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All Journal Cakrawala Pendidikan Jurnal Penelitian dan Evaluasi Pendidikan Jurnal Pendidikan Jasmani Indonesia Medikora: Jurnal Ilmiah Kesehatan Olahraga Litera Jurnal Imajinasi JURNAL DESTINASI PARIWISATA Jurnal Karya Pendidikan Matematika Jurnal Keolahragaan ANDHARUPA Jurnal Pilar Nusa Mandiri Journal of Islamic Architecture Nuansa Journal of Arts and Design Cetta: Jurnal Ilmu Pendidikan Acintya Capture : Jurnal Seni Media Rekam Gelar : Jurnal Seni Budaya Psychology, Evaluation, and Technology in Educational Research ACTIVE: Journal of Physical Education, Sport, Health and Recreation International Journal of Visual and Performing Arts ARTISTIC : International Journal of Creation and Innovation Jurnal Ilmiah Administrasita' Jurnal Abdi Masyarakat Indonesia East Asian Journal of Multidisciplinary Research (EAJMR) Jurnal Ilmiah Sistem Informasi dan Teknik Informatika (JISTI) Prosiding Seminar Nasional Sisfotek (Sistem Informasi dan Teknologi Informasi) SAINTI: Majalah Ilmiah Teknologi Industri
Guntur Guntur
Universitas Negeri Yogyakarta
Arts Humanities Chemical Engineering, Chemistry & Bioengineering Civil Engineering, Building, Construction & Architecture Computer Science & IT Control & Systems Engineering Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Engineering Health Professions Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Mathematics Medicine & Pharmacology Public Health Social Sciences Other

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A CONCEPTUAL FRAMEWORK FOR QUALITATIVE RESEARCH: A LITERATURE STUDIES Guntur, Guntur
Capture : Jurnal Seni Media Rekam Vol. 10 No. 2 (2019)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (192.962 KB) | DOI: 10.33153/capture.v10i2.2447

Abstract

The conceptual framework is an important part of a research. However, there is still a lot of research, especially among students who ignore it. Indeed the conceptual framework has a strategic position and role in research. This article discusses about the conceptual framework in qualitative research. Specifically, it is aimed at providing understanding and practical guidance for students who will and / or are preparing research plans for their final assignments. This article consists of four main section / part. The first section discusses the understanding of research and research frameworks. The second section discusses the conceptual framework in qualitative research. The third section discusses how to develop / arrange a conceptual framework for qualitative research. The final chapter is a conclusion. 
PENGEMBANGAN MEDIA PEMBELAJARAN BERKARYA SENI LUKIS MIXMEDIA BERBAHAN LIMBAH PLASTIK Guntur, Guntur; Alimuddin, Alimuddin; Syahrir, Nurlina
JURNAL IMAJINASI Vol 9, No 1 (2025): Januari-Juni
Publisher : Universitas Negeri Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26858/i.v9i1.64108

Abstract

Penelitian pengembangan ini menggunakan model penelitian 4D Thiagarajan yang terdiri dari empat tahapan yaitu pendefinisian (Define), perancangan (Design), pengembangan (Develop) dan penyebaran (Disseminate). Penelitian ini bertujuan untuk (1) Mengetahui bagaimana Validitas media pembelajaran yang dikembangkan pada kegiatan berkarya seni lukis Mixmedia dengan media Limbah Plastik pada kelas XI di SMA Negeri 6 Bulukumba, (2) Mengetahui bagaimana Kepraktisan media pembelajaran yang dikembangkan pada kegiatan berkarya seni lukis Mixmedia dengan media Limbah Plastik pada Kelas XI di SMA Negeri 6 Bulukumba, (3) Mengetahui bagaimana Keefektifan media pembelajaran yang dikembangkan pada kegiatan berkarya seni lukis Mixmedia dengan media Limbah Plastik pada Kelas XI di SMA Negeri 6 Bulukumba. Hasil penelitian yang telah dilakukan memperoleh (1) skor nilai validasi ahli materi sebesar 87, (2) Persentase nilai validasi ahli media sebesar 81 dan (3) skor nilai validasi pengguna sebesar 93. Hasil tersebut menunjukkan bahwa tingkat validitas media pembelajaran yang dikembangkan dinyatakan valid. Hasil uji respons peserta didik mendapatkan hasil (1) Uji Kepraktisan dengan skor 93 kriteria sangat praktis, dan (2) Uji keefektifan berkarya seni lukis mixmedia dengan skor 96 kriteria sangat efektif. Dengan demikian, media pembelajaran berkarya seni lukis mixmedia dengan media limbah plastik berbasis presentasi ini sangat menarik untuk digunakan dalam pembelajaran.
Transformation of Lampung tapis cloth into modern fashion products through technical and material innovation: cultural and economic impacts Hartono, Lili; Guntur, Guntur; Rustopo, Rustopo; Setiyono, Budi
International Journal of Visual and Performing Arts Vol 7, No 1 (2025)
Publisher : ASSOCIATION FOR SCIENTIFIC COMPUTING ELECTRICAL AND ENGINEERING (ASCEE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31763/viperarts.v7i1.1816

