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All Journal Jurnal Pengelolaan Sumberdaya Alam dan Lingkungan (Journal of Natural Resources and Environmental Management) Jurnal Ilmiah Dinamika Rekayasa (DINAREK) CaLLs : Journal of Culture, Arts, Literature, and Linguistics Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Register Journal JPM (Jurnal Pendidikan Modern) Jurnal Teknologi Pendidikan : Jurnal Penelitian dan Pengembangan Pembelajaran Basica Journal of Education Research Journal of Community Service Edukasia: Jurnal Pendidikan dan Pembelajaran JURNAL PARADIGMA: Journal of Sociology Research and Education Global Education Journal Ruhui Rahayu: Jurnal Pengabdian Kepada Masyarakat Kesmas: Jurnal Kesehatan Masyarakat Nasional (National Public Health Journal)

Ririn Setyowati

Fakultas Kesehatan Masyarakat Universitas Ahmad Dahlan Yogyakarta

Author-ID : 378209

Agriculture, Biological Sciences & Forestry Arts Humanities Biochemistry, Genetics & Molecular Biology Civil Engineering, Building, Construction & Architecture Computer Science & IT Control & Systems Engineering Earth & Planetary Sciences Economics, Econometrics & Finance Education Electrical & Electronics Engineering Engineering Environmental Science Health Professions Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Mathematics Physics Public Health Social Sciences Other

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A CRITICAL DISCOURCE ANALYISIS ON BARACK OBAMA FARAWELL ADRESS AT CHICAGO Pasande, Priskila Ekawati Anggana; Arifin, M. Bahri; Setyowati, Ririn
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 6, No 2 (2022): April 2022
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v6i2.5754

The area of this research is critical discourse analysis using the characteristics of the microstructure, superstructure, and macrostructural approaches by Van Dijk's theory. The object behind the research is Barack Obama last speech during his tenure as president of the United States, which was held on January 10, 2017 at McCormick Place, Chicago, IIIinois. In his last speech, Barack Obama expressed his gratitude to those who have been very supportive. He is during his tenure as president. In his speech, Barack Obama also discussed a lot about his message to the youth of the United States to be more active in contributing to the progress of the United States, and discussed a lot about the social and economic problems of the United States. Public Speaking by Barack Obama deserves to be studied and his clear and systematic way of speaking is the reason for researchers to research it, to find out what ideology is conveyed in his speech. This research focused on identifying the characteristics of the microstructure, superstructure, macrostructure, and ideologycal approaches contained in Barack Obama speech using a qualitative approach method. The results of this study indicate that ideologies of liberalism and ideologies of socialism. From these data, the researcher found that the ideology of liberalism was mostly contained in Barack Obma speech.

Teresa's Id, Ego, Superego in James Dashner's The Death Cure Novel (2011) Mawuntu, Arvianda Zefania; Valiantien, Nita Maya; Setyowati, Ririn
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 7, No 2 (2023): Vol 7, No 2 (2023): April 2023
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v7i2.7324

