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All Journal Jurnal Sendratasik Humanus: Jurnal ilmiah Ilmu-ilmu Humaniora Gorga : Jurnal Seni Rupa Harmonia: Journal of Research and Education Al Ishlah Jurnal Pendidikan Panggung Gondang: Jurnal Seni dan Budaya Dance and Theatre Review: Jurnal Tari, Teater, dan Wayang Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni JURNAL PENDIDIKAN TAMBUSAI Journal on Education International Journal of Educational Dynamics (IJEDS) Ensiklopedia of Journal Komposisi: Jurnal Pendidikan Bahasa, Sastra, dan Seni International Conference on Languages and Arts Abdi: Jurnal Pengabdian dan Pemberdayaan Masyarakat Jurnal Pendidikan dan Kebudayaan Suluah Bendang: Jurnal Ilmiah Pengabdian Kepada Masyarakat Science and Environmental Journals for Postgraduate Jurnal Manajemen Pendidikan dan Ilmu Sosial (JMPIS) Jurnal Ilmiah Wahana Pendidikan Jurnal Kata : Penelitian tentang ilmu bahasa dan sastra YASIN: Jurnal Pendidikan dan Sosial Budaya Proceeding International Conference on Malay Identity Populer: Jurnal Penelitian Mahasiswa Langgam International Journal of Social Science Education, Art and Culture Journal of Creative Student Research Jurnal Indonesia Sosial Sains Student Scientific Creativity Journal Jurnal Bintang Pendidikan Indonesia Ranah Research : Journal of Multidisciplinary Research and Development Jurnal Kajian dan Penelitian Umum Avant-garde: Jurnal Ilmiah Pendidikan Seni Pertunjukan Seniman: Jurnal Publikasi Desain Komunikasi Visual Cendikia: Jurnal Pendidikan dan Pengajaran Atmosfer: Jurnal Pendidikan, Bahasa, Sastra, Seni, Budaya, Dan Sosial Humaniora Law and Economics Dharma Acariya Nusantara: Jurnal Pendidikan, Bahasa dan Budaya Filosofi: Publikasi Ilmu Komunikasi, Desain, Seni Budaya Jurnal Intelek Dan Cendikiawan Nusantara Jurnal Intelek Insan Cendikia Misterius: Publikasi Ilmu Seni dan Desain Komunikasi Visual Realisasi: Ilmu Pendidikan, Seni Rupa dan Desain Abstrak: Jurnal Kajian Ilmu Seni, Media dan Desain Imajinasi: Jurnal Ilmu Pengetahuan, Seni, dan Teknologi Panggung International Martial Arts and Culture Journal.

Indrayuda Indrayuda

Universitas Negeri Padang

Author-ID : 287208

Religion Arts Humanities Astronomy Biochemistry, Genetics & Molecular Biology Chemical Engineering, Chemistry & Bioengineering Chemistry Civil Engineering, Building, Construction & Architecture Computer Science & IT Decision Sciences, Operations Research & Management Earth & Planetary Sciences Economics, Econometrics & Finance Education Energy Engineering Environmental Science Health Professions Immunology & microbiology Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Materials Science & Nanotechnology Mathematics Medicine & Pharmacology Neuroscience Physics Public Health Social Sciences Transportation Other

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KEBERADAAN DAN PERAN PEREMPUAN DALAM TARI TAMPURUANG DI NAGARI KOTO BARU KABUPATEN SOLOK SELATAN Ningsih, Lisa Wahyu; Indrayuda, Indrayuda; Mansyur, Herlinda
SENDRATASIK UNP Vol 8, No 2 (2019): Seri A Desember 2019
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/jsu.v8i2.106685

AbstractÂ This study aimed to reveal and explain the existence and role of women in the Tampuruang dance in Nagari Koto Baru, South Solok regency. Besides, to reveal the role and reason why there must be a female dancer in the Tampuruang dance performed at the nagari Koto Baru until this time. This type of research was qualitative using descriptive methods. Data were obtained through direct observation and interviews, as well as documentation and literature studies. Data were analyzed based on the approach of Miles and Huberman, namely analyzing the phenomena that occur in Tampuruang dance performance activities and the phenomenon of women in Tampuruang dance. After collecting the data, it was collected, reduced, presented and verified and concluded. The results showed that the presence of women in Tampuruang dance became an important part of the performance. Also, women's activities are not only as dancers but also as musicians. Women are a symbol of sako and pusako holders and as a symbol of Bundo Kanduang, and as manager of internal family matters. Women are the owners of traditional houses that need to be highlighted in welcoming guests to the Koto Baru village. The reason for the need for women in the Tampuruang dance is as a dance icon and as a symbol of kinship matrilineal which symbolizes Bundo Kanduang as manager of household matters.Â Keywords:Â Tampuruang dance, female dancers, and roles.