Abstract

The transformation of Lampung tapis cloth into a modern fashion product through innovations in manufacturing techniques and materials used has had a significant impact on cultural and economic aspects. The purpose of this study is to analyze the transformation of tapis cloth with a focus on innovations in techniques and materials used and their impact on cultural and economic aspects. The research method used is descriptive qualitative. The data sources used are informants, places and events, and documents. This study collected data through observation, interviews, and document analysis. The data obtained were analyzed using an interactive model. The results of the study indicate that the transformation of Lampung tapis cloth through innovations in techniques and materials was carried out to adapt to the development of the times and dynamic consumer tastes, so that tapis cloth remains relevant and in demand by the wider community. The transformation of tapis cloth has an impact on the cultural aspect, namely supporting efforts to preserve regional culture, strengthening regional identity, and promoting Lampung culture to the national and international levels. In the economic aspect, the transformation of tapis cloth is able to increase people's income and absorb labor, thus providing a positive contribution to the local economy and improving people's welfare.
Neglecting Classic Worship Spaces: Masjid, Meunasah, and Balee E-Beut in Acehnese Society Afriadi, Dedy; Guntur, Guntur; Sugihartono, Ranang Agung; Abdullah, Irwan; Cahyani, Novita; Susanto, Mikke
Journal of Islamic Architecture Vol 8, No 3 (2025): Journal of Islamic Architecture
Publisher : Department of Architecture, Faculty of Science and Technology, UIN Maliki Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18860/jia.v8i3.26387

Abstract

The neglect of traditional religious architecture, such as the Tuha Mosque, Meunasah, and Balee e-beut, is a significant and concerning phenomenon in Acehnese society. Rapid modernization and the massive influence of global media have been a force in this neglect. The purpose of this study is to conduct a thorough investigation on the reasons behind the neglect of Aceh's classical houses of worship. The qualitative approach involved a comprehensive analysis of relevant literature and a number of direct observations of architectural sites and interviews with cultural figures. The research findings reveal that the neglect of Aceh's classical houses of worship is the result of many complex and interconnected factors. Society's preference for Middle Eastern architectural styles and the strong currents of modernization have been important forces underlying the neglect of classical worship spaces. At the same time, the scarcity of goods and materials appropriate to the needs of classical architecture and the skills of carvers (utoh) have become objective realities that have caused classical architecture to be unable to be rehabilitated, let alone to be built. In line with this alarming condition, it is urgent to take concrete steps in the form of initiatives to promote appreciation of local wisdom and classical cultural identity, a commitment to applying a cultural identity-oriented approach in the construction and preservation of new houses of worship.
ARTISTIC RESEARCH: THE THOUGHTS AND IDEAS OF MIKA HANNULA Guntur, Guntur
ARTISTIC : International Journal of Creation and Innovation Vol. 1 No. 2 (2020)
Publisher : ISI Press Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/artistic.v1i2.3115

Abstract

This paper is a review of the thoughts and ideas of Mika Hannula presented in his book Artistic Research: Theories, Methods, and Practices. As its title indicates, this book discusses artistic research, specifically related to the theories, methods, and practices of its implementation. In this paper the writer attempts to review: the urgency of artistic research, the philosophical foundations of artistic research, artistic research and science, epistemology and axiology, methodology of artistic research, and its expediency and guidelines for use in art research.
KYAI RAJAMALA BOAT’ CANTHIK IN COUTURE BATIK PATTERN Kristanti, Kristanti; Guntur, Guntur
ARTISTIC : International Journal of Creation and Innovation Vol. 2 No. 2 (2021)
Publisher : ISI Press Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/artistic.v2i2.4047

