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All Journal Parole: Journal of Linguistics and Education CaLLs : Journal of Culture, Arts, Literature, and Linguistics Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Register Journal Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Indonesian Journal of English Language Teaching and Applied Linguistics JI-KES (Jurnal Ilmu Kesehatan) Indonesian Journal of EFL and Linguistics Jurnal Mebang EBONY REGISTER JOURNAL Prosiding Seminar Nasional Sastra, Bahasa, dan Seni (Sesanti) Ruhui Rahayu: Jurnal Pengabdian Kepada Masyarakat LINGUISTS : JOURNAL OF LINGUISTICS AND LANGUAGE TEACHING JI-KES (Jurnal Ilmu Kesehatan) Indonesian Journal of English Language Teaching and Applied Linguistics
Rahayu, Famala Eka Sanhadi
Fakultas Ilmu Budaya, Universitas Mulawarman, Samarinda
Arts Humanities Education Environmental Science Health Professions Languange, Linguistic, Communication & Media Medicine & Pharmacology Nursing Public Health Social Sciences Other

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Syntactic and Lexical Complexity of Undergraduate Students’ Essays: A Comparison Study between L1 and L2 Writings Rahayu, Famala Eka Sanhadi; Utomo, Aries; Setyowati, Ririn
IJELTAL (Indonesian Journal of English Language Teaching and Applied Linguistics) Vol 5, No 2 (2021): Indonesian Journal of English Language Teaching and Applied Linguistics
Publisher : Universitas Islam Negeri Sultan Aji Muhammad Idris Samarinda

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21093/ijeltal.v5i2.706

Abstract

In measuring learners’ productivity in writing and speaking, there is a formulation known as syntactic and lexical complexity. This study investigates whether there is a difference in syntactic and lexical complexity between L1 and L2 writings or not. This study is quantitative research which employ Web-Based Lexical Complexity Analyser and Web-Based Syntactic Complexity Analyser in order to measure data. The current study results reveal that the p-value of three sub-components of lexical complexity is lower than 0.05 (LD=0.000, LS=0.036, and LV=0.000), which means a significant difference in lexical complexity between L1 and L2 writings. A similar result showed in syntactic complexity where four of five indices of comparing the syntactic complexity of two-language writings showed value <0.05. The p-value of comparing four indices of syntactic complexity such as MLS, DC/C, CP/C, and C/S is 0.006, 0.000, 0.038, and 0.002, respectively. However, the fifth indice, MLC (mean length of clause) shows a p-value >0.05, which means no significant difference between MLC of English writings and Indonesian writings. The study concluded that the students produce more lexical and syntactic complexity in their English writings than in their Indonesian writings.
IKN between symbol and struggle: Governmental framing and public perception on IKN in East Kalimantan Arifin, Muhammad Bahri; Rahayu, Famala Eka Sanhadi; Gunawan, Sindy Alicia
CaLLs (Journal of Culture, Arts, Literature, and Linguistics) Special Issue "SESANTI 2025"
Publisher : Fakultas Ilmu Budaya, Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/calls.v11i0.22643

Abstract

This study investigates the ideological and discursive tensions surrounding Indonesia’s new capital city (IKN) project in East Kalimantan. While the government frames IKN as a “smart forest city” symbolizing national progress and ecological harmony, local communities—particularly indigenous groups—report environmental degradation and cultural displacement. Using Ecological Discourse Analysis (EDA) and framing theory, the research compares official narratives from presidential speeches and planning documents with grassroots perspectives documented by NGOs. The findings reveal a discursive gap that raises concerns about greenwashing and symbolic power in state-led development. This study contributes to ecolinguistics by highlighting how language mediates environmental ideology and public perception in contested urban transformations.
CHARLIE’S ANXIETY ASSOCIATED WITH HER DEFENSE MECHANISM IN JONATHAN STROUD’S THE LEAP NOVEL Ali, Saheriah; Kuncara, Singgih Daru; Rahayu, Famala Eka sanhadi
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 7, No 2 (2023): Vol 7, No 2 (2023): April 2023
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v7i2.7487

