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All Journal Ars: Jurnal Seni Rupa dan Desain Corak : Jurnal Seni Kriya Jurnal Taman Vokasi Home Economics Journal JURNAL PENDIDIKAN TAMBUSAI Journal on Education Gelar : Jurnal Seni Budaya Jurnal Review Pendidikan dan Pengajaran (JRPP) Enggang: Jurnal Pendidikan, Bahasa, Sastra, Seni, dan Budaya Jurnal Abdimas Bina Bangsa JURNAL SOCIA AKADEMIKA Jurnal Abdimas Akademika Practice of Fashion and Textile Education Journal Abimanyu: Journal of Community Engagement Journal of Vocational and Technical Education (JVTE) BAJU: Journal of Fashion and Textile Design Unesa Style : Journal of Fashion Design Home Ec Inspirasi Dunia: Jurnal Riset Pendidikan dan Bahasa Ranah Research : Journal of Multidisciplinary Research and Development Jurnal Pendidikan dan Ilmu Sosial Guruku: Jurnal Pendidikan dan Sosial Humaniora Journal of Education Method and Learning Strategy JPNM : Jurnal Pustaka Nusantara Multidisiplin Mutiara: Jurnal Penelitian dan Karya Ilmiah Jurnal Ilmiah Research Student Jurnal Riset Multidisiplin dan Inovasi Teknologi Semantik : Jurnal Riset Ilmu Pendidikan, Bahasa dan Budaya Jurnal Nakula: Pusat Ilmu Pendidikan, Bahasa Dan Ilmu Sosial JURNAL ILMIAH PENELITIAN MAHASISWA JURNAL MULTIDISIPLIN ILMU AKADEMIK JPBD (Jurnal Penelitian Busana dan Desain) Jurnal Online Tata Busana Teknobuga : Jurnal Teknologi Busana dan Boga Journal of Creative Industries and Vocational Innovation
Deny Arifiana
Universitas Negeri Surabaya
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Automotive Engineering Chemical Engineering, Chemistry & Bioengineering Civil Engineering, Building, Construction & Architecture Computer Science & IT Economics, Econometrics & Finance Education Electrical & Electronics Engineering Engineering Environmental Science Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Mathematics Mechanical Engineering Medicine & Pharmacology Physics Public Health Social Sciences Transportation Other

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Penciptaan Busana Kasual (Casual Wear) dengan Inspirasi Lautan Pasir Gunung Bromo Iis Suwaidah; Deny Arifiana
JPNM Jurnal Pustaka Nusantara Multidisiplin Vol. 4 No. 3 (2026): July : Jurnal Pustaka Nusantara Multidisiplin (ACCEPTED)
Publisher : SM Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59945/jpnm.v4i3.1356

Abstract

Penelitian ini bertujuan mendeskripsikan proses penciptaan, hasil karya, dan penyajian busana kasual yang terinspirasi dari Lautan Pasir Gunung Bromo. Penelitian menggunakan pendekatan practice-led research karena proses penciptaan karya ditempatkan sebagai sumber utama pengetahuan. Tahapan penciptaan meliputi eksplorasi, perancangan, perwujudan, dan penyajian. Eksplorasi dilakukan dengan mengamati karakter visual Lautan Pasir Gunung Bromo, terutama bentuk gelombang pasir, tekstur, warna abu-abu, navy, dan hitam, serta nilai filosofisnya. Unsur tersebut diterjemahkan ke dalam cutting bergelombang, siluet kasual, pemilihan material, dan aplikasi tekstil slashing. Tahap perancangan menghasilkan beberapa alternatif desain yang kemudian diseleksi menjadi tiga look, yaitu satu busana pria dan dua busana wanita. Perwujudan karya dilakukan melalui pengukuran model, pembuatan pola, pemotongan bahan, penjahitan, penerapan slashing, dan finishing. Hasil karya menunjukkan bahwa gelombang pasir Bromo dapat ditransformasikan menjadi busana kasual kontemporer yang fungsional, estetis, dan memiliki identitas lokal. Penyajian melalui fashion show BHUMIBRAMA dan promosi digital memperkuat daya komunikasi visual serta potensi komersial karya. Temuan ini menegaskan pentingnya eksplorasi alam Indonesia sebagai sumber ide mode yang kreatif, relevan dengan pasar, dan mampu memperkaya inovasi desain berbasis potensi lokal secara berkelanjutan dalam industri fesyen nasional.
Penciptaan Busana Kasual dengan Inspirasi Rumah Adat Suku Tengger Rohmatul Ummah; Deny Arifiana
JPNM Jurnal Pustaka Nusantara Multidisiplin Vol. 4 No. 3 (2026): July : Jurnal Pustaka Nusantara Multidisiplin (ACCEPTED)
Publisher : SM Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59945/jpnm.v4i3.1381

