this research was qualitative content analysis. The data of this research were the characters’ soliloquies in the drama. After analyzing, the result showed that soliloquies had important roles in A Midsummer Night’s Dream drama. The roles were to reveal about the characters development and the drama plot; although there was no narration in the drama, but soliloquies could show and describe the characters’ personality traits, each character had one till five personality traits through telling their true thoughts and intentions by using soliloquies in A Midsummer Night’s Dream drama. Penelitian ini bertujuan untuk memaparkan ciri-ciri kepribadian berdasarkan teori Costa dan McCrae (1992) melalui salah satu jenis karakterisasi yaitu solilokui sekaligus untuk mengetahui peranan solilokui pada karakter dalam drama A Midsummer Night’s Dream. Metode yang digunakan untuk penelitian ini adalah kualitatif konten analisis. Data yang digunakan berupa solilokui dari tiap-tiap karakter di dalam drama. Hasil penelitian ini menunjukan bahwa solilokui memiliki peran penting pada drama A Midsummer Night’s Dream. Peran penting solilokui di dalam drama tersebut adalah untuk mengungkapkan perkembangan karakter dan jalan cerita; meski tidak ada narasi namun solilokui dapat menunjukkan dan menjelaskan ciri-ciri kepribadian karakter di dalam drama. Masing-masing karakter memiliki satu hingga lima ciri-ciri kepribadian melalui penyampaian pola pikir dan tujuan mereka yang sebenarnya melalui penggunaan solilokui di drama A Midsummer Night’s Dream.

THE STUDY OF SLANG UTTERANCES IN BRICK MOVIE Daynikita Merisabel; M. Bahri Arifin; Nita Maya Valiantien
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni dan Budaya Vol 4, No 2 (2020): April 2020
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

This study discussed about slang utterances found in the movie entitled Brick directed by Rian Johnson. It is interesting to conduct slang research on Brick movie since it is a unique neo-noir movie which portrays teenager’s life that speak in an invented slang in the ‘20s, ’30s, and ‘40s. By using descriptive qualitative method, the purpose of the study is to identify the types of slang appeared in the conversation and to observe the context behind the slang used in Brick movie. The slang data is analyzed based on the types of American Slang theory by Chapman (1988) and by Partridge (1933). To support the analysis of context, the writers used the Ethnography of Speaking by Hymes (1974). Regarding to the research findings, the writers identified that there are three types of slang used by the seven characters in Brick movie script, namely: student slang, primary slang and secondary slang. The most frequently type of slang is secondary slang with total of 12 data. Furthermore, the meaning of each slang utterances is not only based on dictionaries but also based on the context of situation, such as setting, participants, ends, act, key, instrumentalities, norms, and genre. In conclusion, this study showed that there are many aspects of slang which can be analyzed more deeply into several other branches of linguistics, such as sociolinguistic, pragmatic and semantic.

CHARACTER ANALYSIS OF DEXTER MORGAN FROM DEXTER TV SHOW: WITH SPECIAL REFERENCE TO PSYCHOPATH OR SOCIOPATH DISORDERS Sulistyo Dwi Antoko; Muhammad Natsir; Nita Maya Valiantien
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni dan Budaya Vol 2, No 2 (2018): Edisi April 2018
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

