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All Journal Jurnal Bahasa Rupa Panggung AKSIOLOGIYA : Jurnal Pengabdian Kepada Masyarakat JTAM (Jurnal Teori dan Aplikasi Matematika) SELAPARANG: Jurnal Pengabdian Masyarakat Berkemajuan Ganaya: Jurnal Ilmu Sosial dan Humaniora Jurnal Budaya Nusantara Jurnal Inovasi Hasil Pengabdian Masyarakat (JIPEMAS) Abdi Seni Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Ideas: Jurnal Pendidikan, Sosial dan Budaya International Journal of Visual and Performing Arts Aksara: Jurnal Ilmu Pendidikan Nonformal Jurnal Pembelajaran Pemberdayaan Masyarakat (JP2M) Jurnal Abdimas Ilmiah Citra Bakti (JAICB) Community Empowerment Jurnal Mandala Pengabdian Masyarakat International Journal of Multi Discipline Science (IJ-MDS) Jurnal Abdimas Bina Bangsa Sibatik Journal : Jurnal Ilmiah Bidang Sosial, Ekonomi, Budaya, Teknologi, Dan Pendidikan Indonesian Community Journal Bakti Budaya: Jurnal Pengabdian kepada Masyarakat Jurnal Atma Inovasia JUARA: JURNAL WAHANA ABDIMAS SEJAHTERA SERVIRISMA: Jurnal Pengabdian kepada Masyarakat Engagement: Jurnal Pengabdian Kepada Masyarakat Panggung Jurnal Bahasa Rupa Proceeding of International Conference on Art, Media, and Culture (ICAMAC) Jurnal Bahasa Rupa
Ariesa Pandanwangi
Universitas Kristen Maranatha
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Chemical Engineering, Chemistry & Bioengineering Chemistry Civil Engineering, Building, Construction & Architecture Computer Science & IT Control & Systems Engineering Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Engineering Environmental Science Health Professions Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Mathematics Medicine & Pharmacology Nursing Physics Public Health Social Sciences Other

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Journal : Panggung

 1 
VISUALISASI PEREMPUAN PADA LUKISAN TRADISIONAL TIONGHOA DI INDONESIA (Analisis karya-karya seni lukis Lee Man Fong dan Chiang Yu Tie) Ariesa Pandanwangi; Nuning Damayanti
PANGGUNG Vol 27 No 2 (2017): The Revitalization of Tradition, Ritual and Tourism Arts
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v27i2.254

Abstract

ABSTRACT Both Lee Man Fong - a male painter - and Chiang Yu Tie - a female painter - are Chinese who migrated to Indonesia. In the beginning of the 20th century, Lee Man Fong lived in Bali while Chiang Yu Tie lived in Java. Many of their artworks were collected by the National Palace and many government officers. The questions of this research are visualization of the women as the object of paintings of both artists and gesture of the women in the paintings of both artists. The purpose of the research is to enrich the documentary infrastructure about women as object in the social area of visual arts which has not been studied much. The research method that will be used is qualitative method with purpose sampling. The result of the research will show that both artists are very familiar with a particular social life during their stay in a certain place, so that their perceptions are focused in excavating the women object in their artworks.Keywords: Chiang Yu Tie, Chinese, Lee Man Fong, Painting, Woman.ABSTRAK Lee Man Fong adalah pelukis laki-laki dan Chiang Yu Tie adalah pelukis perempuan. Keduanya adalah orang Tionghoa yang merantau ke Indonesia. Pada tahun 1900 an Lee Man Fong tinggal di Bali sedangkan Chiang Yu Tie tinggal di Jawa Barat. Karya keduanya banyak dikoleksi oleh Istana Negara juga oleh pejabat pemerintahan. Penelitian ini untuk mengetahui visualisasi perempuan yang dijadikan objek pada lukisan tradisional tionghoa dan gestur perempuan pada objek karya seni lukis kedua seniman tersebut. Tujuan penelitian ini adalah untuk melengkapi infrastruktur pendokumentasian tentang objek perempuan dalam medan sosial seni rupa yang belum banyak dibahas. Metode penelitian ini adalah metode kualitatif dengan purpose sampling. Hasil penelitian ini memperlihatkan bahwa kedua seniman tersebut sangat akrab dengan lingkungan sosial ketika mereka tinggal disuatu daerah, sehingga pengamatannya banyak di fokuskan pada penggalian objek perempuan dalam karya seni lukisnya.Kata kunci: Chiang Yu Tie, Lee Man Fong, Perempuan, Seni lukis, Tionghoa. 
BATIK NASKAH KUNO: TRANSFORMASI ILUMINASI DARI NASKAH KUNO KE DALAM MOTIF BATIK Ariesa Pandanwangi; Sophia Himatul Alya; Iman Budiman; Arleti Mochtar Apin; Tessa Eka Darmayanti
PANGGUNG Vol 32 No 4 (2022): Keragaman Budaya, Kajian Seni, dan Media
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v32i4.2157

