Garuda - Garba Rujukan Digital

p-Index From 2021 - 2026

6.669

P-Index

This Author published in this journals

All Journal Jurnal Ilmiah Dinamika Rekayasa (DINAREK) CaLLs : Journal of Culture, Arts, Literature, and Linguistics Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Register Journal JPM (Jurnal Pendidikan Modern) Jurnal Teknologi Pendidikan : Jurnal Penelitian dan Pengembangan Pembelajaran Basica Journal of Education Research Journal of Community Service Edukasia: Jurnal Pendidikan dan Pembelajaran JURNAL PARADIGMA: Journal of Sociology Research and Education Global Education Journal Ruhui Rahayu: Jurnal Pengabdian Kepada Masyarakat Jurnal Abdita Naturafarm Jurnal Penelitian Pendidikan Kesmas: Jurnal Kesehatan Masyarakat Nasional (National Public Health Journal) Indonesian Journal of English Language Teaching and Applied Linguistics

Ririn Setyowati

Fakultas Kesehatan Masyarakat Universitas Ahmad Dahlan Yogyakarta

Author-ID : 378209

Religion Arts Humanities Biochemistry, Genetics & Molecular Biology Civil Engineering, Building, Construction & Architecture Computer Science & IT Control & Systems Engineering Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Electrical & Electronics Engineering Engineering Environmental Science Health Professions Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Mathematics Physics Public Health Social Sciences Other

Published : 68 Documents Claim Missing Document

Claim Missing Document

Articles

3 4 5 6 7

POLITENESS STRATEGIES USED BY THE CHARACTERS IN FINDING NEVERLAND MOVIE (2004) Sari, Karina; Sili, Surya; Setyowati, Ririn
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 1, No 4 (2017): Edisi Oktober 2017
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

ABSTRACT Politeness is one of important thing in doing conversation to avoid misunderstanding between speaker and hearer during the conversation to make the social interaction running more harmony. The purposes of this research were to find out types of politeness strategies, factors influencing the characters in using politeness strategies and the dominant politeness strategy used by the characters in Finding Neverland movie. The research method in this research was descriptive qualitative research, the theory of politeness strategies by Brown and Levinson (1987) was used to analyze the four types of politeness strategy. The result of this research showed that there were fifty eight utterances represented four politeness strategies used by the characters in Finding Neverland movie. Fourteen utterances represented of bald on record strategy, twenty seven utterances represented of positive politeness strategy, sixteen utterances represented of negative politeness strategy and oneutterance represented bald off record strategy. There are 2 factors influencing the choice of politeness strategies used by the characters in Finding Neverland movie. They are intrinsic payoff and relevant circumstances. Fifty eight utterances categorized as politeness strategies, twenty seven of them belong to positive politeness strategy, so that positive politeness strategy is the most dominantly used by the characters in Finding Neverland movie. Keywords: pragmatics, context, politeness strategies, movie ABSTRAK Kesantunan merupakan satu hal penting dalam melakukan suatu percakapan untuk menghindari kesalahpaham antara pembicara dan pendengar dalam melakukan percakapan agar interaksi sosial berjalan lebih harmonis. Tujuan dari penelitian ini adalah untuk mengetahui tipe - tipe strategy kesantunan, factor - faktor yang mempengaruhi karakter dalam menggunakan strategi kesantunan dan juga strategi kesantunan yang paling dominan digunakan oleh karakter dalam film Finding Neverland. Metode penelitian ini adalah bersifat deskripsi kualiatif dengan menggunakan teori strategi kesantunan oleh Brown dan Levinson (1987) yang digunakan untuk menganalisa tipe strategi kesantunan. Hasil dari penelitian ini menunjukkan bahwa terdapat lima puluh delapan ujaran yang mewakili keempat strategi kesantunan yang digunakan oleh karakter dalam film Finding Neverland. Empat belas ujaran mewakili strategi kesantunan langsung (tanpa basa basi), dua puluh tujuh ujaran mewakili strategi kesantunan positif, enam belas ujaran mewakili strategi kesantunan negatif, dan satu ujaran mewakili strategi kesantunan tak langsung (basa basi). Terdapat dua faktor yang mempengaruhi pemilihan strategi kesantunan yang digunakan oleh karakter dalam film Finding Neverland. Faktor tersebut adalah faktor payoff dan faktor keadaan. Lima puluh delapan ucapan yang dikategorikan kedalam strategi kesantunan, dua puluh tujuh diantaranya merupakan startegi kesantunan positif, oleh karena itu strategi kesantunan positif adalah strategi yang paling dominan digunakan oleh karakter dalam film Finding Neverland. Kata Kunci: pragmatik, konteks, strategi kesantunan, film

