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All Journal Litera CaLLs : Journal of Culture, Arts, Literature, and Linguistics Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Proceedings of ISELT FBS Universitas Negeri Padang Journal of English as a Foreign Language Teaching and Research (JEFLTR) Prosiding Seminar Nasional Sastra, Bahasa, dan Seni (Sesanti) Ruhui Rahayu: Jurnal Pengabdian Kepada Masyarakat
Nita Maya Valiantien
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Arts Humanities Education Environmental Science Languange, Linguistic, Communication & Media Social Sciences Other

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THE HERO’S JOURNEY OF MONSTER IN FRANKENSTEIN: OR MODERN PROMETHEUS NOVEL BY MARY SHELLEY Hajrah, Siti; Arifin, M. Bahri; Valiantien, Nita Maya
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 6, No 3 (2022): Juli 2022
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v6i3.6167

Abstract

ABSTRACTThis research focuses on the journey of Monster’s character as the hero in Frankenstein: or Modern Prometheus novel by Mary Shelley. The purposes of this research are to present the extent of plot connected to the hero’s journey of Monster and identify how Monster can be depicted as hero by Joseph Campbell theory. Monomyth or Hero’s Journey theory by Joseph Campbell was used as the main theory to find out the stages of hero’s journey in Monster’s character. The method used in this research is a qualitative method. The data source of this research is a novel entitled Frankenstein: or Modern Prometheus by Mary Shelley. The data are words, sentences, paragraphs, narrations and dialogue that contain the description of the plot and hero’s journey.There are two results of this research. Firstly, it is found that the plot pattern in this novel is connected to the hero’s journey theory. Secondly, it showed that the Monster’s character undergoes all the eleven stages which are in line with Campbell’s Monomyth. These eleven stages are, 1. the call to adventure, 2. refusal of the call, 3. supernatural aid, 4. the crossing of the first threshold, 5. the belly of the whale, 6. the road of trials, 7. atonement with the father, 8. apotheosis, 9. the ultimate boon, 10. refusal of the return and 11. freedom to live. Therefore, this research had concluded that the Monster can be depicted as a hero based on his journey that followed the theories of plot and hero’s journey. Key words:  Hero’s Journey, Plot, the Monster, Frankenstein or Modern Prometheus.  ABSTRAK Penelitian ini berfokus pada karakter monster sebagai pahlawan dalam novel Frankenstein: or Modern Prometheus karya Mary Shelley.Tujuan dari penelitian ini adalah untuk menyajikan sejauh mana plot yang berhubungan dengan perjalanan Monster dan mengidentifikasi bagaimana Monster dapat digambarkan sebagai pahlawan menurut teori Joseph Campbell. Teori Monomyth atau Perjalanan Pahlawan oleh Joseph Campbell digunakan sebagai teori utama untuk mengetahui tahapan perjalanan pahlawan dalam karakter Monster. Metode yang digunakan dalam penelitian ini adalah metode kualitatif. Sumber data penelitian ini adalah novel Frankenstein: or Modern Prometheus karya Mary Shelley. Data berupa kata-kata, kalimat, paragraf, narasi dan dialog yang memuat deskripsi plot dan perjalanan pahlawan. . Ada dua hasil dari penelitian ini. Pertama, ditemukan bahwa pola plot dalam novel ini terkait dengan teori perjalanan pahlawan. Kedua, ini menunjukkan bahwa karakter Monster mengalami kesebelas tahap yang sejalan dengan Campbell's Monomyth. Kesebelas tahapan tersebut adalah, 1. the call to adventure, 2. refusal of the call, 3. supernatural aid, 4. the crossing of the first threshold, 5. the belly of the whale, 6. the road of trials, 7. atonement with the father, 8. apotheosis, 9. the ultimate boon, 10. refusal of the return and 11. freedom to live. Oleh karena itu, penelitian ini menyimpulkan bahwa Monster dapat digambarkan sebagai pahlawan berdasarkan perjalanannya yang mengikuti teori plot dan perjalanan pahlawan.Kata Kunci: Perjalanan Pahlawan, Alur, Monster, Frankenstein or Modern Prometheus.
THE REBELLION BEHAVIOR OF CARRIE WHITE’S CHARACTER IN CARRIE MOVIE (2013) Lifu, Atika Rosita Lifu; Natsir, Muhammad; Valiantien, Nita Maya
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 6, No 3 (2022): Juli 2022
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v6i4.6009