Abstract

The Historically, the Javanese palaces relied on boats for transportation, like the Kyai Rajamala boat used by the Surakarta palace. At the time, Paku Buwana IV used the boat to cross the Bengawan Solo river. Kyai Rajamala boat’s canthik is a decorative element on the end bow of the Surakarta palace's boat. Apart from being a decorative element on the boat's end bow, the Kyai Rajamala boat’s canthik is also an heirloom used to ward off bad luck. Because the Kyai Rajamala boat’s canthik has a high value for life, it is critical to communicate the Kyai Rajamala boat’s canthik through easily accepted media. One medium that can convey the beauty of the Kyai Rajamala boat’s canthik is the batik textile art, which can be used to meet basic human needs. Clothing is not only a means of covering the body; it can also be used to convey messages. The Kyai Rajamala boat’s canthik was reinterpreted and dyed with remasol into handmade batik.
Kreasi Vertical Garden Figuratif-Artistik untuk Mendukung Citra Visual Desa Wisata Petungsewu Berbasis Kemitraan Kreatif Ponimin, Ponimin; Abdul, Muhammad Faizal Bin; Irwanto, Rudi; Guntur, Guntur; Nusantari, Okta Viviana Asmi
Jurnal Abdi Masyarakat Indonesia Vol 5 No 5 (2025): JAMSI - September 2025
Publisher : CV Firmos

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.54082/jamsi.2064

Abstract

Desa Petungsewu Dau Malang perlu penataan taman kawasan di rest area desa wisata yang unik dengan kehijauan tumbuhan yang dapat memperkuat citra rintisan desa wisata berbasis alam lokal. Namun mereka tidak memiliki pengetahuan dan kemampuan teknis dalam mewujukannya. Diperlukan kegiatan kreatif berbasis artistik kolaboratif bersama desa mitra dengan perguruan tinggi, untuk meecahkan persoalan tersebut. Tim kreatif dosen seni rupa UM telah melakukan kegiatan kreatif berupa rancangan dan pembuatan garden vertikal figuratif untuk disajikan pada kawasan desa tersebut. Kegiatan ini untuk mendorong kreatifitas masyarakat sasaran program dalam mengembangkan desa wisata degan sajian yang menarik dan unik. Untuk mencapainya perlu ditetapkan metode kreatif kolaboratif dalam pembuatan/vertical garden. Metode tersebut meliputi: (a) koordinasi tim pelaksana program wilayah mitra sebagai pengguna serta penyiapan SDM dari desa mitra, (b) rumusan konsep perancangan IPTEKS untuk diterapkan di kawasan desa mitra, (c) persiapan alat dan bahan serta lokasi secara kolaboratif, (d) kerja kreatif kolaboratif perancangan dan pembuatan garden vertikal figuratif untuk kawasan rest area desa wisata Petungsewu, (e) Mengatasi kendala-kendala teknis dalam pelaksanaan program, (g) Hasil kreasi berupa rancangan desain dan prototipe produk garden vertical figuratif terpajang di Rest Area desa Petungsewu. Hasil kegiatan kreatif seni ini turut mendorong penguatan desa wisata melalui sajian produk artistik yang ramah lingkungan
Analysis photo of the year 2006 Indonesian press photo award based on the three visual layers theory Prasetyo, Andry; Guntur, Guntur; Ajidarma, Seno Gumira; Soewarlan, Santosa
Gelar: Jurnal Seni Budaya Vol. 22 No. 1 (2024)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v22i1.5521

Abstract

This article aims to analyze the work of the 2016 Indonesian Press Photo Award Photo of the Year entitled "Tinjau Titik Api," using the "Three Visual Layers" theory. Photo of the Year 2016 was chosen because it has the advantage of good visual value and high news value, especially for people in the news. The three visual layers analysis includes optical, cultural, and photographic meaning. The optical aspect is for the non-blind eyes, the cultural aspect includes known visual appearances and unknown visual appearances, and the photographic aspect has a functional appearance, personal appearance, and subjective appearance. The research method is qualitative analysis because its implementation is based on visual analysis to find meaning from photos depicting three figures who are symbols of the strength of the Indonesian state, namely, the President of the Republic of Indonesia, Joko Widodo, TNI Commander General Gatot Nurmantyo, and Chief of the Indonesian National Police General Badarudin Haiti, who is inspecting the location of forest and land fires, in Geronggong Village, Ogan Komering Ilir Regency, South Sumatra. Data analysis involves: Scrutinizing relevant and irrelevant information, reducing data, compiling codes against findings data, and verifying codes as a reference for discussion and conclusion. The research results show that the 2016 Photo of the Year contains meaning that shows the Indonesian government's commitment to dealing with forest and land fires in Sumatra. The photo has advantages in terms of visual value which is reflected in the composition, depth of focus, and expression of the president, and in terms of news value, it is superior in terms of character value, as well as another advantage in the closeness of the photographer to the object of the event.
Exploring the creative process of the collaborative artwork “painting in dance”: an autoethnographic study Fadhlan, Fadhlan; Guntur, Guntur; Sunarmi, Sunarmi
International Journal of Visual and Performing Arts Vol 7, No 2 (2025)
Publisher : ASSOCIATION FOR SCIENTIFIC COMPUTING ELECTRICAL AND ENGINEERING (ASCEE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31763/viperarts.v7i2.1782