ABSTRACTThis thesis discusses about personality of a character named Teresa in a novel entitled The Death Cure by James Dashner by using one of Sigmund Freud's personality theory of id, ego, superego. The researcher uses a qualitative methodology and a psychological approach in this thesis. Furthermore, the theory of factors influencing human personality by Abraham Lahey is also applied to this thesis. The result of this study indicates that the representation of Teresa's personality is grouped into two phases based on the plot of this novel. In the first phase, Teresa has id and ego, however, she does not have the superego. Her id is very strong. Therefore, Teresa’s personality is dominated by the id which makes her ego neglected due to the absence of superego. In the second phase, Teresa has the three of personality structures (id, ego, superego) and those work each other. Moreover, Teresa's personality which is grouped into two phases, the first phase is before memory restoration, and the second phase is after memory restoration, is influenced by external factors or it is known as nurture. Nurture influences Teresa's personality in both phases by identifying at the physical environment and the social environment that is around and experienced by Teresa.Key words: psychoanalysis, id, ego, superego, nurture, Sigmund Freud ABSTRAKPenelitian ini membahas tentang kepribadian seorang karakter bernama Teresa yang ada di dalam sebuah novel karya James Dashner yang berjudul The Death Cure dengan menggunakan salah satu teori kepribadian Sigmund Freud yaitu id, ego, superego. Peneliti menggunakan metodologi kualitatif dan pendekatan psikologis. Selain itu, teori karakterisasi Kenan beserta teori faktor yang mempengaruhi kepribadian manusia oleh Abraham Lahey juga diterapkan pada penelitian ini. Hasil dari penelitian menunjukkan bahwa representasi kepribadian karakter Teresa dikelompokkan ke dalam dua fase berdasarkan alur cerita pada novel tersebut. Pada fase pertama, kepribadian Teresa didominasi oleh id yang membuat egonya kemudian terabaikan yang disebabkan oleh tidak adanya superego yang dimiliki Teresa. Sementara itu, tidak ada struktur kepribadian yang mendominasi kepribadiannya pada fase kedua dikarenakan id, ego, superego Teresa bekerja satu sama lain. Kepribadian Teresa yang dikelompokkan menjadi dua fase, yaitu fase pertama sebelum pemulihan ingatan dan fase kedua setelah pemulihan ingatan, juga dipengaruhi oleh faktor eksternal atau juga yang disebut sebagai nurture. Nurture memengaruhi kepribadian Teresa pada kedua fase tersebut dengan cara mengidentifikasi dari segi lingkungan fisik dan lingkungan sosial yang ada di sekitar dan dialami oleh Teresa.Kata Kunci: psikoanalisis, id, ego, superego, nurture, Sigmund Freud

THE ANALYSIS OF CODE SWITCHING IN ELEANOR YOUNG IN CRAZY RICH ASIANS FILM Sumantri, Wilis Haryo; Arifin, M. Bahri; Setyowati, Ririn
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 5, No 3 (2021): Juli 2021
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v5i3.4119

The research focused on the types of code switching in Eleanor Young and the factors that influenced her using that code switching in Crazy Rich Asians Film. This film was about the woman who has a rich boyfriend from Singapore. Eleanor is the mother of that man. In some situation, there were some possibility that she used code switching. There are two theories that used in this research to answer two research questions. First, the researcher used the theory of types of code switching by Hoffman to analyze the type of code switching that used by Eleanor Young. Second, the researcher used theory by Hoffman to analyze the reason of the using that code switching.The data source were dialogue from Eleanor and the interlocutors in Crazy Rich Asians Film. The research design was descriptive qualitative method. The method of data collection was by collected the dialogue which categorized as code switching. The researcher provided the data in dialogues from Crazy Rich Asians film.Based on the analysis, the researcher drew two conclusion. First, this research showed Eleanor Young used inter sentinental switching, which happened between clause or sentence boundary. Second, there were three factors that influenced Eleanor Young used code switching. There were talking about particular topic, quoting somebody else, and repetition used for clarification.

An Analysis of African American Vernacular English Grammatical Features in Shark Tale Film Pamangin, Ronnaoranska Rombe; Arifin, M Bahri; Setyowati, Ririn
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 7, No 2 (2023): Vol 7, No 2 (2023): April 2023
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v7i2.8103

Every language varies and has its own characteristics. The varieties can be seen in terms of age, gender, region, social class, ethnicity, etc. One of the characteristics of a language is its grammatical features. An example of language variety that is affected by ethnic group is African American Vernacular English (AAVE). This research aimed to analyze the grammatical features of AAVE through Oscar’s utterances in Shark Tale film and the variables that influence his AAVE utterances by using Wolfram and Rickford & Rickford’s Theory. Out of four AAVE grammatical features, the researcher found that Oscar produced three of them which are verb phrase, negation, and nominal. Question formation feature is not found in Oscar’s utterances. AAVE grammatical features that appeared in Oscar’s utterances are copula/auxiliary absence, habitual be, double modals, subject-verb-agreement, ain’t, multiple negation, plural noun suffix–s deletion, and y’all. Those grammatical features are influenced by his lower working-class status, his male gender, his young age, and his mood which the AAVE utterances produced whether he was comfortable or uncomfortable with the audiences or with the topic.