AN ANALYSIS OF CONVERSATIONAL IMPLICATURE ON “JUMANJI: WELCOME TO THE JUNGLE” FILM Saniatang, Saniatang; Sili, Surya; Setyowati, Ririn
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 4, No 3 (2020): Juli 2020
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v4i3.3087

In this research, the researcher used the film as the object of the research entitled Jumanji: Welcome to the Jungle film and focused on understanding character utterances. The data were taken from the film script and scene in the form of utterances. Through the utterances, the participants tell their idea and opinion about something, but sometimes they do not say their goals directly; this is called implicature. Based on that, the researcher tries to understand the meaning of implicature utterances occurred in the film based on the implicature theory. This research was aimed at classifying the types of conversational implicature, which have been done by the five main characters in the film and then explaining the implied meaning. The researcher used Levinson's implicature theory and context by DeVito. The data were explained by showing the maxim flouted by the main characters, the context of the situation, the types of conversational implicature, and the implied meaning of the utterances. Dealing with the purposes of the research, it was found that the five main characters used implicature. Thirty-seven utterances contained conversational implicatures, which comprise thirty-four particularized conversational implicature, and three generalized conversational implicature. The five main characters used particularized conversational implicature more frequently than generalized conversational implicature. In addition, it was also found that the implied meaning behind main characters’ utterances mostly depend on the context of the conversation. The implied meaning found were informing, complaining, refusing, reminding, criticizing, assuring, affirming, apologizing, and entreating.

THE LEADERSHIP OF TWO CHARACTERS IN TRANSFORMERS MOVIE Hardiantoro, Baruna; Kuncara, Singgih Daru; Setyowati, Ririn
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 4, No 2 (2020): April 2020
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

This research studied the character of two leaders in Transformers movie. There are six movies of Transformers, but the writer only took four movies squeal as the object research is because the changed story and character in the fifth and the sixth movies. The subject of this research is Optimus and Megatron character. There are two objectives in this research, the first is the leadership of two leaders and the second is the character of two leaders. The writer used the leadership theory into three categories the first category is Dilts’ model of leadership, the second category is Davis’ form of leadership theory and the third category is Stogdill’s characteristic of leadership. Meanwhile to find the character of two leaders, the writer used Johnson’s indirect characterization theory that consists of five methods namely is speech, thoughts, effect to other characters, action and looks. This research is categorized as descriptive qualitative that consists to data in the form of words and sentences. The data are dialog of script in movie. The results of this study, the writer found the different leadership and character two leaders. The writer found their characters and leaderships by seeing the interaction between leader and follower in movies. Optimus Prime’s leadership categorizes in macro leadership, leadership positive form and all of leadership characteristic. Optimus characters defined as moral character. Meanwhile Megatron’s leadership categorizes in meta leadership, leadership negative form and all of leadership characteristic. Megatron characters defined as immoral character.

FLOUTING MAXIMS PERFORMED BY THE CHARACTERS IN JACKIE MOVIE: A PRAGMATICS ANALYSIS Jiwalno, Jiwalno; Valiantien, Nita Maya; Setyowati, Ririn
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 4, No 1 (2020): Januari 2020
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

The objectives of this research are to find the kinds of flouting maxim in Jackie movie performed by the characters and to find the motivation of the characters in flouting the maxim. This research used a qualitative content analysis approach. The data source of this research was the script of Jackie movie. The data were taken from the dialogues and utterances of the characters that are correlated with flouting maxim. Through the findings of the analysis, there were 24 dialogues containing the flouting maxim. Those data consisted of four kinds of flouting maxim, namely flouting maxim of quality, flouting maxim of quantity, flouting maxim of relation, and flouting maxim of manner. In flouting the maxim, it was found that the characters had an underlying motivation. From four types of motivation which were competitive, convivial, collaborative, and conflictive, the characters within the movie flouted the maxim with only two types of the motivation, namely competitive and collaborative.

