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All Journal Parole: Journal of Linguistics and Education CaLLs : Journal of Culture, Arts, Literature, and Linguistics Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Register Journal Indonesian Journal of English Language Teaching and Applied Linguistics JI-KES (Jurnal Ilmu Kesehatan) Indonesian Journal of EFL and Linguistics Jurnal Mebang EBONY REGISTER JOURNAL Prosiding Seminar Nasional Sastra, Bahasa, dan Seni (Sesanti) Ruhui Rahayu: Jurnal Pengabdian Kepada Masyarakat LINGUISTS : JOURNAL OF LINGUISTICS AND LANGUAGE TEACHING JI-KES (Jurnal Ilmu Kesehatan) Indonesian Journal of English Language Teaching and Applied Linguistics
Rahayu, Famala Eka Sanhadi
Fakultas Ilmu Budaya, Universitas Mulawarman, Samarinda
Arts Humanities Education Environmental Science Health Professions Languange, Linguistic, Communication & Media Medicine & Pharmacology Nursing Public Health Social Sciences Other

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A sociolinguistic analysis of language style in Ghostbusters: Frozen Empire (2024) film Zenanda, Agiska Zerpi; Rahayu, Famala Eka Sanhadi
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 9 (2025): Special Issue "SESANTI 2025"
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v9i3.23009

Abstract

This study investigates the use of language styles in the film Ghostbusters: Frozen Empire (2024) through the lens of Martin Joos’s theoretical framework, which classifies language into five distinct styles: frozen, formal, consultative, casual, and intimate. Grounded in sociolinguistic theory, the research examines how language serves as a reflection of social identity, interpersonal relationships, and the communicative context in which it is used. The film was selected as the research object due to its rich portrayal of interactions that span multiple genres, including family, comedy, and supernatural adventure, making it particularly suitable for examining variations in communication. A descriptive qualitative approach was employed, with data derived from the dialogues of the main characters. Data collection involved detailed observation, identification of key scenes, and systematic categorisation of dialogues according to Joos’s language style framework. Data analysis followed Miles and Huberman’s model, encompassing the processes of data reduction, data display, and conclusion drawing. The primary objectives of this study are to describe the range of language styles utilised by the main characters and to identify which style is most dominant within the film’s interactions. The findings are anticipated to provide both theoretical contributions to sociolinguistic scholarship and practical benefits for audiences, enhancing their understanding, appreciation, and critical engagement with language use in cinematic narratives. Ultimately, this study offers insights into how stylistic choices in film dialogue shape social meaning, influence audience perception, and illuminate the dynamic interplay between language, context, and social identity in contemporary media.
An Analysis of Repetition Used in Shawn Mendes' Selected Song Lyrics Lestari, Della Amelya Indah; Arifin, M. Bahri; Rahayu, Famala Eka Sanhadi
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 5, No 4 (2021): Oktober 2021
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v5i4.4743

Abstract

The objective of this research was to describe the types of repetitions in Shawn Mendes’ selected song lyrics to find their functions in the selected song lyrics that the researcher chooses for this study. This study employed a qualitative design with a stylistic approach that aims to the types and functions of repetitions in Shawn Mendes’ song lyrics. The result of this study shows that all nine types of repetitions were found in this study. There are forty-six alliterations, twenty-six assonances, twenty-one consonances, five refrains, four feminine rhymes, five masculine rhymes, two internal rhymes, eighteen end rhymes, and five approximate rhymes. And besides that, it is possible to have more than one type of repetitions and functions in one data. The most dominant repetition in this study is alliteration. After categorizing and interpreting the data, the researcher found three out of four functions of repetition found such as; to reinforce meaning, to emphasize certain words, and to link up or contrast words. And also based on the result mention above, the researcher can conclude that Shawn Mendes has a narrative style of writing because of the way he wrote his lyrics that has the repetition of persuasive lines that he often emphasized in his song lyrics.
New Word Formations in J.K. Rowling's Fantastic Beasts and Where to Find Them Film Walid, Ahmad Nafiul; Natsir, Muhammad; Sanhadi Rahayu, Famala Eka
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 7, No 2 (2023): Vol 7, No 2 (2023): April 2023
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v7i2.7206

Abstract

This research investigated types of word formation process found in J.K. Rowling’s Fantastic Beast and Where to Find Them film using Yule’s theory (2010). The methodology was descriptive qualitative research because it focused on words as its data produced in Fantastic Beast and Where to Find Them film and the data was explicated descriptively. The analysis revealed that the processes of word-formation of new words in Fantastic Beast and Where to Find Them film consist of borrowing, compounding, blending, acronym, and multiple processes. From the findings, it can be implied that borrowing was the most frequent process that occurred in Fantastic Beast and Where to Find Them film. The new words found in Fantastic Beasts and Where to Find Them film have the functions as naming beasts, magic spells, and describing person or building.
AN ANALYSIS OF SYNTACTICAL DEVIATION IN ED SHEERAN'S SELECTED SONG LYRICS Gafur, Abdul; Arifin, M. Bahri; Rahayu, Famala Eka Sanhadi
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 5, No 4 (2021): Oktober 2021
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v5i4.4754