Abstract

The purposes of this research are to found out about the rebellion behavior of Carrie White’s character and how it portrayed through her characterization and also to found out about the resolution of her rebellion behavior in Carrie movie (2013).  The design of this research was qualitative research. The data in this research were from the dialogue, action, scene, and script of the movie which is Carrie movie (2013).  The data were analyzed using the rebellion theory by Arnett and the characterization theory by Kenan. This research has three research questions, the first one is what is the rebellion behavior of Carrie White’s character portrayed in the movie based on Arnett’s adolescent theory?, the second one is how is Carrie White’s rebellion behavior portrayed in the movie through the characterization theory by Rimmon Kenan?, and the last one is what are the resolutions of Carrie White’s rebellion behavior portrayed in the movie?. The result showed that Carrie White has three kinds of rebellion behavior according to the first research question based on Arnetts theory which is the conflict with parents, mood disruption, and risk behavior, and also the second research question that Carrie White characterization was portrayed through Kenan’s theory which is the indirect definition. The resolution of this research is that Carrie White at the end of the movie felt sorry that she had rebelled against her mom. 
THE REPRESENTATION OF CLASS STRUGGLE AS THE RESPONSE OF ALIENATION IN THE GREATES SHOWMAN (2017) FILM Nurrahma, Virza Mei Utami; Valiantien, Nita Maya; Ariani, Setya
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 6, No 4 (2022): Oktober 2022
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v6i4.6648

Abstract

This research aims to describe the class struggle as the response of five variants alienation namely powerlessness, meaninglessness, normlessness, isolation and self-estrangement in The Greatest Showman film. This research also aims to reveal how the alienated characters did the class struggle because of the bad treatment and the unfair action they got then attempted to change their life condition and defend themselves. The data in this qualitative research are words, phrases, and sentences based on dialogues, narrations and monologues that indicated the alienation and class struggle in the film. The findings of this research showed that Barnum as the main character experienced alienation in the form of powerlessness, meaninglessness, normlessness and self-estrangement. Meanwhile, the other characters such as Barnum’s family and the circus members experienced powerlessness, meaninglessness and isolation. The characters of this film also did class struggle by two aspects which are economic and political. From the economic, the alienated people try to improve their living conditions to have a better life and more decent. From the political, the alienated people also struggle against the oppressor and defend their rights by fighting back the people who alienated them.
DECONSTRUCTING THE MAIN CHARACTERS IN KHALED HOSSEINI’S THE KITE RUNNER NOVEL Azizah, Nurul; Kuncara, Singgih Daru; Valiantien, Nita Maya
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 6, No 2 (2022): April 2022
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v6i2.5775

Abstract

This paper discussed the deconstruction of the fixed meaning of the main characters in Khaled Hosseini’s The Kite Runner novel named Amir and Hassan. The purposes of this thesis are to determine how the fixed meaning of Amir and Hassan’s characters is described in the novel and to comprehend how Derrida’s deconstruction theory may help us to find a new meaning of Amir and Hassan’s characters. The research used a descriptive qualitative method and deconstruction approach. Further, the theories that are used in this analysis are the theories of deconstruction from Jacques Derrida and Boggs and Petrie’s theory of characterization. The results of this thesis showed that there are three characteristics of each character that has the opposite meaning. Firstly, Amir’s character was described as someone who has the character of selfish, superior, and coward. But after analyzing deeply, Amir’s character also has the opposite side of his characters, they are: selfless, inferior, and also brave character. Meanwhile, Hassan was described as an uneducated, brave, and good character, but he also has the opposite character. The new meaning of Hassan was described as educated, coward, and bad character.
THE REPRESENTATION OF “THE OTHER” IN ANDREA LEVY’S SMALL ISLAND NOVEL Asmara, Tusri Juni; Lubis, Indah Sari; Valiantien, Nita Maya
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 6, No 2 (2022): April 2022
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v6i2.5774

