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Creation of Batik Patterns on Scarves Inspired by the Remo Dance of East Java Maya Dewi Puspita Sari; Deny Arifiana
JURNAL ILMIAH RESEARCH STUDENT Vol. 3 No. 2 (2026): September
Publisher : KAMPUS AKADEMIK PUBLISING

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61722/jirs.v3i2.12171

Abstract

This study is a creative research project explaining the development of batik motifs and the design of batik scarves, presenting the final motifs, and describing the presentation of the scarves, all inspired by the Remo dance of East Java. The approach used is Practice-Led Research, comprising exploration, design, creation, and presentation. The exploration stage covered conceptualization, technical exploration, and material exploration. The design stage involved developing 10 alternative designs through stylized sketches and motif combinations. The creation stage included drawing the motifs, applying batik designs with a canting, dyeing, rinsing, drying, and sewing the fabric into scarves. The process resulted in three hand-drawn batik scarves Satria Remo 2, Satria Remo 4, and Satria Remo 8 created using stylized techniques. Satria Remo 2 highlights the "gedruk" movement with floral elements symbolizing the earth as the source of life. Satria Remo 4 adapts the silhouette of a dancer's face, marked by arched eyebrows and piercing eyes as symbols of bravery, complemented by a jasmine flower border signifying purity. Satria Remo 8 depicts a dancer's figure with keris and kawung motifs, symbolizing courage, devotion to God, and the balance between humanity and the universe.
PENCIPTAAN BUSANA MUSLIM KASUAL YANG TERINSPIRASI DARI GUO BUTO BONDOWOSO Nofita Sari; Deny Arifiana
JURNAL ILMIAH PENELITIAN MAHASISWA Vol 4 No 5 (2026): Oktober
Publisher : Kampus Akademik Publiser

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61722/jipm.v4i5.2933

Abstract

This study examines the process of creating casual Muslim clothing inspired by Guo Buto Bondowoso as a source of ideas that represent strong, sturdy, and mystical characters through the shape of the buto's face, reliefs, and stone cracks. The purpose of this creative research is to describe: (1) the process of creating clothing, (2) the finished results of the clothing creation, and (3) the presentation of the clothing creation work. The method used is Practice-Led Research according to Hendriyana (2022) with 4 main stages, namely exploration, design, embodiment, and presentation. The results of the study show that the creation process begins with theme exploration through moodboards, exploration of techniques and materials, then produces 10 female designs, 10 male designs, and 10 girls' designs. At the design stage, 3 best designs were selected, namely 1 male design, 1 female design and 1 kids' female design. The embodiment stage includes model measurements, pattern making, fabric cutting, sewing, and finishing the clothing. The results of the creation of the work are casual Muslim clothing with the application of cutting, printing, embroidery, layering, and the use of earthy colors inspired by the visual character of Guo Buto Bondowoso. The fashion work has been presented at the Grand Jury event and the 37th Annual Fashion Show “MADJADIKARA” 2025.
Co-Authors Adani, Marsha Belinda Afifah, Nadia Tsany Agus Wiyono Ahmad Ajib Ridlwan Aissyah Febi Alamanda Hurrin Albrian Fiky Prakoso Alfitrah, Fauzan Aliya Putri, Shofi Anshari, Bima Awanda Alisa Fitriyah Ayunda Salsadilla Azifah, Ni'matul Aziza, Mar'atul Berlian Puput Novera Berlian Puteri Maharani Bilqis, Jihan Bima Anshari Colodia, Sindi Dafira``, Rana Alya Damayanti, Ailsa Dinano Vianingrum Dinda Marthania Putri Mulyono Dyantina, Nahilla Engki Edi Saputra Fadia Rohmah Putri Faizah Nurhaliza Fajarani Erliana Fatmawati Fema Laila Aziziah Ferita Dwi Evayanti Fianty, Nesty Ayu Frizkita Putri Amanda Ghefira Azizah Nur Gladis Gandini Habiba, Latifa Eka Almira Hana Aulia Karimah Haryati, Jasmine Heru Arizal Iis Suwaidah Ika Prastiana Rahmawati Indarti Indarti Indarti Indarti Indarti Indarti Inty Nahari Inty Nahari Irma Russanti Isna Yuniarti Shalehah Kaffa, Fissilmi Kamaluzzaman, Hani Karellina, Stefani Cinthia Kuncoro, Argi Dwi Kusuma, Karina Septia Lutfiyah Hidayati Lutfiyah Hidayati Ma'rifatun Nashikhah Maratus Sholichah Marniati Marniati Marniati Marniati Marniati Marniati Marniati Marniati, Marniati Maya Dewi Puspita Sari Maylani, Rima Ma’rifatun Nashikhah Ma’rifatun Nashikhah Ma’rifatun Nashikhah Mein Kharnolis Mein Kharnolis MEIN KHARNOLIS Miarsih, Ayu Mien Kharnolis Mita Yuniati MITA YUNIATI Mustika Rahmawati Nadya Clarissa Adisti Nahary, Inty Nararya, Amisarah Jalasena Dwi Nashikhah, Ma'rifatun Nashikhah, Ma’rifatun Ningrum, Febrianita Yulia Ningrum, Putri Setia Nofita Sari Nurhaliza, Faizah Peppy Mayasari Peppy Mayasari, Peppy Pradani, Nikenia Vindy Prayata, Shafira Prayogo, Aji Catur Putri, Shendy Mutiara Anjani qurrota aini Rahayu, Imami Arum Tri Rahmawati, Efi Risma Fajiyah Risma Juliarus Vidia Sari Risna Taftiyana Dewi Rizdana Galih Pambudi Rohmatul Ummah Saputra, Catur Surya Sarah Merita Aristianti Sayidatul Istighfarini Sefirlia Sari, Dynis Nova Setyarizqi, Lutfia Qotrunnada Shofi Aliya Putri Sholekah, Andawiyah Fatikhatus Sholekah, Andawiyah Putri Fatikhatus Siti Muthiatus Sholichah Stefani Cinthia Karellina Talisa Fasya Laksita Putri Thalib, Safira Valentina TR, Imami Tri Rahayu, Imami Arum Umami, Septya Tri Wahyu Laily, Prasidya Yulianti Puspa Rini Yulistiana Yulistiana Yuma, Shabrina Yasinta Zahra Yuniati, Mita Yunus Yunus Yunus Zahrotun Naila Hasanah