PEREMPUAN DI MEJA MAKAN Sari, Nurima; Indrayuda, Indrayuda
SENDRATASIK UNP Vol 8, No 1 (2019): Seri C. September 2019
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/jsu.v8i1.105321

AbstractÂ The creation of the dance "Women at the Dining Table" aims to create a creative dance and express an idea of cultivation that departs from the today's issue of women's ethics at dining table. The creation of this dance begins by determining the type of dance object, the object of claim and the place of performance. The instruments used in the creation of dance are the time of the dance target, the production cost of the dance, the concept of cultivation and the process of cultivation. This dance entitled "Women in the Dining Table" is a dramatic type of dance with representational symbolic forms. The dance "Women at the Dining Table" is the artwork inspired by the ethics of todaysâ€™ women at the dining table. Today's eating ethics has not been noticed by women like Minangkabau saying is "sumbang makan". Eating ethics that are not good are caused by the influence and development of the era but as large as anything and as strong as the influence and development of the era, as Minangkabau women must reveal good eating ethics. The dance "Women at the Dining Table" is a dramatic dance with representational symbolic forms that are manifested through motion, stage, makeup, fashion, lighting, and music.Â Keywords: women at dinner table

DAMPAK PENGGUNAAN METODE TUTOR SEBAYA TERHADAP KUALITAS BELAJAR SISWA PADA PEMBELAJARAN TARI DI SMP NEGERI 17 PADANG Annisa, Rizka; Indrayuda, Indrayuda
SENDRATASIK UNP Vol 8, No 2 (2019): Seri A Desember 2019
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/jsu.v8i2.106641

AbstractÂ This study aims to describe the impact of the use of peer tutor method toward the quality of the students learning in dance learning at class VIII.5 in SMP Negeri 17 Padang. This type of study was a qualitative with using descriptive method. The object in this study was the students of class VIII.5 in SMP Negeri 17 Padang that totaling 30 students with material on applying floor patterns to dance moves. The main instrument in this study was the researcher and it was assisted by using supporting instruments such as observation sheets, notebooks, and camera. These types of data used primary data and secondary data. Techniques of data collection were carried out by doing observation, interview, literature study and documentation. Data was analyzed with some steps, namely collecting, reducting; displaying; and verificating data. The result shows that the use of the peer tutor method in dance learning at class VIII. 5 is well done. The result is achieved by the students from the daily test scores that 96% of the students have completed in learning material about the application of the floor pattern to dance moves. This proves that the impact of the use of peer tutor method can improve the quality of the student learning in dance learning in SMP Negeri 17 Padang. Although there are problems in learning to practice the dance moves, the teacher who teaches still has a solution for the students so that the quality of the student learning still improves good results.Â Keywords: Peer Tutor Method, Learning Quality, and Dance Learning.

RENDAHNYA DAYA SERAP SISWA TERHADAP BUKU PAKET SENI BUDAYA BERDAMPAK PADA KUALITAS BELAJAR PADA MATA PELAJARAN SENI TARI DI SMP NEGERI 1 PARIAMAN Novelis, Puput; Indrayuda, Indrayuda; Sudarman, Yos
SENDRATASIK UNP Vol 8, No 1 (2019): Seri D. September 2019
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/jsu.v8i1.105529

AbstractÂ This article aims to explain how the low impact of students ' absorption in the package book on the quality of learning in SMP Negeri 1 Pariaman. This type of research is qualitative research. The main instrument in this research is its own researchers and assisted with supporting instruments such as stationery, dance music and cameras. Data types use primary data and secondary data. Data collection techniques are done by observation, interviews and documentation. The steps in analyzing data are grouping data, analyzing data, describing data and creating reports. The results showed that students in grade VII. 2 have not been able to understand learning by using the package book so that students have not been able to achieve the learning process well. The low power of grade VII. 2 students in cultural art packages has an impact on the quality of student learning in dance art. This is evidenced after students have participated in learning and have not had a high desire so that the creativity of students is lacking in the spirit of learning about the book art package culture in dance learning. Lack of creativity teachers in the processing of materials that will be delivered to the students, so that the information received by students can not be absorbed in the scienceÂ Keywords: low-power students, book art package culture, quality learning art dance

