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All Journal International Journal of Evaluation and Research in Education (IJERE) Tadris: Jurnal keguruan dan Ilmu Tarbiyah AGASTYA: JURNAL SEJARAH DAN PEMBELAJARANNYA Jurnal Candrasangkala Pendidikan Sejarah Jurnal Sejarah dan Budaya Jurnal Manajemen Pendidikan SWARNADWIPA: Jurnal Kajian Sejarah, Sosial, Budaya, dan Pembelajarannya Jurnal Pendidikan Sejarah Lentera: Jurnal Ilmiah Kependidikan Jurnal Pendidikan Sejarah dan Riset Sosial Humaniora (KAGANGA) Gulawentah:Jurnal Studi Sosial JURNAL EDUCATION AND DEVELOPMENT Acintya Gelar : Jurnal Seni Budaya Greget Jurnal Artefak Jurnal Pendidikan Sejarah Indonesia Suluah Bendang: Jurnal Ilmiah Pengabdian Kepada Masyarakat Historia Madania: Jurnal Ilmu Sejarah Indonesia Berdaya Keraton: Journal of History Education and Culture Buguh: Jurnal Pengabdian Kepada Masyarakat PESAGI (Jurnal Pendidikan dan Penelitian Sejarah) Journal of Social Science Education Tarbiyah Wa Ta'lim: Jurnal Penelitian Pendidikan dan Pembelajaran HISTORIA: Jurnal Program Studi Pendidikan Sejarah Jurnal Pengabdian Sosial Indonesia Riwayat: Educational Journal of History and Humanities Nuwo Abdimas EDUKASI : Jurnal Penelitian dan Artikel Pendidikan
Sumargono
Universitas Lampung
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Journal : Acintya

 1 
Estetika Tari Gambyong Solo Minulya Karya S. Maridi Sumargono, Sumargono
Acintya Vol. 1 No. 1 (2009)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2495.833 KB) | DOI: 10.33153/acy.v1i1.5

Abstract

This writing will disclose and identify the aesthetics of Gambyong Solominulya dance by applying a special attention to the analysis of dance’s elements and the ralations of one element to the others. The notation patterns of the music dance were described in detail so that it was possible to identify the tempo, laya, rhyme, musical tate and the pattern of kendangan mungkus / mlaku. The result is that we know the choreography of Gambyong Solominulya dance has a harmonious impression. This aesthetic analysis was based on the aesthetic concept of Javanese traditional dancing of Surakarta style, both the technique and its taste. The concept covers pacak, pancat,lulut, luwes, ulat, wiled, rhyme and gendhing which are known as hastha sawanda. This writing at least can make a contribution to the aesthetic analysis on dance of Surakarta style and possibly other style.Keyword : Gambyong, aesthetic, gendhing, dance movement, dramatic design
DRAMA TARI ARJUNA WIWAHA KARYA S. MARIDI MAESTRO TARI TRADISI KARATON GAYA SURAKARTA SEBUAH KAJIAN ESTETIK Sumargono, S.,
Acintya Vol. 8 No. 2 (2016)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (699.902 KB) | DOI: 10.33153/acy.v8i2.1943

Abstract

This writting will disclose and identify the aesthetics of Arjuna Wiwaha dance by aplying a special attention to the analysis of dance’s elements and the relations of one element to the others. The notation patterns of the music of the dance were described in detail so that it was posible to identify the tempo,laya,rhythm,musical taste and the pattern of kendangan mungkus. The result is that we know the choreography of Arjuna Wiwaha dance has a harmonious impression. This aesthetic analysis was based on the aesthetic concept of Javanese traditional dancing of Surakarta style,both the techniqueand its taste. The concept covers pacak, pancat, lulut, luwes, ulat,wiled, rhythm and gendhing which are known as hastha sawanda. This writing at least can make a contribution to the aesthetic analysis on dance of Surakarta style and possibly other styles.Keywords: Arjuna Wiwaha, aesthetic, gendhing, dance movement, dramatic design.
Estetika Tari Gambyong Solo Minulya Karya S. Maridi Sumargono, Sumargono
Acintya Vol. 1 No. 1 (2009)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v1i1.5