Abstract

Penelitian ini bertujuan mendeskripsikan proses penciptaan, hasil jadi, dan penyajian busana kasual dengan inspirasi rumah adat Suku Tengger. Penelitian menggunakan metode penciptaan berbasis praktik melalui pendekatan practice-led research yang meliputi tahap eksplorasi, perancangan, perwujudan, dan penyajian karya. Eksplorasi dilakukan dengan mengkaji bentuk atap, struktur bangunan, warna, tekstur kayu, serta karakter visual rumah adat Suku Tengger. Hasil eksplorasi dikembangkan dalam moodboard, desain alternatif, validasi desain, pemilihan material, pembuatan pola, bordir manual, penjahitan, dan finishing. Validasi menghasilkan tiga desain terpilih, yaitu satu busana pria berupa two pieces dengan outer dan celana panjang, serta dua busana wanita berupa one piece dress. Unsur rumah adat diterapkan melalui siluet, cutting geometris, garis leher V, lengan sabrina, material suede dan corduroy, serta bordir stilasi. Karya disajikan dalam 34th Annual Fashion Show UNESA: Bhumibrama dan memperoleh apresiasi Best Pattern. Hasil penelitian menunjukkan bahwa arsitektur tradisional dapat diolah menjadi busana kasual modern yang fungsional, estetis, dan merepresentasikan identitas budaya lokal. Selain menghasilkan tiga tampilan busana, penelitian ini juga menunjukkan potensi pengembangan produk kreatif berbasis budaya melalui media promosi digital dan penyajian karya kontemporer bagi pasar muda urban Indonesia.
Development of batik scarf design based on the architecture of the great mosque of Gresik as a representation of local cultural identity Deny Arifiana; Inty Nahari; Shofi Aliya Putri; Indarti Indarti
Gelar: Jurnal Seni Budaya Vol. 24 No. 1 (2026)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v24i1.7955

Abstract

Contemporary batik design research has extensively addressed the preservation of traditional motifs, the transformation of regional icons, and the utilization of digital technologies. However, studies that specifically translate the religious architectural elements of the Great Mosque of Gresik into batik scarf designs remain limited, particularly those that integrate reflections on creative practice, structured evaluation, and prototype realization. This study aims to develop the Agung Prasaja batik scarf design based on the architecture of the Great Mosque of Gresik and to elucidate its contribution to culture based textile design. The method employed is Practice led Research, supported by descriptive quantitative evaluation. The research stages include visual context exploration, architectural element mapping, motif stylization, digital composition development at 160 × 35 cm, design evaluation, and the realization of three selected batik tulis (hand-drawn batik) scarf prototypes. The evaluation instrument utilized a 1–5 scale with 11 indicators grouped into the aspects of aesthetics, symbolic cultural legibility, application potential, and user appeal. The evaluation involved 30 informed design assessors/users. The findings produced eight primary motif units and ten design alternatives. The three designs prioritized for batik tulis scarf prototype realization were Agung Prasaja 5, Agung Prasaja 4, and Agung Prasaja8. The findings indicate that design strength is determined not solely by the beauty of motifs but also by visual hierarchy, the legibility of architectural symbols, and suitability for the scarf format. The contribution of this research lies in offering a measurable, reflective, and applicable model for transforming local religious architecture into contemporary textile design, thereby supporting the development of Gresik batik products.  
Penciptaan Busana Kasual (Casual Wear) dengan Inspirasi Arca Totok Kerot Ghefira Azizah Nur; Deny Arifiana; Inty Nahari; Mein Kharnolis
Corak Vol 14, No 2 (2025): Corak : Jurnal Seni Kriya
Publisher : Corak