PERKEMBANGAN TARI ILAU KREASI DI KENAGARIAN SALAYO KECAMATAN KUBUNG KABUPATEN SOLOK Endang Nuryani; Indrayuda Indrayuda; Herlinda Mansyur
SENDRATASIK UNP Vol 4, No 2 (2015)
Publisher : FBS Universitas Negeri Padang

Abstract This article aims to reveal and explain the impact of exploration methods for learning local dance elapsed areas. This research is a qualitative descriptive method. Data obtained by direct observation and interviews. Data were analyzed based on the phenomena that occur in learning, to interpret the relationship between the phenomena occurring in the learning. The results showed, exploratory methods in teaching dance at resulted in increased imagination and creative power and ability of the students in the birth of new motifs from local dance movement. Another impact is that students feel they have freedom of expression, and is able to explore the body with improvisation, so that ideas can create new movement patterns are used for local dance lessons. Keywords: Ilau Dance Creation and development.

TINJAUAN KOREOGRAFI TARI SAMBUT SEBIDUK SEHALUAN DI MARTAPURA KABUPATEN OKU TIMUR SUMATERA SELATAN Rahmi Ul Fadhilah; Indrayuda Indrayuda; Herlinda Mansyur
SENDRATASIK UNP Vol 7, No 3 (2018)
Publisher : FBS Universitas Negeri Padang

AbstractThis article aimed to describe the choreography of Sambut Sebiduk Sehaluan dance in Martapura, East OKU Regency, South Sumatera.This research was conducted by using descriptive analysis of qualitative design. There were primary and secondary data. The object of the research was Sambut Sebiduk Sehaluan dance in Martapura. The main instrument was the researcher herself and the additional instruments were stationary and camera. The data were collected through library research, observation, interview and documentation. The data were analyzed based on the following theory: data collection, data reduction, interpretation, and making inference. The result showed that the analysis was seen from the form and the content of the dance. The form of the dance included the dancers (5female dancers), movement (15 original motives), floor pattern (straight line and V straight line), top design (dominated by the low-top design), group composition (simultaneously and alternately), music (kulintang tanjung kemala), costume and make-up (baju kurung and red songket of Tanjung Batu; beautiful make-up). The content included: idea of Sambut Sebiduk Sehaluan was created in order to greet special guests visiting Martapura and atmosphere of this dance were happiness, peace and elegance. Keywords: review of Dance choreography, Greet Sebiduk Favors

AKTIVITAS BELAJAR SISWA DALAM PEMBELAJARAN SENI MUSIK DI SMP NEGERI 3 PADANG PANJANG Junita Fitri; Indrayuda Indrayuda; Tulus Handra Kadir
SENDRATASIK UNP Vol 2, No 1 (2013): Seri A
Publisher : FBS Universitas Negeri Padang

Abstract The purpose of this research was to describe some causes of why the students of VIII.2 at SMPN 3 Padang Panjang were not involved actively in the classroom activities. The data were in the form of observations on the music learning and interviews with the teacher and students of VIII.2. The data were collected through a literature study, observations, interviews, and documentations. The result of this research has proven that the main cause of why the students of VIII.2 at SMPN 3 Padang Panjang were not involved actively in the classroom activities was the teacher. The teacher could not create a good learning process in which students could participate actively. Besides, the capability of the teacher was also inadequate. Kata kunci: aktivitas, interaksi, kapabilitas, siswa

KREATIVITAS TARI BERBASIS LINGKUNGAN PADA KEGIATAN PENGEMBANGAN DIRI DI SMP PEMBANGUNAN LABORATORIUM UNP Regia Amelia Putri; Fuji Astuti; Indrayuda Indrayuda
SENDRATASIK UNP Vol 7, No 2 (2018)
Publisher : FBS Universitas Negeri Padang

