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AN ANALYSIS OF ILLOCUTIONARY ACTS IN YES, WE CAN SPEECH BY BARACK OBAMA Alreza, Eko Ridho; Natsir, M.; Valiantien, Nita Maya
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 3, No 1 (2019): Januari 2019
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (176.194 KB) | DOI: 10.30872/jbssb.v3i1.1596

Abstract

ABSTRACT Speaking is a form of communication used by human in order to delivering ideas, information, thoughts, and feeling. Speaking is not only about the sound, but also about the meaning and purpose behind the sound. There is a further study about the meaning and purpose of utterance from speaker, which is illocutionary act. The subject of illocutionary acts can be vary since speaking is the nature of human beings. Some people used speaking in bigger purpose, to influence other. Politician is one the profession which needs to influence people by speaking. One of the form to influence people from a politician is by performing a political speech. In 2008, a politician which lately be the 44th President of United States, Barack Obama, performed a primary speech to influence people in his campaign. Obama uttered his vision about America in the future which brings hope to the audiences. This study will focus on Barack Obama’s primary speech in 2008 entitled Yes, we can. The purpose of this study is to see the implication of illocutionary acts by finding the types that implied in the primary speech, and also to discover the dominant type of illocutionary acts on it. By find out the implications of illocutionary acts in the primary speech, people can sort the acts that Obama performed to avoid misunderstanding on the utterances. By discover the dominant type used in this primary speech, this study will try to show the outline of the speech. The result of this study will show the function and purpose of a political speech and to share more knowledge about the type of utterances used in a political speech. Keywords: pragmatics, speech acts, speech, illocutionary acts ABSTRAK Berbicara merupakan bentuk komunikasi yang digunakan manusia guna menyampaikan ide, informasi, pemikiran, dan perasaan. Berbicara tidak hanya mengenai suara, tetapi juga tentang maksud dan tujuan dibalik suara. Terdapat sebuah kajian lebih dalam mengenai maksud dan tujuan dalam sebuah tuturan dari seorang pembicara, yaitu tindak ilokusi. Subjek dari tindak ilokusi terdiri dari beraneka ragam dikarenakan berbicara merupakan sifat alami manusia. Beberapa orang berbicara untuk tujuan yang lebih besar, yaitu untuk mempengaruhi orang lain. Politisi adalah salah satu profesi yang membutuhkan prosesi berbicara guna mempengaruhi orang lain. Salah satu cara untuk mempengaruhi orang-orang dari seorang politisi adalah dengan menyampaikan pidato politik. Pada tahun 2008, seorang politisi yang kemudian menjadi Presiden ke-44 Amerika Serikat, Barack Obama, menyampaikan pidato politik guna mempengaruhi orang-orang dalam kampanyenya. Obama menyampaikan visinya mengenai Amerika di masa depan dimana memberikan banyak harapan kepada para pendengarnya. Kajian ini akan berfokus pada pidato politik Barack Obama yang berjudul Yes, we can. Tujuan dari kajian ini adalah untuk melihat penerapan dari tindak ilokusi dengan cara menemukan tipe-tipe yang diterapkan dalam pidato politiknya, dan juga guna menemukan tipe tindak ilokusi manakah yang paling mendominasi dalam pidato tersebut. Dengan menemukan penerapan-penerapan tindak ilokusi di dalam pidato politik tersebut, orang-orang dapat memilah tindak tutur yang ditampilkan Obama guna mencegah kesalah-pahaman dalam memaknai tuturan. Hasil dari kajian ini akan menunjukkan fungsi dan tujuan dari sebuah pidato politik dan juga untuk berbagi pengetahuan lebih luas tentang tipe tuturan yang digunakan dalam sebuah pidato politik. Kata kunci: pragmatik, tindak tutur, pidato, tindak ilokusi
AN ANALYSIS OF STEREOTYPE IN ZOOTOPIA MOVIE Atillah, Widya; Arifin, M. Bahri; Valiantien, Nita Maya
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 4, No 1 (2020): Januari 2020
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (540.698 KB) | DOI: 10.30872/jbssb.v4i1.2640

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Stereotypes are preconceptions about individuals of group. Stereotypes are the common phenomena that happen in the daily activities of language use where sometimes people do not realize that they are stereotyping others. It is caused by a diversity of issues among the society. People tend to build some general perspectives that include the positive and negative things about a group of people. As a reflection of the real life, movies can also contain the phenomenon of stereotype such as in Zootopia movie. This research is aimed to describe the categories of stereotype and also to analyze the function of stereotype that were performed by several characters in Zootopia movie. This research was conducted by using descriptive method and qualitative approach. Data were taken from movie script in the form of utterances. The results of this research show that there are forty three data which are indicated as stereotyping utterances from eleven characters in Zootopia movie. In addition, the researchers identified six out of eight stereotype categories that have been used in this movie, namely Gender, Race, Physical Features, Occupation and Socioeconomic Status, National Groups and Other Category. Moreover, the researchers identified two stereotype functions in the movie, they are individual function and social or collective function.