SPEECH DISORDER OF STUTTERING CHARACTER IN "ROCKET SCIENCE" MOVIE Sari, Mayang Hima; Arifin, M. Bahri; Setyowati, Ririn
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 4, No 3 (2020): Juli 2020
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v4i3.2992

AbstractStuttering is a speech disorder in which repetition and prolongation of syllables, sound, and phrase interfere with fluency. Someone who experiences stuttering will have a hard time to start the word because of disruption in repetition, vocals and articulation involve the throat, palate, tongue, lips, and teeth. Stuttering may be worse when the person is excited, tired or under stress, or when feeling self-conscious, hurried or pressured. A situation such as speaking in front of a group or talking to the phone can be particularly difficult for people who stutter. As a reflection of real life, a movie can also contain the phenomena of stuttering such as in Rocket Science movies. This research aimed to describe the types of stuttering and also the consequences of being stuttering in social life that experienced by Hal Hefner in Rocket Science movies. This research was conducted by using content analysis qualitative method. The data were generated from movie and movie script in the form of utterances, dialogues, words, and conversations. The result of this research shows that there are ninety-five data which are indicated as the types of stuttering experienced by Hal Hefner in Rocket Science movie. Besides, it was also found the consequences of being stuttering in social life experienced by Hal Hefner in the movie. The researcher shows that there are twelve data of consequences that the researcher found in the movie. The most common consequence that the researcher found in the film is fear to talk. AbstrakGagap adalah gangguan berbicara yang mana terjadinya pengulangan dan perpanjangan suku kata, suara, dan frasa yang dapat menganggu kefasihan. Seseorang yang mengalami gagap akan mengalami kesulitan untuk memulai kata karena gangguan dalam pengulangan, vokal, dan artikulasi yang melibatkan tenggorokan, langit-langit mulut, lidah bibir, dan gigi. Gagap akan lebih buruk ketika bersemangat, lelah atau dibawah tekanan, atau ketika merasa sadar diri, tergesa-gesa atau tertekan. Situasi ketika berbicara didepan kelompok atau berbicara di telepon dapat menjadi sangat sulit bagi orang yag gagap. Sebagai cerminan dari dunia nyata, sebuah film juga mengandung fenomena kegagapan seperti dalam film Rocket Science. Penelitian ini bertujuan untuk mengidentifikasi jenis gagap dan juga konsekuensi dari kegagapan dalam kehidupan sosial yang dialami oleh Hal Hefner dalam film Rocket Science. Penelitian ini dilakukan dengan menggunakan analisis isi kualitatif. Data dihasilkan dari skrip film dan film dalam bentuk ucapan, dialog, kata-kata dan percakapan. Hasil penelitian ini menunjukan bahwa ada Sembilan puluh lima data yang diidentifikasi sebagai jenis gagap yang dialami oleh Hal Hefner dalam film Rocket Science. Selain itu, ditemukan juga konsekuensi kegagapan dalam kehidupan sosial yang dialami Hal Hefner dalam film tersebut. Peneliti menunjukkan bahwa ada dua belas data dari konsekuensi yang ditemukan oleh peneliti di dalam film. Konsekuensi yang paling banyak ditemukan dalam film tersebut adalah takut untuk berbicara.

