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All Journal Gorga : Jurnal Seni Rupa Jurnal Sains dan Seni ITS Techno.Com: Jurnal Teknologi Informasi Rekam : Jurnal, Fotografi, Televisi Animasi Harmonia: Journal of Research and Education Visual Communication Design Journal of Urban Society´s Arts Jurnal Sosioteknologi Journal of Visual Art and Design ANDHARUPA Prosiding 2nd Seminar Nasional IPTEK Terapan (SENIT) 2017 MUDRA Jurnal Seni Budaya Jurnal Bahasa Rupa Panggung Halaqa : Islamic Education Journal Patanjala : Jurnal Penelitian Sejarah dan Budaya Capture : Jurnal Seni Media Rekam Satwika : Kajian Ilmu Budaya dan Perubahan Sosial Ultimart: Jurnal Komunikasi Visual Humaniora Demandia : Jurnal Desain Komunikasi Visual, Manajemen Desain, dan Periklanan PROSIDING: SENI, TEKNOLOGI, DAN MASYARAKAT Jurnal SASAK : Desain Visual dan Komunikasi Atrat: Jurnal Seni Rupa Jurnal Titik Imaji Jurnal Minfo Polgan (JMP) Wimba: Jurnal Komunikasi Visual Jurnal Desain Komunikasi Visual Nirmana Journal of Language, Literature, and Arts (JoLLA) Jurnal Ekonomi Kreatif dan Manajemen Bisnis Digital (JEKOMBITAL) VCode Advances In Social Humanities Research Panggung Jurnal Bahasa Rupa JGGAG (Journal of Games, Game Art, and Gamification) Serat Rupa: Journal of Design Majalah Ilmiah Bahasa dan Sastra Jurnal Bahasa Rupa
Hafiz Aziz Ahmad
Visual Communication And Multimedia Research Group, Faculty Of Art And Design, Bandung Institute Of Technology, Indonesia
Religion Arts Humanities Computer Science & IT Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Engineering Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Mathematics Social Sciences Other

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Fear Emotion of Reading the Horror Webtoon “Kemala” with Background Music Ahmad Zulkifli; Hafiz Aziz Ahmad
Jurnal Minfo Polgan Vol. 13 No. 1 (2024): Artikel Penelitian
Publisher : Politeknik Ganesha Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33395/jmp.v13i1.14003

Abstract

Technological innovations in webtoons, such as the capability of adding background music, change the comic reading experience and thus deserve further research. One of the comic titles that uses this feature is the well-known Indonesian horror comic, Kemala. Background music is known to be an important component in audio-visual media, especially in the horror genre. Indeed, it functions as a tool for eliciting emotions of fear that match the horror narrative. Essentially, the horror genre aims to scare its audience. Having an additional source of horror through the usage of background music might help horror webtoons achieve their goal. It is imperative to have specific research that examines the effect of background music on the emotion of fear in reading horror webtoons. This study, using the horror comic Kemala, conducted a two-group experimental approach: one group read the comic without music while another group read the comic with music to measure the differences in the emotion of fear using a questionnaire. Finally, a Mann-Whitney U Test was done using SPSS; it was found that there was a significant difference in fear levels between the groups. Thus, reading Kemala with background music provides a scarier reading experience.
Visual Culture; Expanded Cinema and the Concept Of “Trisikon” as a Manifestation of Indonesia Cultural Diversity Sito Fossy Biosa; Yasraf Amir Piliang; Hafiz Aziz Ahmad; Tisna Sanjaya
Advances In Social Humanities Research Vol. 4 No. 2 (2026): Advances In Social Humanities Research
Publisher : Sahabat Publikasi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.46799/adv.v4i2.540

Abstract

  Visual culture understands cinematic practice not merely as aesthetic expression, but as a site of social meaning production shaped by the relationships between medium, space, and audience participation. Within this framework, expanded cinema opens new possibilities for experimental film practices that transcend conventional representational boundaries through multisensory and reflective experiences situated between reality, archive, and imagination. This research examines the concept of TRISIKON (three situations and conditions: live action, documentation–footage, and animation) as a cinematic creation model that manifests Indonesian cultural diversity through the dialectic of Chaos–Harmony, defined as the convergence of creative uncertainty and compositional order. Through a case study of the work Anemoia Utopia, Chaos–Harmony (cultural diversity) is interpreted not as a binary opposition but as a dynamic space reflecting relationships between humans, nature, and non-human entities within Indonesia’s plural cultural context. This study employs an art-based research methodology combined with a hermeneutic approach to interpret visual symbols, rhythms, and nonlinear narrative structures as intersections between aesthetic experience and social reality. The findings indicate that TRISIKON blurs the boundaries between documentation, performativity, and animation, transforming cinema into a participatory space that invites collective interpretation. Consequently, TRISIKON functions not only as an artistic method but also as an epistemological framework within visual culture studies, offering an understanding of cinema as a fluid and continually transforming cultural practice.
Implementasi Photovoice dalam Komunitas Tuli: Fotografi sebagai Medium Komunikasi Visual Yosephien Reynalda Prananda Wibowo; Hafiz Aziz Ahmad
Jurnal Desain Komunikasi Visual Nirmana Vol. 25 No. 1 (2025): JANUARY 2025
Publisher : Institute of Research and Community Outreach - Petra Christian University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.9744/nirmana.25.1.50-61