THE PORTRAYAL OF HEROISM IN THE ORSON SCOTT CARD’S NOVEL ENDER’S GAME Rosianah, Rosianah; Kuncara, Singgih Daru; Valiantien, Nita Maya
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 2, No 1 (2018): Edisi Januari 2018
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (189.047 KB) | DOI: 10.30872/jbssb.v2i1.876

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ABSTRACT This research discussed about the portrayal of heroism in the Orson Scott Card’s novel Ender's Game, based on Joseph Campbell’s hero’s journey. This research has two objectives, the first is to reveal the journey of Ender to become a hero and the second is to reveal hero traits in Ender’s character that appear during his journey. This study used qualitative approach. The subject of this study is novel by Orson Scott Card entitle Ender’s Game. The data were some sentences and utterances showing the hero’s Journey and hero traits. To obtain trustworthiness, the writer used triangulation technique. The writer found that the hero in his journey passed thirteen stages among seventeen stages of hero’s Journey, namely Call to adventure, Refusal of the call, Supernatural aid, Crossing the first threshold, Belly of the whale, Road of trials, Meeting with the goddess, Atonement with Father, Apotheosis, Ultimate boon, Refusal of the call, Crossing the threshold, Master of the two worlds, and Freedom to live. Three stages were absent, Woman temptress, Magic flight, and Rescue from within. In every phase Ender as the main character showed traits that indicate he is a hero. He showed twelve hero traits, there are; Courage, Virtuosity, Sacrifice, Determination, Focus, Compassion, Perseverance, Dedicate, Honesty, Loyalty, Conviction, and Wisdom. Keywords: hero, hero’s journey, traits  ABSTRAK Penelitian ini membahas tentang penggambaran kepahlawanan dalam novel Ender’s Game karya Orson Scott Card. Terdapat dua objek penelitian, pertama mengungkapkan perjalanan Ender untuk menjadi seorang pahlawan, dan objek kedua mengungkapan ciri-ciri pahlawan yang muncul pada karakter Ender dalam perjalannya . Subjek dalam penelitian ini adalah novel karya Orson Scott Card yang berjudul Ender’s Game. Data dalam penelitian ini adalah kalimat-kalimat dan ucapan yang menunjukkan “hero’s Journey” dan ciri-ciri pahlawan. Untuk mendapatkan kepercayaan, penulis menggunakan teknik triangulasi. Penulis menemukan bahwa Ender sebagai pahlawan dalam perjalanannya melewati tiga belas tahap di antara tujuh belas tahap perjalanan pahlawan, yaitu Call to adventure, Refusal of the call, Supernatural aid, Crossing the first threshold, Belly of the whale, Road of trials, Meeting with the goddess, Atonement with Father, Apotheosis, Ultimate boon, Refusal of the call, Crossing the threshold, Master of the two worlds, and Freedom to live. Terdapat tiga tahap yang tidak muncul dalam novel, yaitu, Woman as temptress, Magic flight, and Rescue from within. Di setiap tahap Ender sebagai karakter utama menunjukkan ciri-ciri yang menunjukkan bahwa dia adalah pahlawan. Dia menunjukkan dua belas ciri-ciri pahlawan, yaitu; Courage, Virtuosity, Sacrifice, Determination, Focus, Compassion, Perseverance, Dedicate, Honesty, Loyalty, Conviction, dan Wisdom. Kata kunci: pahlawan, perjalanan pahlawan, ciri-ciri
THE SELF-ACTUALIZATION OF SARA CREWE IN A LITTLE PRINCESS NOVEL BY FRANCES HODGSON BURNETT Kartina, Ema; Natsir, M.; Valiantien, Nita Maya
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 3, No 3 (2019): Juli 2019