Abstract

ABSTRACTThis study is aimed to find out the anxiety and defense mechanisms experienced by the main character. As it is known, anxiety is a psychological problem of someone when a person feels threatened and overwhelmed as their world is about to collapse. As well as human in real life, anxiety and defense mechanism can also be represented by the characters in literary works. Based on that, the writer decided to analyze The Leap novel written by Jonathan Stroud and used it as the object of this study. A descriptive qualitative method was employed to fulfil the objectives of this research. As the data, this study employed words, phrases, clauses, sentences that were taken from The Leap in the novel. The results showed Charlie’s character experienced anxieties which are neurotic anxiety and moral anxiety. The conclusion of this study considered Charlie’s character experienced neurotic anxiety was indicated by panics and hallucinations. Charlie’s anxiety starts to arise when she had a flashback about what happened to her and her friend, Max. Meanwhile Charlie’s feelings of fear are caused by the people around her who always blamed her for not being able to save Max from drowning in the lake. Charlie’s moral anxiety was indicated by a constant guilt and even gasping for breath. This anxiety reflected because she felt guilty for what happened to Max as she got a dream that she could save Max if she could pursue Max in her dreams. Additionally, Charlie also employed defense mechanisms which are displacement and denial. Displacement is done when Charlie used other means as a result of her fear of something so that she could bear with it. Meanwhile denial was done when Charlie could not accept the fact that Max was dead.Key words: anxiety, defense mechanism, The Leap novel  
Euphemism analysis on the main character in Legally Blonde film Ananta, Elsa Laura; Rahayu, Famala Eka Sanhadi
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 9 (2025): Special Issue "SESANTI 2025"
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v9i3.23010

Abstract

This research explores the use of euphemism in the film Legally Blonde, with a particular focus on Elle Woods as the main character. Euphemism is understood as a linguistic strategy used to avoid harsh, taboo, or impolite expressions, making communication more polite and socially acceptable. Through a qualitative descriptive approach, the research examines Elle’s utterances by applying Allan and Burridge’s (2006) euphemism framework and Palmer’s (1976) concept of meaning. The analysis identifies several types of euphemisms, including metaphor, circumlocution, understatement, omission, clipping, acronyms, borrowing, and hyperbole. The findings show that Elle uses euphemistic language not only to maintain politeness and navigate sensitive topics but also to challenge stereotypes and assert her identity in professional environments such as law school. Theoretically, this research contributes to sociolinguistic research by showing how euphemism functions as a form of language variation and politeness strategy. Practically, it provides useful insights for students, educators, and researchers in understanding euphemism in both literary works and real-life communication.
AN ANALYSIS OF JARGONS USED BY THE COMMENTATORS FOUND IN PLAYERUNKNOWN'S BATTLEGROUND MOBILE GAME Herson, Steven Fresly; Surya, Satyawati; Rahayu, Famala Eka Sanhadi
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 6, No 4 (2022): Oktober 2022
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v6i4.6619

Abstract

PlayerUnknown’s BattleGround Mobile is a shooting and survival game that include a team with four players in a team or squads. However, PlayerUnknown’s BattleGround Mobile game event was started in Kuala Lumpur on 29th November until 1th December 2019. This event has 16 (sixteen) teams from region of South East Asia, Europe, North America, South America, Middle East North Africa, South Asia, Korea and Japan. This event had two commentators for each day on the tournaments. As the object of this study, the researcher analyzed the commentator’s utterances as the purposes of this study are to find the jargon on the PlayerUnknown’s BattleGrounds Mobile game and analyze the word-formation process the jargons that the researcher had found on the commentator’s utterances by using the theory of George Yule (1996). Moreover, this research is using the descriptive qualitative research as the research design on this study. The findings of this study show that there are 22 (twenty-two) words classified as jargon of PUBG Mobile game. And 14 (fourteen) words as the word-formation process, they are categorized as acronyms (5 words), compound (6 words), derivation (2 words), and backformation (2 words).
Dreams, depths, and dual meanings: A semiotic analysis of symbols in Inception (2010) film Saputra, Andrey; Rahayu, Famala Eka Sanhadi
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 9 (2025): Special Issue "SESANTI 2025"
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v9i3.23012