African American Vernacular English in Shrek Movie Anggreeni, Devi Indah; Arifin, M. Bahri; Setyowati, Ririn
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 2, No 2 (2018): Edisi April 2018
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Abstract Language is influenced by social differences that appear in society, such as age, gender, religion, power, economic status, and ethnicity. Those social factors produce different kinds of language which is called as variety. Ethnicity as one of the social factors influences the emergence of variety that comes from African American people who lives in United States of America. The variety is called as African American Vernacular English (AAVE). AAVE is often used in literary works to represent African American ethnicity as occurred in Shrek movie through the character of Donkey.This research focused on analyzing the grammatical characteristics of Donkey’s AAVE utterances and the factors underlying them through descriptive qualitative research. The result of this research showed that Donkey’s AAVE utterances have three AAVE’s grammatical features which are verb phrase, negation, and nominal and all four factors which consist of social class, gender, age, and linguistic environment underlying those grammatical characteristics. AAVE grammatical characteristics that appeared in Donkey’s utterances are Copula/Auxiliary Absence, Invariant be, Subject-Verb-Agreement, Other Verb Phrase Structure, ain’t, multiple negation, ain’t with but, and second person plural y’all. Those grammatical characteristics are influenced by Donkey’s working class status, his male gender, teenage age, and his mood when the utterances were taking place whether he was comfortable or not. AAVE grammatical characteristics indicate that Donkey’s character represents African American ethnicity through his utterances and the factors underlying them show that Donkey’s variety is influenced by the social factors that appear in society.Key words: Language, Sociolinguistics, Ethnicity, AAVE, Shrek Movie AbstrakBahasa dipengaruhi oleh perbedaan sosial yang timbul di masyarakat, seperti umur, gender, agama, kekuasaan, status ekonomi, dan etnis. Faktor-faktor sosial tersebut menghasilkan berbagai tipe dari bahasa yang disebut dengan variasi. Etnis sebagai salah satu sosial faktor tersebut mempengaruhi kemunculan sebuah variasi yang berasal dari orang Afrika Amerika yang tinggal di Amerika. Variasi tersebut dinamakan bahasa Inggris Vernakular Afrika Amerika atau AAVE dalam istilah bahasa Inggris. AAVE sering digunakan di karya sastra untuk merepresentasikan etnis Afrika Amerika seperti yang terjadi di film Shrek melalui karakter Donkey.Penelitian ini berfokus pada analisa karakteristik gramatikal dari ujaran AAVE oleh Donkey dan faktor yang mempengaruhi melalui penelitian kualitatif deskriptif. Hasil dari penelitian ini menunjukkan bahwa ujaran AAVE Donkey terdiri dari tiga fitur gramatikal, yaitu frasa kata kerja, negasi, dan nominal, dan keempat faktor yang mempengaruhinya, yaitu kelas sosial, gender, umur, dan lingkungan linguistik. Karakteristik gramatikal yang muncul pada ujaran Donkey adalah Ketiadaan Copula/Auxiliary, Invariant be, Subjek-Predikat-Object, Frasa Kata Kerja yang Lain, ain’t, negasi ganda, ain’t dengan but, dan orang kedua jamak y’all. Karakteristik gramatikal tersebut dipengaruhi oleh kelas sosial Donkey yang adalah kelas bawah, gender laki-lakinya, umur remaja, dan suasana hatinya apakah dia merasa nyaman atau tidak ketika sedang berdialog. Karakteristik gramatikal AAVE dalam ujaran Donkey mengindikasikan bahwa karakter Donkey merepresentasikan etnis Afrika Amerika melalui ujarannya dan faktor yang mendasarinya menunjukkan bahwa variasi bahasa Donkey dipengaruhi oleh faktor sosial yang muncul dalam masyarakat. Kata kunci: Bahasa, Sosiolinguistik, Etnis, AAVE, Film Shrek

POLITENESS STRATEGIES USED BY THE CHARACTERS IN FINDING NEVERLAND MOVIE (2004) Sari, Karina; Sili, Surya; Setyowati, Ririn
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 1, No 4 (2017): Edisi Oktober 2017
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

