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All Journal Litera CaLLs : Journal of Culture, Arts, Literature, and Linguistics Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Proceedings of ISELT FBS Universitas Negeri Padang Journal of English as a Foreign Language Teaching and Research (JEFLTR) Prosiding Seminar Nasional Sastra, Bahasa, dan Seni (Sesanti) Ruhui Rahayu: Jurnal Pengabdian Kepada Masyarakat Jurnal Abdita Naturafarm
Nita Maya Valiantien
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Religion Arts Humanities Decision Sciences, Operations Research & Management Education Environmental Science Health Professions Languange, Linguistic, Communication & Media Social Sciences Other

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Anxiety and Defense Mechanism Portrayed by the Main Character in Puss in Boots: The Last Wish Novel (2022) Kharisma, Angel; Valiantien, Nita Maya
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 9, No 4 (2025): Oktober 2025
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v9i4.21682

Abstract

The aim of this study is to explore the anxiety and defense mechanism depicted in Puss as the main character from the novel Puss in Boots: the last Wish using theory of anxiety and defense mechanism from Sigmund Freud. The researcher employed descriptive qualitative method within psychoanalysis approach. The research data are words, phrases, and sentences referring to the Puss’s experinces of anxiety and defense mechanism that collected through reading, highlighting and note-taking. The results of this study show that Puss experiences anxiety namely: realistic anxiety from his environment and the Big Bad Wolf; neurotic anxiety from the thought of Big Bad Wolf would punishing him; and moral anxiety from violating moral codes. Then, Puss defense mechanisms to cope with his anxiety were: repression through running away and gaining comfort from Dog; denial to reject bitter reality; sublimation by change his hesitation into positive mindset; rationalization by justifying his action; and compensation to surpass his weakness in other area. Therefore, these mechanisms are able to help Puss getting out of his fearful state and eventually step forward to live his final life bravely.
When local meets global: Exploring multiculturalism beyond code mixing in Indonesian food endorsements on social media Valiantien, Nita Maya; Setyowati, Ririn; Alamsyah, Alamsyah
CaLLs (Journal of Culture, Arts, Literature, and Linguistics) Special Issue "SESANTI 2025"
Publisher : Fakultas Ilmu Budaya, Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/calls.v11i0.22573

Abstract

The use of code-mixing in social media has amassed significant attention as social media platforms have become prominent spaces for communication in recent years. This study aims to explore how code-mixing in Instagram captions serves as a reflection of multiculturalism in Indonesia. Through content analysis of posts from the Instagram account which focus on food reviews and endorsements, this research provides insights into the intersection of language, culture, and social media in a diverse, globalized context, The source of data is from Instagram account @sobatjajan.samarinda where the posts were manually reviewed, and captions that included food-related content and employed code-mixing were selected for analysis. The findings revealed 37 relevant captions, categorized into three main themes: (1) content promoting local food from the three major ethnic groups in Samarinda, (2) posts showcasing a broader diversity of Indonesian cuisine, and (3) content featuring foreign food influences. Through a linguistic analysis of these captions, the study illustrates how code-mixing not only serves as a promotional tool but also highlights the multicultural dynamics of the region, blending local and global influences in food culture.
AN ANALYSIS OF DERIVATIONAL AFFIXES IN THE AVENGERS MOVIE Sumual, Merciana S.; Arifin, M. Bahri; Valiantien, Nita Maya
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 5, No 4 (2021): Oktober 2021
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v5i4.4589

