Article Per Year (5 Year)
p-Index From 2021 - 2026
5.863
P-Index
This Author published in this journals
All Journal Jurnal Humanitas: Katalisator Perubahan dan Inovator Pendidikan Cetta: Jurnal Ilmu Pendidikan El-Tsaqafah: Jurnal Jurusan PBA Jurnal Ilmiah Mandala Education (JIME) Satwika : Kajian Ilmu Budaya dan Perubahan Sosial Fajar Historia: Jurnal Ilmu Sejarah dan Pendidikan SeBaSa: Jurnal Pendidikan Bahasa dan Sastra Indonesia Jurnal Ilmiah Profesi Pendidikan Budapest International Research and Critics Institute-Journal (BIRCI-Journal): Humanities and Social Sciences Jurnal Cahaya Mandalika Teaching and Learning Journal of Mandalika (Teacher) Indonesian Journal of Innovation Studies Diskursus: Jurnal Pendidikan Bahasa Indonesia SENTRI: Jurnal Riset Ilmiah Alinea: Jurnal Bahasa, Sastra, dan Pengajaran Jurnal Pepadu Jurnal Pendidikan dan Pengabdian Masyarakat JBSI: Jurnal Bahasa dan Sastra Indonesia Kopula: Jurnal Bahasa, Sastra, dan Pendidikan Pendidikan Bahasa dan Sastra Jurnalistrendi: Jurnal Linguistik, Sastra dan Pendidikan Indonesian Journal of Education and Community Services EL TSAQAFAH
S, Aswandikari
Universitas Mataram
Religion Aerospace Engineering Agriculture, Biological Sciences & Forestry Arts Humanities Civil Engineering, Building, Construction & Architecture Computer Science & IT Economics, Econometrics & Finance Education Engineering Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Mathematics Social Sciences Other

Published : 39 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 39 Documents
Search

 1   2   3   4 
METAFORA PEREMPUAN DALAM NOVEL JATISWARA KARYA LALU AGUS FATHURRAHMAN: Marlina; Saharudin; Aswandikari
SEBASA Jurnal Pendidikan Bahasa dan Sastra Vol 9 No 1 (2026): SeBaSa
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/sbs.v9i1.33219

Abstract

This study, entitled Metaphors of Women in the Novel Jatiswara by Lalu Agus Fathurrahman, is based on the view that literature serves as both a cultural reflection and a medium for constructing values, including the representation of women. Jatiswara was selected because it presents rich symbolizations of women within the cultural context of the Sasak community. The purpose of this research is to describe the forms of women’s metaphors and to reveal the representation of Sasak women’s feminism in the text. The study employs a qualitative method using Lakoff and Johnson’s conceptual metaphor theory and the feminist concepts of the good woman and the new woman. The findings indicate three main categories of women’s metaphors: structural, ontological, and orientational. The representation of Sasak women’s feminism demonstrates ambivalence—women are portrayed as good women, who are noble and moral guardians, and as new women, who are critical, independent, and progressive). This research contributes to the development of conceptual metaphor studies and local feminism within Indonesian literary scholarship.
KONFLIK EKOLOGIS DAN RESISTENSI BUDAYA LOKAL DALAM NOVEL MATA DI TANAH MELUS KARYA OKKY MADASARI Nurul Islamiyah; Aswandikari; Johan Mahyudi; Ahmad Sirulhaq; Saharudin
SEBASA Jurnal Pendidikan Bahasa dan Sastra Vol 9 No 1 (2026): SeBaSa
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/sbs.v9i1.33433

Abstract

Issues of environmental degradation and the marginalization of local cultures have become increasingly prominent in contemporary Indonesian literature as a response to the exploitation of natural resources and the penetration of modernity that threaten the sustainability of indigenous communities. Okky Madasari’s novel Mata di Tanah Melus strongly represents the complex relationship between humans, nature, and the culture of the Melus community in Belu, East Nusa Tenggara, within the context of ecological conflict. This study aims to describe the forms of ecological conflict and local cultural resistance represented in the novel by applying Greg Garrard’s ecocriticism framework, particularly the concepts of wilderness, apocalypse, dwelling, and pastoral. The research employs a descriptive qualitative method using content analysis of the novel. The findings reveal that ecological conflict is portrayed through forest destruction, disputes over ancestral land, the exploitation of Mount Lakaan, and violence against nonhuman beings, reflecting both ecological and cultural crises. Meanwhile, local cultural resistance is manifested in harmonious living practices with nature, the preservation of traditional rituals, respect for sacred landscapes and animals, and efforts to defend living space from capitalist expansion. These findings affirm that the novel not only presents a narrative of ecological conflict but also offers a critique of modern anthropocentric paradigms and positions local wisdom as a foundation for sustainable ecological ethics.
Analisis Struktural dan Pragmatis Puisi “Doa” Karya Chairil Anwar Nurul Hadi; Aswandikari Aswandikari; Nuriadi Syaiful; Musadat Musadat; Johan Mahyudi
SENTRI: Jurnal Riset Ilmiah Vol. 4 No. 7 (2025): SENTRI : Jurnal Riset Ilmiah, Juli 2025
Publisher : LPPM Institut Pendidikan Nusantara Global

