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Pemanfaatan Metafor Sufi Jemaah Tarekat Majelis Zikir Miftahul Bayan Kabupaten Lombok Tengah Aswandikari, Aswandikari; Sukri, Sukri; Burhanuddin, Burhanuddin; Musaddat, Syaiful; Setiawan, Irma; Al-Faruq, Suhaib; Barmansyah, Muh. Sastrawan
Indonesian Journal of Education and Community Services Vol. 5 No. 2 (2025): Edisi Juli-Desember 2025
Publisher : Indonesian Publication Center

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Abstract

This community service activity aims to enhance the spiritual understanding of the Jamaah Tarekat at Majelis Zikir Miftahul Bayan in Gapura Village, Pujut District, Central Lombok Regency. The activity was conducted on September 14, 2025, at Ponpes Miftahul Bayan, involving approximately 100 participants. Before implementation, coordination was established with the leaders of Tarekat Naksabandiyah to finalize the program’s model, schedule, and venue. The session commenced with opening remarks from the Chairperson of the Universitas Mataram service team and the leader of Tarekat Naksabandiyah. The core activity consisted of lectures preceded by zikir, selawatan, and zikir ngaji. The lectures focused on tasawuf (Sufism) teachings, which are characterized by expressions rich in symbols and metaphors, necessitating specialized interpretation for the jamaah. This is particularly significant given that the Jamaah Tarekat Naksabandiyah possesses a heterogeneous socio-cultural background, comprising farmers, traders, laborers, and the unemployed, alongside generally low levels of formal education. In this context, the lecture via zikir ngaji was delivered through pepaosan, the traditional recitation of lontar (palm-leaf) manuscripts containing tasawuf doctrines. A distinct feature of Sasak Sufi literature is its highly aesthetic and metaphoric linguistic style, which carries profound spiritual depth. Due to the complexity of such language and its inherent sufistic aspects, a competent teacher is required to provide comprehensive explanations to the congregation.
Analysis of terms in the sasak nyunat tradition and their pedagogical implications Ahmad Supriadi Guna Putra; Mahsun Mahsun; Burhanuddin Burhanuddin; Aswandikari Aswandikari; Saharudin Saharudin
Satwika : Kajian Ilmu Budaya dan Perubahan Sosial Vol. 9 No. 2 (2025): October
Publisher : Universitas Muhammadiyah Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22219/satwika.v9i2.42432

Abstract

This study examines the linguistic forms and cultural meanings embedded in the nyunat (circumcision) tradition of the Sasak community from the perspective of anthropological linguistics. It addresses a research gap in which circumcision traditions in Indonesia have mostly been explored from anthropological and health perspectives. The study aims to document, classify, and interpret ritual lexicons as cultural markers that embody identity, social roles, and spiritual values. Through qualitative methods involving observation, interviews, and document analysis, supported by audio–video recordings, the research constructs a taxonomy of ritual lexicons categorized into three semantic domains—berjap ‘getting ready’, begawe ‘holding a celebration’, and perebaq jengkis ‘ending the ceremony’. This taxonomy demonstrates how ritual language organizes cultural knowledge and encodes social order. Theoretically, the study advances the field of anthropological linguistics by showing how ritual lexicons function as systems that preserve and negotiate cultural meaning across generations. Pedagogically, the findings highlight the potential integration of local ritual lexicons into heritage-based education, cultural literacy, and digital storytelling programs to promote linguistic awareness and cultural sustainability.   Penelitian ini mengkaji bentuk-bentuk linguistik dan makna budaya yang tertanam dalam tradisi nyunat (khitan) masyarakat Sasak dari perspektif linguistik antropologi. Kajian ini menanggapi kesenjangan penelitian, di mana tradisi khitan di Indonesia sebagian besar telah diteliti dari sudut pandang antropologis dan kesehatan. Penelitian ini bertujuan untuk mendokumentasikan, mengklasifikasikan, dan menafsirkan leksikon-leksikon ritual sebagai penanda budaya yang merepresentasikan identitas, peran sosial, dan nilai-nilai spiritual. Melalui metode kualitatif yang melibatkan observasi, wawancara, dan analisis dokumen yang didukung oleh rekaman audio–video, penelitian ini membangun taksonomi leksikon ritual yang dikategorikan ke dalam tiga domain semantik, yaitu berjap (‘bersiap’), begawe (‘mengadakan perayaan’), dan perebaq jengkis (‘menutup upacara’). Taksonomi ini menunjukkan bagaimana bahasa ritual mengorganisasi pengetahuan budaya dan mengodekan tatanan sosial. Secara teoretis, penelitian ini memperluas bidang linguistik antropologi dengan menunjukkan bagaimana leksikon ritual berfungsi sebagai sistem yang mempertahankan dan menegosiasikan makna budaya lintas generasi. Secara pedagogis, temuan penelitian ini menyoroti potensi integrasi leksikon ritual lokal ke dalam pendidikan berbasis warisan budaya, literasi budaya, dan program penceritaan digital untuk meningkatkan kesadaran linguistik dan keberlanjutan budaya.
Unveiling cultural values and pedagogical insights through the terminologies of the Sasak Kepaten tradition Saadilah Husni; Mahsun Mahsun; Burhanudin Burhanudin; Aswandikari Aswandikari; Saharudin Saharudin
Satwika : Kajian Ilmu Budaya dan Perubahan Sosial Vol. 9 No. 2 (2025): October
Publisher : Universitas Muhammadiyah Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22219/satwika.v9i2.42529