Abstract

This study aimed to discuss derivational affixes in The Avengers movie. Derivational affixes was interesting to analyze since it has affect in forming word from simple to more complex. By using descriptive method and qualitative approach, this study has purposes to identify characteristics applied in forming derived words and dictionary information that presented from those derived words in the movie. The data source was taken from The Avengers movie script, primary data were words undergo affixation in the movie script. The characteristics of derivational was analyzed by using Brinton & Brinton(2010) theory and supported theory by Fromkin(2011) in forming derivational affixes, then the dictionary information based on Jackson(1982) and Redman(1997). The result of this study showed that there were four general characteristics applied in forming derived words. First, all words undergo meaning change and word class change or one of those two changes. Second, each prefix and suffix has meaning to indicate new meaning of the base. Third, some words undergo orthographic change when suffix attach to base and change the base form. Fourth, some words undergo phonological change when suffix attach to base and change the pronunciation of the word. Next, all words have dictionary information such as Spelling, Pronunciation, Part of speech, Etymology, Definition, Example of phrase or sentence, Word Opposite, Common Collocation, Usage and Special grammatical. The most dictionary information found are Spelling, Part of speech and Definition.
THE MORAL DEVELOPMENT STAGES REPRESSENTED BY THE CHARACTERS IN WONDER NOVEL BY R.J. PALACIO Widuri, Dwi Sinta Ayu; Valiantien, Nita Maya; Ariani, Setya
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 6, No 3 (2022): Juli 2022
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v6i3.6130

Abstract

This study intended to examine the stages of moral development that occurred in R.J. Palacio’s Wonder novel as well as how the characters in Wonder novel develop their personality along with the moral development throughout the story. In conducting this research, the researcher used the descriptive qualitative method and moral development theory which was invented by Lawrence Kohlberg. In analyzing this study, the researcher used Wonder novel written by R.J. Palacio as the data source. Meanwhile, the data is presented in the form of words, clauses, phrases, sentences, and paragraphs related to the moral development theory as well as how the personality of the characters develop throughout the story. The results revealed that the way the characters developed their personality to the stages of moral development is based on the relationship between the characters’ comprehension of matters related to morals in line with how they respond to the matters. It was also found that the characters’ moral development relied on their understanding about moral itself and then following their conscience to make choices in their life.
ELIZABETH BENNET’S PERSONALITY IN THE NOVEL PRIDE AND PREJUDICE (A STUDY OF PSYCHOLOGY OF LITERATURE) Aprilia, Wiwin; Natsir, M.; Valiantien, Nita Maya
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 5, No 4 (2021): Oktober 2021
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v5i4.4346

Abstract

This research is focused on the main character Elizabeth Bennet in the novel Pride and Prejudice by Jane Austen with the study psychology of literature. The researcher used a qualitative descriptive method to describe the structure of Elizabeth Bennet's personality in the novel Pride and Prejudice and the type of Elizabeth Bennet's personality in the novel Pride and Prejudice. This study used the theory psychoanalysis by Sigmund Freud and the personality types by Florence Littauer as a supporting theory in solving the problems. The data in this research were words, phrases, sentences obtained from the novel Pride and Prejudice. Data collection techniques used the technique of reading and take notes. The data analysis technique used qualitative analysis which consists of three activities, such as data reduction, data displayed and drawing a conclusion. The results of this study indicate that, there is the impetus of id, ego and superego in Elizabeth Bennet. The impetus of the id in Elizabeth was able to be fulfilled by the responses of the ego and the basis of considerations' superego. In addition, Elizabeth Bennet’s personality categorized into the choleric personality type because it is known that the characteristic of personality from Elizabeth Bennet is included in the characteristics of the choleric personality type.
Code switching analysis in Merry Riana podcast video “Curhat Maudy Ayunda tentang Perempuan, Jessie Choi, dan Krisis Identitas” Ristyabudi, Nasywaa Diva; Valiantien, Nita Maya
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 9 (2025): Special Issue "SESANTI 2025"
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v9i3.23007