ABSTRACT Dexter Morgan is the master of horrendous crimes without everyone acknowledgement, he is the master manipulator reflected through each episodes of Dexter TV Show. By using descriptive qualitative method, this study aimed to answer the following questions. The first research question is about the characters of Dexter Morgan, and the second research question is about how he conceals himself from the society. By using theories from Robert Hare’s Psychopathy Checklist –Revised (PCL- R) and Hervey M. Cleckley’sThe Mask of Sanity, the questions are answered in a direct way. The results of the study showed that Dexter Morgan matches 19 from 20 of PCL- R traits from both two factors (Personality and Behavior) such as charming personality, grandiose of self-worth, proneness to boredom, liar, manipulative, lack of remorse, shallow affect, poor and early behavioral problems, promiscuous sexual behavior, lack of realistic goals, impulsive, irresponsible, cannot accept responsibility, short-term relationship, juvenile delinquency, and criminal versatility. The only exception in the trait is from second factor which is revocation of conditional release, because Dexter Morgan never got caught, so he does not need to escape or bail from restraining orders.The result of the second research question showed how psychopath or sociopath lurking around in our peaceful society filled with happiness and joys by faking a smile and superficial charming personality. Psychopath conceals themselves in our everyday lives. Based on the answers of research questions, Dexter Morgan has dominant character as a high functioning psychopath because he can manipulate everyone, undetected serial killer, and act like a wolf in sheep clothes. Keywords: Psychopath, Sociopath, Psychological, Conceals, Dexter Morgan ABSTRAK Dexter Morgan adalah seorang ahli dalam memanipulasi kehidupan dan juga seorang kriminal tak terdeteksi. Dengan menggunakan metode deskriptif kualitatif, penilitian ini bertujuan untuk menjawab pertanyaan sebagai berikut. Pertanyaan pertama adalah tentang karakter dari Dexter Morgan, dan yang kedua adalah tentang bagaimana Dexter Morgan menyembunyikan identitas dirinya yang sebenarnya di kehidupan sosial. Dengan menggunakan teori dari Robert Hare yang bernama Psychopathy Checklist – Revised (PCL –R) dan Harvey M.Cleckley yang berjudul The Mask of Sanity. Hasil dari penilitian ini adalah Dexter Morgan mampu membuktikan bahwa ia sangat fit dengan 19 dari 20 kriteria PCL –R dari kedua faktor (Kepribadian dan Kebiasaan) seperti kepribadian yang mempesona, kebanggaan berlebihan terhadap diri sendiri, cepat bosan, pembohong, manipulatif, kurangnya perasaan menyesal, kosong, mempunyai masalah kebiasaan sejak dini, kebiasaan seksual yang acak, kurangnya tujuan realistis, bertindak tanpa berfikir, tidak bertanggung jawab, tidak bisa menanggung tanggung jawab terhadap diri sendiri, hubungan jangka pendek, dan lain sebagainya. Satu-satunya kriteria yang tidak dipenuhi Dexter Morgan adalah pembebasan dengan syarat tertentu, karena Dexter Morgan tidak pernah tertangkap oleh pihak berwajib, ia tidak perlu di bebaskan dengan syarat. Sedangkan jawaban dari pertanyaan kedua adalah bagaimana seorang psikopat atau sosiopat menguntit dalam kehidupan sehari-hari kita menggunakan senyuman palsu dan juga keahlian untuk memanipulasi kerabat atau teman-teman di kehidupan sosial. Berdasarkan jawaban dari kedua pertanyaan, Dexter Morgan sangat dominan dengan sifat psikopat dalam dirinya sehingga ini membuat ia adalah psikopat berkemampuan tinggi, ia hebat memanipulasi dan juga pembunuh tak terdeteksi, ia adalah serigala dalam jubah domba. Kata kunci: Psikopat, Sosiopat, Psikologi, Menyembunyikan, Dexter Morgan.

THE INFLUENCE OF PSYCHOLOGICAL CONFLICT TOWARD ELSA’S CHARACTER DEVELOPMENT IN FROZEN FILM Nor Rahmah; Singgih Daru Kuncara; Nita Maya Valiantien
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni dan Budaya Vol 1, No 2 (2017): Edisi April 2017
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