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/corak.v14i2.18089

Abstract

Industri mode yang didominasi oleh busana siap pakai (casual wear) gaya Barat menuntut upaya kreatif untuk melestarikan dan mengintegrasikan nilai-nilai budaya local. Penelitian penciptaan ini bertujuan mengintegrasikan kekayaan budaya Mataram, khususnya Arca Totok Kerot di Kediri, Jawa Timur, ke dalam desain busana kasual modern. Arca Totok Kerot adalah benda cagar budaya yang dikenal dengan karakternya yang monumental, kaku, dan memiliki ekspresi kemarahan. Penelitian ini menggunakan Metode Penciptaan Karya Seni (Practice-Ied-Reserch), yang melalui tahapan Eksplorasi, Perancanan, dan Perwujudan, untuk mendeskripsiskan proses, hasil, dan desiminasi karya. Konsep desain menerjemahkan bentuk monumental arca menjadi siluet besar dan kuat, didukung penggunaan warna merah sebagai simbol energi. Detail ornamen arca diwujudkan melalui teknik tekstil monumental quilting dan cording untuk menciptakan tekstur tiga dimensi yang kokoh menyrupai relief. Hasil akhir penelitian ini berupa tiga koleksi busana kasual (1 pria dan 2 wanita) gaya art of beat. 
Design and Creation of Ready-to-Wear Deluxe Muslim Fashion Inspired by Minakjinggo and Damarwulan Costumes Awanda Alisa Fitriyah; Deny Arifiana
Journal of Creative Industries and Vocational Innovation Vol. 2 No. 1 (2026)
Publisher : Universitas Negeri Surabaya

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Abstract

This practice-led study explores the transformation of the contrasting visual characteristics of Minakjinggo and Damarwulan costumes from the Banyuwangi Janger performance into a ready-to-wear deluxe Muslim fashion collection. The study aims to describe the exploration, design development, realization, and presentation of the collection. The creative process followed four stages: exploration, design, realization, and presentation. During exploration, the visual characteristics of the two characters were identified through silhouette, color, garment structure, and decorative elements. Thirty alternative designs were developed for adult women, adult men, and girls. Following a design review by two fashion experts, three designs were selected for realization. The collection integrates Minakjinggo’s bold ornamentation with Damarwulan’s structured and balanced appearance through layered forms, contrasting colors, pompons, dangling sequins, and laser-cut Gajah Oling motifs. The works were presented at the 37th UNESA Annual Fashion Show Madjadhikara 2025, where the girls’ design received the Best Kids Fashion Design award in the Muslim fashion category. The study demonstrates how costumes from local performing arts can be transformed into contemporary Muslim fashion without reproducing the traditional costumes literally.
Penerapan Model Pembelajaran Project Based Learning untuk Meningkatkan Hasil Belajar Teknik Menjahit Kerah Rebah Siswa Fase F DPB SMKN 1 Sarirejo Nadya Clarissa Adisti; Deny Arifiana
JPNM Jurnal Pustaka Nusantara Multidisiplin Vol. 4 No. 3 (2026): July : Jurnal Pustaka Nusantara Multidisiplin (ACCEPTED)
Publisher : SM Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59945/jpnm.v4i3.1500

Abstract

Penelitian ini dilatarbelakangi oleh rendahnya hasil belajar siswa pada materi teknik menjahit kerah kemeja di kelas XI Desain dan Produksi Busana SMK Negeri 1 Sarirejo. Kondisi awal menunjukkan rata-rata nilai 72,34 dan pembelajaran Project Based Learning belum sepenuhnya berjalan sesuai sintaks karena praktik masih cenderung individual serta fasilitas mesin jahit terbatas. Penelitian ini bertujuan mendeskripsikan keterlaksanaan Project Based Learning berbasis kelompok dan hasil penilaian produk teknik menjahit kerah rebah. Penelitian menggunakan pendekatan deskriptif kuantitatif dengan desain one shot case study. Subjek penelitian adalah 15 siswa kelas XI DPB. Data dikumpulkan melalui observasi keterlaksanaan pembelajaran oleh tiga observer dan penilaian produk menggunakan rubrik. Hasil penelitian menunjukkan keterlaksanaan pembelajaran memperoleh rata-rata 99% dengan kategori sangat baik. Hasil penilaian produk menunjukkan rata-rata 82,63 dengan ketuntasan klasikal 100%. Penerapan Project Based Learning berbasis kelompok efektif digunakan dalam pembelajaran praktik teknik menjahit kerah rebah karena mendorong kolaborasi, keterlibatan aktif, dan pemahaman prosedur kerja.
PENCIPTAAN DESAIN MOTIF BATIK SIDOARJO PADA SYAL DENGAN SUMBER IDE CANDI DERMO Aissyah Febi Alamanda Hurrin; Deny Arifiana
BAJU: Journal of Fashion and Textile Design Unesa Vol 6 No 2 (2025)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/baju.v6n2.p210-226