Abstract

The objectives of this research are to find out the types and the functions of syntactical deviation used in Ed Sheeran’s selected song lyrics. This analysis includes to qualitative method. This research used seven famous songs of Ed Sheeran as the source of data. The data were taken from the lines of the seven selected songs of Ed Sheeran that considered to have syntactical deviation. Through the findings of the analysis, there were 7 (seven) types of syntactical deviation namely double negation, omission, deviation of verb, deviation of preposition, deviation of article, anastrophe, and hypallage were employed in the selected songs of Ed Sheeran. The omission type was the most frequently used in the song lyrics of Ed Sheeran. Functionally, it is to indicate an omission of unnecessary words or information. It means that the lyrics of the song mostly omitted by Ed Sheeran, it is to make the song denser which means it talks a lot in a brief statement and also match with the melody or music. Otherwise, overgeneralization, deviation of noun, deviation of pronoun, and hysteron proteron were not found in the selected songs of Ed Sheeran, because those types of syntactical deviation cannot represent the motives that Ed Sheeran want to convey in his song lyrics.
The reminding of environmental damage through salience patterns in Lorax (2012) film: An ecolinguistic analysis Hadi, Muhammad Ihsan Nur; Rahayu, Famala Eka Sanhadi
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 9 (2025): Special Issue "SESANTI 2025"
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v9i3.22645

Abstract

This study analyzes the Lorax (2012) film through an ecolinguistic lens, focusing on salience patterns as a reminder of environmental degradation. The film portrays the consequences of excessive exploitation of nature using powerful visual and linguistic narratives. Applying Arran Stibbe’s framework, the research identifies linguistic elements such as activation, concreteness, metaphor, metonymy, hyponymy, and transitivity patterns that emotionally and ideologically highlight environmental issues. The findings reveal that Lorax not only delivers a moral message about the importance of environmental care but also fosters ecological awareness through its language use. This study affirms that ecolinguistics is a potent tool for uncovering hidden ideologies and promoting sustainable behavior through popular media.
An analysis of slang words in Deadpool & Wolverine film (2024) Yemic, Jim Marchel; Rahayu, Famala Eka Sanhadi
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 9 (2025): Special Issue "SESANTI 2025"
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v9i3.23011

Abstract

This study examines the use of slang in the film Deadpool & Wolverine (2024), focusing on its forms and contextual meanings. Slang is a distinct feature of informal communication that reflects identity, creativity, and cultural belonging. The research applies a descriptive qualitative method, with data collected from the dialogues of the main characters in the film. The slang expressions are classified based on Allan and Burridge’s framework, which includes clipping, imitative, flippant, fresh and creative, and acronym types. The analysis shows that the film makes extensive use of slang, not only as a stylistic device but also as a means of character development and humor. The findings reveal that fresh and creative slang is the most frequently used, highlighting Deadpool’s humorous and playful personality, while other types such as flippant and imitative contribute to the depiction of sarcasm, casualness, and social bonding. Through these uses, slang becomes an essential part of the film’s dialogue, enriching its entertainment value and reflecting cultural expressions in contemporary media. This study concludes that the analysis of slang in film can provide deeper insight into language variation, identity, and cultural context.
Co-Authors A, Alamsyah Ahmad, Noor Islamiyah Aina, Ganea Qorry Ali, Saheriah Amanda Putri Wira Dharma Ananta, Elsa Laura Anggarwani, Nidya Anwar Ibrahim Triyoga Aries Utomo Aries Utomo, Aries Arifin, M Bahri Arifin, Muhammad Bahri Ary Ivanka Auliya, Salsabila Gina Bayu Aji Nugroho, Bayu Aji Fahmi Shifa' Ushudur Fitriani -, Fitriani Ganea Qorry Aina Gina Anggraeni Hadi, Muhammad Ihsan Nur Hanum, Irma Surayya Herson, Steven Fresly Hilal, Hikmatul Fajar Syamsu Hilal, Hikmatul Fajar Syamsul Iskandar, Nurhikma Arjuliani Jonathan Irene Sartika Dewi Max Juliastuti Juliastuti Lathifah, Arzeta Zulfa Lestari, Della Amelya Indah Lina, Ester M. Natsir Mubarok, Ahmad Muhajir, Fatimah Muhammad Natsir Munawwarah, Alfina Musthofa, Dwi Nita Maya Valiantien Ong, Celine Sekar Nathania Purnama Pradhitya, Muhammad Putra Ririn Setyowati Ririn Setyowati Salmansyah, Fandy Saputra, Andrey Satyawati Surya, Satyawati Setya Ariani Setyoko, Aris Sindy Alicia Gunawan Singgih Daru Kuncara Sofyansyah, Aldino Ade Sudirman, Eka Pratiwi Suhartini Suhartini Suhartini Suhartini Sunardi Sunardi Supiansyah, Selvia Susilo Susilo Syamsiar, Syamsiar Tiya Ilahi, Putera Wahyuni, Ian Walid, Ahmad Nafiul Wilma Prafitri Yemic, Jim Marchel Yofi Irvan Vivian, Yofi Irvan Zamrud Whidas Pratama Zamruddin, Mardliya Pratiwi Zenanda, Agiska Zerpi Zuhayr, Muhammad Rizqullah