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55681/sentri.v4i7.4212

Abstract

Poetry is a form of literary work rich in meaning, symbolism, and aesthetics. One prominent example that embodies the power of poetic expression is “Doa” (“Prayer”) by Chairil Anwar. This poem not only presents a deeply personal spiritual longing but also reflects the existential anxiety of humanity within its socio-cultural context. This study aims to analyze “Doa” using structural and pragmatic approaches to gain a comprehensive understanding of its meaning and function. The research employs a qualitative method based on literature review, focusing on textual analysis and relevant scholarly sources. Structurally, the poem is composed of simple yet powerful diction, religious imagery, and a style rich in symbolism and emotion. The central theme revolves around the search for the meaning of life and submission to God. Meanwhile, the pragmatic approach reveals how the poem evokes reflective and spiritual effects on its readers, demonstrating its interpretive flexibility across different social and emotional backgrounds. Therefore, “Doa” is a poem that is not only aesthetically beautiful but also spiritually and socially relevant across generations.
Transcendence In Sasak Tarekat Literature: A Stylistic Analysis Aswandikari Aswandikari; Sukri Sukri; Burhanuddin Burhanuddin; Syaiful Musaddat; Suhaib Al Faruq; Muhammad Sastrawan Barmansyah
Alinea: Jurnal Bahasa, Sastra dan Pengajaran Vol. 6 No. 2 (2026): Alinea: Jurnal Bahasa, Sastra, dan Pengajaran
Publisher : Bale Literasi: Lembaga Riset, Pelatihan & Edukasi, Sosial, Publikasi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58218/alinea.v6i2.2662

Abstract

This research is important to conduct because (1) "pupuh tembang Sasak" is one of the readings of the congregation of the Sasak tarekat assembly in Lombok; (2) "pupuh tembang Sasak" uses many expressions and teaches Sufism so that it is difficult to understand; (3) the Sasak community tends to learn at the inner level. Because, the use of symbols, metaphors, allegories is dominant. This research aims to explain the types and meanings of the language styles used so that the congregation can understand the meaning contained in "pupuh tembang Sasak". Methodologically, this research uses a hermeneutic approach for data analysis and data collection using library methods. There are several forms of expressions used in pupuh tembang Sasak, namely symbolism, metaphor, and allegory. The use of these three types of expressions is in accordance with the characteristics of the congregation of the tarekat which prioritizes inner experience. Expressions in "pupuh tarekat Sasak" use animal names, regional names, natural names, and names of trees and fruits. The use of these expressions through names carries moral and spiritual meanings, including repentance, asceticism, poverty, patience, gratitude, approval, self-awareness, optimism, fear, and longing. Given this, a figure capable of transmitting the expression "pupuh tarekat Sasak" to the Sasak congregation is needed.
NILAI-NILAI BUDAYA TRADISI LISAN DALAM PERTUNJUKAN JIKI HADARA PADA PERNIKAHAN MASYARAKAT BIMA: KAJIAN ANTROPOLOGI LINGUISTIK Muh. Sha'ad Bawazzir; Johan Mahyudi; Aswandikari Aswandikari
El-Tsaqafah : Jurnal Jurusan PBA Vol. 22 No. 2 (2023): Desember 2023
Publisher : Universitas Islam Negeri Mataram

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20414/tsaqafah.v22i2.9325

Abstract

This research is a qualitative description research that produces descriptions in from written or spoken words of the people and the observer behavior. This study aims to describe the form of performance, indexicality, and participation. Oral traditional cultur values and inheritance systems in the Jiki Hadara performance, indexicality, and inheritance systems in the Jiki Hadara performance at the wedding of the Bima people with a linguistic anthropological perspective. The theory used in this study is the theory of linguistic anthropology from Duranti. The data collection was carried out using the observation method, the proficient method, and the transcription method. Data analysis using qualitative methods consisting of data reduction, data presentation and drawing conclusions. The result of this study indicate that the Jiki Hadara performance at the wedding of the Bima community in the Tumpu Village, Bolo sub-district,has forms of performance, indexicality, and participation. Besides that, there are also traditional values in this research as well as an inheritance system that can provide an understanding in maintaining a traditional culture. This research is expected to be material for discussion for all groups, especially for cultural and scientific activists, especially in the field of linguistic anthropology.
Gaya Bahasa Personifikasi Dalam Lirik Lagu Karya Grup Band Seringai Baiq Niki Destari Andini; Johan Mahyudi; Aswandikari Aswandikari
JURNALISTRENDI : JURNAL LINGUISTIK, SASTRA, DAN PENDIDIKAN Vol 8 No 2 (2023)
Publisher : Universitas Nahdlatul Wathan Mataram

