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All Journal International Journal of Evaluation and Research in Education (IJERE) Tadris: Jurnal keguruan dan Ilmu Tarbiyah AGASTYA: JURNAL SEJARAH DAN PEMBELAJARANNYA Jurnal Candrasangkala Pendidikan Sejarah Jurnal Sejarah dan Budaya Jurnal Manajemen Pendidikan SWARNADWIPA: Jurnal Kajian Sejarah, Sosial, Budaya, dan Pembelajarannya Jurnal Pendidikan Sejarah Lentera: Jurnal Ilmiah Kependidikan Jurnal Pendidikan Sejarah dan Riset Sosial Humaniora (KAGANGA) Gulawentah:Jurnal Studi Sosial JURNAL EDUCATION AND DEVELOPMENT Acintya Gelar : Jurnal Seni Budaya Greget Jurnal Artefak Jurnal Pendidikan Sejarah Indonesia Suluah Bendang: Jurnal Ilmiah Pengabdian Kepada Masyarakat Historia Madania: Jurnal Ilmu Sejarah Indonesia Berdaya Keraton: Journal of History Education and Culture Buguh: Jurnal Pengabdian Kepada Masyarakat PESAGI (Jurnal Pendidikan dan Penelitian Sejarah) Journal of Social Science Education Tarbiyah Wa Ta'lim: Jurnal Penelitian Pendidikan dan Pembelajaran HISTORIA: Jurnal Program Studi Pendidikan Sejarah Jurnal Pengabdian Sosial Indonesia Riwayat: Educational Journal of History and Humanities Nuwo Abdimas EDUKASI : Jurnal Penelitian dan Artikel Pendidikan
Sumargono
Universitas Lampung
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Computer Science & IT Economics, Econometrics & Finance Education Engineering Environmental Science Health Professions Languange, Linguistic, Communication & Media Mathematics Medicine & Pharmacology Nursing Public Health Social Sciences Veterinary Other

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PENGARUH VISUALISASI TARI BEDANA TERHADAP PENGUATAN NILAI-NILAI KEARIFAN LOKAL DAN EDUKASI BUDAYA DI PROVINSI LAMPUNG Saputra, M Naruli; Janah, Laelatul; Ziddan, Amri Sukroeni; Sumargono, Sumargono
Greget : Jurnal Kreativitas dan Studi Tari Vol. 23 No. 2 (2024)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Traditional arts, or regional arts, are inherited and passed down from generation to generation in the archipelago, and will experience development from generation to generation. In reality, it is not easy for traditional arts to maintain their existence and are faced with the current of globalization which is currently getting bigger. Bedana dance as a type of traditional Lampung dance is a symbolic embodiment of customs and religion and has become integrated with Lampung society. Bedana dance has lived and developed in the Lampung area along with the arrival of Islam, so it is not surprising that in other regions in Indonesia it has similarities in both variety and movement, which also has the same function, namely Social Dance which has an Islamic spirit. This research aims to see the effect of providing visualization treatment on strengthening local wisdom values ​​and cultural education in the Lampung Province region. This research uses an experimental method with a one group pretest-posttest design. The results of research carried out in the Lampung region show that after being given treatment to the community using Bedana dance visualization, there is a difference in pretest and posttest scores on the value of local wisdom and cultural education in Lampung province with a sig (2-tailed) value of 0.000, which is smaller. compared to the α value, which is 0.05, therefore Ho is rejected, meaning there is an average difference between the pretest score and the posttest score.
PENGARUH VISUALISASI TARI BEDANA TERHADAP PENGUATAN NILAI-NILAI KEARIFAN LOKAL DAN EDUKASI BUDAYA DI PROVINSI LAMPUNG Saputra, M Naruli; Janah, Laelatul; Ziddan, Amri Sukroeni; Sumargono, Sumargono
Greget: Jurnal Kreativitas dan Studi Tari Vol. 23 No. 2 (2024)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/grt.v23i2.2512

Abstract

Traditional arts, or regional arts, are inherited and passed down from generation to generation in the archipelago, and will experience development from generation to generation. In reality, it is not easy for traditional arts to maintain their existence and are faced with the current of globalization which is currently getting bigger. Bedana dance as a type of traditional Lampung dance is a symbolic embodiment of customs and religion and has become integrated with Lampung society. Bedana dance has lived and developed in the Lampung area along with the arrival of Islam, so it is not surprising that in other regions in Indonesia it has similarities in both variety and movement, which also has the same function, namely Social Dance which has an Islamic spirit. This research aims to see the effect of providing visualization treatment on strengthening local wisdom values ​​and cultural education in the Lampung Province region. This research uses an experimental method with a one group pretest-posttest design. The results of research carried out in the Lampung region show that after being given treatment to the community using Bedana dance visualization, there is a difference in pretest and posttest scores on the value of local wisdom and cultural education in Lampung province with a sig (2-tailed) value of 0.000, which is smaller. compared to the α value, which is 0.05, therefore Ho is rejected, meaning there is an average difference between the pretest score and the posttest score.
RAMPAK BARONG PADA PERTUNJUKAN JARANAN PAGUYUBAN TURONGGO SETYO JATI DI KABUPATEN BLITAR Setyawati, Juwita Dwi; Sumargono, Sumargono
Greget: Jurnal Kreativitas dan Studi Tari Vol. 20 No. 1 (2021)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/grt.v20i1.4031