Abstract

Penelitian ini menganalisis fungsi code-switching dalam podcast Friends of Merry Riana bersama Maudy Ayunda. Tujuan penelitian adalah untuk mengidentifikasi jenis dan fungsi code-switching yang digunakan oleh kedua pembicara dalam percakapan bilingual, serta memahami bagaimana pergantian bahasa berperan dalam menyampaikan emosi, konsep, dan efek retoris. Data dianalisis menggunakan pendekatan kualitatif deskriptif berdasarkan teori Appel dan Muysken (2005) mengenai tipe dan fungsi code-switching, yaitu expressive, phatic, referential, directive, dan poetic function, serta tipe intra-sentential dan inter-sentential switching. Hasil penelitian menunjukkan bahwa kode-switching digunakan tidak hanya untuk menyampaikan informasi, tetapi juga untuk menekankan emosi, menjaga alur percakapan, menyampaikan konsep tertentu, mengarahkan pendengar, dan menambahkan efek estetik atau figuratif. Expressive dan referential function cenderung muncul dalam intra-sentential switching, sedangkan directive dan poetic function dapat muncul baik secara intra maupun inter-sentential. Temuan ini menegaskan bahwa code-switching bersifat fleksibel dan multifungsi, berperan sebagai strategi komunikasi efektif dalam konteks profesional maupun santai. Penelitian ini memberikan kontribusi pada studi linguistik terapan dengan memperlihatkan bagaimana code-switching digunakan secara strategis dalam komunikasi bilingual.
THE HERO’S JOURNEY OF MONSTER IN FRANKENSTEIN: OR MODERN PROMETHEUS NOVEL BY MARY SHELLEY Hajrah, Siti; Arifin, M. Bahri; Valiantien, Nita Maya
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 6, No 3 (2022): Juli 2022
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v6i3.6167

Abstract

ABSTRACTThis research focuses on the journey of Monster’s character as the hero in Frankenstein: or Modern Prometheus novel by Mary Shelley. The purposes of this research are to present the extent of plot connected to the hero’s journey of Monster and identify how Monster can be depicted as hero by Joseph Campbell theory. Monomyth or Hero’s Journey theory by Joseph Campbell was used as the main theory to find out the stages of hero’s journey in Monster’s character. The method used in this research is a qualitative method. The data source of this research is a novel entitled Frankenstein: or Modern Prometheus by Mary Shelley. The data are words, sentences, paragraphs, narrations and dialogue that contain the description of the plot and hero’s journey.There are two results of this research. Firstly, it is found that the plot pattern in this novel is connected to the hero’s journey theory. Secondly, it showed that the Monster’s character undergoes all the eleven stages which are in line with Campbell’s Monomyth. These eleven stages are, 1. the call to adventure, 2. refusal of the call, 3. supernatural aid, 4. the crossing of the first threshold, 5. the belly of the whale, 6. the road of trials, 7. atonement with the father, 8. apotheosis, 9. the ultimate boon, 10. refusal of the return and 11. freedom to live. Therefore, this research had concluded that the Monster can be depicted as a hero based on his journey that followed the theories of plot and hero’s journey. Key words:  Hero’s Journey, Plot, the Monster, Frankenstein or Modern Prometheus.  ABSTRAK Penelitian ini berfokus pada karakter monster sebagai pahlawan dalam novel Frankenstein: or Modern Prometheus karya Mary Shelley.Tujuan dari penelitian ini adalah untuk menyajikan sejauh mana plot yang berhubungan dengan perjalanan Monster dan mengidentifikasi bagaimana Monster dapat digambarkan sebagai pahlawan menurut teori Joseph Campbell. Teori Monomyth atau Perjalanan Pahlawan oleh Joseph Campbell digunakan sebagai teori utama untuk mengetahui tahapan perjalanan pahlawan dalam karakter Monster. Metode yang digunakan dalam penelitian ini adalah metode kualitatif. Sumber data penelitian ini adalah novel Frankenstein: or Modern Prometheus karya Mary Shelley. Data berupa kata-kata, kalimat, paragraf, narasi dan dialog yang memuat deskripsi plot dan perjalanan pahlawan. . Ada dua hasil dari penelitian ini. Pertama, ditemukan bahwa pola plot dalam novel ini terkait dengan teori perjalanan pahlawan. Kedua, ini menunjukkan bahwa karakter Monster mengalami kesebelas tahap yang sejalan dengan Campbell's Monomyth. Kesebelas tahapan tersebut adalah, 1. the call to adventure, 2. refusal of the call, 3. supernatural aid, 4. the crossing of the first threshold, 5. the belly of the whale, 6. the road of trials, 7. atonement with the father, 8. apotheosis, 9. the ultimate boon, 10. refusal of the return and 11. freedom to live. Oleh karena itu, penelitian ini menyimpulkan bahwa Monster dapat digambarkan sebagai pahlawan berdasarkan perjalanannya yang mengikuti teori plot dan perjalanan pahlawan.Kata Kunci: Perjalanan Pahlawan, Alur, Monster, Frankenstein or Modern Prometheus.
THE REBELLION BEHAVIOR OF CARRIE WHITE’S CHARACTER IN CARRIE MOVIE (2013) Lifu, Atika Rosita Lifu; Natsir, Muhammad; Valiantien, Nita Maya
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 6, No 3 (2022): Juli 2022
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v6i4.6009