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (224.206 KB) | DOI: 10.30872/jbssb.v3i3.1880

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ABSTRACT The research was conducted to analyze the character of Sara Crewe in A Little Princess novel by Frances Hodgson Burnett. A Little Princess was chosen as the novel in this research because the main character, Sara, was described as a brave and tough young girl who could deal with the difficulties in her lives. The objective of this research was to find out the characteristics of self-actualizing person and the imperfection of self-actualizing person in Sara’s character by Sara’s feeling, behavior, thought and all the factors and events. This research was under a qualitative research and employed literary and psychology approach to get deeper understanding about the main character's characterization. The source of the data was taken from the novel A Little Princess by Frances Hodgson Burnett. Reading the novel carefully and deeply then separating the data by signing and making some notes were the steps in collecting the data. This research used theory of Self-Actualization by Maslow to explain the characteristics of self-actualizing person and the imperfection of self-actualizing in Sara’s character. The result of this research showed that from fifteen characteristics of self-actualizing person by Maslow, Sara has fourteen characteristics in her character while Sara also has the imperfection's characteristics such as stubborn, unexpected ruthless and forget the social politeness. Therefore, the researcher found the characterization of Sara through the aspect of psychological and moral, the narration and the conversations in the story.  ABSTRACT Penelitian ini dilakukan untuk menganalisa karakter Sara Crewe di novel A Little Princess oleh Frances Hudgson Burnett. Novel A Little Princess dipilih di dalam penelitian ini karena Sara sebagai karakter utama menunjukkan sikap berani dan kuat sebagai gadis muda yang dapat menghadapi kesulitan-kesulitan di hidupnya. Tujuan penelitian adalah untuk mengetahui karakteristik dari keaktualisasian diri sesorang dan ketidaksempurnaan dari sesorang yang mengaktualisasi diri yang dilihat dari karakter Sara berdasarkan perasaannya, perilakunya, pemikirannya dan segala factor-faktor dan kejadian-kejadian yang berhubungan dengan analisa tersebut. Penelitian ini adalah penelitian kwalitatifyang menggunakan pendekatan kesusastraan dan psikologi agar mengerti lebih dalam tentang perwatakan dari satu karakter. Sumber data diambil dari novel A Little Princess oleh Frances Hodgson Burnett. Membaca novel dengan perlahan dan mendalam lalu memisahkan data yang bersangkutan dengan menandai dan membuat beberapa catatan merupakan langkah-langkah dalam mengumpulkan data. Penelitian ini menggunakan teori keaktualisasian diri dari Maslow untuk mejelaskan karakteristik-karakteristik seseorang yang mengaktualisasi diri serta ketidaksempurnan dalam mengaktualisasi diri yang dilihat berdasarkan karakter Sara. Hasil penelitian menunjukkan bahwa dari 15 karateristik seseorang dalam mengaktualisasi diri oleh Maslow, ada 14 karakteristik yang terlihat di karakter Sara, sementara Sara juga memiliki karakter dari ketidaksempurnaan dari mengaktualisasi diri yaitu keras kepala, kekejaman yang tak disangka, dan melupakan kesopanan sosial. Bagaimanapun, peneliti menemukan perwatakan Sara tersebut melalui aspek psokologis dan moral, pengisahan dan perbincangan yang ada di dalam novel.