CODE SWITCHING IN "DIOR AND I" FILM Rini, Rini; Natsir, M; Setyowati, Ririn
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 3, No 1 (2019): Januari 2019
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

ABSTRACT Language is a term we know very well in our lives and has an important role in society to convey a message or meaning to audience between community members exchange opinions and interact with each other with variations of language and dialect. Language and society are two terms we can find in sociolinguistics. Sociolinguistics conclusions consist of three things, language, society and the relationship between language and society. In addition, the level of education, social status or profession is very important also to the use code. Often the language code that covers these things becomes the main cause of someone choosing the appropriate words in establishing the communication. In addition to the issues of code switching, code mixing, and bilingualism. This research used code switching as the theory from Hoffman (1991). The purpose of this study was to investigate the types and the reasons of code switching uttered in Dior and I film . The study used descriptive qualitative design. The subject used in this study was Dior and I film, the scene of Dior and I film and the object is the main character in Dior and I film of the collected data related. Based on the result of this research, it is found that there are three types of code switching in Dior and I film by Hoffman (1991), such as inter-sentential switching, intra-sentential switching and emblematic/tag switching. It was clear that inter-sentential switching was more frequently types found in Dior and I film. In addition, the researcher also finds that the reasons code switching in Dior and I film by theory Hoffman (1991) are such as talking about a particular topic, quoting somebody else, being empathic about something, interjection, repetition used for clarification, intention of clarifying the speech content for the interlocutor and expressing group identity. It was clear that talking particular a topic was more frequently reasons found in Dior and I film. Keywords: sociolinguistics, code, code switching, Dior and I film, documentary film ABSTRAK Bahasa adalah istilah yang kita kenal sangat baik dalam kehidupan kita dan memiliki peran penting dalam masyarakat untuk menyampaikan pesan atau makna kepada audiens antara anggota komunitas bertukar pendapat dan berinteraksi satu sama lain dengan variasi bahasa dan dialek. Bahasa dan masyarakat adalah dua istilah yang dapat kita temukan dalam sosiolinguistik. Kesimpulan sosiolinguistik terdiri dari tiga hal, bahasa, masyarakat dan hubungan antara bahasa dan masyarakat. Selain itu, tingkat pendidikan, status sosial atau profesi sangat penting juga untuk menggunakan kode. Seringkali kode bahasa yang mencakup hal-hal ini menjadi penyebab utama seseorang memilih kata-kata yang tepat dalam membangun komunikasi. Selain masalah alih kode, pencampuran kode, dan bilingualisme. Penelitian ini menggunakan alih kode sebagai teori dari Hoffman (1991). Tujuan dari penelitian ini adalah untuk menyelidiki jenis dan alasan pengalihan kode yang diucapkan dalam film Dior dan saya. Penelitian ini menggunakan desain deskriptif kualitatif. Subyek yang digunakan dalam penelitian ini adalah Dior and I film, ujaran pada Dior and I dan objeknya adalah karakter utama yang terkait pada Dior and I film. Berdasarkan hasil penelitian ini, ditemukan bahwa ada tiga jenis kode switching di Dior and I difilmkan oleh Hoffman (1991), seperti inter-sentential switching, switching intra-sentential dan emblematic / tag switching. Sudah jelas bahwa peralihan antar-sentimen lebih sering ditemukan dalam film Dior and I. Selain itu, peneliti juga menemukan alasan dilakukannya pengalihan kode dalam Dior and I film menurut teori Hoffman (1991) adalah seperti berbicara tentang topik tertentu, mengutip orang lain, bersikap empatik tentang sesuatu, penolakan, pengulangan yang digunakan untuk klarifikasi, maksud mengklarifikasi konten pidato untuk teman bicara dan mengekspresikan identitas kelompok. Sudah jelas bahwa membicarakan topik tertentu lebih banyak alasan yang ditemukan di Dior and I film. Kata kunci: sosiolingustik, kode, alih kode, Dior and I film, dokumentar film

ANALYSIS OF THE MAIN CHARACTER NEEDS IN LIFE OF PI MOVIE USING MASLOW’S THEORY Truman AM, Yohanes; Kuncara, Singgih Daru; Setyowati, Ririn
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 1, No 1 (2017): Edisi Januari 2017
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

This research focuses on analyzing the Hierarchy of Needs manifested in the main character. Two questions were designed to discuss this topic. The first question is about the Needs manifested by the main character in the movie. The second question is about the desire of the main character in fulfilling his Needs. This research used descriptive qualitative method to explain and describe the data carefully in answering the questions. The data in this research were in written form taken from the dialogue and narration of the movie. This research uses Maslow’s theory. it is appropriate theory to this research. This research examines the elements of the hierarchy of needs through the main character. Keywords: Life of Pi, Maslow, hierarchy of need.