ABSTRACT Politeness is one of important thing in doing conversation to avoid misunderstanding between speaker and hearer during the conversation to make the social interaction running more harmony. The purposes of this research were to find out types of politeness strategies, factors influencing the characters in using politeness strategies and the dominant politeness strategy used by the characters in Finding Neverland movie. The research method in this research was descriptive qualitative research, the theory of politeness strategies by Brown and Levinson (1987) was used to analyze the four types of politeness strategy. The result of this research showed that there were fifty eight utterances represented four politeness strategies used by the characters in Finding Neverland movie. Fourteen utterances represented of bald on record strategy, twenty seven utterances represented of positive politeness strategy, sixteen utterances represented of negative politeness strategy and oneutterance represented bald off record strategy. There are 2 factors influencing the choice of politeness strategies used by the characters in Finding Neverland movie. They are intrinsic payoff and relevant circumstances. Fifty eight utterances categorized as politeness strategies, twenty seven of them belong to positive politeness strategy, so that positive politeness strategy is the most dominantly used by the characters in Finding Neverland movie. Keywords: pragmatics, context, politeness strategies, movie ABSTRAK Kesantunan merupakan satu hal penting dalam melakukan suatu percakapan untuk menghindari kesalahpaham antara pembicara dan pendengar dalam melakukan percakapan agar interaksi sosial berjalan lebih harmonis. Tujuan dari penelitian ini adalah untuk mengetahui tipe - tipe strategy kesantunan, factor - faktor yang mempengaruhi karakter dalam menggunakan strategi kesantunan dan juga strategi kesantunan yang paling dominan digunakan oleh karakter dalam film Finding Neverland. Metode penelitian ini adalah bersifat deskripsi kualiatif dengan menggunakan teori strategi kesantunan oleh Brown dan Levinson (1987) yang digunakan untuk menganalisa tipe strategi kesantunan. Hasil dari penelitian ini menunjukkan bahwa terdapat lima puluh delapan ujaran yang mewakili keempat strategi kesantunan yang digunakan oleh karakter dalam film Finding Neverland. Empat belas ujaran mewakili strategi kesantunan langsung (tanpa basa basi), dua puluh tujuh ujaran mewakili strategi kesantunan positif, enam belas ujaran mewakili strategi kesantunan negatif, dan satu ujaran mewakili strategi kesantunan tak langsung (basa basi). Terdapat dua faktor yang mempengaruhi pemilihan strategi kesantunan yang digunakan oleh karakter dalam film Finding Neverland. Faktor tersebut adalah faktor payoff dan faktor keadaan. Lima puluh delapan ucapan yang dikategorikan kedalam strategi kesantunan, dua puluh tujuh diantaranya merupakan startegi kesantunan positif, oleh karena itu strategi kesantunan positif adalah strategi yang paling dominan digunakan oleh karakter dalam film Finding Neverland. Kata Kunci: pragmatik, konteks, strategi kesantunan, film

AN ANALYSIS OF CONVERSATIONAL IMPLICATURE ON “JUMANJI: WELCOME TO THE JUNGLE” FILM Saniatang, Saniatang; Sili, Surya; Setyowati, Ririn
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 4, No 3 (2020): Juli 2020
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v4i3.3087

In this research, the researcher used the film as the object of the research entitled Jumanji: Welcome to the Jungle film and focused on understanding character utterances. The data were taken from the film script and scene in the form of utterances. Through the utterances, the participants tell their idea and opinion about something, but sometimes they do not say their goals directly; this is called implicature. Based on that, the researcher tries to understand the meaning of implicature utterances occurred in the film based on the implicature theory. This research was aimed at classifying the types of conversational implicature, which have been done by the five main characters in the film and then explaining the implied meaning. The researcher used Levinson's implicature theory and context by DeVito. The data were explained by showing the maxim flouted by the main characters, the context of the situation, the types of conversational implicature, and the implied meaning of the utterances. Dealing with the purposes of the research, it was found that the five main characters used implicature. Thirty-seven utterances contained conversational implicatures, which comprise thirty-four particularized conversational implicature, and three generalized conversational implicature. The five main characters used particularized conversational implicature more frequently than generalized conversational implicature. In addition, it was also found that the implied meaning behind main characters’ utterances mostly depend on the context of the conversation. The implied meaning found were informing, complaining, refusing, reminding, criticizing, assuring, affirming, apologizing, and entreating.