RATIONALITY VALUE IN JOSTEIN GAARDER’S SOPHIE’S WORLD Rabbiyani, Sari; Kuncara, Singgih Daru; Valiantien, Nita Maya
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 1, No 2 (2017): Edisi April 2017
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (566.32 KB) | DOI: 10.30872/jbssb.v1i2.676

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Abstract The purpose of this study is to find the rationality value as seen in Sophie Amundsen’s character and to know how that rationality value defines her character. This study is categorized as a descriptive qualitative design. The source of data is taken from the Sophie’s World novel by Jostein Gaarder. This study used rationality theory from the rationalist such as Socrates, Plato, and Descartes, with the addition from Suwardi Endraswara and Ranjabar. The result of this research showed that the rationality values found in Sophie’s World novel are reasoning, doubting, and finding the agreement. The most appear rationality value is Sophie’s reasoning. When Sophie accept her lesson about philosophy, she shows her reasoning in case of receive her philosophical lesson. From her reasoning, Sophie’s character changed. Philosophy taught her about thinking rationally, logically, systematic, and critical. Thus, we can see that Sophie Amundsen is a dynamic character. From those three rationality values, Sophie Amundsen becomes thoughtful, skeptic, and has an understanding to others opinion that make her become wiser. Key words: rationality, philosophy, reasoning, doubting, agreement. Abstrak Tujuan penelitian ini adalah menemukan nilai rasionalitas dalam novel Dunia Sophie, serta mengetahui bagaimana nilai rasionalitas tersebut mendefinisikan karakter Sophie Amundsen. Penelitian ini dikategorikan sebagai penelitian kualitatif. Data-data dalam penelitian ini diperoleh dari novel Sophie’s World karya Jostein Gaarder. Penelitian ini menggunakan teori rasionalitas yang diambil dari beberapa filsuf rasionalis seperti Socrates, Plato, dan Descartes, dengan beberapa tambahan dari Suwardi Endraswara dan Ranjabar. Hasil dari penelitian ini menunjukkan nilai rasionalitas yang ditemukan dalam novel Sophie’s World adalah penalaran, keraguan, dan persetujuan. Nilai rasionalitas yang dominan adalah penalaran yang dilakukan oleh Sophie. Ketika Sophie menerima pelajaran tentang filsafat, ia menunjukkan proses penalaran dalam hal menyerap pelajarannya tersebut. Dari penalaran yang sering dilakukannya, karakter Sophie mengalami perubahan. Filsafat menjadikan Sophie dapat berpikir rasional, logis, sistematis, dan kritis, sehingga dapat  kita lihat bahwa Sophie Amundsen adalah karakter yang dinamis. Dari tiga nilai rasionalitas tersebut, Sophie Amundsen menjadi seorang yang penuh pemikiran, skeptis, dan dapat mengerti pendapat orang lain sehingga menjadikannya seorang karakter yang bijak. Kata kunci: rasionalitas, filsafat, penalaran, keraguan, persetujuan
FLOUTING MAXIMS PERFORMED BY THE CHARACTERS IN JACKIE MOVIE: A PRAGMATICS ANALYSIS Jiwalno, Jiwalno; Valiantien, Nita Maya; Setyowati, Ririn
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 4, No 1 (2020): Januari 2020
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (550.107 KB) | DOI: 10.30872/jbssb.v4i1.2790

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The objectives of this research are to find the kinds of flouting maxim in Jackie movie performed by the characters and to find the motivation of the characters in flouting the maxim. This research used a qualitative content analysis approach. The data source of this research was the script of Jackie movie. The data were taken from the dialogues and utterances of the characters that are correlated with flouting maxim. Through the findings of the analysis, there were 24 dialogues containing the flouting maxim. Those data consisted of four kinds of flouting maxim, namely flouting maxim of quality, flouting maxim of quantity, flouting maxim of relation, and flouting maxim of manner. In flouting the maxim, it was found that the characters had an underlying motivation. From four types of motivation which were competitive, convivial, collaborative, and conflictive, the characters within the movie flouted the maxim with only two types of the motivation, namely competitive and collaborative.
