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Journal : Acintya

KONSISTENSI TERMINOLOGI, INVENTARISASI POTENSI DAN PENGUATAN INFRASTRUKTUR DALAM UPAYA PELESTARIAN KRIYA Guntur, Guntur
Acintya Vol. 2 No. 1 (2010)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2810.711 KB) | DOI: 10.33153/acy.v2i1.115

Abstract

As the activities and products of the oldest arts, crqfl should have a reliability of conceptual art, both among the general population and even mone so in education. However; in reality it still shows the use of terminology no consistency Ironically, this occurred at a govemment institution that organizes educational programs in the field of craft. Conservation efinrts should be initiated to foster one of the pmblern. In addition to strengthening the existing infmstructure in craft world.Key wards: craft, conservation, consistency, and infrastructure
Pengembangan Sulam Gim Kebaya Pengantin Gaya Surakarta Prihatina, Yuhri Inang; Guntur, Guntur; Rizali, Nanang
Acintya Vol. 15 No. 1 (2023)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v15i1.5041

Abstract

This research was motivated by the existence of gim embroidery as a Surakarta-style bridal kebaya ornament with all limitations, such as the lack of craftsmen, the high cost of yarn materials, and competition with other ornamental techniques that are more developed. The purpose of this study is to describe the development  of  gim  embroidery  on  Surakarta-style  bridal  kebaya.  The  method  used  is  a  qualitative grounded research model. Data were collected through interviews, observations, literature studies, artifact studies, and documentation. Data analysis is conducted interactively through data reduction, presentation, discussion, and conclusions. The results showed that the development of Surakarta-style bridal kebaya gim embroidery had at least three groups, namely the development of materials and techniques that still maintain motifs and patterns according to pakem, the development of motifs and designs that combine the characteristics of Surakarta style and Yogyakarta style, and the development of kebaya forms followed by the development of motifs and patterns. The development that was found can be used as a reference in the development of game embroidery not only in bridal kebayas but also in other forms of revitalization to preserve gim embroidery.Keywords: gim embroidery, Surakarta-style bridal kebaya, development concept.
KONSISTENSI TERMINOLOGI, INVENTARISASI POTENSI DAN PENGUATAN INFRASTRUKTUR DALAM UPAYA PELESTARIAN KRIYA Guntur, Guntur
Acintya Vol. 2 No. 1 (2010)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v2i1.115

Abstract

As the activities and products of the oldest arts, crqfl should have a reliability of conceptual art, both among the general population and even mone so in education. However; in reality it still shows the use of terminology no consistency Ironically, this occurred at a govemment institution that organizes educational programs in the field of craft. Conservation efinrts should be initiated to foster one of the pmblern. In addition to strengthening the existing infmstructure in craft world.Key wards: craft, conservation, consistency, and infrastructure
Pengembangan Sulam Gim Kebaya Pengantin Gaya Surakarta Prihatina, Yuhri Inang; Guntur, Guntur; Rizali, Nanang
Acintya Vol. 15 No. 1 (2023)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v15i1.5041

Abstract

This research was motivated by the existence of gim embroidery as a Surakarta-style bridal kebaya ornament with all limitations, such as the lack of craftsmen, the high cost of yarn materials, and competition with other ornamental techniques that are more developed. The purpose of this study is to describe the development  of  gim  embroidery  on  Surakarta-style  bridal  kebaya.  The  method  used  is  a  qualitative grounded research model. Data were collected through interviews, observations, literature studies, artifact studies, and documentation. Data analysis is conducted interactively through data reduction, presentation, discussion, and conclusions. The results showed that the development of Surakarta-style bridal kebaya gim embroidery had at least three groups, namely the development of materials and techniques that still maintain motifs and patterns according to pakem, the development of motifs and designs that combine the characteristics of Surakarta style and Yogyakarta style, and the development of kebaya forms followed by the development of motifs and patterns. The development that was found can be used as a reference in the development of game embroidery not only in bridal kebayas but also in other forms of revitalization to preserve gim embroidery.Keywords: gim embroidery, Surakarta-style bridal kebaya, development concept.
Co-Authors Abdul Alim Abdul, Muhammad Faizal Bin Abdussalam Abdussalam, Abdussalam Afriadi, Dedy Agung Wahyu Nugroho, Agung Wahyu Aji Kus Indriani, Arrauna Bening Alexander Phuk Tjilen Amin, Abd. Aziz Anak Agung Istri Sri Wiadnyani Andi Kurniawan Arifin Ika Nugraha Bachtiar Beatus Tambaip Bernadeta M Wara Kushartanti Bin Shahril, Mohd Izwan Budi Setiyono Cahyani, Novita Cerika Rismayanthi Danang Pujo Broto Dapan Dapan Dayari, Achmad Dedy Ismail Didit Widiatmoko Djemari Mardapi Duwi Kurnianto Pambudi Duwi Kurnianto Pambudi Fadhlan, Fadhlan Farid Imam Nurhadi faruk faruk Fauzi Fauzi Fendi Nugroho Festiawan, Rifqi Fifi afiania, Fifi afiania Firmansyah Putra Ghazali, Ari Hartono, Lili Hasran Hutahaean, Rispon Indri Kurniawati Irwan Irwan Irwanto, Rudi Ismail Gani Iwan Satriyo Nugroho, Iwan Satriyo Nugroho Jamal Jamal Jiehad Akbar Pria Utama, Jiehad Akbar Pria Utama Juliana, Nur Kamarudin Kamarudin Kristanti Kristanti Laily Fitriani Mulyani Marsoedi Marsoedi Meilinda, Reza Mikke Susanto MMSI Irfan ,S. Kom Muhammad Sigit Antoni Musyfiq Amrullah , Musyfiq Amrullah Nanang Rizali Neva Widanita Ngatman, Ngatman Ngatman, Ngatman Nita Merlina, Nita Novianto, Wahyu Nur Rohmah Muktiani Nurwijayanti Nusantari, Okta Viviana Asmi Okuda, Hideki Ponimin Prabowo, Rahayu Adi Pramudia, Zulkisam Prasetyo, Andry Rafika Ratik Srimurni, Rafika Ratik Srimurni Rahman Rani, Muhammad Faizal Abdul Ratih Setianingrum Rizki Mulyawan Ronal Taruk Padang Rudi Irawanto Rustopo Rustopo Salimin, Norkhalid Bin Seno Gumira Ajidarma, Seno Gumira Simatupang, Lono Siti Badriyah Siti Helmyati Sitompul, Silvia Sari Soewarlan, Santosa Solikhin, Muhamad Nanang Sri Winarni Sridadi Sridadi Subagyo Subagyo Sugeng Santoso Sugihartono, Ranang Agung Sukadiyanto Sukadiyanto Sulistyawati Sulistyawati Sumariyanti, Sumariyanti Sumaryanto Sumaryanto Sunarmi Sunarmi Susanti, Yogita Ayu Dwi Sutyawan, Luky Syahrir, Nurlina Syarahdevi, Balqis Aprillia Syarief Fajaruddin Taufik Murtono Ubabuddin, Ubabuddin Vistor Syapri Maulana Wawan Sundawan Suherman wibisono, kurniawan ari Wiryawan, Adam Yanuar, Adi Tiya Yohana Bela Christian Sari Yuhri Inang Prihatina Yundari, Yundari Yusri Yusri Zainudin Abu Bakar ZULHAMIDI, ZULHAMIDI