Abstract

This study explores the ritual language system in the kepaten tradition of the Sasak community from the perspective of anthropological linguistics. It aims to identify the linguistic forms, cultural meanings, and value systems embedded in death ritual expressions. Language in this context is viewed not merely as a communicative tool but as a symbolic mechanism that structures social, spiritual, and moral behavior. Employing a qualitative–descriptive method through observation, interviews, and documentation, the research collected ritual lexicons analyzed using HBB, HBS, and HBSP techniques to construct taxonomies and semantic domains across three main stages: nyiepan ‘pre-burial’, nguburan ‘burial’, and suwahan ‘post-burial’. The findings reveal that each linguistic form conveys not only lexical meaning but also a triadic value system connecting human–human, human–nature, and human–God relationships. These values form the foundation of what this study terms language as moral ecology—a linguistic system that regulates ethical conduct and sustains communal harmony. From a pedagogical standpoint, the kepaten lexicons provide culturally grounded learning materials that can nurture solidarity, spirituality, and ecological care in character education. Overall, the study enriches anthropological linguistics by positioning ritual discourse as both a moral–ecological practice and a model for heritage-based pedagogy rooted in Sasak cultural wisdom.   Penelitian ini mengkaji sistem bahasa ritual dalam tradisi kepaten masyarakat Sasak melalui perspektif linguistik antropologis. Tujuannya adalah untuk mengidentifikasi bentuk-bentuk lingual, makna budaya, dan sistem nilai yang terkandung dalam tuturan ritual kematian. Bahasa dalam konteks ini tidak dipandang semata sebagai alat komunikasi, melainkan sebagai mekanisme simbolik yang menstrukturkan perilaku sosial, spiritual, dan moral masyarakat. Dengan menggunakan metode kualitatif-deskriptif melalui observasi, wawancara, dan dokumentasi, penelitian ini menghimpun leksikon ritual yang dianalisis menggunakan teknik HBB, HBS, dan HBSP untuk membangun taksonomi dan domain semantik pada tiga tahap utama: nyiepan ‘pra-pemakaman’, nguburan ‘pemakaman’, dan suwahan ‘pasca-pemakaman’. Temuan penelitian menunjukkan bahwa setiap bentuk lingual tidak hanya memuat makna leksikal, tetapi juga merepresentasikan sistem nilai triadik yang menghubungkan relasi manusia dengan sesama, manusia dengan alam, dan manusia dengan Tuhan. Nilai-nilai ini menjadi dasar dari konsep bahasa sebagai ekologi moral (language as moral ecology), yaitu sistem linguistik yang menata perilaku etis dan menjaga keharmonisan sosial. Dari sudut pandang pedagogis, leksikon kepaten dapat dijadikan sumber pembelajaran berbasis budaya yang menumbuhkan solidaritas, religiusitas, dan kepedulian ekologis dalam pendidikan karakter. Secara keseluruhan, penelitian ini memperkaya kajian linguistik antropologis dengan menempatkan wacana ritual sebagai praktik moral-ekologis sekaligus model pedagogi berbasis kearifan lokal masyarakat Sasak.
Sosialisasi Penentuan Alternatif Solusi untuk Peningkatan Mutu Pembelajaran Bagi Guru SD di Kabupaten Lombok Utara Burhanuddin, Burhanuddin; Mahsun; Aswandikari; Sukri; Irma Setiawan; Syaiful Musaddat; syarifuddin
Indonesian Journal of Education and Community Services Vol. 4 No. 2 (2024): Edisi Juli-Desember 2024
Publisher : Indonesian Publication Center