ANALYZING SELF-ACTUALIZATION OF JONAS CHARACTER IN THE GIVER NOVEL Rahayuningsih, Herdiana; Sunggingwati, Dyah; Valiantien, Nita Maya
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 3, No 3 (2019): Juli 2019
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (238.461 KB) | DOI: 10.30872/jbssb.v3i3.2208

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This study concerns with Self-Actualization in The Giver novel. Aiming to find the character and personality of Jonas through the Self-Actualization described in the novel. The source of data is taken from The Giver novel by Lois Lowry. This study used Self-Actualization theory by Abraham Maslow. The researchers was employed that Jonas has bravery, sensitive feelings, and intelligence. The results of this research showed that self-actualization found in Jonas are: 1) objective perception, (2) general acceptance of nature, others and oneself, (3) spontaneity, simplicity, and naturalness behaving, (4) needs for privacy and independence, (5) autonomous functioning, (6) freshness of appreciation, (7) mystical or “peak” experiences, (8) concern in social interest, (9) interpersonal relations, (10) recognize discrimination between means and ends, good and evil, (11) present creativeness. When Jonas gets the memories from The Giver, then he shows his self-actualization. The memories open up his mind to think, and to realize that the real world is much beautiful with the difference between one and another. Thus, Jonas is a dynamic character. From Jonas self-actualization, he tries to recognize his own self, develop his ability, his personal uniqueness, and to actualize his potentials as a human being that capable of becoming what he wants to achieve. 
DISCRIMINATION TOWARDS AFRICAN-AMERICAN WOMEN AS PORTRAYED IN HIDDEN FIGURES FILM Haryanti, Regzi Sri; Kuncara, Singgih Daru; Valiantien, Nita Maya
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 3, No 4 (2019): Oktober 2019
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1102.362 KB) | DOI: 10.30872/jbssb.v3i4.2259

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This research analyzed the discrimination issue that happened in Hidden Figures film. The discrimination in the film mostly happened to three main characters in the film, Dorothy Vaughan, Mary Jackson and Kathrine Goble. The purposes of this study are to reveal and explain the types of discrimination that happened to these three African-American women and to understand their responses against it. The researcher used mimetic approach and descriptive qualitative method in this research. The data in this research derived from utterances, actions, and explanation of a situation that has relation to the research questions. Based on the analysis, the researcher found that there were only race/color discrimination and gender discrimination that happened in the story. The discrimination in this film was done by white people against African-American people. The analysis also showed that at first, the victims responded to the discrimination by withdrawal, followed by resign acceptance, and ended by verbal confrontation. In the film, the analysis shows that after verbal confrontation, white people no longer discriminated African-American people for their race or gender. Penelitian ini menganalisis masalah diskriminasi yang terjadi di dalam film Hidden Figures. Diskriminasi di dalam film ini, sebagian besar terjadi kepada tiga karakter utama dalam film yaitu, Dorothy Vaughan, Mary Jackson dan Kathrine Goble. Tujuan dari penelitian ini adalah untuk mengungkapkan dan menjelaskan jenis-jenis diskriminasi apa saja yang terjadi kepada ketiga wanita Afrika-Amerika tersebut dan untuk memahami tanggapan mereka terhadap diskriminasi tersebut. Peneliti menggunakan pendekatan mimetik dan metode deskriptif kualitatif untuk melaksanakan penelitian ini. Data di dalam penelitian ini berasal dari ujaran, tindakan, dan deskripsi akan situasi yang berkaitan dengan rumusan masalah. Berdasarkan hasil analisis, peneliti menemukan bahwa hanya terdapat diskriminasi ras / warna kulit dan diskriminasi jenis kelamin yang terjadi dalam film. Diskriminasi di dalam film ini dilakukan oleh orang kulit putih terhadap orang-orang Afrika-Amerika. Hasil analisis juga menunjukkan bahwa pada awalnya, para korban menanggapi diskriminasi dengan cara menghindari situasi, lalu diikuti dengan penerimaan terhadap diskriminasi, dan diakhiri dengan konfrontasi secara lisan. Di dalam film tersebut, hasil analisis menunjukkan bahwa setelah konfrontasi secara lisan, orang kulit putih tidak lagi membeda-bedakan orang Afrika-Amerika berdasarkan ras atau jenis kelamin mereka.