Abstract

The purposes of this research are to found out about the rebellion behavior of Carrie White’s character and how it portrayed through her characterization and also to found out about the resolution of her rebellion behavior in Carrie movie (2013).  The design of this research was qualitative research. The data in this research were from the dialogue, action, scene, and script of the movie which is Carrie movie (2013).  The data were analyzed using the rebellion theory by Arnett and the characterization theory by Kenan. This research has three research questions, the first one is what is the rebellion behavior of Carrie White’s character portrayed in the movie based on Arnett’s adolescent theory?, the second one is how is Carrie White’s rebellion behavior portrayed in the movie through the characterization theory by Rimmon Kenan?, and the last one is what are the resolutions of Carrie White’s rebellion behavior portrayed in the movie?. The result showed that Carrie White has three kinds of rebellion behavior according to the first research question based on Arnetts theory which is the conflict with parents, mood disruption, and risk behavior, and also the second research question that Carrie White characterization was portrayed through Kenan’s theory which is the indirect definition. The resolution of this research is that Carrie White at the end of the movie felt sorry that she had rebelled against her mom. 
THE REPRESENTATION OF CLASS STRUGGLE AS THE RESPONSE OF ALIENATION IN THE GREATES SHOWMAN (2017) FILM Nurrahma, Virza Mei Utami; Valiantien, Nita Maya; Ariani, Setya
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 6, No 4 (2022): Oktober 2022
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v6i4.6648

Abstract

This research aims to describe the class struggle as the response of five variants alienation namely powerlessness, meaninglessness, normlessness, isolation and self-estrangement in The Greatest Showman film. This research also aims to reveal how the alienated characters did the class struggle because of the bad treatment and the unfair action they got then attempted to change their life condition and defend themselves. The data in this qualitative research are words, phrases, and sentences based on dialogues, narrations and monologues that indicated the alienation and class struggle in the film. The findings of this research showed that Barnum as the main character experienced alienation in the form of powerlessness, meaninglessness, normlessness and self-estrangement. Meanwhile, the other characters such as Barnum’s family and the circus members experienced powerlessness, meaninglessness and isolation. The characters of this film also did class struggle by two aspects which are economic and political. From the economic, the alienated people try to improve their living conditions to have a better life and more decent. From the political, the alienated people also struggle against the oppressor and defend their rights by fighting back the people who alienated them.
DECONSTRUCTING THE MAIN CHARACTERS IN KHALED HOSSEINI’S THE KITE RUNNER NOVEL Azizah, Nurul; Kuncara, Singgih Daru; Valiantien, Nita Maya
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 6, No 2 (2022): April 2022
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v6i2.5775