Abstract

This study discusses the symbolism in the film “Inception” by Christopher Nolan (2010) using Roland Barthes semiotic approach. Films are understood not only as visual entertainment, but also as cultural texts that contain social, ideological and philosophical messages. Through qualitative analysis, data is collected from movie scenes, dialogues and visual elements, and then interpreted based on three layers of meaning: denotation, connotation and myth. An analysis of the seven main scenes shows that “Inception” features several major themes: (1) trauma and uncertainty that continue to haunt humans, depicted through Cobb's characters and rotating totem symbols; (2) reality as fragile and reconstructable, seen from the folds of Paris and the rotating corridors of hotels; (3) Science and technology as a form of control over the unconscious, shown by Joseph; (4) the human subconscious as a battleground of ideas and resistance, visualized through snow; and (5) family and personal relationships as an important part of identity formation, for example through Fischer's conflict with his father. These findings confirm that “Inception” presents a grand narrative about human life, full of ambiguity, trauma and the search for meaning. Thus, the film can be read as a representation of the modern human condition, living between reality and illusion, technological control and inner freedom, as well as past demands and future expectations.
Exploring schizophrenia and language disorder in the main character of A Beautiful Mind (2001) film: A psycholinguistic study Lathifah, Arzeta Zulfa; Rahayu, Famala Eka Sanhadi
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 9 (2025): Special Issue "SESANTI 2025"
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v9i3.23008

Abstract

This research investigates language difficulties brought on by schizophrenia as they are represented in the character John Nash from the 2001 movie A Beautiful Mind. Finding signs of a language disorder in the main character's speech patterns, such as paralogia, affective flatness, and disordered speech patterns, is the goal. Selected conversation and scenes from the movie are analyzed as data in this qualitative descriptive study. According to the analysis, schizophrenia severely hinders communication skills by causing problems with speech coherence and emotional expression. This study advances our knowledge of the relationship between language and psychological diseases and emphasizes the significance of truthful media portrayals in lowering stigma toward people with schizophrenia. Programs for mental health education and awareness could use the practical consequences as a guide.
A conversation analysis of turn-taking strategies in the 2024 U.S. presidential debate Zuhayr, Muhammad Rizqullah; Rahayu, Famala Eka Sanhadi
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 9 (2025): Special Issue "SESANTI 2025"
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v9i3.23021

Abstract

This study investigates turn-taking strategies employed by Donald Trump and Joe Biden in the 2024 U.S. presidential debate. Using Conversation Analysis (CA) as the methodological framework, the research examines how interruptions, overlaps, pauses, and topic shifts are managed to negotiate control, assert dominance, or maintain authority in a high-stakes political context. Data were drawn from the official debate recording and analyzed qualitatively. The findings reveal that both verbal and nonverbal cues function as strategic tools in shaping debate dynamics and influencing audience perceptions of leadership and credibility. By situating turn-taking within the field of political communication, this study contributes to understanding the structural mechanisms underlying political discourse and shows how conversational strategies reflect power relations and persuasion beyond rhetoric and content.
Conversation analysis of the dialogue in "Love, Simon" film Pradhitya, Muhammad Putra; Rahayu, Famala Eka Sanhadi
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 9 (2025): Special Issue "SESANTI 2025"
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v9i3.23013