CHARACTER ANALYSIS OF JACE WAYLAND IN THE MORTAL INSTRUMENTS: CITY OF BONES NOVEL THROUGH HIERARCHY OF HUMAN NEEDS THEORY OF ABRAHAM MASLOW Latifah, Siti Noor; Kuncara, Singgih Daru; Valiantien, Nita Maya
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 3, No 1 (2019): Januari 2019
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (197.875 KB) | DOI: 10.30872/jbssb.v3i1.1498

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ABSTRACTThe objective of this research was to show the process of Jace, the character in The Mortal Instruments: City of Bones novel, in fulfilling his need through Abraham Maslow’s theory about hierarchy of human needs and to describe about his character based on his need. This data used descriptive qualitative research because the data were found in the form of dialogue and narration that will explained about the character. The researcher used The Mortal Instruments: City of Bones novel as the source data. The steps of data collection were reading the novel The Mortal Instruments: City of Bones and understanding about the dialogue and narration that had been shown, then identified the data based on the theory of human needs. Last, the data were arranged based on the research questions. From the finding of this analysis, Jace had fulfilled four needs of human needs by Abraham Maslow. They are physiological need, safety need, love and belongingness need, and esteem need. Meanwhile Jace could not fulfill the last need of self-actualization need because there are some characteristic that he could not get. They are clear perception or reality, acceptance, problem centered, humility and respect, and sense of humor. From analysis based on his needs, it was found that he showed many characters through the needs that he had fulfilled. Keywords: hierarchy of human needs, character, The Mortal Instruments: City of Bones novel  ABSTRAKTujuan dari analisis ini adalah untuk memperlihatkan proses Jace, karakter dalam novel The Mortal Instruments: City of Bones, dalam memenuhi kebutuhannya melalui teori Abraham Maslow tentang tingkatan kebutuhan-kebutuhan manusia dan menjelaskan tentang karakternya berdasarkan kebutuhannya. Analisis ini menggunakan metode penelitian deskriptif kualitatif karena data ditemukan dalam bentuk dialog dan narasi yang akan menjelaskan tentang karakter. Peneliti menggunakan novel The Mortal Instruments: City of Bones sebagai sumber data. Langkah-langkah dalam pengumpulan data adalah membaca novel The Mortal Instruments: City of Bones dan memahami tentang dialog dan narasi yang telah diperlihatkan, kemudian mengidentifikasi data berdasarkan teori kebutuhan-kebutuhan manusia. Terakhir data disusun berdasarkan pertanyaan dari penelitian. Dari analisis ini, Jace telah berhasil memenuhi empat kebutuhan dari kebutuhan-kebutuhan manusia yang dijelaskan oleh Abraham Maslow. Diantaranya kebutuhan fisiologi, kebutuhan akan rasa aman, kebutuhan akan rasa sayang dan memiliki, dan kebutuhan penghargaan. Sementara itu, Jace tidak bisa memenuhi kebutuhan terakhir yaitu kebutuhan aktualisasi diri karena ada beberapa karakteristik dari kebutuhan tersebut yang tidak bisa dipenuhi. Diantaranya pemikiran yang jelas atau kenyataan, penerimaan, pemecah masalah, rendah hati dan menghormati, dan memiliki rasa humor. Dari analisi berdasarkan kebutuhan-kebutuhan Jace, ditemukan bahwa Jace memperlihatkan banyak karakter melalui kebutuhan-kebutuhan yang sudah terpenuhi.  Kata kunci: hierarki kebutuhan manusia, karakter, novel The Mortal Instruments: City of Bones
THE OPPRESSION TOWARDS BLACK FEMALE CHARACTERS AS MAID IN THE HELP NOVEL BY KATHRYN STOCKETT Dominilla, Abigail Flavia; Kuncara, Singgih Daru; Valiantien, Nita Maya
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 4, No 4 (2020): Oktober 2020
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v4i4.3152

Abstract