Abstract

Abstract The design of batik is one of stages in batik making process. The development of motif ideas can create patterns and motifs on batik fabric. The making of batik decorative motif design in this study is inspired by cultural heritage found in Sidoarjo. This research an art based study that describes the batik motif design from Sidoarjo, this research also inspired by Dermo Temple. The objective of this research are: (1) To describe the process of exploring the Sidoarjo Batik motif with the source of the idea of Dermo Temple which will be applied to products in the form of scarves.  (2) to describe the process of creating Sidoarjo batik design inspired by the Dermo temple to be applied to a product in form of scarf. (3) to describe the final result of the Sidoarjo batik design creation inspired by Dermo Temple to be applied to a product in form of scarf. The method used in this research is the artwork creation, that’s consist four stages: exploration or pre design, design development, realization of the work, and also the presentation of the work. At the design stage of the work, alternative designs are made, so that 3 motif designs can be selected that will be applied to products in the form of scarves. The results of the creation stated that the scarf product measuring 35 cm x 180 cm was created according to the characteristics of the Batik Sidoarjo and Dermo Temple motifs. The results of the creation state that the scarf product measuring 35 cm x 180 cm was created according to the characteristics of the Batik motif of Sidoarjo and Dermo Temple as the main motif of batik. The results of the creation state that: (1) Scarf products measuring 35 cm x 180 cm were created according to the characteristics of the Batik motifs of Sidoarjo and Dermo Temple as the main motif of batik. (2 The motifs created on the product in the form of scarves go through the design development stage, so that batik patterns can be created in accordance with the results of the motif exploration. (3) The finished product is in the form of a scarf created with the written batik technique.  
Eksplorasi Desain Batik UNESA Berbasis Kangkung Air: Keberlanjutan dan Representasi Identitas Visual Institusi Deny Arifiana; Inty Nahari; Mein Kharnolis
BAJU: Journal of Fashion and Textile Design Unesa Vol 6 No 2 (2025)
Publisher : Universitas Negeri Surabaya

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Abstract

Batik, as an Indonesian cultural heritage, holds significant potential to support sustainable fashion, particularly through the exploration of nature-based motifs and the use of more environmentally responsible materials. However, its application as an institutional identity marker remains limited, especially in integrating sustainability values with the visual character of an institution. This study aims to develop a sustainable institutional batik design by adopting the stylization of water spinach (Ipomoea aquatica) as a symbol of ecological growth, combined with visual elements of Universitas Negeri Surabaya (Unesa). The Practice-Led Research method was employed across four stages: pre-design, design, realization, and presentation and evaluation. The study produced ten Unesa batik designs, from which three were selected as the best based on expert assessments using four criteria: functionality, cultural identity and expression, aesthetics, and creativity. The findings indicate that Batik Andaru Tirta UNESA effectively represents both the ecological character and institutional identity of the university. Future research may extend to material testing, the exploration of border motifs, and prototype refinement to support more sustainable production practices.
PENINGKATAN PRODUKTIVITAS DAN MANAJEMEN UD. MJ FASHION MELALUI PENERAPAN MESIN PRESS SEPATU DAN OVEN PENGERING OTOMATIS Yunus; Deny Arifiana; Albrian Fiky Prakoso; Rizdana Galih Pambudi; Bima Anshari
Abimanyu : Jornal of Community Engagement Vol 6 No 2 (2025): August 2025
Publisher : Universitas Negeri Surabaya

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Abstract

SMEs have a major impact in improving the welfare of society through their contribution in moving the wheels of the economy in social life. One example is UD. MJ Fashion Sidoarjo, an SME engaged in conventional shoe craftsmen. However, through the results of interviews and situation analysis with partners, several problems were found including the low quality and quantity of production due to uneven drying results on the entire surface of the sole and upper shoes which have an impact on the low quality and quantity of products that affect the growth of UD's business. MJ Fashion Sidoarjo, causing slow productivity which results in a decrease in competitiveness and loss of customers. As a solution to overcome these problems, the PKM Team conducted a method of direct application of the use of Shoe Press Machines and Automatic Drying Ovens. With the hope of providing a solution to the problem of quality and quantity of shoe production. With the machine, it is anticipated that there will be a significant increase in the aspects of Quality Management and Productivity in the shoe production process while increasing the operational efficiency of UD. MJ Fashion Sidoarjo, but also has the potential to make a positive contribution to the local economy and community welfare through increased competitiveness and business growth.
PENCIPTAAN BUSANA PESTA MUSLIM DENGAN INSPIRASI TARI JARANAN TURONGGO YAKSO DI TRENGGALEK Risma Juliarus Vidia Sari; Deny Arifiana
JURNAL ILMIAH RESEARCH STUDENT Vol. 3 No. 2 (2026): September
Publisher : KAMPUS AKADEMIK PUBLISING