Abstract

Ancient manuscripts are artifacts that indicate high intellectual abilities in old civilizations. The content is very valuable as well as a means of communicating and expressing ideas that can provide information about civilization and past life. Javanese society is one of the communities who inherited ancient manuscripts. The manuscript is decorated with beautiful illuminations that signify the aesthetics of the creators. The illumination has a n implied value and becomes a trace of the cultural identity of the society. The values implied in the manuscript will be much more useful if it is disseminated to provide high moral understanding and insight. In addition, ancient manuscripts can be a source of inspiration for creation that can support efforts to perpetuate cultural heritage in the archipelago. This paper discusses the results of research originating from the transformation process of ancient manuscript illumination into batik. The research method used is descriptive qualitative by making batik motifs based on visual manuscript illumination supported by the results of interviews with ancient manuscript experts and batik experts. The results of this study are expected to support batik motifs in Indonesia. Keywords: ancient manuscripts; batik; illumination; motiftransformation
Co-Authors Abdusyukur Budiarvin Septiadi Abdusyukur Budiarvin Septiadi Agus Prijono Agus Prijono Alisha Sugianto Alya, Shopia Himatul Alya, Sophia Himatul Amanda Harmani Apin, Arleti Mochtar ARLETI M. APIN ARLETI M. APIN Arleti Mochtar Apin Arleti Mochtar Apin Atridia Wilastrina Atridia Wilastrina Atridia Wilastrina Aulia Wara Arimbi Putri Ayuningtyas, Nabilla Baene, Basituasi Basituasi Baene Basituasi Pane Belinda Sukapura Dewi Cama Juli Rianingrum Carla Angelica da Silva, Maria Imakulata Darmayanti, Tessa Eka Deniansha, Farhan Dewi Isma Aryani Dieni Nuraeni Dieni Nuraini Dina Lestari Doro Edi Elda Franzia Jasjfi Elnissi, Sharon Erika Ernawan Erlina Novianti Erlina Novianti, Erlina Ernawan, Erika Erwani Merry Sartika Farhan Deniansah Farhan Deniansha Florenza Octarina Fragranthia Jennifer Hendrawan, Lucky Ida IDA IDA Ida Ida Ida Ida, Ida Iman Budiman Iman Budiman Iman Budiman Indralaksmi Indralaksmi Ismet Zainal Effendi Ismet Zainal Effendi Zainal Effendi Janette Kiara Zerlinda Santosa Kartika Suhada Kerine Claudya Wijaya Krismanto Kusbianto Krismanto Kusbiantoro Kuncoroputri, Sari Dewi M. Dwi Marianto Marutama, I Gusti Ngurah Tri Meythi, Meythi Muhamad Ali Rahim Muhammad Ali Rahim Nuning Damayanti Nuning Damayanti Nuning Damayanti Nuning Damayanti Nuning Damayanti Nuning Damayanti Adisasmito Nuning Damayanti Adisasmito, Nuning Damayanti Nuraini, Dieni Olga Catherina Pattipawaej Pande Made Sukerta Purnomo Adi, Sigit Putri, Aulia Wara Arimbi Ratnadewi Ratnadewi . Ratnadewi, Ratnadewi Ria Wardani Rosida Tiurma Manurung Rutnanda Inne Bulu Sari Dewi Kuncoroputri Se Tin Sharon Elnissi Shopia Himatul Alya Shopia Himatul Alya Shopia Himatul Alya sigit purnomo adi Siti Febrina Rahmadani Sophia Himatul Alya Sri Hadi Sukapura Dewi, Belinda Suryana, Wawan Teddy Marcus Zakaria Tessa Eka Darmayanti1 Utomo, R. Drajatno Widi Vera Liendani Verren Lesiando Septian Vincent Vincent Wahyu Widowati Wangsaputra, Priscylia Susanto Wawan Suryana Wawan Suryana Wiemar, Rosalinda Wiemar Yasraf Amir Pialang Yasraf Amir Pialang, Yasraf Amir Yohanes Bastian Vestralen Lameng Yudhanto, Sigied Himawan Zeta Ranniry