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51673/jurnalistrendi.v8i2.1572

Abstract

Penelitian ini secara umum bertujuan untuk mendeskripsikan bentuk gaya bahasa personifikasi yang terdapat dalam lirik-lirik lagu grup band Seringai. Masalah yang diteliti dalam penelitian ini ialah mengenai bentuk, fungsi, makna, serta kesan imajinatif gaya bahasa personifikasi yang digunakan pada lirik-lirik lagu grup band Seringai. Jenis penelitian yang digunakan dalam ini merupakan jenis penelitian deskriptif kualitatif. Data dalam penelitian ini adalah tuturan yang mengandung gaya bahasa personifikasi pada lirik-lirik lagu grup band Seringai. Sumber data dalam penelitian ini adalah media elektronik (Internet) yang memuat lirik-lirik lagu grup band Seringai dan berupa lagu (Mp3). Metode yang digunakan adalah metode dokumentasi. Analisis data dalam penelitian ini menggunakan pendekatan deskriptif kualitatif. Penyajian hasil dalam penelitian ini menggunakan metode informal. Hasil dari penelitian ini ditemukan sebanyak 29 wujud data personifikasi, data fungsi sebanyak 15 data fungsi memahami suatu hal, mengekspresikan suatu hal 12 data, dan fungsi mengontrol keinginan sebanyak dua data. Makna personifikasi yang dominan digunakan yaitu makna konvensional. Kemudian, wujud data kesan imajinatif yang ditemukan sebanyak 27 data.
NILAI-NILAI BUDAYA TRADISI LISAN DALAM PERTUNJUKAN JIKI HADARA PADA PERNIKAHAN MASYARAKAT BIMA: KAJIAN ANTROPOLOGI LINGUISTIK Muh. Sha'ad Bawazzir; Johan Mahyudi; Aswandikari Aswandikari
El-Tsaqafah : Jurnal Jurusan PBA Vol. 22 No. 2 (2023): Desember 2023
Publisher : Universitas Islam Negeri Mataram

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20414/tsaqafah.v22i2.9325

Abstract

This research is a qualitative description research that produces descriptions in from written or spoken words of the people and the observer behavior. This study aims to describe the form of performance, indexicality, and participation. Oral traditional cultur values and inheritance systems in the Jiki Hadara performance, indexicality, and inheritance systems in the Jiki Hadara performance at the wedding of the Bima people with a linguistic anthropological perspective. The theory used in this study is the theory of linguistic anthropology from Duranti. The data collection was carried out using the observation method, the proficient method, and the transcription method. Data analysis using qualitative methods consisting of data reduction, data presentation and drawing conclusions. The result of this study indicate that the Jiki Hadara performance at the wedding of the Bima community in the Tumpu Village, Bolo sub-district,has forms of performance, indexicality, and participation. Besides that, there are also traditional values in this research as well as an inheritance system that can provide an understanding in maintaining a traditional culture. This research is expected to be material for discussion for all groups, especially for cultural and scientific activists, especially in the field of linguistic anthropology.
IMPLEMENTASI KURIKULUM MERDEKA BELAJAR DALAM PEMBELAJARAN BAHASA INDONESIA BERBASIS KEARIFAN LOKAL Muhammad Baidhawi; Aswandikari Aswandikari; Burhanuddin Burhanuddin
El-Tsaqafah : Jurnal Jurusan PBA Vol. 23 No. 2 (2024): Oktober 2024
Publisher : Universitas Islam Negeri Mataram