AbstractIn this research, the researcher focused to find the psychological conflict and its influence toward the main character’s character development in Frozen film. The researcher used two theories to answer the two research problems. For the first question, the researcher used the theory of psychological conflict by Kurt Lewin to find the kinds of psychological conflict expressed by the main character in Frozen film. To answer the second question, the researcher used the theory of personality development by Elizabeth B. Hurlock to explain the influence of psychological conflict toward the character development of the main character. In this research, the method that the researcher used was qualitative research method. The result of the analysis showed that Elsa expressed two kinds of psychological conflict which were approach-avoidance conflict and avoidance-avoidance conflict. And those two kinds of psychological conflict influence Elsa’s character development in five determinants they are intellectual, emotional, social, aspiration & achievement, and family. Key words: character, character development, Frozen film, psychological conflict AbstrakDalam penelitian ini, peneliti fokus untuk mengetahui konflik psikologi dan pengaruhnya terhadap perkembangan karakter dari karakter utama dalam film Frozen. Peneliti menggunakan dua teori untuk menjawab dua rumusan masalah tersebut. Untuk pertanyaan pertama, peneliti menggunakan teori konflik psikologi dari Kurt Lewin untuk mengetahui jenis-jenis konflik psikologi diekspresikan oleh karakter utama dalam film Frozen. Untuk menjawab pertanyaan kedua, peneliti menggunakan teori perkembangan kepribadian dari Elizabeth B. Hurlock untuk menjelaskan pengaruh konflik psikologi terhadap perkembangan karakter dari karakter utama. Dalam penelitian ini, metode yang digunakan oleh peneliti adalah metode penelitian kualitatif. Hasil analisis menunjukkan Elsa mengekspresikan dua jenis konflik psikologi, yaitu approach-avoidance conflict dan avoidance-avoidance conflict. Dua jenis konflik psikologi tersebut mempengaruhi perkembangan karakter Elsa dalam lima determinan, yaitu intelektual, emosional, sosial, aspirasi dan prestasi, dan keluarga. Kata kunci: karakter, perkembangan karakter, film Frozen, konflik psikologi

THE PORTRAYAL OF HEROISM IN THE ORSON SCOTT CARD’S NOVEL ENDER’S GAME Rosianah Rosianah; Singgih Daru Kuncara; Nita Maya Valiantien
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni dan Budaya Vol 2, No 1 (2018): Edisi Januari 2018
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

ABSTRACT This research discussed about the portrayal of heroism in the Orson Scott Card’s novel Ender's Game, based on Joseph Campbell’s hero’s journey. This research has two objectives, the first is to reveal the journey of Ender to become a hero and the second is to reveal hero traits in Ender’s character that appear during his journey. This study used qualitative approach. The subject of this study is novel by Orson Scott Card entitle Ender’s Game. The data were some sentences and utterances showing the hero’s Journey and hero traits. To obtain trustworthiness, the writer used triangulation technique. The writer found that the hero in his journey passed thirteen stages among seventeen stages of hero’s Journey, namely Call to adventure, Refusal of the call, Supernatural aid, Crossing the first threshold, Belly of the whale, Road of trials, Meeting with the goddess, Atonement with Father, Apotheosis, Ultimate boon, Refusal of the call, Crossing the threshold, Master of the two worlds, and Freedom to live. Three stages were absent, Woman temptress, Magic flight, and Rescue from within. In every phase Ender as the main character showed traits that indicate he is a hero. He showed twelve hero traits, there are; Courage, Virtuosity, Sacrifice, Determination, Focus, Compassion, Perseverance, Dedicate, Honesty, Loyalty, Conviction, and Wisdom. Keywords: hero, hero’s journey, traits ABSTRAK Penelitian ini membahas tentang penggambaran kepahlawanan dalam novel Ender’s Game karya Orson Scott Card. Terdapat dua objek penelitian, pertama mengungkapkan perjalanan Ender untuk menjadi seorang pahlawan, dan objek kedua mengungkapan ciri-ciri pahlawan yang muncul pada karakter Ender dalam perjalannya . Subjek dalam penelitian ini adalah novel karya Orson Scott Card yang berjudul Ender’s Game. Data dalam penelitian ini adalah kalimat-kalimat dan ucapan yang menunjukkan “hero’s Journey” dan ciri-ciri pahlawan. Untuk mendapatkan kepercayaan, penulis menggunakan teknik triangulasi. Penulis menemukan bahwa Ender sebagai pahlawan dalam perjalanannya melewati tiga belas tahap di antara tujuh belas tahap perjalanan pahlawan, yaitu Call to adventure, Refusal of the call, Supernatural aid, Crossing the first threshold, Belly of the whale, Road of trials, Meeting with the goddess, Atonement with Father, Apotheosis, Ultimate boon, Refusal of the call, Crossing the threshold, Master of the two worlds, and Freedom to live. Terdapat tiga tahap yang tidak muncul dalam novel, yaitu, Woman as temptress, Magic flight, and Rescue from within. Di setiap tahap Ender sebagai karakter utama menunjukkan ciri-ciri yang menunjukkan bahwa dia adalah pahlawan. Dia menunjukkan dua belas ciri-ciri pahlawan, yaitu; Courage, Virtuosity, Sacrifice, Determination, Focus, Compassion, Perseverance, Dedicate, Honesty, Loyalty, Conviction, dan Wisdom. Kata kunci: pahlawan, perjalanan pahlawan, ciri-ciri