AbstractThis study aimed: (1) to desribe the process of creation dance training based on environment in self-development activity at SMP Pembangunan Laboratorium UNP, (2) to describe the result of dance training based on environment in extracurricular activity in self-development activity in SMP Pembangunan Laboratorium UNP. The type of this study was qualitative with analytical descriptive method. In this dance arts based on environment on self-Improvement activity in SMP Pembangunan Laboratorium UNP, the dance training was done by using some steps, they were: (1) using auditif visual stimulation, (2) determining type of dance, (3) improvising gesture (4) evaluating the improvisation of students gesture, (5) selecting and doing rarefaction of students gesture. This training was done with some ways: (1) giving, introducing and understanding of nature and environment, (2) describing elements which exist in environment, (3) finding idea of dance based on participatory environment, (4) students found dance theme which divided into two groups, cleanness and afforestation groups, (5) eksploring dance gesture based on environment. Students who attended the self-development of dance were 13 of students. The result of this study showed that the dance training based on participatory environment on self-Improvement activity at SMP Pembangunan Laboratorium UNP was implemented properly. The creation dance consisted of two dances, namely the dance of prohibition of took out trash carelessly and the dance of afforestation. This creation dance training based on participatory environment showed the result that students creativity in producing creative and innovative dance were confirmed, With this dance arts, the effort to save the environment and the continuous development could be helped and also the rarefection and sensitivity of the students also begun to be trained.Keywords: Dance creation, environment, self-development

PEUBAHAN BENTUK TARI PIRIANG RANTAK TAPI DI NAGARI PITALAH KABUPATEN TANAH DATAR Nela Majesti; Indrayuda Indrayuda; Darmawati Darmawati
SENDRATASIK UNP Vol 3, No 3 (2014): Seri A
Publisher : FBS Universitas Negeri Padang

Abstract This article was aimed at describing the changes on the form of Piriang Rantak Tapi dance in Nagari Pitalah Kecamatan Batipuh Kabupaten Tanah Datar. This research applied descriptive methud the data was collected though library study, observation, interview and documentation. The result of the research indicated that Piriang Rantak Tapi dance got changes in 1991. The changes was affected by the social and culture factors. They occurred on the dance form including (a) the structural form of movement, (b) the form of music, (c) custom, (d) properties and (e) time. The second change occure on the place of the show and the third cange was on the events precenting Piriang Rantak Tapi dance, such as in a traditional festival, in a wedding party and some accasions held by the tourism department. Kata Kunci: Perubahan Bentuk, Tari Piriang Rantak Tapi, Nagari Pitalah.

Prestasi Sanggar Rumah Gadang Sebagai Sebuah Organisasi Seni Pertunjukan Di Nagari Cupak Kabupaten Solok: Kajian Terhadap Tata Kelola Organisasi Della Natasia Gunita Piska; Indrayuda Indrayuda
SENDRATASIK UNP Vol 9, No 2 (2020)
Publisher : FBS Universitas Negeri Padang

This research aims to describe and explain the governance of the organization of Rumah Gadang Dance Art in managing the order well to be able to achieve achievement both national and international so that it remains exist and survive to date. This type of research is qualitative research with a descriptive method. The main instrument in this research is its own researchers and assisted with supporting instruments such as notebooks, note taking tools, video cameras, photo cameras, and tape recorders. The data types in this study are primary data and secondary data. Data collection techniques are conducted by way of library studies, observation, interviews, documentation. The steps for analyzing data are data reduction, data presentation and withdrawal of conclusions. The results showed that the governance of the organization run by Sanggar Rumah Gadang can run well so that it produces good achievements. The research is included in a line organization (a form of organization where direct authority delegation is vertically and completely from leadership to its subordinates). The advantage of the line organization, all decisions can be resolved directly because in a particular situation the leader becomes one of the main targets in problem solving. Disadvantages of the line organization, if there is an issue or problem can not be resolved quickly because the leader is not in place. Thus the governance of the line Oganisasi to solve the problem or problems in the workshop, the head of the workshop became the first person to complete and resolve the issue.