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20414/tsaqafah.v23i2.11712

Abstract

This study aims to identify and analyze the implementation of the Independent Curriculum (Kurikulum Merdeka) from the aspects of planning, execution, and evaluation in Indonesian language learning based on local wisdom, as applied at SMP Negeri 1 Bayan. A qualitative approach was used in this research. Data collection techniques involved direct observation, analyzed using the interactive model of Miles and Huberman. The results indicate that the planning stage has been executed very well, meeting the criteria outlined in six indicators on the observation instrument for planning. The planning activities carried out by teachers include the preparation of teaching modules, Learning Outcomes (Capaian Pembelajaran or CP), formulation of Learning Objectives (Tujuan Pembelajaran or TP), development of the Learning Objectives Flow (Alur Tujuan Pembelajaran or ATP), and design of instructional steps, learning media, and assessment tools for student learning. At the implementation stage, the curriculum was also executed very well, meeting the criteria outlined in twenty-nine indicators in the observation instrument for implementation. In this regard, the form of curriculum implementation in Indonesian language learning involved the teacher delivering instruction based on the prepared Indonesian language module, specifically a letter-text module designed in the planning phase. At the evaluation stage, the curriculum implementation was carried out very effectively, meeting the criteria in the observation instrument for evaluation, which includes diagnostic evaluation, formative assessment, and summative assessment.
Interpretasi Makna Peranti dalam Tradisi Besentulak di Dusun Sedau Barat, Lombok Tengah: Kajian Semiotika Roland Barthes: Interpretation of the Meaning of Devices in the Besentulak Tradition in West Sedau Village, Central Lombok: A Semiotic Study by Roland Barthes Hirwan Jayadi; Saharudin Saharudin; M. Syahrul Qodri; Aswandikari Aswandikari
JBSI: Jurnal Bahasa dan Sastra Indonesia Vol. 6 No. 01 (2026): Artikel Riset Periode Mei 2026
Publisher : Information Technology and Science(ITScience)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47709/jbsi.v6i01.8401

Abstract

This study examines diverse public perceptions of the Besentulak tradition in West Sedau Hamlet, stemming from a lack of philosophical understanding of the ritual instruments used. This absence of a complete meaning has implications for the emergence of diverse, even contradictory, interpretations within the community. Using Roland Barthes's semiotic approach, which includes analysis at the levels of denotation, connotation, and myth, this qualitative study aims to dissect the meanings of eleven ritual instruments positioned as the main lexia within the tradition's structure. Data collection was conducted through participant observation and in-depth interviews with traditional leaders and kiai, who serve as representatives of cultural and religious authority. The results of the study indicate that the ritual instruments in Besentulak function not merely as material objects, but as a system of signification capable of transforming physical objects into symbolic texts loaded with the ideology of salvation. At the connotative level, these instruments represent the values of monotheism, cosmic harmony, and total submission to Allah SWT. The conclusion of this study confirms that the besentulak devices serve as a cultural defense mechanism and an acculturation strategy for the Sasak people as they navigate social dynamics. The scientific contribution of this research lies in mapping meaning at the micro level, thereby strengthening the spiritual integrity of the tradition. However, this research is limited by its single geographic scope, so cross-regional comparative studies are needed to enrich future findings.
Co-Authors Abdul Rasyad Ahmad Sirulhaq Ahmad Supriadi Guna Putra Al-Faruq, Suhaib Amanad Shabil Apitalia, Sri Ashriany, Ratna Yulida Baidhawi, Muhammad Baiq Niki Destari Andini Barmansyah, Muh. Sastrawan Bawazzir, Muh. Sha'ad Burhanuddin Burhanuddin Burhanuddin Burhanuddin Burhanudin Burhanudin Burhanudin Dea Fitri Indriani Efendi, Mahmudi Fazlina, Sri Ayu Hasanuddin Chaer Hirwan Jayadi I Nyoman Suarka I Nyoman Weda Kesuma Ida Bagus Rai Putra Irma Setiawan, Irma Ismawati, Ismawati Jafar, Syamsinas Johan Mahyudi Johan Mahyudi, Johan juliadi, juliadi Jurnal Pepadu Kaharuddin Kaharuddin khairussibyan khairussibyan Khairussibyan, Muh. Lalu Kusnendar Atmanegara M. Syahrul Qodri Mahmudi Efendi Mahsun Mahsun Mahsun Mahsun Mahsun, Mahsun Mahsun Mahyudi, Johan Mari'i Mari'i Marjannah, Marjannah Marlina Muh. Sha'ad Bawazzir Muh. Syahrul Qodri Muh. Yusron Ridyasmara Muhaimin, Ahmad Helmi Muhammad Baidhawi Muhammad Sastrawan Barmansyah Muhammad Sukri Murahim Murahim Musadat Musadat Musaddat, Syaiful Nasaruddin Ali Nasaruddin M. Ali Nuriadi Syaiful Nurul Hadi Nurul Islamiyah Nurul Mutmainnah, Nurul Opi Putri Andiyanti Pebriyanti, Baiq Sartika Rahmat Hidayat Saadilah Husni Saharudin Saharudin Saharudin Saharudin Saharudin Saharudin Sapiin Sapiin Satya Wirayudha Suhaib Al Faruq Sukri sukri Sukri, sukri Suyanu Suyanu Syahbuddin Syahbuddin Syamsinas Jafar Syarifuddin Tamaulina Br Sembiring Yunia Sari Zulkarnaen Zulkarnaen