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Abstract

This community service (abdimas) activity aims to introduce ways to find problems and alternative learning solutions in an appropriate and innovative manner that is in accordance with the empirical learning problems faced by elementary school (SD) teachers in North Lombok Regency (KLU). This is based on the fact that the majority of teachers who take part in the Teacher Professional Education Program (PPG) at Mataram University (Unram) have not been able to find real learning problems. In fact, these teachers have not been able to differentiate the type of problem that arises, whether it is part of the task that must be solved or the task of another party. Methodologically, each stage of the activity carried out to overcome this problem is coordination, communication, presentation and discussion. The results of activities with 30 KLU elementary school teachers as participants in the socialization show what was implied. In relation to this, the Abdimas Team put forward a learning problem discovery strategy carried out in stages: reflection, determining the type of problem, and problem analysis. The strategy for determining alternative solutions has stages: reflecting on causal factors, asking colleagues, asking educational experts, and searching the literature. Each stage can be carried out in stages and in stages that are systemic in nature.
METAFORA PEREMPUAN DALAM NOVEL JATISWARA KARYA LALU AGUS FATHURRAHMAN: Marlina; Saharudin; Aswandikari
SEBASA Jurnal Pendidikan Bahasa dan Sastra Vol 9 No 1 (2026): SeBaSa
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/sbs.v9i1.33219

Abstract

This study, entitled Metaphors of Women in the Novel Jatiswara by Lalu Agus Fathurrahman, is based on the view that literature serves as both a cultural reflection and a medium for constructing values, including the representation of women. Jatiswara was selected because it presents rich symbolizations of women within the cultural context of the Sasak community. The purpose of this research is to describe the forms of women’s metaphors and to reveal the representation of Sasak women’s feminism in the text. The study employs a qualitative method using Lakoff and Johnson’s conceptual metaphor theory and the feminist concepts of the good woman and the new woman. The findings indicate three main categories of women’s metaphors: structural, ontological, and orientational. The representation of Sasak women’s feminism demonstrates ambivalence—women are portrayed as good women, who are noble and moral guardians, and as new women, who are critical, independent, and progressive). This research contributes to the development of conceptual metaphor studies and local feminism within Indonesian literary scholarship.
KONFLIK EKOLOGIS DAN RESISTENSI BUDAYA LOKAL DALAM NOVEL MATA DI TANAH MELUS KARYA OKKY MADASARI Nurul Islamiyah; Aswandikari; Johan Mahyudi; Ahmad Sirulhaq; Saharudin
SEBASA Jurnal Pendidikan Bahasa dan Sastra Vol 9 No 1 (2026): SeBaSa
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/sbs.v9i1.33433

Abstract

Issues of environmental degradation and the marginalization of local cultures have become increasingly prominent in contemporary Indonesian literature as a response to the exploitation of natural resources and the penetration of modernity that threaten the sustainability of indigenous communities. Okky Madasari’s novel Mata di Tanah Melus strongly represents the complex relationship between humans, nature, and the culture of the Melus community in Belu, East Nusa Tenggara, within the context of ecological conflict. This study aims to describe the forms of ecological conflict and local cultural resistance represented in the novel by applying Greg Garrard’s ecocriticism framework, particularly the concepts of wilderness, apocalypse, dwelling, and pastoral. The research employs a descriptive qualitative method using content analysis of the novel. The findings reveal that ecological conflict is portrayed through forest destruction, disputes over ancestral land, the exploitation of Mount Lakaan, and violence against nonhuman beings, reflecting both ecological and cultural crises. Meanwhile, local cultural resistance is manifested in harmonious living practices with nature, the preservation of traditional rituals, respect for sacred landscapes and animals, and efforts to defend living space from capitalist expansion. These findings affirm that the novel not only presents a narrative of ecological conflict but also offers a critique of modern anthropocentric paradigms and positions local wisdom as a foundation for sustainable ecological ethics.
NILAI-NILAI BUDAYA TRADISI LISAN DALAM PERTUNJUKAN JIKI HADARA PADA PERNIKAHAN MASYARAKAT BIMA: KAJIAN ANTROPOLOGI LINGUISTIK Bawazzir, Muh. Sha'ad; Mahyudi, Johan; Aswandikari, Aswandikari
El-Tsaqafah : Jurnal Jurusan PBA Vol. 22 No. 2 (2023): Desember 2023
Publisher : Universitas Islam Negeri Mataram