Abstract

Rampak Barong dance, which is in a jaranan performance of Paguyuban Turonggo Setyo Jati in Blitar is a dance that belongs to a folk dance, which is a dance that lives and develops in the local communities with the simplicity of movement, floor patterns, make-up and even costume, because all of that are the characteristics of folk dance. This study aims to reveal the form of the performance and the function of that dance. Rampak Barong dance is very popular among the local community because there are many attractive movements including forward somersaults, interesting foot movements including srimpetan and junjungan. It become more interesting not only because of all kind of movements, but also there is one of main movement called nyaplok. The theoretical basis used to answer the problem of form is Soedarsono's theory in his book entitled “Introduction to Dance Elements and Dance Problems”, and supported by Soedarsono's opinion in his book entitled “Indonesian Performing Arts in Globalization” to describe the functions. The methodology used for this research are nterview, observation, and literature study. This research used descriptive analysis method used to describe the Rampak Barong dance. The results of this researh showed that the form of the dance performance Rampak Barong Paguyuban Turonggo Setyo Jati consists of several dance offerings with several elements of the dance offerings, such as dancers, movement, make-up, music, and performance venues. The function of the Rampak Barong dance as a means of ritual, as personal entertainment and as an aesthetic presentation, namely through ticketing performances or fundraisingKeywords: Form, Function, Rampak Barong, Turonggo Setyo Jati
Co-Authors *Yusuf Perdana Abbas, Navil Alfarisi Afwan, Bahtiar Agata Iwan Candra Ali Imron Ali Imron Ambyah Harjanto, Ambyah Amelia, Mega Suci Anak Agung Gede Sugianthara Anisa Septianingrum April Gunarto Aprilia, Anjelita Amanda Ardian Fahri Ariatama, Soni Aris, Muhammad Aswandi, Vany Bimo Bramantio Darmasti, Darmasti Dea Nuci Adelia Desrita Pratiwi Deviana Diana Martha Irawan Dimas Aditia Dwi Susi Anggraini Efendi, Jodi Sofyan Ega Dwi Anggraini Erina Nurhidayah Eva Elista Fachry Abda El Rahman Fahri, Ardian Farida Ariyani Febriana Khoiriyah Fina Kartika Wati Firdayanti, Atika Fradila, Renata Handayani, Risthy Puji Haposan L. H. Sihombing Henri Susanto Henry Susanto Henry Susanto Imroah Laina Retno Mukti Kusuma Intan Permatasari Irma Yuwita Istiqomah Istiqomah Jamhari Jamhari Janah, Laelatul Jovanda, Renaldy Khoiriyah, Febriana khoirunnisa amarina Khomsatun Muchlisoh Ki Catur Budi Kurnia Rahmawati Kusuma, Imroah Laina Retno Mukti L. Lisnawati Lisana Shidqin 'Aliya Lisnawati Lisnawati M. Faris Fakhza Mahasiswa KKN Univeristas Lampung Mardiana, Emi Maringan Simamora Marzius Insani Masdi Masdi Masdi Masdi Maskun Maskun Maskun Miftahuddin Muhammad Adi Saputra Muhammad Basri Muhammad Basri Nisa Istiqomah Novilia Dwipayana Novitasari, Ulfa Nunuk Suryani Nur Indah Lestari Nur Indah Lestari Perdana, *Yusuf Piz Roni Pratama, Rinaldo Adi Pratiwi, Inne Marthyane Purya Lesta Putri Indriyanti Rafif Afriansyah Rayhan Alfarisi Risma Margaretha Sinaga Risma Margaretha Sinaga Riswanti Rini Rizka Sifaul Qolbi Rohmayani, Siti Ronaldo Rizki Dermawan Saputra, M Naruli Sariyatun Sariyatun Setiawan, Johan Setyawati, Juwita Dwi Siska Siska Siti Rohmayani Soemaryatmi Soemaryatmi, Soemaryatmi Sudjati Sudjati Suharji Suharji Sukirman, Sri Ningsih Suparman Arif Suroto Suroto Suroto Suroto Syaiful M. Triaristina, Aprilia Triaristinaa, Aprilia Valency Rachmedita Valensy Rachmedita Valensy Rachmedita Vany Aswandi Vany Aswandi Wahyudi Rahmat Wahyudi, Rizky Wanda Widya Dahari Winda Pitriani Parhamah Yudha Setiawan Yustina Sri Ekwandari Yusuf Perdana Ziddan, Amri Sukroeni