Abstract

This paper discussed the deconstruction of the fixed meaning of the main characters in Khaled Hosseini’s The Kite Runner novel named Amir and Hassan. The purposes of this thesis are to determine how the fixed meaning of Amir and Hassan’s characters is described in the novel and to comprehend how Derrida’s deconstruction theory may help us to find a new meaning of Amir and Hassan’s characters. The research used a descriptive qualitative method and deconstruction approach. Further, the theories that are used in this analysis are the theories of deconstruction from Jacques Derrida and Boggs and Petrie’s theory of characterization. The results of this thesis showed that there are three characteristics of each character that has the opposite meaning. Firstly, Amir’s character was described as someone who has the character of selfish, superior, and coward. But after analyzing deeply, Amir’s character also has the opposite side of his characters, they are: selfless, inferior, and also brave character. Meanwhile, Hassan was described as an uneducated, brave, and good character, but he also has the opposite character. The new meaning of Hassan was described as educated, coward, and bad character.
Co-Authors Alamsyah Alamsyah - Alaydrus, Syarifah Fairuz Shafira Alfian Rokhmansyah Alreza, Eko Ridho Andina, Maisyara Andriana, Wahyu Sartika Annisa Fitri, Annisa Aprilia, Wiwin Aries Utomo Arifin, M Bahri Asmara, Tusri Juni Atillah, Widya Barli, Christian Chris Asanti, Chris D, Dahri Dahri Dahlan, Dahri Daynikita Merisabel DESI NATALIA, DESI Dewi Sari, Dewi Dominilla, Abigail Flavia Dyah Sunggingwati Eka Sudirman Fadillah, Alif Fatimah M Giriani, Nella Putri Hajrah, Siti Hanum, Irma Surayya Haryanti, Regzi Sri Hijrah, Nur Hilal, Hikmatul Fajar Syamsu Hilal, Hikmatul Fajar Syamsul Imelda Intan Safitri Indah Sari Lubis, Indah Sari Irni Jiwalno, Jiwalno Jonathan Irene Sartika Dewi Max Julan, Dezelin Brigitha Kartina, Ema Khairun Nisa Kharisma, Angel Latifah, Siti Noor Lifu, Atika Rosita Lifu M, Nur Jannatul M. Natsir Makin, Yohanes Klaudius Bala Marlborizky Dyah Maharanie Wahyono Mawuntu, Arvianda Zefania Muhammad Alim Akbar Nasir Muhammad Natsir Muhammad Natsir Munti, Ayu Haritsa Musthofa, Dwi Nadeak, Magdalena Febriwati Nainggolan, Olleta Vichi Nasrul Ullah Ni'mah, Sofia Nisah, Septiana Hairul Noor Rachmawaty Nurhajar, Ayu Sukma Nurhasanah Putri Wiyani Nurrahma, Virza Mei Utami NURUL AZIZAH Perdana, Yanuarius Rangga Pitaloka, Epifani Putri Rabbiyani, Sari Rahayu, Famala Eka Sanhadi Rahayuningsih, Herdiana Rahmadhani, Fachreza Rahmah, Nor Ririn Setyowati Ririn Setyowati Ristyabudi, Nasywaa Diva Rizkianty, Lana Rasita Safa Rosianah, Rosianah Rubianti, Rubianti Saferi Yohana Samria Sunaryo Sari, Linda Satyawati Surya, Satyawati Setya Ariani Setyoko, Aris Sili, Surya Singgih Daru Kuncara Siti Rohani Sli, Surya Sulistyo Dwi Antoko Sumual, Merciana S. Supiansyah, Selvia Surahman, Dian Purnama Surya Sili Tantri, Agra Liz Tri Puspa Juwita Tri Wulandari Widuri, Dwi Sinta Ayu Yofi Irvan Vivian Yunadi, Akbar Zahratin Nor Zamruddin, Mardliya Pratiwi