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61722/jirs.v3i2.12053

Abstract

The development of modest wear trends in Indonesia is currently still dominated by modern global motifs that tend to be uniform, necessitating design innovations capable of exclusively representing the values of local cultural arts. This creative research aims to describe the design process, product realization, and presentation techniques of a Muslim family festive wear collection inspired by the visual assertiveness characteristics of the Jaranan Turonggo Yakso Dance from Trenggalek Regency. The method employed in this artistic creation is the Practice-Led Research approach, which encompasses four operational stages, namely: (1) exploration or pre-design of the idea concept, (2) visual draft design of the collection, (3) sewing product realization, and (4) presentation or dissemination of the works. The results of this creative research are a three-piece premium collection intended for a family target market (adult male, adult female, and young boy), utilizing a harmonious palette of emerald green, ivory, and black. The expressive character of the dance's whip strokes is transformed into decorative details using structural cording textile manipulation techniques, combined with asymmetrical hanging overskirt panels and rhythmic teardrop sequin accents. The final stage of work presentation was conducted through product dissemination at the Grand Jury Event and the Annual Fashion Show "MADJADHIKARA" 2025 as a means of commercialization and preservation of traditional culture through modern fashion products.
Co-Authors Adani, Marsha Belinda Afifah, Nadia Tsany Agus Wiyono Ahmad Ajib Ridlwan Aissyah Febi Alamanda Hurrin Albrian Fiky Prakoso Alfitrah, Fauzan Aliya Putri, Shofi Anshari, Bima Awanda Alisa Fitriyah Ayunda Salsadilla Azifah, Ni'matul Aziza, Mar'atul Berlian Puput Novera Berlian Puteri Maharani Bilqis, Jihan Bima Anshari Colodia, Sindi Dafira``, Rana Alya Damayanti, Ailsa Dinano Vianingrum Dinda Marthania Putri Mulyono Dyantina, Nahilla Engki Edi Saputra Fadia Rohmah Putri Faizah Nurhaliza Fajarani Erliana Fatmawati Fema Laila Aziziah Ferita Dwi Evayanti Fianty, Nesty Ayu Frizkita Putri Amanda Ghefira Azizah Nur Gladis Gandini Habiba, Latifa Eka Almira Hana Aulia Karimah Haryati, Jasmine Heru Arizal Iis Suwaidah Ika Prastiana Rahmawati Indarti Indarti Indarti Indarti Indarti Indarti Inty Nahari Inty Nahari Irma Russanti Isna Yuniarti Shalehah Kaffa, Fissilmi Kamaluzzaman, Hani Karellina, Stefani Cinthia Kuncoro, Argi Dwi Kusuma, Karina Septia Lutfiyah Hidayati Lutfiyah Hidayati Ma'rifatun Nashikhah Maratus Sholichah Marniati Marniati Marniati Marniati Marniati Marniati Marniati Marniati, Marniati Maya Dewi Puspita Sari Maylani, Rima Ma’rifatun Nashikhah Ma’rifatun Nashikhah Ma’rifatun Nashikhah Mein Kharnolis MEIN KHARNOLIS Mein Kharnolis Miarsih, Ayu Mien Kharnolis MITA YUNIATI Mita Yuniati Mustika Rahmawati Nadya Clarissa Adisti Nahary, Inty Nararya, Amisarah Jalasena Dwi Nashikhah, Ma'rifatun Nashikhah, Ma’rifatun Ningrum, Febrianita Yulia Ningrum, Putri Setia Nofita Sari Nurhaliza, Faizah Peppy Mayasari Peppy Mayasari, Peppy Pradani, Nikenia Vindy Prayata, Shafira Prayogo, Aji Catur Putri, Shendy Mutiara Anjani qurrota aini Rahayu, Imami Arum Tri Rahmawati, Efi Risma Fajiyah Risma Juliarus Vidia Sari Risna Taftiyana Dewi Rizdana Galih Pambudi Rohmatul Ummah Saputra, Catur Surya Sarah Merita Aristianti Sayidatul Istighfarini Sefirlia Sari, Dynis Nova Setyarizqi, Lutfia Qotrunnada Shofi Aliya Putri Sholekah, Andawiyah Fatikhatus Sholekah, Andawiyah Putri Fatikhatus Siti Muthiatus Sholichah Stefani Cinthia Karellina Talisa Fasya Laksita Putri Thalib, Safira Valentina TR, Imami Tri Rahayu, Imami Arum Umami, Septya Tri Wahyu Laily, Prasidya Yulianti Puspa Rini Yulistiana Yulistiana Yuma, Shabrina Yasinta Zahra Yuniati, Mita Yunus Yunus Yunus Zahrotun Naila Hasanah