Abstract

This study examined Small Island novel by Andrea Levy as the object of the research. The aims of this research are to analyze the representation of “the Other” and how it portrayed in Small Island novel. To figure it out, this research used Orientalism theory to see how the orient was represented, especially used Tyson’s developmental theory from Said’s Orientalism as the indicators for the analysis. Moreover, this research used Kenan’s characterization theory to reveal how the representation was portrayed in the novel. This research used descriptive qualitative research method and Post-colonial approach to analyze the social issue of “the Other” that affected by European rules and colonization reflected in the novel. The result of this research shows that there are five negative representations of the orient. Those are difference, inferior, savage, backward, and undeveloped. Those representations were portrayed in two ways; direct and indirect presentation in the way of the character’s speech, external appearance and environment in the story.
CODE MIXING IN SELEB ENGLISH VIDEO CONTENT ON YOUTUBE Wulandari, Tri; Valiantien, Nita Maya; Asanti, Chris
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 5, No 3 (2021): Juli 2021
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v5i3.4050

Abstract

Code mixing usage can easily be found in everyday use for public communication, both in formal and non-formal contexts. In this millennial era, code mixing is commonly found in social media, particularly in YouTube. In Indonesia, the video creators or usually called as YouTubers sometimes mix their languages, and the commonly mixed languages used are Indonesian and English. Considering the previously mentioned phenomena, this research focuses on analyzing and observing the code mixing on YouTube entitled Seleb English by Sacha Stevenson. The researchers applied qualitative method because the data of this study were described by looking at the reality that occurred in the form of oral language. What is more, the data were then analyzed and interpreted objectively in the forms of words and languages. The purposes of this study were to find out the types of code mixing, this was answered by using Muysken’s theory (2000) and in order to determine the reasons of using code mixing, Hoffmans’s theory (1991) was applied. Based on the result of this research, it is found that there are three types of code mixing such as insertion, alternation, and congruent lexicalization. In addition, the researchers found that the reasons of using code mixing in Seleb English are talking about a particular topic, being emphatic about something (express solidarity), interjection, repetition used for clarification, and expressing group identity. Therefore, code mixing as a language phenomenon is not only found in real life, but also in digital context.
PRESUPPOSITION IN “THE WATER HORSE: LEGEND OF THE DEEP (2007)” MOVIE Perdana, Yanuarius Rangga; Surya, Satyawati; Valiantien, Nita Maya
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 6, No 3 (2022): Juli 2022
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v6i3.6318

Abstract

The aim of this research is to find out types of presupposition. Yule’s theory of types of presupposition is used by the researcher to find out and describe the types of presupposition found in “The Water Horse: Legend of the Deep (2007)” movie. The researcher uses descriptive qualitative method. The object of this research is a movie entitled “The Water Horse: Legend of the Deep (2007)” directed by Jay Russell. The data were taken from all scenes including the utterances uttered by speaker and heard by the interlocutors. The data source of this research is the movie script of “The Water Horse: Legend of the Deep (2007)”. In collecting data, the researcher chose the data which are all of the types of presupposition uttered by main characters in the movie. The researcher conducted observation by repeatedly watching, taking notes and classifying utterances for the type of presupposition uttered by the main characters in the movie. The researcher found 4 of 6 Yule’s six types of presupposition theory uttered by the characters in the movie. Those four types of presupposition are 46 utterances of existential presupposition which is the most frequently type uttered by the characters in this research, 11 utterances of structural presupposition, 9 utterances of lexical presupposition and the last least frequently type uttered by the characters is counter-factual presupposition which has 4 utterances only.
An Analysis of Sign Language Features Used by Eliza in the Shape of Water Film Surahman, Dian Purnama; Ariani, Setya; Valiantien, Nita Maya
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 7, No 4 (2023): Oktober 2023
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v7i4.9231