DISCRIMINATION TOWARDS AFRICAN-AMERICAN WOMEN AS PORTRAYED IN HIDDEN FIGURES FILM Regzi Sri Haryanti; Singgih Daru Kuncara; Nita Maya Valiantien
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni dan Budaya Vol 3, No 4 (2019): Oktober 2019
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

This research analyzed the discrimination issue that happened in Hidden Figures film. The discrimination in the film mostly happened to three main characters in the film, Dorothy Vaughan, Mary Jackson and Kathrine Goble. The purposes of this study are to reveal and explain the types of discrimination that happened to these three African-American women and to understand their responses against it. The researcher used mimetic approach and descriptive qualitative method in this research. The data in this research derived from utterances, actions, and explanation of a situation that has relation to the research questions. Based on the analysis, the researcher found that there were only race/color discrimination and gender discrimination that happened in the story. The discrimination in this film was done by white people against African-American people. The analysis also showed that at first, the victims responded to the discrimination by withdrawal, followed by resign acceptance, and ended by verbal confrontation. In the film, the analysis shows that after verbal confrontation, white people no longer discriminated African-American people for their race or gender. Penelitian ini menganalisis masalah diskriminasi yang terjadi di dalam film Hidden Figures. Diskriminasi di dalam film ini, sebagian besar terjadi kepada tiga karakter utama dalam film yaitu, Dorothy Vaughan, Mary Jackson dan Kathrine Goble. Tujuan dari penelitian ini adalah untuk mengungkapkan dan menjelaskan jenis-jenis diskriminasi apa saja yang terjadi kepada ketiga wanita Afrika-Amerika tersebut dan untuk memahami tanggapan mereka terhadap diskriminasi tersebut. Peneliti menggunakan pendekatan mimetik dan metode deskriptif kualitatif untuk melaksanakan penelitian ini. Data di dalam penelitian ini berasal dari ujaran, tindakan, dan deskripsi akan situasi yang berkaitan dengan rumusan masalah. Berdasarkan hasil analisis, peneliti menemukan bahwa hanya terdapat diskriminasi ras / warna kulit dan diskriminasi jenis kelamin yang terjadi dalam film. Diskriminasi di dalam film ini dilakukan oleh orang kulit putih terhadap orang-orang Afrika-Amerika. Hasil analisis juga menunjukkan bahwa pada awalnya, para korban menanggapi diskriminasi dengan cara menghindari situasi, lalu diikuti dengan penerimaan terhadap diskriminasi, dan diakhiri dengan konfrontasi secara lisan. Di dalam film tersebut, hasil analisis menunjukkan bahwa setelah konfrontasi secara lisan, orang kulit putih tidak lagi membeda-bedakan orang Afrika-Amerika berdasarkan ras atau jenis kelamin mereka.

CHARACTER ANALYSIS OF JACE WAYLAND IN THE MORTAL INSTRUMENTS: CITY OF BONES NOVEL THROUGH HIERARCHY OF HUMAN NEEDS THEORY OF ABRAHAM MASLOW Siti Noor Latifah; Singgih Daru Kuncara; Nita Maya Valiantien
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni dan Budaya Vol 3, No 1 (2019): Januari 2019
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