THE LEADERSHIP OF TWO CHARACTERS IN TRANSFORMERS MOVIE Hardiantoro, Baruna; Kuncara, Singgih Daru; Setyowati, Ririn
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 4, No 2 (2020): April 2020
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

This research studied the character of two leaders in Transformers movie. There are six movies of Transformers, but the writer only took four movies squeal as the object research is because the changed story and character in the fifth and the sixth movies. The subject of this research is Optimus and Megatron character. There are two objectives in this research, the first is the leadership of two leaders and the second is the character of two leaders. The writer used the leadership theory into three categories the first category is Dilts’ model of leadership, the second category is Davis’ form of leadership theory and the third category is Stogdill’s characteristic of leadership. Meanwhile to find the character of two leaders, the writer used Johnson’s indirect characterization theory that consists of five methods namely is speech, thoughts, effect to other characters, action and looks. This research is categorized as descriptive qualitative that consists to data in the form of words and sentences. The data are dialog of script in movie. The results of this study, the writer found the different leadership and character two leaders. The writer found their characters and leaderships by seeing the interaction between leader and follower in movies. Optimus Prime’s leadership categorizes in macro leadership, leadership positive form and all of leadership characteristic. Optimus characters defined as moral character. Meanwhile Megatron’s leadership categorizes in meta leadership, leadership negative form and all of leadership characteristic. Megatron characters defined as immoral character.

FLOUTING MAXIMS PERFORMED BY THE CHARACTERS IN JACKIE MOVIE: A PRAGMATICS ANALYSIS Jiwalno, Jiwalno; Valiantien, Nita Maya; Setyowati, Ririn
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 4, No 1 (2020): Januari 2020
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

The objectives of this research are to find the kinds of flouting maxim in Jackie movie performed by the characters and to find the motivation of the characters in flouting the maxim. This research used a qualitative content analysis approach. The data source of this research was the script of Jackie movie. The data were taken from the dialogues and utterances of the characters that are correlated with flouting maxim. Through the findings of the analysis, there were 24 dialogues containing the flouting maxim. Those data consisted of four kinds of flouting maxim, namely flouting maxim of quality, flouting maxim of quantity, flouting maxim of relation, and flouting maxim of manner. In flouting the maxim, it was found that the characters had an underlying motivation. From four types of motivation which were competitive, convivial, collaborative, and conflictive, the characters within the movie flouted the maxim with only two types of the motivation, namely competitive and collaborative.

SPEECH DISORDER OF STUTTERING CHARACTER IN "ROCKET SCIENCE" MOVIE Sari, Mayang Hima; Arifin, M. Bahri; Setyowati, Ririn
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 4, No 3 (2020): Juli 2020
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v4i3.2992

AbstractStuttering is a speech disorder in which repetition and prolongation of syllables, sound, and phrase interfere with fluency. Someone who experiences stuttering will have a hard time to start the word because of disruption in repetition, vocals and articulation involve the throat, palate, tongue, lips, and teeth. Stuttering may be worse when the person is excited, tired or under stress, or when feeling self-conscious, hurried or pressured. A situation such as speaking in front of a group or talking to the phone can be particularly difficult for people who stutter. As a reflection of real life, a movie can also contain the phenomena of stuttering such as in Rocket Science movies. This research aimed to describe the types of stuttering and also the consequences of being stuttering in social life that experienced by Hal Hefner in Rocket Science movies. This research was conducted by using content analysis qualitative method. The data were generated from movie and movie script in the form of utterances, dialogues, words, and conversations. The result of this research shows that there are ninety-five data which are indicated as the types of stuttering experienced by Hal Hefner in Rocket Science movie. Besides, it was also found the consequences of being stuttering in social life experienced by Hal Hefner in the movie. The researcher shows that there are twelve data of consequences that the researcher found in the movie. The most common consequence that the researcher found in the film is fear to talk. AbstrakGagap adalah gangguan berbicara yang mana terjadinya pengulangan dan perpanjangan suku kata, suara, dan frasa yang dapat menganggu kefasihan. Seseorang yang mengalami gagap akan mengalami kesulitan untuk memulai kata karena gangguan dalam pengulangan, vokal, dan artikulasi yang melibatkan tenggorokan, langit-langit mulut, lidah bibir, dan gigi. Gagap akan lebih buruk ketika bersemangat, lelah atau dibawah tekanan, atau ketika merasa sadar diri, tergesa-gesa atau tertekan. Situasi ketika berbicara didepan kelompok atau berbicara di telepon dapat menjadi sangat sulit bagi orang yag gagap. Sebagai cerminan dari dunia nyata, sebuah film juga mengandung fenomena kegagapan seperti dalam film Rocket Science. Penelitian ini bertujuan untuk mengidentifikasi jenis gagap dan juga konsekuensi dari kegagapan dalam kehidupan sosial yang dialami oleh Hal Hefner dalam film Rocket Science. Penelitian ini dilakukan dengan menggunakan analisis isi kualitatif. Data dihasilkan dari skrip film dan film dalam bentuk ucapan, dialog, kata-kata dan percakapan. Hasil penelitian ini menunjukan bahwa ada Sembilan puluh lima data yang diidentifikasi sebagai jenis gagap yang dialami oleh Hal Hefner dalam film Rocket Science. Selain itu, ditemukan juga konsekuensi kegagapan dalam kehidupan sosial yang dialami Hal Hefner dalam film tersebut. Peneliti menunjukkan bahwa ada dua belas data dari konsekuensi yang ditemukan oleh peneliti di dalam film. Konsekuensi yang paling banyak ditemukan dalam film tersebut adalah takut untuk berbicara.