Co-Authors Abdullah, Nagoor Meeara Afiatri Gelurena Afifah Asriati Agustina Agustina Agustina Ahmad Damhuri Aksara, Anggi Al-Syurgawi, Dahlia Alfhina Wahyu Rahmadaniah Amellia, Marisa Angge Pratiwi Vitri Anugrah Prima Insani Ardipal Ardipal Ariep Bijaksana Astutu, Fuji Aysah Nur Rahma Ayu Nara Sati Aziz, Nur Azizah Abdul Bunga Lovesky Bunga Maharani Bunga Naselia Chelina Dewi Dara Ardilla Darmawati Darmawati Darmawati Darmawati Dede Putri Perdani Della Natasia Gunita Piska Dendi Chairi Desfiarni Desfiarni Dewi Fiolinda Dibba Gazwami Diye Chania Dwi Witri Anggraini Efriyanti, Dian Rahma Eke Febrianti Elida elida elida Ella Miftah Aulia Endang Nuryani Esy Maestro Eva Pauziah Fadhila Saktia Feby Try Rahmanda Fingki Novi Arsita Fitrah Hayati Fitri, Levina Frisilia Yulisianti Fuby Candani Fuji Astuti Fuji Astuti Fuji Astuti Geby Citra Arifin Gitmiwati Gitmiwati Gusnia hadi, Harisnal Hafizatul Ismi Hana Shilfia Iraqi Handayani, Bella Fitri Hasanuddin WS Helfira Helfira Hendri Yusuf Herlinda Mansyur Hestilia, Wina Hidayatunnisa Hidayatunnisa Husna Febri Andika Putri I Made Sukartha Idol Fatria Ildiea Fitri Indah Novita Sari Indri Mayangsari Intan Milanda Intan Sani Ashari Junita Fitri Kassim, Rezian-na Muhammed Lanifa, Rani Lidya Indrawati Liza Azoni Lola Murnianti Maidilla Siska Putri Mardiana - Marzam Marzam Marzam Marzam Maya Endah Rahayu Meisa Adila Meizul Ofriananda Mia Fahmiati Miftahul Rizka Mohd. Effindi Samsudin Muhammad Afif Nashiwa Natania Salsabilla Nawai, Nasru Syazwan Nela Majesti Nerosti Nia Putri Jelita Nia Rahmadani Niken Ayu Astuti Nindi Aulia Safira Ningsih, Lisa Wahyu Nor, Mohad Anizu Mohd Novelis, Puput Nurhana Nurhana Nurul Annisa Syafwan Nurul Intan Pratiwi Oktania, Rahma Pebrina Sapitri Poppy Lisafri Yolanda Prihan Pangemba Puti Aryanti Soleha Putri Amriana Putri Aulia Rahmawati Putri Novrialni Putri Yunengsih Putri, Clara Putri, Resha Gustina Quinta Dianda Voneline Radisma Suziyanti Rahim, Mohamad Rahizam Abdul Rahmadani, Fauziah Rahmadani, Sherina Pasma Rahmat Adriyanto Rahmat Hidayat Rahmi Ul Fadhilah Raju Gunawan Rama Dona E Rana Arisma Valeves Rani, Destia Ranti Lestari Ratih Riau Khasanah Raudhatul Fadillah Regia Amelia Putri Resha Gustina Putri Reza Trinanda Rini Suardi Rita Syofyan Rizka Annisa Rizka Janarsi Rizki Kurniaty Samsuddin, Mohd Effindi Samsudin, Hazim Sandika Sadema, Ayu Sari, Maya Novita Sari, Nurima Sevi Sovia Shamsuddin, Mohd Effindi Bin Shapie, Muhamad Nizam Mohamad Shinta Jayanti Shintia, Newahyu Jamalika Silvani, Shindy Siti Aisyah Jasmin SITI KHODIJAH Sonia, Uthi Sri Muryenti Suci Okta Rahmadani Susi Evanita Susi Evanita Susmiarti Syafitri, Mahdalena Syafriandi Syafriandi Syahrel Syahrel Syofyan, Rita Tiara Virginia Aulia Tulus Handra Kadir Tuttriana Tuttriana Ukie Winaranti Vincent Parnabas Virginia Aulia, Tiara Viska Nanggita Vuja Syafrianti Alhidayah Wahyuni, Irfi Sri Widya Novitri Wilya Aryana Putri Wina Hestilia Wina Hestilia Windi Novrianti Yeni Yeni Yenni Rahmah Yoni Sesilia Yos Sudarman Yosi Dwi Zulniati Yuliasma Yuliasma Yusman, Ahmad Fauzan Zora Iriani Zul Asri Zul Fahmi

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