ABSTRACTThe objective of this research was to show the process of Jace, the character in The Mortal Instruments: City of Bones novel, in fulfilling his need through Abraham Maslow’s theory about hierarchy of human needs and to describe about his character based on his need. This data used descriptive qualitative research because the data were found in the form of dialogue and narration that will explained about the character. The researcher used The Mortal Instruments: City of Bones novel as the source data. The steps of data collection were reading the novel The Mortal Instruments: City of Bones and understanding about the dialogue and narration that had been shown, then identified the data based on the theory of human needs. Last, the data were arranged based on the research questions. From the finding of this analysis, Jace had fulfilled four needs of human needs by Abraham Maslow. They are physiological need, safety need, love and belongingness need, and esteem need. Meanwhile Jace could not fulfill the last need of self-actualization need because there are some characteristic that he could not get. They are clear perception or reality, acceptance, problem centered, humility and respect, and sense of humor. From analysis based on his needs, it was found that he showed many characters through the needs that he had fulfilled. Keywords: hierarchy of human needs, character, The Mortal Instruments: City of Bones novel ABSTRAKTujuan dari analisis ini adalah untuk memperlihatkan proses Jace, karakter dalam novel The Mortal Instruments: City of Bones, dalam memenuhi kebutuhannya melalui teori Abraham Maslow tentang tingkatan kebutuhan-kebutuhan manusia dan menjelaskan tentang karakternya berdasarkan kebutuhannya. Analisis ini menggunakan metode penelitian deskriptif kualitatif karena data ditemukan dalam bentuk dialog dan narasi yang akan menjelaskan tentang karakter. Peneliti menggunakan novel The Mortal Instruments: City of Bones sebagai sumber data. Langkah-langkah dalam pengumpulan data adalah membaca novel The Mortal Instruments: City of Bones dan memahami tentang dialog dan narasi yang telah diperlihatkan, kemudian mengidentifikasi data berdasarkan teori kebutuhan-kebutuhan manusia. Terakhir data disusun berdasarkan pertanyaan dari penelitian. Dari analisis ini, Jace telah berhasil memenuhi empat kebutuhan dari kebutuhan-kebutuhan manusia yang dijelaskan oleh Abraham Maslow. Diantaranya kebutuhan fisiologi, kebutuhan akan rasa aman, kebutuhan akan rasa sayang dan memiliki, dan kebutuhan penghargaan. Sementara itu, Jace tidak bisa memenuhi kebutuhan terakhir yaitu kebutuhan aktualisasi diri karena ada beberapa karakteristik dari kebutuhan tersebut yang tidak bisa dipenuhi. Diantaranya pemikiran yang jelas atau kenyataan, penerimaan, pemecah masalah, rendah hati dan menghormati, dan memiliki rasa humor. Dari analisi berdasarkan kebutuhan-kebutuhan Jace, ditemukan bahwa Jace memperlihatkan banyak karakter melalui kebutuhan-kebutuhan yang sudah terpenuhi. Kata kunci: hierarki kebutuhan manusia, karakter, novel The Mortal Instruments: City of Bones

RATIONALITY VALUE IN JOSTEIN GAARDER’S SOPHIE’S WORLD Sari Rabbiyani; Singgih Daru Kuncara; Nita Maya Valiantien
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni dan Budaya Vol 1, No 2 (2017): Edisi April 2017
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Abstract The purpose of this study is to find the rationality value as seen in Sophie Amundsen’s character and to know how that rationality value defines her character. This study is categorized as a descriptive qualitative design. The source of data is taken from the Sophie’s World novel by Jostein Gaarder. This study used rationality theory from the rationalist such as Socrates, Plato, and Descartes, with the addition from Suwardi Endraswara and Ranjabar. The result of this research showed that the rationality values found in Sophie’s World novel are reasoning, doubting, and finding the agreement. The most appear rationality value is Sophie’s reasoning. When Sophie accept her lesson about philosophy, she shows her reasoning in case of receive her philosophical lesson. From her reasoning, Sophie’s character changed. Philosophy taught her about thinking rationally, logically, systematic, and critical. Thus, we can see that Sophie Amundsen is a dynamic character. From those three rationality values, Sophie Amundsen becomes thoughtful, skeptic, and has an understanding to others opinion that make her become wiser. Key words: rationality, philosophy, reasoning, doubting, agreement. Abstrak Tujuan penelitian ini adalah menemukan nilai rasionalitas dalam novel Dunia Sophie, serta mengetahui bagaimana nilai rasionalitas tersebut mendefinisikan karakter Sophie Amundsen. Penelitian ini dikategorikan sebagai penelitian kualitatif. Data-data dalam penelitian ini diperoleh dari novel Sophie’s World karya Jostein Gaarder. Penelitian ini menggunakan teori rasionalitas yang diambil dari beberapa filsuf rasionalis seperti Socrates, Plato, dan Descartes, dengan beberapa tambahan dari Suwardi Endraswara dan Ranjabar. Hasil dari penelitian ini menunjukkan nilai rasionalitas yang ditemukan dalam novel Sophie’s World adalah penalaran, keraguan, dan persetujuan. Nilai rasionalitas yang dominan adalah penalaran yang dilakukan oleh Sophie. Ketika Sophie menerima pelajaran tentang filsafat, ia menunjukkan proses penalaran dalam hal menyerap pelajarannya tersebut. Dari penalaran yang sering dilakukannya, karakter Sophie mengalami perubahan. Filsafat menjadikan Sophie dapat berpikir rasional, logis, sistematis, dan kritis, sehingga dapat kita lihat bahwa Sophie Amundsen adalah karakter yang dinamis. Dari tiga nilai rasionalitas tersebut, Sophie Amundsen menjadi seorang yang penuh pemikiran, skeptis, dan dapat mengerti pendapat orang lain sehingga menjadikannya seorang karakter yang bijak. Kata kunci: rasionalitas, filsafat, penalaran, keraguan, persetujuan