Abstract

This study aims to understand the features of sign language used by Eliza in The Shape of Water film. The researchers analyzed the use of sign language used by a mute adult woman named Elisa based on the film The Shape of Water. This study focuses on the features of sign language used by Elisa to communicate with people in the film. The approach used in this research is the qualitative approach and content analysis design. In conducting this research, the main theory is Sign Language features by Gallaudet. This study found several sign language features used by Elisa to help her communicate, such as hand shape, palm orientation, placement, non-manual features, and hand movement. This research will make people get more understand sign language and how to use sign language, moreover this research could bring awareness to communicating with deaf and mute people.
Teresa's Id, Ego, Superego in James Dashner's The Death Cure Novel (2011) Mawuntu, Arvianda Zefania; Valiantien, Nita Maya; Setyowati, Ririn
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 7, No 2 (2023): Vol 7, No 2 (2023): April 2023
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v7i2.7324

Abstract

ABSTRACTThis thesis discusses about personality of a character named Teresa in a novel entitled The Death Cure by James Dashner by using one of Sigmund Freud's personality theory of id, ego, superego. The researcher uses a qualitative methodology and a psychological approach in this thesis. Furthermore, the theory of factors influencing human personality by Abraham Lahey is also applied to this thesis. The result of this study indicates that the representation of Teresa's personality is grouped into two phases based on the plot of this novel. In the first phase, Teresa has id and ego, however, she does not have the superego. Her id is very strong. Therefore, Teresa’s personality is dominated by the id which makes her ego neglected due to the absence of superego. In the second phase, Teresa has the three of personality structures (id, ego, superego) and those work each other. Moreover, Teresa's personality which is grouped into two phases, the first phase is before memory restoration, and the second phase is after memory restoration, is influenced by external factors or it is known as nurture. Nurture influences Teresa's personality in both phases by identifying at the physical environment and the social environment that is around and experienced by Teresa.Key words: psychoanalysis, id, ego, superego, nurture, Sigmund Freud ABSTRAKPenelitian ini membahas tentang kepribadian seorang karakter bernama Teresa yang ada di dalam sebuah novel karya James Dashner yang berjudul The Death Cure dengan menggunakan salah satu teori kepribadian Sigmund Freud yaitu id, ego, superego. Peneliti menggunakan metodologi kualitatif dan pendekatan psikologis. Selain itu, teori karakterisasi Kenan beserta teori faktor yang mempengaruhi kepribadian manusia oleh Abraham Lahey juga diterapkan pada penelitian ini. Hasil dari penelitian menunjukkan bahwa representasi kepribadian karakter Teresa dikelompokkan ke dalam dua fase berdasarkan alur cerita pada novel tersebut. Pada fase pertama, kepribadian Teresa didominasi oleh id yang membuat egonya kemudian terabaikan yang disebabkan oleh tidak adanya superego yang dimiliki Teresa. Sementara itu, tidak ada struktur kepribadian yang mendominasi kepribadiannya pada fase kedua dikarenakan id, ego, superego Teresa bekerja satu sama lain. Kepribadian Teresa yang dikelompokkan menjadi dua fase, yaitu fase pertama sebelum pemulihan ingatan dan fase kedua setelah pemulihan ingatan, juga dipengaruhi oleh faktor eksternal atau juga yang disebut sebagai nurture. Nurture memengaruhi kepribadian Teresa pada kedua fase tersebut dengan cara mengidentifikasi dari segi lingkungan fisik dan lingkungan sosial yang ada di sekitar dan dialami oleh Teresa.Kata Kunci: psikoanalisis, id, ego, superego, nurture, Sigmund Freud
RACIAL DISCRIMINATION ISSUES AS SHOWN BY SOLOMON AND PATSEY IN 12 YEARS A SLAVE MOVIE Julan, Dezelin Brigitha; Surya, Satyawati; Valiantien, Nita Maya
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 5, No 1 (2021): Januari 2021
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v5i1.3261