Co-Authors Agnafia, Desi Agnafia, Desi Nuzul Aisy, Rihhadatul Alamsyah - Anggreeni, Devi Indah Annisa Fitri, Annisa Aries Utomo, Aries Arifin, M Bahri Arifin, M Bahri Asriwanti, Era Augusta, Maximilianus Rafael Sangga Baehaqi Chris Asanti, Chris Dahri Dahlan, Dahri Dewi Retno Sari Saputro, Dewi Retno Dewi, Rinda Ayu Mustika EKA YUNIARTI Fahmiyati, Sulis Febri Rhamadani, Siti Natasya Febrimadani, Rendis Giamboro, Wrego Seno Ginting, Rizky Sakbanita Putri Hamzah, Muhammad Qusairi Handayanti, Diah Handini, Afriliani M Hardiantoro, Baruna Hefni Effendi Ibrahim, Zulfah Indah Sari Lubis, Indah Sari Iskandar, Nurhikma Arjuliani Jiwalno, Jiwalno Jonathan Irene Sartika Dewi Max Karimah, Ananda Achlaqul Kawulusan, Frans Rivaldo Khasanah, Aulia Fajar Lusi, Monica M Natsir M. Natsir Marfuah, Friday Agustin Nur Naimatun Masrur Mawuntu, Arvianda Zefania Muhammad Alim Akbar Nasir Munthe, Presly Rosalina Nita Maya Valiantien Novera Nirmalasanti Novia Rahma Rista Utami Nughthoh Arfawi Kurdhi, Nughthoh Arfawi Nur, Citra Junia Oktapiani, TIka Pamangin, Ronnaoranska Rombe Pasande, Priskila Ekawati Anggana Purnami Widyaningsih Puspita Dewi, Hergianti Putri, Nabilla Nughta Rabbanyyah, Aisyah Faza Rachman, Khairur Rahayu, Famala Eka Sanhadi Rahayu, Puji Hari Rezeki, Maretius Oji Rimadhani, Novia Rizky RINI RINI Rochma, Defi Rue Rusydah', Eka Septiya Samperinding, Timorinda Saniatang, Saniatang Sari, Karina Sari, Mayang Hima Satyawati Surya, Satyawati Setya Ariani Setyoko, M.Sn., Aris Sili, Surya Sindy Alicia Gunawan Singgih Daru Kuncara Sinurat, Yobel Rudy Kevin Romasundi Siti Rohani Sumantri, Wilis Haryo Surahma Asti Mulasari Sutanto Tampubolon, Wahyu Alexander Tawakal, Alamsyah Truman AM, Yohanes Vahlevi, Reza Wahyudi, Rino Tri Wulandari, Fevi Yansyah, Heri Zamruddin, Mardliya Pratiwi

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