Abstract

This writing will disclose and identify the aesthetics of Gambyong Solominulya dance by applying a special attention to the analysis of dance’s elements and the ralations of one element to the others. The notation patterns of the music dance were described in detail so that it was possible to identify the tempo, laya, rhyme, musical tate and the pattern of kendangan mungkus / mlaku. The result is that we know the choreography of Gambyong Solominulya dance has a harmonious impression. This aesthetic analysis was based on the aesthetic concept of Javanese traditional dancing of Surakarta style, both the technique and its taste. The concept covers pacak, pancat,lulut, luwes, ulat, wiled, rhyme and gendhing which are known as hastha sawanda. This writing at least can make a contribution to the aesthetic analysis on dance of Surakarta style and possibly other style.Keyword : Gambyong, aesthetic, gendhing, dance movement, dramatic design
DRAMA TARI ARJUNA WIWAHA KARYA S. MARIDI MAESTRO TARI TRADISI KARATON GAYA SURAKARTA SEBUAH KAJIAN ESTETIK Sumargono, S.,
Acintya Vol. 8 No. 2 (2016)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v8i2.1943

Abstract

This writting will disclose and identify the aesthetics of Arjuna Wiwaha dance by aplying a special attention to the analysis of dance’s elements and the relations of one element to the others. The notation patterns of the music of the dance were described in detail so that it was posible to identify the tempo,laya,rhythm,musical taste and the pattern of kendangan mungkus. The result is that we know the choreography of Arjuna Wiwaha dance has a harmonious impression. This aesthetic analysis was based on the aesthetic concept of Javanese traditional dancing of Surakarta style,both the techniqueand its taste. The concept covers pacak, pancat, lulut, luwes, ulat,wiled, rhythm and gendhing which are known as hastha sawanda. This writing at least can make a contribution to the aesthetic analysis on dance of Surakarta style and possibly other styles.Keywords: Arjuna Wiwaha, aesthetic, gendhing, dance movement, dramatic design.
Co-Authors *Yusuf Perdana Abbas, Navil Alfarisi Afwan, Bahtiar Agata Iwan Candra Ali Imron Ali Imron Ambyah Harjanto, Ambyah Amelia, Mega Suci Anak Agung Gede Sugianthara Anisa Septianingrum April Gunarto Aprilia, Anjelita Amanda Ardian Fahri Ariatama, Soni Aris, Muhammad Aswandi, Vany Bimo Bramantio Darmasti, Darmasti Dea Nuci Adelia Desrita Pratiwi Deviana Diana Martha Irawan Dimas Aditia Dwi Susi Anggraini Efendi, Jodi Sofyan Ega Dwi Anggraini Erina Nurhidayah Eva Elista Fachry Abda El Rahman Fahri, Ardian Farida Ariyani Febriana Khoiriyah Fina Kartika Wati Firdayanti, Atika Fradila, Renata Handayani, Risthy Puji Haposan L. H. Sihombing Henri Susanto Henry Susanto Henry Susanto Imroah Laina Retno Mukti Kusuma Intan Permatasari Irma Yuwita Istiqomah Istiqomah Jamhari Jamhari Janah, Laelatul Jovanda, Renaldy Khoiriyah, Febriana khoirunnisa amarina Khomsatun Muchlisoh Ki Catur Budi Kurnia Rahmawati Kusuma, Imroah Laina Retno Mukti L. Lisnawati Lisana Shidqin 'Aliya Lisnawati Lisnawati M. Faris Fakhza Mahasiswa KKN Univeristas Lampung Mardiana, Emi Maringan Simamora Marzius Insani Masdi Masdi Masdi Masdi Maskun Maskun Maskun Miftahuddin Muhammad Adi Saputra Muhammad Basri Muhammad Basri Nisa Istiqomah Novilia Dwipayana Novitasari, Ulfa Nunuk Suryani Nur Indah Lestari Nur Indah Lestari Perdana, *Yusuf Piz Roni Pratama, Rinaldo Adi Pratiwi, Inne Marthyane Purya Lesta Putri Indriyanti Rafif Afriansyah Rayhan Alfarisi Risma Margaretha Sinaga Risma Margaretha Sinaga Riswanti Rini Rizka Sifaul Qolbi Rohmayani, Siti Ronaldo Rizki Dermawan Saputra, M Naruli Sariyatun Sariyatun Setiawan, Johan Setyawati, Juwita Dwi Siska Siska Siti Rohmayani Soemaryatmi Soemaryatmi, Soemaryatmi Sudjati Sudjati Suharji Suharji Sukirman, Sri Ningsih Suparman Arif Suroto Suroto Suroto Suroto Syaiful M. Triaristina, Aprilia Triaristinaa, Aprilia Valency Rachmedita Valensy Rachmedita Valensy Rachmedita Vany Aswandi Vany Aswandi Wahyudi Rahmat Wahyudi, Rizky Wanda Widya Dahari Winda Pitriani Parhamah Yudha Setiawan Yustina Sri Ekwandari Yusuf Perdana Ziddan, Amri Sukroeni