Abstract

This study aimed to describe the portrayal of racial discrimination as shown in Solomon and Patsey characters of 12 Years A Slave movie. In order to do so, this study used Allport’s theory of intentional, explicit discrimination focusing on several types of racial discrimination such as verbal antagonism, avoidance, segregation, physical attacks, and extermination. The data used in this study were words in forms of narration, dialogue, and action related to the portrayal of racial discrimination towards Solomon and Patsey characters that were taken from 12 Years A Slave movie script. This study showed that the portrayal of racial discrimination as shown in Solomon and Patsey characters of 12 Years A Slave movie was classified into five types of intentional, explicit discrimination behaviours such as verbal antagonism, avoidance, segregation, physical attacks, and extermination. On one hand, the portrayal of racial discrimination as shown in Solomon character was included as verbal antagonism, avoidance, segregation, physical attacks, and extermination. On the other hand, the portrayal as shown in Patsey character was a bit different since Patsey did not experience any segregation treatment. This study concluded the portrayal of racial discrimination as shown in Solomon and Patsey characters occured as the result of white supremacy ideology as the basis thinking and belief of most white characters in the movie.
Co-Authors Abigail Flavia Dominilla Akbar Yunadi Alamsyah Alamsyah - Alaydrus, Syarifah Fairuz Shafira Alfian Rokhmansyah Andina, Maisyara Annisa Fitri, Annisa Aprilia, Wiwin Aries Utomo Arifin, M Bahri Asmara, Tusri Juni Chris Asanti, Chris Christian Barli D, Dahri Dahri Dahlan, Dahri Daynikita Merisabel DESI NATALIA, DESI Dewi Sari, Dewi Dyah Sunggingwati Eka Sudirman Eko Ridho Alreza Ema Kartina Fadillah, Alif Fatimah M Giriani, Nella Putri Hajrah, Siti Hanum, Irma Surayya Herdiana Rahayuningsih Hilal, Hikmatul Fajar Syamsu Hilal, Hikmatul Fajar Syamsul Imelda Intan Safitri Indah Sari Lubis, Indah Sari Irni Jiwalno Jiwalno Jonathan Irene Sartika Dewi Max Julan, Dezelin Brigitha Khairun Nisa Kharisma, Angel Lifu, Atika Rosita Lifu M, Nur Jannatul M. Natsir M. Natsir M. Natsir M. Natsir Makin, Yohanes Klaudius Bala Marlborizky Dyah Maharanie Wahyono Mawuntu, Arvianda Zefania Muhammad Alim Akbar Nasir Muhammad Natsir Muhammad Natsir Munti, Ayu Haritsa Musthofa, Dwi Nadeak, Magdalena Febriwati Nainggolan, Olleta Vichi Nasrul Ullah Ni'mah, Sofia Nisah, Septiana Hairul Noor Rachmawaty Nor Rahmah Nurhajar, Ayu Sukma Nurhasanah Putri Wiyani Nurrahma, Virza Mei Utami NURUL AZIZAH Perdana, Yanuarius Rangga Pitaloka, Epifani Putri Rahayu, Famala Eka Sanhadi Rahmadhani, Fachreza Regzi Sri Haryanti Ririn Setyowati Ririn Setyowati Ristyabudi, Nasywaa Diva Rizkianty, Lana Rasita Safa Rosianah Rosianah Rubianti, Rubianti Saferi Yohana Samria Sunaryo Sari Rabbiyani Sari, Linda Satyawati Surya, Satyawati Setya Ariani Setyoko, Aris Sili, Surya Singgih Daru Kuncara Siti Noor Latifah Siti Rohani Sli, Surya Sulistyo Dwi Antoko Sumual, Merciana S. Supiansyah, Selvia Surahman, Dian Purnama Surya Sili Surya Sili Tri Puspa Juwita Tri Wulandari Wahyu Sartika Andriana Widuri, Dwi Sinta Ayu Widya Atillah Yofi Irvan Vivian Zahratin Nor Zamruddin, Mardliya Pratiwi