Abstract

This research focuses on the use of pauses and overlaps in the dialogue between characters in the film Love, Simon (2018). It uses Hutchby and Wooffitt’s theory of Conversation Analysis as the main framework. The goal is to explore how pauses and overlaps are used in the dialogue of Love, Simon (2018) film. The data consist of film dialogues containing pauses and overlaps, which were examined using qualitative method. The findings show that pauses often happen when characters feel emotionally vulnerable or try to be polite. Overlaps usually appear in emotional situations like conflict, interruption, or quick reactions. These features are not just technical parts of speech, they also show relationship dynamics and emotional depth. This research shows that small details in talk can carry deep meaning, especially in how people manage emotions, relationships, and identity through communication.
A sociolinguistic analysis of language style in Ghostbusters: Frozen Empire (2024) film Zenanda, Agiska Zerpi; Rahayu, Famala Eka Sanhadi
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 9 (2025): Special Issue "SESANTI 2025"
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v9i3.23009

Abstract

This study investigates the use of language styles in the film Ghostbusters: Frozen Empire (2024) through the lens of Martin Joos’s theoretical framework, which classifies language into five distinct styles: frozen, formal, consultative, casual, and intimate. Grounded in sociolinguistic theory, the research examines how language serves as a reflection of social identity, interpersonal relationships, and the communicative context in which it is used. The film was selected as the research object due to its rich portrayal of interactions that span multiple genres, including family, comedy, and supernatural adventure, making it particularly suitable for examining variations in communication. A descriptive qualitative approach was employed, with data derived from the dialogues of the main characters. Data collection involved detailed observation, identification of key scenes, and systematic categorisation of dialogues according to Joos’s language style framework. Data analysis followed Miles and Huberman’s model, encompassing the processes of data reduction, data display, and conclusion drawing. The primary objectives of this study are to describe the range of language styles utilised by the main characters and to identify which style is most dominant within the film’s interactions. The findings are anticipated to provide both theoretical contributions to sociolinguistic scholarship and practical benefits for audiences, enhancing their understanding, appreciation, and critical engagement with language use in cinematic narratives. Ultimately, this study offers insights into how stylistic choices in film dialogue shape social meaning, influence audience perception, and illuminate the dynamic interplay between language, context, and social identity in contemporary media.
Co-Authors A, Alamsyah Ahmad, Noor Islamiyah Aina, Ganea Qorry Ali, Saheriah Amanda Putri Wira Dharma Ananta, Elsa Laura Anggarwani, Nidya Anwar Ibrahim Triyoga Aries Utomo Aries Utomo, Aries Arifin, M Bahri Arifin, Muhammad Bahri Ary Ivanka Auliya, Salsabila Gina Bayu Aji Nugroho, Bayu Aji Fahmi Shifa&#039; Ushudur Fitriani -, Fitriani G. Gunawan Ganea Qorry Aina Gina Anggraeni Hadi, Muhammad Ihsan Nur Hanum, Irma Surayya Herson, Steven Fresly Hilal, Hikmatul Fajar Syamsu Hilal, Hikmatul Fajar Syamsul Iskandar, Nurhikma Arjuliani Jonathan Irene Sartika Dewi Max Lathifah, Arzeta Zulfa Lestari, Della Amelya Indah Lina, Ester M. Natsir Mubarok, Ahmad Muhajir, Fatimah Muhammad Hasyim, Muhammad Muhammad Natsir Munawwarah, Alfina Musthofa, Dwi Nita Maya Valiantien Ong, Celine Sekar Nathania Purnama Pradhitya, Muhammad Putra Ririn Setyowati Ririn Setyowati Salmansyah, Fandy Saputra, Andrey Satyawati Surya, Satyawati Setya Ariani Setyoko, Aris Sindy Alicia Gunawan Singgih Daru Kuncara Sofyansyah, Aldino Ade Sudirman, Eka Pratiwi Suhartini Suhartini Suhartini Suhartini Sunardi Sunardi Supiansyah, Selvia Susilo Susilo Syamsiar, Syamsiar Tiya Ilahi, Putera Wahyuni, Ian Walid, Ahmad Nafiul Wilma Prafitri Yemic, Jim Marchel Yofi Irvan Vivian, Yofi Irvan Zamrud Whidas Pratama Zamruddin, Mardliya Pratiwi Zenanda, Agiska Zerpi Zuhayr, Muhammad Rizqullah