This research analyzed the oppression issue that happened in The Help novel. The oppression mostly happened to the two main black female characters in the novel, namely Aibileen Clark and Minny Jackson. The purpose of this research is to analyze how the kinds of oppression happened through the postcolonial feminism perspective. To provide deeper analysis, qualitative research is used as the research method. By the analysis, it was found that Aibileen got four kinds of oppression, which are exploitation, marginalization, powerlessness, and cultural imperialism. Whereas Minny Jackson got all the kinds of oppression towards her. These oppressions can be seen through the narration, dialogue, action, thoughts, and physical appearance of the characters. Both of them got the oppression because as the third world women, they were shaped to be inferior towards Miss Hilly, Miss Leefolt as their masters and Leroy as Minny’s husband. Based on the analysis, the researchers concluded that black women experienced double oppression than the first world women, considering not only through their gender but also race and class. Penelitian ini menganalisis masalah penindasan yang terjadi dalam novel The Help. Penindasan sebagian besar terjadi pada dua karakter perempuan kulit hitam utama dalam novel, bernama Aibileen Clark dan Minny Jackson. Tujuan dari penelitian ini adalah untuk menganalisa bagaimana jenis – jenis penindasan terjadi melalui sudut pandang feminism poskolonial. Untuk memberikan analisa yang lebih dalam, penelitian kualitatif digunakan sebagai metode penelitian. Melalui analisa, telah ditemukan bahwa Aibileen mendapatkan empat jenis penindasan, yakni eksploitasi, marginalisasi, ketidakberdayaan, dan imperialisme budaya. Sedangkan Minny Jackson mendapatkan semua jenis penindasan disebabkan. Penindasan ini dapat dilihat melalui narasi, dialog, aksi, pikiran, dan penampilan fisik karakter. Keduanya mendapatkan penindasan karena sebagai perempuan negara ketiga, mereka ditentukan untuk menjadi bawahan terhadap Miss Hilly dan Miss Leefolt sebagai majikan mereka dan Leroy sebagai suami Minny. Berdasarkan analisa, peneliti menyimpulkan bahwa perempuan kulit hitam mengalami penindasan ganda daripada perempuan negara pertama, menimbang tidak hanya melalui jenis kelamin tetapi juga melalui ras dan kelas mereka.
Co-Authors Alamsyah Alamsyah - Alaydrus, Syarifah Fairuz Shafira Alfian Rokhmansyah Alreza, Eko Ridho Andina, Maisyara Andriana, Wahyu Sartika Annisa Fitri, Annisa Aprilia, Wiwin Aries Utomo Arifin, M Bahri Asmara, Tusri Juni Atillah, Widya Barli, Christian Chris Asanti, Chris D, Dahri Dahri Dahlan, Dahri Daynikita Merisabel DESI NATALIA, DESI Dewi Sari, Dewi Dominilla, Abigail Flavia Dyah Sunggingwati Eka Sudirman Fadillah, Alif Fatimah M Giriani, Nella Putri Hajrah, Siti Hanum, Irma Surayya Haryanti, Regzi Sri Hijrah, Nur Hilal, Hikmatul Fajar Syamsu Hilal, Hikmatul Fajar Syamsul Imelda Intan Safitri Indah Sari Lubis, Indah Sari Irni Jiwalno, Jiwalno Jonathan Irene Sartika Dewi Max Julan, Dezelin Brigitha Kartina, Ema Khairun Nisa Kharisma, Angel Latifah, Siti Noor Lifu, Atika Rosita Lifu M, Nur Jannatul M. Natsir Makin, Yohanes Klaudius Bala Marlborizky Dyah Maharanie Wahyono Mawuntu, Arvianda Zefania Muhammad Alim Akbar Nasir Muhammad Natsir Muhammad Natsir Munti, Ayu Haritsa Musthofa, Dwi Nadeak, Magdalena Febriwati Nainggolan, Olleta Vichi Nasrul Ullah Ni'mah, Sofia Nisah, Septiana Hairul Noor Rachmawaty Nurhajar, Ayu Sukma Nurhasanah Putri Wiyani Nurrahma, Virza Mei Utami NURUL AZIZAH Perdana, Yanuarius Rangga Pitaloka, Epifani Putri Rabbiyani, Sari Rahayu, Famala Eka Sanhadi Rahayuningsih, Herdiana Rahmadhani, Fachreza Rahmah, Nor Ririn Setyowati Ririn Setyowati Ristyabudi, Nasywaa Diva Rizkianty, Lana Rasita Safa Rosianah, Rosianah Rubianti, Rubianti Saferi Yohana Samria Sunaryo Sari, Linda Satyawati Surya, Satyawati Setya Ariani Setyoko, Aris Sili, Surya Singgih Daru Kuncara Siti Rohani Sli, Surya Sulistyo Dwi Antoko Sumual, Merciana S. Supiansyah, Selvia Surahman, Dian Purnama Surya Sili Tantri, Agra Liz Tri Puspa Juwita Tri Wulandari Widuri, Dwi Sinta Ayu Yofi Irvan Vivian Yunadi, Akbar Zahratin Nor Zamruddin, Mardliya Pratiwi