Co-Authors Abigail Flavia Dominilla Akbar Yunadi Alamsyah Alamsyah - Alaydrus, Syarifah Fairuz Shafira Alfian Rokhmansyah Andina, Maisyara Annisa Fitri, Annisa Aprilia, Wiwin Aries Utomo Arifin, M Bahri Asmara, Tusri Juni Chris Asanti, Chris Christian Barli D, Dahri Dahri Dahlan, Dahri Daynikita Merisabel DESI NATALIA, DESI Dewi Sari, Dewi Dyah Sunggingwati Eka Sudirman Eko Ridho Alreza Ema Kartina Fadillah, Alif Fatimah M Giriani, Nella Putri Hajrah, Siti Hanum, Irma Surayya Herdiana Rahayuningsih Hilal, Hikmatul Fajar Syamsu Hilal, Hikmatul Fajar Syamsul Imelda Intan Safitri Indah Sari Lubis, Indah Sari Irni Jiwalno Jiwalno Jonathan Irene Sartika Dewi Max Julan, Dezelin Brigitha Khairun Nisa Kharisma, Angel Lifu, Atika Rosita Lifu M, Nur Jannatul M. Natsir M. Natsir M. Natsir M. Natsir Makin, Yohanes Klaudius Bala Marlborizky Dyah Maharanie Wahyono Mawuntu, Arvianda Zefania Muhammad Alim Akbar Nasir Muhammad Natsir Muhammad Natsir Munti, Ayu Haritsa Musthofa, Dwi Nadeak, Magdalena Febriwati Nainggolan, Olleta Vichi Nasrul Ullah Ni'mah, Sofia Nisah, Septiana Hairul Noor Rachmawaty Nor Rahmah Nurhajar, Ayu Sukma Nurhasanah Putri Wiyani Nurrahma, Virza Mei Utami NURUL AZIZAH Perdana, Yanuarius Rangga Pitaloka, Epifani Putri Rahayu, Famala Eka Sanhadi Rahmadhani, Fachreza Regzi Sri Haryanti Ririn Setyowati Ririn Setyowati Ristyabudi, Nasywaa Diva Rizkianty, Lana Rasita Safa Rosianah Rosianah Rubianti, Rubianti Saferi Yohana Samria Sunaryo Sari Rabbiyani Sari, Linda Satyawati Surya, Satyawati Setya Ariani Setyoko, Aris Sili, Surya Singgih Daru Kuncara Siti Noor Latifah Siti Rohani Sli, Surya Sulistyo Dwi Antoko Sumual, Merciana S. Supiansyah, Selvia Surahman, Dian Purnama Surya Sili Surya Sili Tri Puspa Juwita Tri Wulandari Wahyu Sartika Andriana Widuri, Dwi Sinta Ayu Widya Atillah Yofi Irvan Vivian Zahratin Nor Zamruddin, Mardliya Pratiwi

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