THE ERRORS OF SPEECH PRODUCTION IN DORY’S UTTERANCES OF FINDING DORY MOVIE Vahlevi, Reza; Natsir, M.; Setyowati, Ririn
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 4, No 4 (2020): Oktober 2020
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v4i4.3294

This study is aimed to find out the errors of speech production in Dory’s utterances of Finding Dory movie. The theory used to find out the errors of Dory’s speech production was Levelt’s model of speech production (1999): conceptualisation, formulation, articulation, and self-monitoring. Words in the form of dialogues (Dory’s utterances when her short-term memory loss appeared only) were the data in this study. The research design of this study was qualitative. The results showed the errors of speech production in Dory’s utterances were identified into five types such as words substitution, contradictory utterance, similar words rhyming, incomplete utterances, and hesitation utterance. The most affected stage by Dory’s short-term memory loss was conceptualisation. It was because during the times when short-term memory loss appeared, Dory realised that her disorder infiltrating the stage that made her to be unsatisfied and as the result, she retracted and performed her utterances from the beginning many times. Therefore, this study concluded the errors that Dory produced in her speech production were all caused by the interference of short-term memory loss.

Co-Authors Agnafia, Desi Agnafia, Desi Nuzul Aisy, Rihhadatul Alamsyah - Anggreeni, Devi Indah Annisa Fitri, Annisa Aries Utomo, Aries Arifin, M Bahri Arifin, M Bahri Asriwanti, Era Augusta, Maximilianus Rafael Sangga Baehaqi Chris Asanti, Chris Dahri Dahlan, Dahri Dewi Retno Sari Saputro, Dewi Retno Dewi, Rinda Ayu Mustika EKA YUNIARTI Fahmiyati, Sulis Febri Rhamadani, Siti Natasya Febrimadani, Rendis Giamboro, Wrego Seno Ginting, Rizky Sakbanita Putri Hamzah, Muhammad Qusairi Handayanti, Diah Handini, Afriliani M Hardiantoro, Baruna Ibrahim, Zulfah Indah Sari Lubis, Indah Sari Iskandar, Nurhikma Arjuliani Jiwalno, Jiwalno Jonathan Irene Sartika Dewi Max Karimah, Ananda Achlaqul Kawulusan, Frans Rivaldo Khasanah, Aulia Fajar Lusi, Monica M Natsir M. Natsir Marfuah, Friday Agustin Nur Naimatun Masrur Mawuntu, Arvianda Zefania Muhammad Alim Akbar Nasir Munthe, Presly Rosalina Nita Maya Valiantien Novia Rahma Rista Utami Nughthoh Arfawi Kurdhi, Nughthoh Arfawi Nur, Citra Junia Nurmasitah, Sita Oktapiani, TIka Pamangin, Ronnaoranska Rombe Pasande, Priskila Ekawati Anggana PUDJI ASTUTI Purnami Widyaningsih Puspita Dewi, Hergianti Putri, Nabilla Nughta Rabbanyyah, Aisyah Faza Rachman, Khairur Rahayu, Famala Eka Sanhadi Rahayu, Puji Hari Rezeki, Maretius Oji Rimadhani, Novia Rizky RINI RINI Rochma, Defi Rue Rusydah', Eka Septiya Samperinding, Timorinda Saniatang, Saniatang Sari, Karina Sari, Mayang Hima Satyawati Surya, Satyawati Setya Ariani Setyoko, M.Sn., Aris Sili, Surya Sindy Alicia Gunawan Singgih Daru Kuncara Sinurat, Yobel Rudy Kevin Romasundi Siti Rohani Sumantri, Wilis Haryo Surahma Asti Mulasari Sutanto Tampubolon, Wahyu Alexander Tantri, Agra Liz Tawakal, Alamsyah Truman AM, Yohanes Vahlevi, Reza Wahyudi, Rino Tri Wulandari, Fevi Yansyah, Heri Zamruddin, Mardliya Pratiwi

Title

Found 68 Documents
Search

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Title Search

Found 68 Documents Search

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Title

Found 68 Documents
Search