Abstract

Individu dalam komunitas tuli menghadapi tantangan unik dalam berkomunikasi karena memiliki keterbatasan komunikasi verbal. Komunikasi verbal seringkali tidak memadai untuk menyampaikan pengalaman dan perasaan, sehingga dibutuhkan sarana bagi individu tuli menyampaikan pengalaman melalui medium visual yakni fotografi. Artikel ini bertujuan untuk mengetahui bagaimana pengimplementasian fotografi sebagai medium komunikasi visual pada kegiatan photovoice dalam komunitas Tuli, serta melihat bagaimana fotografi dapat menjadi ekspresi bagi yang tuli. Penelitian ini menggunakan pendekatan kualitatif dengan desain penelitian partisipatif dan eksploratif untuk memahami bagaimana pengimplementasian photovoice dalam komunitas tuli. Photovoice merupakan metode untuk individu mengidentifikasi, mempresentasikan dan memperkuat komunitas melalui teknik fotografi. Hasil penelitian menunjukkan bahwa tahapan photovoice yang diimplementasi dapat disesuiakan dengan kebutuhan penelitian dan dapat digunakan secara lebih luas dan menciptakan peluang partisipasi yang lebih inklusif. Disimpulkan, bahwa pengimplementasian fotografi dalam kegiatan photovoice memberikan kontribusi positif sebagai medium komunikasi visual bagi komunitas tuli dan dapat menciptakan narasi yang kuat yang mungkin sulit diungkapkan melalui kata-kata verbal.
Co-Authors Acep Iwan Saidi Achmad Syarief Adhitama, Gregorius Prasetyo Agustin, Senja Aprela Agustina Kusuma Dewi Ahmad Ramdhani Ahmad Zulkifli Aldian, Aisha Azalia Alvanov Z. Mansoor Alvanov Zpalanzani Alvanov Zpalanzani Alvanov Zpalanzani Mansoor Anastasia Anette Djauhari Bagus Handoko Cintya Dwi Hastuti Cintya, Hedi Amelia Bella Dana Waskita Deny Willy Dhara Alim Cendekia Dian Widiawati Dianing Ratri Dibda, Angga Dwinita Larasati Dyah Gayatri Puspitasari, Dyah Gayatri Dzuha Hening Yanuarsari Fadhila Zahra Humaira Faradilla, Nada Fathin Hanifah Langga Fiona Priscilla Tambunan, Fiona Priscilla Grahita, Banung Hermanudin, Danika I Gusti Agung Rangga Lawe Iman Sudjudi Imaniar Rizki Waridha Iqbal Baihaqi Irfansyah Irfansyah Irfansyah Irfansyah Irma Damajanti Irma Damajanti Iwan Gunawan Iwan Gunawan Iwan Gunawan Kahfiati Kahdar Kankan Kasmana Kankan Kasmana Kankan Kasmana Kezia Clarissa Langi Khamadi Khamadi Khamadi Kiki Rizky Soetisna Putri, Kiki Rizky Langga, Fathin Hanifah latifah safarina latifah safarina Lidya Permata Sari Mansoor, Alvanov Z. Mansoor, Alvanov Z. Mazaya Muftiya Al Farabi Mohamad Dzikri Alhamdi Munggarsari, Annisa Amalia Myung-Gong Park Nuning Yanti Damayanti Puspitasari, Dyah Gayatri Ratri, Dianing Riama M. Sihombing Riama Maslan Riama Maslan Sihombing Riana Cyndar Bumi Toar Riyo Ramadhan Rizki Taufik Rakhman Ruly Darmawan Sabana, Setiawan Saffanah Azka Adie Senja Aprela Agustin Setiadipura, Kayla Seraphine Setiawan Sabana Setiawan Sabana Setiawan Sabana Setiawan Sabana Setiawan Sabana Setiawan Sabana Sistha Ayu Pribadi Sito Fossy Biosa Sitompul, Surya Habibi Sundah, Johanna Ratuwani Teguh Vicky Andrew Tisna Sanjaya Tri Sulistyaningtyas Vincentia Valentine Pascadian Wikayanto, Andrian Yahya Mumtazuddin Yan Yan Sunarya Yasraf Amir Piliang Yasraf Amir Piliang Yosephien Reynalda Prananda Wibowo Yusuf, Vanessa