Abstract

This study explores the creative process of the collaborative artwork Painting in Dance, which merges dance and painting through an innovative, real-time interaction between a dancer and a painter. Employing an art-based autoethnographic approach, the research documents personal experiences and reflections to reveal how spontaneous movement and Action Painting techniques inform each other. Data were collected through visual documentation, self-interviews, and personal journals, and analyzed thematically and narratively. The findings identify four key stages of collaborative creativity: exploratory contemplation, improvisation, expressive collaboration, and final touches. These stages transform the dancer’s body into an active medium for painting. This study contributes a novel model of interdisciplinary artistic creation, demonstrating how integrating dance and visual art can produce dynamic, multisensory performances and inspire new pedagogical approaches in contemporary art education.
The Meaning of Symbols on Keris as a Depiction of the Identity and Character of Nusantara Society Sutyawan, Luky; Guntur, Guntur
East Asian Journal of Multidisciplinary Research Vol. 3 No. 3 (2024): March 2024
Publisher : PT FORMOSA CENDEKIA GLOBAL

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55927/eajmr.v3i3.8646

Abstract

This study aims to reveal the meaning of symbols on the keris that depicts the identity and character of the Nusantara society. Keris as one of Indonesia's original cultural products in the field of tosan aji has multiple functions. Keris leaves its function as a weapon and puts forward a message language for certain conditions and situations. Keris is a part of the heritage of the ancestors of the Indonesian society filled with knowledge. The knowledge in keris that stands out is the symbol system that is also present in it. This knowledge is a form of thinking of the people of the archipelago in implying their culture. The approach used in this research is the Nusantara Aesthetic approach which states that every work presented, especially in the Archipelago, always prioritises the aspects of guidance and spectacle. Keris as a cultural work of the archipelago does not only prioritise the aspect of beauty(spectacle) but also becomes a cultural work full of teachings and outlook on life(guidance) through the symbol language system presented. The symbol system in the keris then becomes a form of culture that is passed down from generation to generation as a depiction of the identity and character of the Nusantara society.
Co-Authors Abdul Alim Abdul, Muhammad Faizal Bin Afriadi, Dedy Anak Agung Istri Sri Wiadnyani Arifin Ika Nugraha Bachtiar Bernadeta M Wara Kushartanti Budi Setiyono Cahyani, Novita Cerika Rismayanthi Danang Pujo Broto Dapan Dapan Didit Widiatmoko Djemari Mardapi Duwi Kurnianto Pambudi Duwi Kurnianto Pambudi Fadhlan, Fadhlan Farid Imam Nurhadi faruk faruk Fauzi Fauzi Fendi Nugroho Festiawan, Rifqi Firmansyah Putra Ghazali, Ari Hartono, Lili Hasran Hutahaean, Rispon Indri Kurniawati Irwan Irwan Irwanto, Rudi Ismail Gani Juliana, Nur Kamarudin Kamarudin Kristanti Kristanti Laily Fitriani Mulyani Marsoedi Marsoedi Meilinda, Reza Mikke Susanto MMSI Irfan ,S. Kom Mohd Izwan Bin Shahril Muhamad Nanang Solikhin Muhammad Sigit Antoni Nanang Rizali Neva Widanita Ngatman, Ngatman Ngatman, Ngatman Nita Merlina, Nita Norkhalid Bin Salimin Nur Rohmah Muktiani Nusantari, Okta Viviana Asmi Ponimin Prasetyo, Andry Rahman Ratih Setianingrum Rizki Mulyawan Ronal Taruk Padang Rustopo Rustopo Seno Gumira Ajidarma, Seno Gumira Simatupang, Lono Siti Helmyati Soewarlan, Santosa Sridadi Sridadi Subagyo Subagyo Sugeng, Santoso Sugihartono, Ranang Agung Sukadiyanto Sukadiyanto Sulistyawati Sulistyawati Sumariyanti, Sumariyanti Sumaryanto Sumaryanto Sunarmi Sunarmi Sutyawan, Luky Syahrir, Nurlina Syarief Fajaruddin Taufik Murtono Wawan Sundawan Suherman wibisono, kurniawan ari Yohana Bela Christian Sari Yuhri Inang Prihatina Yundari, Yundari Yusri Yusri Zainudin Abu Bakar ZULHAMIDI, ZULHAMIDI