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20414/tsaqafah.v22i2.9325

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This research is a qualitative description research that produces descriptions in from written or spoken words of the people and the observer behavior. This study aims to describe the form of performance, indexicality, and participation. Oral traditional cultur values and inheritance systems in the Jiki Hadara performance, indexicality, and inheritance systems in the Jiki Hadara performance at the wedding of the Bima people with a linguistic anthropological perspective. The theory used in this study is the theory of linguistic anthropology from Duranti. The data collection was carried out using the observation method, the proficient method, and the transcription method. Data analysis using qualitative methods consisting of data reduction, data presentation and drawing conclusions. The result of this study indicate that the Jiki Hadara performance at the wedding of the Bima community in the Tumpu Village, Bolo sub-district,has forms of performance, indexicality, and participation. Besides that, there are also traditional values in this research as well as an inheritance system that can provide an understanding in maintaining a traditional culture. This research is expected to be material for discussion for all groups, especially for cultural and scientific activists, especially in the field of linguistic anthropology.
Gaya Bahasa Personifikasi Dalam Lirik Lagu Karya Grup Band Seringai Andini, Baiq Niki Destari; Mahyudi, Johan; Aswandikari, Aswandikari
JURNALISTRENDI : JURNAL LINGUISTIK, SASTRA, DAN PENDIDIKAN Vol 8 No 2 (2023)
Publisher : Universitas Nahdlatul Wathan Mataram

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51673/jurnalistrendi.v8i2.1572

Abstract

Penelitian ini secara umum bertujuan untuk mendeskripsikan bentuk gaya bahasa personifikasi yang terdapat dalam lirik-lirik lagu grup band Seringai. Masalah yang diteliti dalam penelitian ini ialah mengenai bentuk, fungsi, makna, serta kesan imajinatif gaya bahasa personifikasi yang digunakan pada lirik-lirik lagu grup band Seringai. Jenis penelitian yang digunakan dalam ini merupakan jenis penelitian deskriptif kualitatif. Data dalam penelitian ini adalah tuturan yang mengandung gaya bahasa personifikasi pada lirik-lirik lagu grup band Seringai. Sumber data dalam penelitian ini adalah media elektronik (Internet) yang memuat lirik-lirik lagu grup band Seringai dan berupa lagu (Mp3). Metode yang digunakan adalah metode dokumentasi. Analisis data dalam penelitian ini menggunakan pendekatan deskriptif kualitatif. Penyajian hasil dalam penelitian ini menggunakan metode informal. Hasil dari penelitian ini ditemukan sebanyak 29 wujud data personifikasi, data fungsi sebanyak 15 data fungsi memahami suatu hal, mengekspresikan suatu hal 12 data, dan fungsi mengontrol keinginan sebanyak dua data. Makna personifikasi yang dominan digunakan yaitu makna konvensional. Kemudian, wujud data kesan imajinatif yang ditemukan sebanyak 27 data.
Analisis Struktural dan Pragmatis Puisi “Doa” Karya Chairil Anwar Nurul Hadi; Aswandikari Aswandikari; Nuriadi Syaiful; Musadat Musadat; Johan Mahyudi
SENTRI: Jurnal Riset Ilmiah Vol. 4 No. 7 (2025): SENTRI : Jurnal Riset Ilmiah, Juli 2025
Publisher : LPPM Institut Pendidikan Nusantara Global

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55681/sentri.v4i7.4212

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Poetry is a form of literary work rich in meaning, symbolism, and aesthetics. One prominent example that embodies the power of poetic expression is “Doa” (“Prayer”) by Chairil Anwar. This poem not only presents a deeply personal spiritual longing but also reflects the existential anxiety of humanity within its socio-cultural context. This study aims to analyze “Doa” using structural and pragmatic approaches to gain a comprehensive understanding of its meaning and function. The research employs a qualitative method based on literature review, focusing on textual analysis and relevant scholarly sources. Structurally, the poem is composed of simple yet powerful diction, religious imagery, and a style rich in symbolism and emotion. The central theme revolves around the search for the meaning of life and submission to God. Meanwhile, the pragmatic approach reveals how the poem evokes reflective and spiritual effects on its readers, demonstrating its interpretive flexibility across different social and emotional backgrounds. Therefore, “Doa” is a poem that is not only aesthetically beautiful but also spiritually and socially relevant across generations.